Anonymity performance in electronic pop music: a performance ethnography of critical practices
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Bielefeld
transcript
[2018]
|
| Schriftenreihe: | Popular music
|
| Schlagworte: | |
| Online-Zugang: | http://www.transcript-verlag.de/978-3-8376-4256-8 Inhaltsverzeichnis |
| Beschreibung: | 232 Seiten Illustrationen 22.5 cm x 14.8 cm, 393 g |
| ISBN: | 9783837642568 3837642569 |
Internformat
MARC
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| 245 | 1 | 0 | |a Anonymity performance in electronic pop music |b a performance ethnography of critical practices |c Stefanie Kiwi Menrath |
| 264 | 1 | |a Bielefeld |b transcript |c [2018] | |
| 264 | 4 | |c © 2018 | |
| 300 | |a 232 Seiten |b Illustrationen |c 22.5 cm x 14.8 cm, 393 g | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Popular music | |
| 502 | |b Dissertation |c University of London | ||
| 502 | |b Dissertation |c Carl von Ossietzky Universität Oldenburg | ||
| 650 | 0 | 7 | |a Performance |g Künste |0 (DE-588)4173750-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Anonymität |0 (DE-588)4471050-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Popmusik |0 (DE-588)4046781-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Elektronische Musik |0 (DE-588)4014355-7 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
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| 689 | 0 | 1 | |a Elektronische Musik |0 (DE-588)4014355-7 |D s |
| 689 | 0 | 2 | |a Performance |g Künste |0 (DE-588)4173750-7 |D s |
| 689 | 0 | 3 | |a Anonymität |0 (DE-588)4471050-1 |D s |
| 689 | 0 | |C b |5 DE-604 | |
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| 940 | 1 | |q BSB_NED_20191017 | |
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Datensatz im Suchindex
| _version_ | 1804179310512177152 |
|---|---|
| adam_text | CONTENTS
ACKNOWLEDGMENTS | 7
INTRODUCTION | 9
0.1 RESEARCHING ANONYMITY IN PERFORMANCE: TOWARDS A PERFORMANCE
ETHNOGRAPHY | 9
0.2 THE ENIGMATIC VOID: FROM ANONYMITY TO ANONYMITY PERFORMANCES
IN ELECTRONIC DANCE AND POP MUSIC | 21
0.3 ON CRITICAL PRACTICE: METHODOLOGICAL CONSIDERATIONS
WITH FEVER RAY | 33
1 LABORATORY CASE I: MOODYMANN AND THE STUDY OF POP MUSIC
PERSONA CONSTRUCTION | 59
1.1 UNVEILING THE CURTAIN: INQUIRIES INTO POP MUSIC PERSONA
CONSTRUCTION | 59
1.2 INSISTENT NAMING: SELF-ATTRIBUTED VS. IMPOSED ANONYMITY, AND THE
PERFORMATIVE SELF IN CELEBRITY CULTURE | 99
CONCLUSION: MOODYMANN*S INQUIRIES INTO POP MUSIC PERSONA
CONSTRUCTION | 109
2 PERFORMANCE IN MUSIC (STUDIES) | 111
2.1 MUSIC AS PRACTICE AND PERFORMANCE: THE PERFORMANCE TURN
IN POP MUSIC AND EDM STUDIES | 112
2.2 THE PERFORMATIVE IN POP MUSIC DISCOURSE AND TACTICAL CRITICAL
PRACTICES | 118
2.3 THE PERFORMATIVE IN SCHOLARLY ACTS: PERFORMANCE ETHNOGRAPHY AS
PERFORMANCE RESEARCH AND THE TACTICS OF SCHOLARLY REPRESENTATION | 132
CONCLUSION: FROM THE PERFORMANCE TURN TO PERFORMANCE ETHNOGRAPHY
IN MUSIC STUDIES | 138
2.4 REVISED STRUCTURE OF THE STUDY | 139
EXCURSION: PERSONA - ENCYCLOPAEDIA ENTRY WITH ONE GENUINE
(AND ONE FALSE) ETYMOLOGY | 140
3 LABORATORY CASE II: URSULA BOGNER AND PERFORMANCE
RESEARCH | 151
3.1 FROM SPECTACLE TO TRANSFORMATION: A BRIEF HISTORY OF THE TERM
(AND PRACTICE OF) FAKE | 153
3.2 FROM FAKE TO COLLABORATIVE IMAGINATION: THE *LABORATORY CASE*
OF URSULA BOGNER I 166
3.3 CRITICAL PRACTICE IN ACADEMIC RESEARCH AND COLLABORATIVE
IMAGINARY ETHNOGRAPHY | 191
CONCLUSION: TOWARDS ONTOLOGICAL REFLEXIVITY
IN ETHNOGRAPHIC RESEARCH | 196
CONCLUSION: TOWARDS A RECONCEPTUALISATION
OF ETHNOGRAPHIC PRACTICE AS COLLABORATIVE IMAGINATION | 199
APPENDIX | 207
|
| any_adam_object | 1 |
| author | Menrath, Stefanie 1972- |
| author_GND | (DE-588)1030514208 |
| author_facet | Menrath, Stefanie 1972- |
| author_role | aut |
| author_sort | Menrath, Stefanie 1972- |
| author_variant | s m sm |
| building | Verbundindex |
| bvnumber | BV045426554 |
| classification_rvk | LS 48655 LC 87000 |
| ctrlnum | (OCoLC)1013546566 (DE-599)DNB1144969905 |
| dewey-full | 780 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780 |
| dewey-search | 780 |
| dewey-sort | 3780 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| format | Thesis Book |
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| indexdate | 2024-07-10T08:17:50Z |
| institution | BVB |
| isbn | 9783837642568 3837642569 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030812333 |
| oclc_num | 1013546566 |
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| owner_facet | DE-11 DE-824 DE-12 DE-20 |
| physical | 232 Seiten Illustrationen 22.5 cm x 14.8 cm, 393 g |
| psigel | BSB_NED_20191017 |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | transcript |
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| series2 | Popular music |
| spelling | Menrath, Stefanie 1972- Verfasser (DE-588)1030514208 aut Anonymity performance in electronic pop music a performance ethnography of critical practices Stefanie Kiwi Menrath Bielefeld transcript [2018] © 2018 232 Seiten Illustrationen 22.5 cm x 14.8 cm, 393 g txt rdacontent n rdamedia nc rdacarrier Popular music Dissertation University of London Dissertation Carl von Ossietzky Universität Oldenburg Performance Künste (DE-588)4173750-7 gnd rswk-swf Anonymität (DE-588)4471050-1 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Elektronische Musik (DE-588)4014355-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Popmusik (DE-588)4046781-8 s Elektronische Musik (DE-588)4014355-7 s Performance Künste (DE-588)4173750-7 s Anonymität (DE-588)4471050-1 s b DE-604 Erscheint auch als Online-Ausgabe, PDF 978-3-8394-4256-2 X:MVB http://www.transcript-verlag.de/978-3-8376-4256-8 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030812333&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Menrath, Stefanie 1972- Anonymity performance in electronic pop music a performance ethnography of critical practices Performance Künste (DE-588)4173750-7 gnd Anonymität (DE-588)4471050-1 gnd Popmusik (DE-588)4046781-8 gnd Elektronische Musik (DE-588)4014355-7 gnd |
| subject_GND | (DE-588)4173750-7 (DE-588)4471050-1 (DE-588)4046781-8 (DE-588)4014355-7 (DE-588)4113937-9 |
| title | Anonymity performance in electronic pop music a performance ethnography of critical practices |
| title_auth | Anonymity performance in electronic pop music a performance ethnography of critical practices |
| title_exact_search | Anonymity performance in electronic pop music a performance ethnography of critical practices |
| title_full | Anonymity performance in electronic pop music a performance ethnography of critical practices Stefanie Kiwi Menrath |
| title_fullStr | Anonymity performance in electronic pop music a performance ethnography of critical practices Stefanie Kiwi Menrath |
| title_full_unstemmed | Anonymity performance in electronic pop music a performance ethnography of critical practices Stefanie Kiwi Menrath |
| title_short | Anonymity performance in electronic pop music |
| title_sort | anonymity performance in electronic pop music a performance ethnography of critical practices |
| title_sub | a performance ethnography of critical practices |
| topic | Performance Künste (DE-588)4173750-7 gnd Anonymität (DE-588)4471050-1 gnd Popmusik (DE-588)4046781-8 gnd Elektronische Musik (DE-588)4014355-7 gnd |
| topic_facet | Performance Künste Anonymität Popmusik Elektronische Musik Hochschulschrift |
| url | http://www.transcript-verlag.de/978-3-8376-4256-8 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030812333&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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