Directions in music by Miles Davis: using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2018
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| Schlagworte: | |
| ISSN: | 0040-165X |
Internformat
MARC
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| 245 | 1 | 0 | |a Directions in music by Miles Davis |b using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew |c Simon Zagorski-Thomas |
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Datensatz im Suchindex
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| spelling | Zagorski-Thomas, Simon Verfasser (DE-588)1033717487 aut Directions in music by Miles Davis using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew Simon Zagorski-Thomas 2018 txt rdacontent n rdamedia nc rdacarrier Davis, Miles 1926-1991 Bitches Brew (DE-588)7691877-4 gnd rswk-swf Macero, Teo 1925-2008 (DE-588)134451236 gnd rswk-swf Musikproduktion (DE-588)4235850-4 gnd rswk-swf Actor-Network-Theory (DE-588)7539965-9 gnd rswk-swf Mikrofonaufnahme (DE-588)4197408-6 gnd rswk-swf Davis, Miles 1926-1991 Bitches Brew (DE-588)7691877-4 u Macero, Teo 1925-2008 (DE-588)134451236 p Mikrofonaufnahme (DE-588)4197408-6 s Actor-Network-Theory (DE-588)7539965-9 s Musikproduktion (DE-588)4235850-4 s DE-604 volume:59 number:4 year:2018 pages:850-874 Technology and culture Baltimore, Md., 1960- Volume 59, Number 4, October 2018, Seite 850-874 (DE-604)BV002684420 0040-165X (DE-600)128698-5 |
| spellingShingle | Zagorski-Thomas, Simon Directions in music by Miles Davis using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew Davis, Miles 1926-1991 Bitches Brew (DE-588)7691877-4 gnd Macero, Teo 1925-2008 (DE-588)134451236 gnd Musikproduktion (DE-588)4235850-4 gnd Actor-Network-Theory (DE-588)7539965-9 gnd Mikrofonaufnahme (DE-588)4197408-6 gnd |
| subject_GND | (DE-588)7691877-4 (DE-588)134451236 (DE-588)4235850-4 (DE-588)7539965-9 (DE-588)4197408-6 |
| title | Directions in music by Miles Davis using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew |
| title_auth | Directions in music by Miles Davis using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew |
| title_exact_search | Directions in music by Miles Davis using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew |
| title_full | Directions in music by Miles Davis using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew Simon Zagorski-Thomas |
| title_fullStr | Directions in music by Miles Davis using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew Simon Zagorski-Thomas |
| title_full_unstemmed | Directions in music by Miles Davis using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew Simon Zagorski-Thomas |
| title_short | Directions in music by Miles Davis |
| title_sort | directions in music by miles davis using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in bitches brew |
| title_sub | using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in Bitches Brew |
| topic | Davis, Miles 1926-1991 Bitches Brew (DE-588)7691877-4 gnd Macero, Teo 1925-2008 (DE-588)134451236 gnd Musikproduktion (DE-588)4235850-4 gnd Actor-Network-Theory (DE-588)7539965-9 gnd Mikrofonaufnahme (DE-588)4197408-6 gnd |
| topic_facet | Davis, Miles 1926-1991 Bitches Brew Macero, Teo 1925-2008 Musikproduktion Actor-Network-Theory Mikrofonaufnahme |
| work_keys_str_mv | AT zagorskithomassimon directionsinmusicbymilesdavisusingtheecologicalapproachtoperceptionandembodiedcognitiontoanalyzethecreativeuseofrecordingtechnologyinbitchesbrew |