Tragedy as philosophy in the Reformation world:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford, United Kingdom
Oxford University Press
2019
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xiv, 293 Seiten |
| ISBN: | 9780198834212 |
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Datensatz im Suchindex
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| adam_text | Contents
INTRODUCTION
Introduction: Tragedy’s Intellectual Resources 3
Reformation and Tragedy, c. 1550 10
Erasmus and the Resources of Tragedy 14
Quid hac imagine lugubrius cogitaripotestf: Melanchthon on Tragedy 21
Tragoedia Sacra 29
A Philosophical Poetics 31
Dramatis Personae 38
I. [PROTASIS], TRAGEDY AND THEOLOGY
1. Reformation Tragedy and Revelation: David Pareus’
Tragic Typology 45
David Pareus, Origen, and Genre 49
Tragic Structure and Recognition in Pammachius and the Tragedia 53
Christus Triumphans and the Tragedy of Antichrist 61
“The Tragic Form of Each Vision” 65
Tragic Repetition 73
Typology as Prophecy 77
2. Lodovico Castelvetros Heterodox Poetics: Tragic
Accommodation 81
Heresy in Modena 83
Castelvetros Condemnation 90
The Heterodoxy of the Poetica 93
Tragic Form in the Poetica 100
Tragedy and Accommodation 106
3. John Rainolds, Hamlet, and the Anti-Theatrical Aristotle 119
Species of Fiction: “Theater-sights Stage-playes”
and Mendacia officiosa 125
Rainolds and Oxford Aristoteltanism 133
Spectacle and Recitation 144
Enter Reynaldo, Mendax 154
“The play s the thing” 158
XIV
Contents
II. [EPITASIS]. TRAGEDY AND THE LIMITS
OF PHILOSOPHY
4. Necessity, Between Tragedy and Predestination: Daniel Heinsius
and De Tragoediae Constitutione (1611) 167
The Arminian Controversy as Tragedy 173
Heinsius7 Philosophical Deity 179
Tragedy as Philosophy 183
Plot, Spectacle, and Stage Machinery 190
Tragedy Not Mysterious 197
5. Greek Tragedy and Hebrew Antiquity in John Milton s 1671 Poems 207
A Tragic Paul: I Corinthians 15:33 and Textual Scholarship c. 1671 211
Faith, Study, and Greek Erudition 216
Hebrew Antiquity in Paradise Regain d 222
Tragedy, “111 imitated” 226
Katharsis before Aristotle 227
Lustratio as Understanding Achieved by Trial 237
CONCLUSION [CATASTROPHE]
Conclusion: Samson Agonistes and the Limits of Tragedy 243
Bibliography 257
Index 289
TRAGEDY AS
PHILOSOPHY in the
REFORMATION
WORLD
in Tragedy as Philosophy in the Reformation World Russ Leo examines how sixteenth- and
seventeenth-century poets, theologians, and humanist critics turned to tragedy to
understand providence and agencies human and divine in the crucible of the Reformation.
Rejecting familiar assumptions about tragedy, vital figures like Philipp Melanchthon,
David Pareus, Lodovico Castelvetro, John Rainolds, and Daniel Heinsius developed
distinctly philosophical ideas of tragedy, irreducible to drama or performance,
inextricable from rhetoric, dialectic, and metaphysics. In its proximity7 to philosophy,
tragedy afforded careful readers crucial insight into causality7, probability, necessity, and
the terms of human affect and action. With these resources at hand, poets and critics
produced a series of daring and influential theses on tragedy between the 1550s and
the 1630s, all directly related to pressing Reformation debates concerning providence,
predestination, faith, and devotional practice. Under the influence of Aristotle s
Poetics, they presented tragedy as an exacting forensic tool, enabling attentive readers to
apprehend totality. And while some poets employed tragedy to render sacred history
palpable with new energy and urgency, others marshalled a precise philosophical
notion of tragedy directly against spectacle and stage-playing, endorsing anti-theatrical
theses on tragedy inflected by the antique Poetics. In other words, this work illustrates
the degree to which some of the influential poets and critics in the period emphasized
philosophical precision at the expense of—even to the exclusion of—dramatic
presentation. In turn, the work also explores the impact of scholarly debates on more
familiar works of vernacular tragedy, illustrating how William Shakespeare s Hamlet and
John Miltons 1671 poems take shape in conversation with philosophical and philological
investigations of tragedy. Tragedy as Philosophy in the Reformation World demonstrates how
Reformation took shape in poetic as well as theological and political terms wdiile
simultaneously exposing the importance of tragedy to the history of philosophy.
7 -. _ :
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| edition | First edition |
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| title | Tragedy as philosophy in the Reformation world |
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