Antiquities in motion: from excavation sites to Renaissance collections
"Barbara Furlotti presents a dynamic interpretation of the early modern market for antiquities, relying on the innovative notion of archaeological finds as mobile items. She raises questions that have never been analyzed before and draws on vast unpublished archival material to offer new answer...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Los Angeles
The Getty Research Institute
[2019]
|
| Schlagworte: | |
| Online-Zugang: | Rezension Inhaltsverzeichnis Rezension |
| Zusammenfassung: | "Barbara Furlotti presents a dynamic interpretation of the early modern market for antiquities, relying on the innovative notion of archaeological finds as mobile items. She raises questions that have never been analyzed before and draws on vast unpublished archival material to offer new answers"...Provided by publisher |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | ix, 281 Seiten Illustrationen, Karten |
| ISBN: | 9781606065914 |
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Datensatz im Suchindex
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| adam_text |
SEHEPUNKTE 20 (2020), NR. 9
BARBARA FURLOTTI: ANTIQUITIES IN MOTION - FROM EXCAVATION SITES TO
RENAISSANCE COLLECTIONS
WHEN THE CHIMAERA OF AREZZO WAS DISCOVERED IN LATE 1553, THE DUKE OF
FLORENCE IMMEDIATELY ORDERED THAT
THE BRONZE LION BE DELIVERED TO HIS COLLECTION. COSIMO I WAS SO
IMPRESSED BY THIS PARTICULAR WORK OF
SCULPTURE THAT HE GAVE IT PRIDE OF PLACE IN THE HALL OF LEO X IN THE NEW
STATE ROOMS OF THE DUCAL PALACE AND
ALSO SPENT MANY NIGHTS IN THE COMPANY OF BENVENUTO CELLINI CLEANING THE
SMALL BRONZETTI FOUND WITH THE
CHIMAERA. THE LARGE BRONZE NOT ONLY SPARKED LIVELY DISCUSSIONS ABOUT ITS
SUBJECT MATTER, INSCRIPTION AND
PROVENANCE; SOON DUCAL AGENTS SEARCHED IN ROME FOR AN ANCIENT COIN WITH
A COMPARABLE IMAGE. BERNARDO
MINERBETTI, BISHOP OF AREZZO, WROTE TO VASARI TO TELL HIM ABOUT THE
FORTUITOUS DISCOVERY AND THE PROFESSIONAL
OPPORTUNITY IT MIGHT CREATE FOR THE ARETINE ARTIST AND ARCHITECT WHO, IN
DUE COURSE, DEFINED WHAT HE CALLED
THE MANIERA ETRUSCA (ETRUSCAN STYLE) USING THE CHIMAERA AS HIS PRIME
EXAMPLE. NONETHELESS, BY 1560, AS
SOON AS THE DUKE S RELATIONSHIP WITH PAPAL ROME - AS WELL AS HIS
FINANCIAL SITUATION -IMPROVED, COSIMO
TURNED TO ROMAN MARBLES TO INCREASE HIS COLLECTION, APPARENTLY LOSING
ALL INTEREST IN ETRUSCAN PIECES THAT
HAD SO FAR CONSTITUTED A LARGE GROUP AMONG HIS ANTIQUITIES.
THIS EPISODE WITHIN THE HISTORY OF DUKE COSIMO S FLORENTINE COLLECTION -
WELL-KNOWN TO THOSE OF US ENGAGED
IN RESEARCH ON EARLY MODERN ANTIQUITIES COLLECTIONS - THROWS LIGHT UPON
A NUMBER OF IMPORTANT ISSUES IN
RELATION TO THE JOURNEYS TRAVELLED BY ANCIENT OBJECTS BETWEEN THEIR
PLACE OF DISCOVERY AND EVENTUAL
LOCATION OF DISPLAY. OFTEN FOUND BY CHANCE, THEY WOULD EITHER BE IN
DANGER OF DESTRUCTION FOR THEIR MATERIAL
WORTH OR BE CLAIMED BY A WEALTHY COLLECTOR OR RULER OVER THE TERRITORY
OF DISCOVERY. SINCE IT WAS NOT ALWAYS
CLEAR WHAT THE WORK OF ART REPRESENTED, SCHOLARS STUDIED ANCIENT SOURCES
WHILE AGENTS LOOKED FOR
COMPARABLE ANTIQUITIES. INSCRIPTIONS HINTED AT MATTERS OF PROVENANCE AND
PIQUED THE INTEREST OF ANTIQUARIAN
LINGUISTS. THE NEWLY DISCOVERED ANTIQUES REQUIRED CLEANING AND
RESTORING, BUT NOT EVERY ARTIST WAS KEEN TO
DO THIS KIND OF WORK, UNLESS THE QUALITY OF THE PIECE WAS PARTICULARLY
CONVINCING OR THE RESTORER COULD
EXPECT EXCEPTIONAL REWARDS.
BARBARA FURLOTTI S RECENT BOOK ANTIQUITIES IN MOTION EXPLORES MANY OF
THESE ISSUES. WHILE THE FOCUS IS
MAINLY ON SIXTEENTH-CENTURY ROME AS A MAJOR PLACE OF DISCOVERY, TRADE
AND COLLECTING OF ANTIQUITIES, THE
ROMAN SITUATION EXTENDS TO MANY COLLECTORS AND COLLECTIONS THROUGHOUT
ITALY, MAINLY FLORENCE, AND ABROAD.
BY CONCENTRATING ON THE PRACTICALITIES OF COLLECTING, SUCH AS MODES OF
DISCOVERY, COST AND MEANS OF EXPORT,
SHE SEEKS TO COMPLEMENT RESEARCH ON THE HISTORY OF COLLECTING AND
DISPLAY AIMED AT RECONSTRUCTING
COLLECTIONS, THE ARTISTIC AND ARCHITECTURAL FRAMEWORK IN WHICH THEY WERE
EXHIBITED AND THE POSSIBLE
INTERPRETATION OF THE COLLECTORS SCOPE AND INTENTIONS. IF THE STUDY OF
INVENTORIES AND ARCHITECTURAL SETTINGS
IS DIFFICULT AND OFTEN FRUSTRATING ENOUGH, IT IS NO SECRET THAT THE
PRE-DISPLAY HISTORY OF COLLECTING ITEMS HAS
TO BE PIECED TOGETHER FROM LITTLE SNAPSHOTS AND RARELY INCLUDES THE FULL
PICTURE FOR EACH INDIVIDUAL PIECE.
A GREAT DEAL OF THE AVAILABLE INFORMATION HAS BEEN BURIED IN OTHER
WORKS ON THE HISTORY OF ARCHAEOLOGY AND
COLLECTING UP TO NOW. THE USEFULNESS OF FURLOTTI S BOOK LIES PRECISELY
IN BRINGING TOGETHER SO MUCH
INFORMATION AND IN COMBINING IT WITH MORE RECENT ARCHIVAL DISCOVERIES SO
THAT IT OFFERS A COMPLEMENTARY,
YET ESSENTIAL, PARALLEL NARRATIVE THAT IS NOT SO MUCH BYWORK BUT A FIRST
LAYER, I.E. THE BASIS ON WHICH THE
HISTORY OF COLLECTING AND DISPLAY MAY COME TO REST. THIS NARRATIVE WILL
STIMULATE FURTHER DEBATE AND
RESEARCH IN THE PERSONNEL INVOLVED IN THE DISCOVERY OF ANTIQUITIES
(FREQUENTLY POOR PEASANTS) AND IN THE
TRADE OF MEDAGLIE (ANCIENT AND ALL ANTICA COINS AND MEDALS) AND OTHER
ANCIENT WORKS OF ART THAT REQUIRED
EXCAVATION AND EXPORT LICENCES. IT IS USEFUL TO BE
REMINDED THAT THE HUNT FOR ANTIQUITIES INCLUDED ALL KINDS
OF OBJECTS FAR BEYOND WORKS OF SCULPTURE AND THAT LICENCES MIGHT BE
GRANTED TO MEN AND WOMEN, EVEN
FOREIGNERS, IN SEARCH OF INCOME. SINCE IN ROME A CONSIDERABLE CUT WENT
TO THE CAMERA APOSTOLICA, THE
ANTIQUITIES TRADE ENRICHED THE CATHOLIC CHURCH, HERSELF THE OWNER AND
USER OF MANY ANCIENT WORKS AND
MONUMENTS. FOLLOWING THE MONEY TRAIL IS ALWAYS A SENSIBLE THING TO DO
AND, IN THIS PARTICULAR INSTANCE,
HELPS TO POINT OUT A GENERAL LACK OF SCRUPLES AND TREATMENT OF
(PRICELESS) ANTIQUITIES AS IF THEY WERE A MERE
COMMODITY IN NEED OF MARKETING. AND THEY OFTEN WERE AT THE TIME, WHEN
THEY COULD EVEN BE CONSIDERED
NOTHING MORE THAN RAW MATERIAL FOR MODERN WORKS. INDEED, ONE MUST NOT
FORGET HOW LONG IT TOOK TO ARRIVE
AT RULES AND LAWS TO PROTECT ANCIENT OBJECTS.
EVEN THE MOST HIGHLY APPRECIATED ANTIQUITIES, TO WHICH RENAISSANCE
ARTISTS FLOCKED FOR STUDY AND INSPIRATION,
WERE OBJECTS THAT NEEDED TO FIND THEIR WAY INTO SPECIALISED COLLECTIONS.
TO GET THERE, THEY NEEDED TO BE
CLEANED, RESTORED, SOLD. AGENTS AND TRADERS BENEFITED FROM A HEATED
ANTIQUITIES MARKET BUT FACED SERIOUS
PROBLEMS, WHEN A LARGE WORK NEEDED TO BE SHIPPED TO ITS NEW OWNER. IT
WAS NOT UNCOMMON TO SAW PIECES
APART, SOMETIMES TO MAKE TWO OUT OF ONE, BUT IN GENERAL TO AVOID
BREAKAGE DURING TRANSPORT THAT WOULD BE
MORE DIFFICULT TO MEND THAN A CLEAN CUT. DIVERSE FORMS OF TRANSPORT WERE
USED FOR REASONS OF COST,
COMMODITY AND SAFETY. SHIPMENT BY WATER WAS CHEAPER BUT DID NOT
NECESSARILY REACH THE FINAL DESTINATION;
IN THE BEST CASE THE JOURNEY S LAST STAGE NEEDED TO BE UNDERTAKEN BY
LAND, WHILE IN THE WORST THE CARGO
WOULD BE INTERCEPTED BY PIRATES OR SUNK BY STORMS. FURLOTTI S
PAINSTAKING DOCUMENTATION OF THESE PROCESSES
FROM PUBLISHED AND ARCHIVAL SOURCES IS INDEED A VALUABLE CONTRIBUTION TO
KNOWLEDGE. WHILE THE BOOK
INCLUDES AN ARCHIVAL APPENDIX OF SEVEN DOCUMENTS, A FULL BIBLIOGRAPHY
WOULD HAVE BEEN AS WELCOME TO
THOSE WISHING TO UNDERTAKE FURTHER RESEARCH ON THIS IMPORTANT TOPIC.
FROM THE MOMENT OF DISCOVERY TO THEIR (ONE HOPES SAFE) ARRIVAL AT A
PLACE WHERE THEY WOULD BE ADMIRED BY
CONNOISSEURS, ANTIQUITIES LIVED PRECARIOUS LIVES. WE CAN ONLY GUESS HOW
MANY WERE DESTROYED, WILLINGLY OR
NOT, UNTIL ANTIQUARIAN RESEARCH HELPED TO CREATE THE NECESSARY CLIMATE
FOR INCREASED APPRECIATION. UP TO
THEN, THE ANTIQUITIES TRADE WAS PART OF RENAISSANCE ECONOMY, IN ROME AND
ELSEWHERE, WITH MANY OF THE
PEOPLE INVOLVED BELONGING TO THE LOWER CLASSES AND LITTLE INTERESTED IN
SCHOLARLY OR ARTISTIC DEBATE,
EVEN
THOUGH THEY MAY HAVE HAD AN INTUITIVE OR EXPERIENTIAL UNDERSTANDING OF
ANCIENT OBJECTS AND OF THE MOST
LIKELY PLACES IN WHICH TO FIND THEM. IT IS IMPORTANT TO UNDERSTAND THIS
FACT AS WELL AS THEIR AIMS, WHICH ALSO
HAD LITTLE TO DO WITH THE COLLECTORS INTENTIONS OR WITH OUR OWN, MUCH
LATER, PERCEPTION OF WHAT WE NOW
CONSIDER THEIR HISTORICAL, ARTISTIC AND MONETARY WORTH. BY GIVING A
VOICE TO THE PEOPLE WHO SEARCHED FOR,
DISCOVERED AND HANDLED THESE WORKS OF ART, FURLOTTI THEREFORE TAKES AN
IMPORTANT STEP TOWARDS A BETTER AND
FULLER PICTURE OF THE WORLD OF ANTIQUITIES IN SIXTEENTH-CENTURY ROME.
REZENSION UEBER:
BARBARA FURLOTTI: ANTIQUITIES IN MOTION - FROM EXCAVATION SITES TO
RENAISSANCE COLLECTIONS , LOS ANGELES: GETTY PUBLICATIONS 2019, 281
S., ISBN 978-1-60606-591-4 , USD 80,00
REZENSION VON:
ANDREA M. GALDY
OTTOBEUREN
EMPFOHLENE ZITIERWEISE:
ANDREA M. GALDY: REZENSION VON: BARBARA FURLOTTI: ANTIQUITIES IN MOTION
- FROM EXCAVATION SITES TO RENAISSANCE COLLECTIONS , LOS
ANGELES: GETTY PUBLICATIONS 2019, IN: SEHEPUNKTE 20 (2020), NR. 9
[15.09.2020], URL:
HTTP://WWW.SEHEPUNKTE.DE/2020/09
/34015.HTML
BITTE GEBEN SIE BEIM ZITIEREN DIESER REZENSION DIE
EXAKTE URL UND DAS DATUM IHRES LETZTEN BESUCHS DIESER ONLINE-ADRESSE AN.
|
| any_adam_object | 1 |
| author | Furlotti, Barbara |
| author_GND | (DE-588)136726321 |
| author_facet | Furlotti, Barbara |
| author_role | aut |
| author_sort | Furlotti, Barbara |
| author_variant | b f bf |
| building | Verbundindex |
| bvnumber | BV045428736 |
| callnumber-first | N - Fine Arts |
| callnumber-label | NK1133 |
| callnumber-raw | NK1133.28 |
| callnumber-search | NK1133.28 |
| callnumber-sort | NK 41133.28 |
| callnumber-subject | NK - Decorative Arts |
| classification_rvk | LH 60100 LG 9100 |
| ctrlnum | (OCoLC)1107353721 (DE-599)BVBBV045428736 |
| dewey-full | 745.10937 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 745 - Decorative arts |
| dewey-raw | 745.10937 |
| dewey-search | 745.10937 |
| dewey-sort | 3745.10937 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte Klassische Archäologie |
| era | Geschichte 1500-1600 gnd |
| era_facet | Geschichte 1500-1600 |
| format | Book |
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| geographic | Rom (DE-588)4050471-2 gnd |
| geographic_facet | Rom |
| id | DE-604.BV045428736 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:17:54Z |
| institution | BVB |
| institution_GND | (DE-588)10069245-X |
| isbn | 9781606065914 |
| language | English |
| lccn | 018044871 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030814463 |
| oclc_num | 1107353721 |
| open_access_boolean | |
| owner | DE-11 DE-Y3 DE-29 DE-Y2 DE-12 DE-188 DE-19 DE-BY-UBM DE-22 DE-BY-UBG DE-255 DE-37 DE-20 |
| owner_facet | DE-11 DE-Y3 DE-29 DE-Y2 DE-12 DE-188 DE-19 DE-BY-UBM DE-22 DE-BY-UBG DE-255 DE-37 DE-20 |
| physical | ix, 281 Seiten Illustrationen, Karten |
| psigel | BSB_NED_20190909 gbd_4_2009 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | The Getty Research Institute |
| record_format | marc |
| spelling | Furlotti, Barbara Verfasser (DE-588)136726321 aut Antiquities in motion from excavation sites to Renaissance collections Barbara Furlotti Los Angeles The Getty Research Institute [2019] © 2019 ix, 281 Seiten Illustrationen, Karten txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "Barbara Furlotti presents a dynamic interpretation of the early modern market for antiquities, relying on the innovative notion of archaeological finds as mobile items. She raises questions that have never been analyzed before and draws on vast unpublished archival material to offer new answers"...Provided by publisher Geschichte 1500-1600 gnd rswk-swf Antiques business Italy Rome History 16th century Art Collectors and collecting Italy Rome History 16th century Antiquities Kunsthandel (DE-588)4033647-5 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Ausgrabung (DE-588)4129464-6 gnd rswk-swf Restaurierung (DE-588)4049600-4 gnd rswk-swf Antike (DE-588)4068754-5 gnd rswk-swf Rom (DE-588)4050471-2 gnd rswk-swf Museen & Sammlungen (DE-2581)TH000008291 gbd Rezeption & Wirkungsgeschichte (DE-2581)TH000005250 gbd Rom (DE-588)4050471-2 g Plastik (DE-588)4046277-8 s Antike (DE-588)4068754-5 s Ausgrabung (DE-588)4129464-6 s Geschichte 1500-1600 z DE-604 Restaurierung (DE-588)4049600-4 s Kunsthandel (DE-588)4033647-5 s Getty Research Institute (DE-588)10069245-X isb http://www.sehepunkte.de/2020/09/34015.html rezensiert in: sehepunkte 20 (2020), Nr. 9 Rezension SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030814463&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030814463&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Rezension |
| spellingShingle | Furlotti, Barbara Antiquities in motion from excavation sites to Renaissance collections Antiques business Italy Rome History 16th century Art Collectors and collecting Italy Rome History 16th century Antiquities Kunsthandel (DE-588)4033647-5 gnd Plastik (DE-588)4046277-8 gnd Ausgrabung (DE-588)4129464-6 gnd Restaurierung (DE-588)4049600-4 gnd Antike (DE-588)4068754-5 gnd |
| subject_GND | (DE-588)4033647-5 (DE-588)4046277-8 (DE-588)4129464-6 (DE-588)4049600-4 (DE-588)4068754-5 (DE-588)4050471-2 |
| title | Antiquities in motion from excavation sites to Renaissance collections |
| title_auth | Antiquities in motion from excavation sites to Renaissance collections |
| title_exact_search | Antiquities in motion from excavation sites to Renaissance collections |
| title_full | Antiquities in motion from excavation sites to Renaissance collections Barbara Furlotti |
| title_fullStr | Antiquities in motion from excavation sites to Renaissance collections Barbara Furlotti |
| title_full_unstemmed | Antiquities in motion from excavation sites to Renaissance collections Barbara Furlotti |
| title_short | Antiquities in motion |
| title_sort | antiquities in motion from excavation sites to renaissance collections |
| title_sub | from excavation sites to Renaissance collections |
| topic | Antiques business Italy Rome History 16th century Art Collectors and collecting Italy Rome History 16th century Antiquities Kunsthandel (DE-588)4033647-5 gnd Plastik (DE-588)4046277-8 gnd Ausgrabung (DE-588)4129464-6 gnd Restaurierung (DE-588)4049600-4 gnd Antike (DE-588)4068754-5 gnd |
| topic_facet | Antiques business Italy Rome History 16th century Art Collectors and collecting Italy Rome History 16th century Antiquities Kunsthandel Plastik Ausgrabung Restaurierung Antike Rom |
| url | http://www.sehepunkte.de/2020/09/34015.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030814463&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030814463&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT furlottibarbara antiquitiesinmotionfromexcavationsitestorenaissancecollections AT gettyresearchinstitute antiquitiesinmotionfromexcavationsitestorenaissancecollections |