The sound of things to come: an audible history of the science fiction film
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Minneapolis ; London
University of Minnesota Press
[2018]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 478 Seiten 22 cm |
| ISBN: | 0816683123 0816683131 9780816683123 9780816683130 |
Internformat
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Datensatz im Suchindex
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| adam_text |
CONTENTS Introduction · New Sounds in Science Fiction · 1 1 · The Origins of Sonic Science Fiction (1924-501 · 43 2 · Ambient Novum, Alien Novum (1950-59) · 91 3 · Cosmos Philosophy and Thought Synthesizers (1959-68) · 191 4 · Sonic Alienation and Psytech at War (1971-77) · 285 5 · Sonorous Object-Oriented Ontologies (1979-89) · 361 Acknowledgments · 435 Bibliography · 437 Index · 455
Film/Cultural Studies "The Sound of Things to Come is a lively, endlessly inventive exploration ot the sonic worlds of science fiction cinema (beginning even before the advent of synchronized'sound). The breadth and subtlety of Trace Reddell's interdisciplinary scholarship are impressive, and his book is an ongoing homage to the valuable conceptual and cognitive challenge's on which effective science fiction depends." —Scott Bukatman, Stanford University "Building on the highly original concept of the sonic novum, Trace Reddelt has written the first comprehensive theoretical approach to musical science fiction. The Sound of Things to Come is an alternative history of science fiction cinema, a handbook of sophisticated close analyses of many important films, and a re-ehvisioning of the role of sound technology in modernist aesthetics." —Istvan Csicsery-Ronay Jr., author of The Seven Beauties of Science Fiction Studies. race Reddell approaches movies as sound objects that combine cinematic apparatus and consciousness and ässemUles a staggering array of movies from sixty years of film history— classics, blockbusters, B-moviee, and documentaries from the United States, Britain, France, Germany, Japan, and the Soviet Union—all in service of his powerful conception of sound making as a speculative activity in its own right. Including original readings of films such as The Day the Earth Stood Still, 2001: A Space Odyssey, Star Wars, and Blade Runner, The Sound of Things to Come presents a new theory of sonic innovation in the science fiction film. Reddell recasts debates about
noise and music while arguing that sound in the science fiction film provides a medium for alien, unknown, and posthuman sound objects that transform what and how Wte hear. |
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| language | English |
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| physical | 478 Seiten 22 cm |
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| spellingShingle | Reddell, Trace 1965- The sound of things to come an audible history of the science fiction film Filmmusik (DE-588)4017129-2 gnd Geräusch (DE-588)4129296-0 gnd Ton Akustik (DE-588)4185645-4 gnd Science-Fiction-Film (DE-588)4054023-6 gnd |
| subject_GND | (DE-588)4017129-2 (DE-588)4129296-0 (DE-588)4185645-4 (DE-588)4054023-6 |
| title | The sound of things to come an audible history of the science fiction film |
| title_auth | The sound of things to come an audible history of the science fiction film |
| title_exact_search | The sound of things to come an audible history of the science fiction film |
| title_full | The sound of things to come an audible history of the science fiction film Trace Reddell |
| title_fullStr | The sound of things to come an audible history of the science fiction film Trace Reddell |
| title_full_unstemmed | The sound of things to come an audible history of the science fiction film Trace Reddell |
| title_short | The sound of things to come |
| title_sort | the sound of things to come an audible history of the science fiction film |
| title_sub | an audible history of the science fiction film |
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