Music and theology in the European Reformations:
A multidisciplinary collection of twenty essays that examine the debates and controversies around music and theology during the period of the European Reformations from both Catholic and various Protestant perspectives. Throughout the history of the Church, music has regularly been placed under the...
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| Sprache: | English |
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| Schriftenreihe: | Épitome musical
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| Zusammenfassung: | A multidisciplinary collection of twenty essays that examine the debates and controversies around music and theology during the period of the European Reformations from both Catholic and various Protestant perspectives. Throughout the history of the Church, music has regularly been placed under the critical microscope. Nonetheless, the intensity of thought concerning music's role in the liturgy and in spiritual life in general reached a peak during the period of the European Reformations. This multidisciplinary collection examines the debates and controversies around music and theology during that time from both Catholic and various Protestant perspectives. It includes twenty essays from musicologists, theologians, Biblical scholars, and Church historians that attempt to answer the following questions: What difference did the theological and ecclesiological developments of the sixteenth century make to musical forms and practices? What continuities of practice existed with former times? How was the desire to restore the church to an imagined pristine state manifest in music and liturgy? How did developments in exegesis arising from the massively increased knowledge and access to the Bible in Hebrew and Greek affect the way composers wrote and congregations heard? Why did some reformers embrace music, while others rejected it? |
| Beschreibung: | 500 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9782503582269 |
| DOI: | 10.11588/frrec.2020.2.73289 |
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| 520 | 3 | |a A multidisciplinary collection of twenty essays that examine the debates and controversies around music and theology during the period of the European Reformations from both Catholic and various Protestant perspectives. Throughout the history of the Church, music has regularly been placed under the critical microscope. Nonetheless, the intensity of thought concerning music's role in the liturgy and in spiritual life in general reached a peak during the period of the European Reformations. This multidisciplinary collection examines the debates and controversies around music and theology during that time from both Catholic and various Protestant perspectives. It includes twenty essays from musicologists, theologians, Biblical scholars, and Church historians that attempt to answer the following questions: What difference did the theological and ecclesiological developments of the sixteenth century make to musical forms and practices? What continuities of practice existed with former times? How was the desire to restore the church to an imagined pristine state manifest in music and liturgy? How did developments in exegesis arising from the massively increased knowledge and access to the Bible in Hebrew and Greek affect the way composers wrote and congregations heard? Why did some reformers embrace music, while others rejected it? | |
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Datensatz im Suchindex
| _version_ | 1804179381838413825 |
|---|---|
| adam_text | Contents
Figures 9
Tables 13
Musical examples 15
Abbreviations 17
Contributors 19
Music, Theology, and the European Reformations 25
DavidJ. Burn and Grantley McDonald
Medieval Heritage
Music, Heretics, and Reformers 35
Daniel Trocme-Latter
Sibyls and their Oracles in Christian Literature
from Hermas to Lassus 61
Henk Jan de Jonge
Contents
Sibylline Prophecies and Christmas Songs in Music in
Sixteenth-Century France:
From Theology to Politics and Controversy 95
Marie-Alexis Colin
Lutheran Germany
“Geistliche, liebliche Lieder”: In Search of Aesthetic Criteria
for Music in Luther’s Theology 141
Miikka Anttila
In Search of “Lutheran” Music in Post-Reformation Germany:
Aspects of Transmission and Repertoire 149
Thomas Schmidt
Vos ad se pueri:
Exegesis, Learning, and Piety in Lutheran School Songs
1521-c. 1650 191
Mattias Lundberg
“Das ist eine harte Rede; wer kann sie hören?”:
The Lutheran Copies of Josquin’s Missa lingua
Alanna Ropchock Tierno
Music in David Chytraeus’s In Deuteronomium Mosis
enarratio (1575) 233
Inga Mai Groote
6
Contents
Image and Identity
Leonhard Paminger’s Public Image 253
DavidJ. Burn and Grantley McDonald
Printing, Politics, and Power: Music Publishing in
Early Seventeenth-Century Bi-confessional Frankfurt 283
Elisabeth Giselbrecht
Kirchen Cron or Baalsfeldzeichen7The Organ as a Sign of
Confessional Identity, 1560-1660 307
Sarah Davies
Reformation and Counter-Reformation
in European Perspective
“Canti figurati che sogliono reiassare il spirito et la vera
osservanza”: Music in Italian Nunneries after the
Council of Trent 343
GioiaFilocamo
New Sins for New Sounds? A Casuistic View of
French Renaissance Music 359
Xavier Bisarof
Janequin and Theology 375
Frank Dobbins f
7
Contents
Continuity and Change: The Official Danish Lutheran Gradual
of Niels Jespersson (1573) 399
Nils Holger Petersen
Singing, Prayer, and Sacrifice: The Neo-Platonic Revival of
Musics humans in the Swiss Reformation 413
Hyun-Ah Kim
The Strasbourg Psalter (1537/38): A ‘«Missing Link” for
European Hymnology? 437
Beat Fôllmi
Out of Place? The Role of Music in English Seminaries
During the Late Sixteenth and Early Seventeenth
Centuries 455
Andrew Cichy
Blind Spot or Lasting Trace? (Post-)Victorian Perceptions of
the Henrician Reformation 470
Peter Malisse
Abstracts 491
8
THROUGHOUT THE HISTORY
OF
THE
CHURCH,
MUSIC
HAS
REGULARLY
BEEN PLACED UNDER
THE
CRITICAL
MICROSCOPE. NONETHELESS, THE INTENSITY OF
THOUGHT
CONCERNING
MUSIC S
ROLE
IN
THE
LITURGY
AND
IN
SPIRITUAL
LIFE IN
GENERAL REACHED
A
PEAK DURING
THE PERIOD
OF
THE EUROPEAN REFORMATIONS.
THIS
MULTIDISCIPLINARY
COLLECTION
EXAMINES THE
DEBATES
AND CONTROVERSIES AROUND MUSIC AND THEOLOGY DURING
THAT
TIME FROM BOTH CATHOLIC AND VARIOUS PROTESTANT PERSPECTIVES. IT
INCLUDES TWENTY ESSAYS FROM MUSICOLOGIST, THEOLOGIANS,
BIBLICAL
SCHOLARS,
AND CHURCH HISTORIANS
THAT
ATTEMPT
TO ANSWER THE FOLLOWING QUESTIONS:
WHAT
DIFFERENCE DID THE THEOLOGICAL AND
ECCLESIOLOGICAL
DEVELOPMENTS
OF
THE
SIXTEENTH CENTURY MAKE TO MUSICAL FORMS AND PRACTICES? WHAT CONTINUITIES
OF
PRACTICE EXISTED
WITH
FORMER TIMES? HOW WAS THE DESIRE TO RESTORE THE
CHURCH
TO AN IMAGINED PRISTINE
STATE
MANIFEST
IN
MUSIC
AND
LITURGY?
HOW DID
DEVELOPMENTS
IN
EXEGESIS
ARISING
FROM THE
MASSIVELY
INCREASED KNOWLEDGE OF
AND
ACCESS
TO THE
BIBLE IN
HEBREW AND
GREEK
AFFECT THE
WAY
COMPOSERS WROTE
AND CONGREGATIONS HEARD? WHY DID SOME REFORMERS EMBRACE MUSIC, WHILE
OTHERS
REJECTED
IT?
DAVID
J.
BURN
IS
PROFESSOR
OF
MUSICOLOGY
AND
HEAD
OF
THE EARLY MUSIC
RESEARCH
GROUP AT THE
UNIVERSITY
OFLEUVEN.
GRANTLEY
MCDONALD
IS
A
POSTDOCTORAL
RESEARCHER
AND
LECTURER
IN THE
INSTITUTE
FOR
MUSICOLOGY
AT THE
UNIVEI SITY
OF
VIENNA.
JOSEPH
VERHEYDEN
IS PROFESSOR OF NEW
TESTAMENT
STUDIES
AT THE
UNIVERSITY
OF
LEUVEN.
PETER
DE MEY IS
PROFESSOR
OF
ROMAN CATHOLIC
ECCLESIOLOGY
AND
ECUMENISM
AT THE
UNIVERSITY
OFLEUVEN.
|
| any_adam_object | 1 |
| author2 | Burn, David 1974- McDonald, Grantley 1974- Verheyden, Joseph 1957- Mey, Peter de 1966- |
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| building | Verbundindex |
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| discipline | Musikwissenschaft |
| doi_str_mv | 10.11588/frrec.2020.2.73289 |
| era | Geschichte 1500-1700 gnd |
| era_facet | Geschichte 1500-1700 |
| format | Book |
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| genre | (DE-588)1071861417 Konferenzschrift 2012 University of Leuven gnd-content |
| genre_facet | Konferenzschrift 2012 University of Leuven |
| geographic | Deutschland (DE-588)4011882-4 gnd Europa (DE-588)4015701-5 gnd |
| geographic_facet | Deutschland Europa |
| id | DE-604.BV045466539 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:18:49Z |
| institution | BVB |
| institution_GND | (DE-588)1019899-4 |
| isbn | 9782503582269 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030851728 |
| oclc_num | 1090110443 |
| open_access_boolean | |
| owner | DE-20 DE-12 DE-355 DE-BY-UBR DE-11 DE-Re5 DE-BY-UBR DE-19 DE-BY-UBM |
| owner_facet | DE-20 DE-12 DE-355 DE-BY-UBR DE-11 DE-Re5 DE-BY-UBR DE-19 DE-BY-UBM |
| physical | 500 Seiten Illustrationen, Notenbeispiele |
| psigel | BSB_NED_20190704 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| record_format | marc |
| series2 | Épitome musical |
| spelling | Music and theology in the European Reformations edited by David J. Burn, Grantley McDonald, Joseph Verheyden, and Peter De Mey Turnhout, Belgium Brepols [2019] © 2019 500 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Épitome musical A multidisciplinary collection of twenty essays that examine the debates and controversies around music and theology during the period of the European Reformations from both Catholic and various Protestant perspectives. Throughout the history of the Church, music has regularly been placed under the critical microscope. Nonetheless, the intensity of thought concerning music's role in the liturgy and in spiritual life in general reached a peak during the period of the European Reformations. This multidisciplinary collection examines the debates and controversies around music and theology during that time from both Catholic and various Protestant perspectives. It includes twenty essays from musicologists, theologians, Biblical scholars, and Church historians that attempt to answer the following questions: What difference did the theological and ecclesiological developments of the sixteenth century make to musical forms and practices? What continuities of practice existed with former times? How was the desire to restore the church to an imagined pristine state manifest in music and liturgy? How did developments in exegesis arising from the massively increased knowledge and access to the Bible in Hebrew and Greek affect the way composers wrote and congregations heard? Why did some reformers embrace music, while others rejected it? Geschichte 1500-1700 gnd rswk-swf Geistliche Musik (DE-588)4126228-1 gnd rswk-swf Gegenreformation (DE-588)4019710-4 gnd rswk-swf Reformation (DE-588)4048946-2 gnd rswk-swf Religion (DE-588)4049396-9 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Musique et religion / Europe / 16e siècle Musique et religion / Europe / 17e siècle Église / Réforme (DE-588)1071861417 Konferenzschrift 2012 University of Leuven gnd-content Europa (DE-588)4015701-5 g Deutschland (DE-588)4011882-4 g Geistliche Musik (DE-588)4126228-1 s Religion (DE-588)4049396-9 s Reformation (DE-588)4048946-2 s Gegenreformation (DE-588)4019710-4 s Geschichte 1500-1700 z DE-604 Burn, David 1974- (DE-588)1032386762 edt McDonald, Grantley 1974- (DE-588)135703417 edt Verheyden, Joseph 1957- (DE-588)138082944 edt Mey, Peter de 1966- (DE-588)1027828094 edt Centre d'études supérieures de la Renaissance (DE-588)1019899-4 isb Erscheint auch als Online-Ausgabe 978-2-503-58227-6 https://doi.org/10.11588/frrec.2020.2.73289 rezensiert in: Francia-Recensio; 2020/2 Rezension Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030851728&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030851728&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Music and theology in the European Reformations Geistliche Musik (DE-588)4126228-1 gnd Gegenreformation (DE-588)4019710-4 gnd Reformation (DE-588)4048946-2 gnd Religion (DE-588)4049396-9 gnd |
| subject_GND | (DE-588)4126228-1 (DE-588)4019710-4 (DE-588)4048946-2 (DE-588)4049396-9 (DE-588)4011882-4 (DE-588)4015701-5 (DE-588)1071861417 |
| title | Music and theology in the European Reformations |
| title_auth | Music and theology in the European Reformations |
| title_exact_search | Music and theology in the European Reformations |
| title_full | Music and theology in the European Reformations edited by David J. Burn, Grantley McDonald, Joseph Verheyden, and Peter De Mey |
| title_fullStr | Music and theology in the European Reformations edited by David J. Burn, Grantley McDonald, Joseph Verheyden, and Peter De Mey |
| title_full_unstemmed | Music and theology in the European Reformations edited by David J. Burn, Grantley McDonald, Joseph Verheyden, and Peter De Mey |
| title_short | Music and theology in the European Reformations |
| title_sort | music and theology in the european reformations |
| topic | Geistliche Musik (DE-588)4126228-1 gnd Gegenreformation (DE-588)4019710-4 gnd Reformation (DE-588)4048946-2 gnd Religion (DE-588)4049396-9 gnd |
| topic_facet | Geistliche Musik Gegenreformation Reformation Religion Deutschland Europa Konferenzschrift 2012 University of Leuven |
| url | https://doi.org/10.11588/frrec.2020.2.73289 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030851728&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030851728&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT burndavid musicandtheologyintheeuropeanreformations AT mcdonaldgrantley musicandtheologyintheeuropeanreformations AT verheydenjoseph musicandtheologyintheeuropeanreformations AT meypeterde musicandtheologyintheeuropeanreformations AT centredetudessuperieuresdelarenaissance musicandtheologyintheeuropeanreformations |