Directions in music by Miles Davis: using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
2018
|
| Subjects: | |
| ISSN: | 0040-165X |
Staff View
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV045467325 | ||
| 003 | DE-604 | ||
| 005 | 20190220 | ||
| 007 | t | ||
| 008 | 190218s2018 |||| 00||| eng d | ||
| 035 | |a (OCoLC)1088351058 | ||
| 035 | |a (DE-599)BVBBV045467325 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-210 | ||
| 100 | 1 | |a Zagorski-Thomas, Simon |e Verfasser |0 (DE-588)1033717487 |4 aut | |
| 245 | 1 | 0 | |a Directions in music by Miles Davis |b using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew |c Simon Zagorski-Thomas |
| 264 | 1 | |c 2018 | |
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 600 | 1 | 7 | |a Davis, Miles |d 1926-1991 |t Bitches Brew |0 (DE-588)7691877-4 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Macero, Teo |d 1925-2008 |0 (DE-588)134451236 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikproduktion |0 (DE-588)4235850-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Actor-Network-Theory |0 (DE-588)7539965-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Mikrofonaufnahme |0 (DE-588)4197408-6 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Davis, Miles |d 1926-1991 |t Bitches Brew |0 (DE-588)7691877-4 |D u |
| 689 | 0 | 1 | |a Macero, Teo |d 1925-2008 |0 (DE-588)134451236 |D p |
| 689 | 0 | 2 | |a Mikrofonaufnahme |0 (DE-588)4197408-6 |D s |
| 689 | 0 | 3 | |a Actor-Network-Theory |0 (DE-588)7539965-9 |D s |
| 689 | 0 | 4 | |a Musikproduktion |0 (DE-588)4235850-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 773 | 1 | 8 | |g volume:59 |g number:4 |g year:2018 |g pages:850-874 |
| 773 | 0 | 8 | |t Technology and culture |d Baltimore, Md., 1960- |g Volume 59, Number 4, October 2018, Seite 850-874 |w (DE-604)BV002684420 |x 0040-165X |o (DE-600)128698-5 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-030852504 | ||
| 941 | |b 59 |h 4 |j 2018 |s 850-874 | ||
Record in the Search Index
| _version_ | 1804179382052323329 |
|---|---|
| any_adam_object | |
| article_link | (DE-604)BV002684420 |
| author | Zagorski-Thomas, Simon |
| author_GND | (DE-588)1033717487 |
| author_facet | Zagorski-Thomas, Simon |
| author_role | aut |
| author_sort | Zagorski-Thomas, Simon |
| author_variant | s z t szt |
| building | Verbundindex |
| bvnumber | BV045467325 |
| ctrlnum | (OCoLC)1088351058 (DE-599)BVBBV045467325 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01718naa a2200397 c 4500</leader><controlfield tag="001">BV045467325</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190220 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">190218s2018 |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1088351058</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045467325</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-210</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Zagorski-Thomas, Simon</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1033717487</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Directions in music by Miles Davis</subfield><subfield code="b">using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew</subfield><subfield code="c">Simon Zagorski-Thomas</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2018</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Davis, Miles</subfield><subfield code="d">1926-1991</subfield><subfield code="t">Bitches Brew</subfield><subfield code="0">(DE-588)7691877-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Macero, Teo</subfield><subfield code="d">1925-2008</subfield><subfield code="0">(DE-588)134451236</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikproduktion</subfield><subfield code="0">(DE-588)4235850-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Actor-Network-Theory</subfield><subfield code="0">(DE-588)7539965-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Mikrofonaufnahme</subfield><subfield code="0">(DE-588)4197408-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Davis, Miles</subfield><subfield code="d">1926-1991</subfield><subfield code="t">Bitches Brew</subfield><subfield code="0">(DE-588)7691877-4</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Macero, Teo</subfield><subfield code="d">1925-2008</subfield><subfield code="0">(DE-588)134451236</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Mikrofonaufnahme</subfield><subfield code="0">(DE-588)4197408-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Actor-Network-Theory</subfield><subfield code="0">(DE-588)7539965-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Musikproduktion</subfield><subfield code="0">(DE-588)4235850-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:59</subfield><subfield code="g">number:4</subfield><subfield code="g">year:2018</subfield><subfield code="g">pages:850-874</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Technology and culture</subfield><subfield code="d">Baltimore, Md., 1960-</subfield><subfield code="g">Volume 59, Number 4, October 2018, Seite 850-874</subfield><subfield code="w">(DE-604)BV002684420</subfield><subfield code="x">0040-165X</subfield><subfield code="o">(DE-600)128698-5</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030852504</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="b">59</subfield><subfield code="h">4</subfield><subfield code="j">2018</subfield><subfield code="s">850-874</subfield></datafield></record></collection> |
| id | DE-604.BV045467325 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:18:50Z |
| institution | BVB |
| issn | 0040-165X |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030852504 |
| oclc_num | 1088351058 |
| open_access_boolean | |
| owner | DE-210 |
| owner_facet | DE-210 |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| record_format | marc |
| spelling | Zagorski-Thomas, Simon Verfasser (DE-588)1033717487 aut Directions in music by Miles Davis using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew Simon Zagorski-Thomas 2018 txt rdacontent n rdamedia nc rdacarrier Davis, Miles 1926-1991 Bitches Brew (DE-588)7691877-4 gnd rswk-swf Macero, Teo 1925-2008 (DE-588)134451236 gnd rswk-swf Musikproduktion (DE-588)4235850-4 gnd rswk-swf Actor-Network-Theory (DE-588)7539965-9 gnd rswk-swf Mikrofonaufnahme (DE-588)4197408-6 gnd rswk-swf Davis, Miles 1926-1991 Bitches Brew (DE-588)7691877-4 u Macero, Teo 1925-2008 (DE-588)134451236 p Mikrofonaufnahme (DE-588)4197408-6 s Actor-Network-Theory (DE-588)7539965-9 s Musikproduktion (DE-588)4235850-4 s DE-604 volume:59 number:4 year:2018 pages:850-874 Technology and culture Baltimore, Md., 1960- Volume 59, Number 4, October 2018, Seite 850-874 (DE-604)BV002684420 0040-165X (DE-600)128698-5 |
| spellingShingle | Zagorski-Thomas, Simon Directions in music by Miles Davis using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew Davis, Miles 1926-1991 Bitches Brew (DE-588)7691877-4 gnd Macero, Teo 1925-2008 (DE-588)134451236 gnd Musikproduktion (DE-588)4235850-4 gnd Actor-Network-Theory (DE-588)7539965-9 gnd Mikrofonaufnahme (DE-588)4197408-6 gnd |
| subject_GND | (DE-588)7691877-4 (DE-588)134451236 (DE-588)4235850-4 (DE-588)7539965-9 (DE-588)4197408-6 |
| title | Directions in music by Miles Davis using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew |
| title_auth | Directions in music by Miles Davis using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew |
| title_exact_search | Directions in music by Miles Davis using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew |
| title_full | Directions in music by Miles Davis using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew Simon Zagorski-Thomas |
| title_fullStr | Directions in music by Miles Davis using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew Simon Zagorski-Thomas |
| title_full_unstemmed | Directions in music by Miles Davis using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew Simon Zagorski-Thomas |
| title_short | Directions in music by Miles Davis |
| title_sort | directions in music by miles davis using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in bitches brew |
| title_sub | using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew |
| topic | Davis, Miles 1926-1991 Bitches Brew (DE-588)7691877-4 gnd Macero, Teo 1925-2008 (DE-588)134451236 gnd Musikproduktion (DE-588)4235850-4 gnd Actor-Network-Theory (DE-588)7539965-9 gnd Mikrofonaufnahme (DE-588)4197408-6 gnd |
| topic_facet | Davis, Miles 1926-1991 Bitches Brew Macero, Teo 1925-2008 Musikproduktion Actor-Network-Theory Mikrofonaufnahme |
| work_keys_str_mv | AT zagorskithomassimon directionsinmusicbymilesdavisusingtheecologicalapproachtoperceptionandembodiedcognitiontoanalyzethecreativeuseofrecordingtechnologyinbitchesbrew |