Fragment - Adriana Czernin:
Inspired by the tableau with the wooden ornaments of the minbar of the Ibn Tulun Mosque in Cairo from the year 1296, a masterpiece of the Mameluke era, the artist Adriana Czernin developed a work series that takes as its theme the different aspects of geometric construction. In doing so, she sees or...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | German English |
| Veröffentlicht: |
Wien
MAK
[2018]
Wien Schlebrügge, Editor |
| Schlagworte: | |
| Zusammenfassung: | Inspired by the tableau with the wooden ornaments of the minbar of the Ibn Tulun Mosque in Cairo from the year 1296, a masterpiece of the Mameluke era, the artist Adriana Czernin developed a work series that takes as its theme the different aspects of geometric construction. In doing so, she sees ornament as a metaphor for cultural, social, and personal entanglements. Construction and deconstruction keeping to strict rules but also breaking and dodging them are components of Czernin's intensive work with the ornamental element. Apart from the strictly formal approach to the historic relict's language of forms, Czernin focuses on the function of the ornament as vehicle of tradition and religion, thus alluding to its transcendent significance. Exhibition: MAK - Austrian Museum of Applied Arts, Wien, Austria (18.04. - 30.09.2018) |
| Beschreibung: | Dieser Katalog erschien anlässlich der Ausstellung "Adriana Czernin: Fragment", Ausstellungsdauer: 18.4.-30.9.2018 |
| Beschreibung: | 63 Seiten |
| ISBN: | 9783903172296 3903172294 |
Internformat
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| 520 | 3 | |a Inspired by the tableau with the wooden ornaments of the minbar of the Ibn Tulun Mosque in Cairo from the year 1296, a masterpiece of the Mameluke era, the artist Adriana Czernin developed a work series that takes as its theme the different aspects of geometric construction. In doing so, she sees ornament as a metaphor for cultural, social, and personal entanglements. Construction and deconstruction keeping to strict rules but also breaking and dodging them are components of Czernin's intensive work with the ornamental element. Apart from the strictly formal approach to the historic relict's language of forms, Czernin focuses on the function of the ornament as vehicle of tradition and religion, thus alluding to its transcendent significance. Exhibition: MAK - Austrian Museum of Applied Arts, Wien, Austria (18.04. - 30.09.2018) | |
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| 700 | 1 | |a Thun-Hohenstein, Christoph |d 1960- |0 (DE-588)121329585 |4 edt | |
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Datensatz im Suchindex
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| author2 | Thun-Hohenstein, Christoph 1960- Wieninger, Johannes 1954- |
| author2_role | edt edt |
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| author_facet | Thun-Hohenstein, Christoph 1960- Wieninger, Johannes 1954- |
| building | Verbundindex |
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| id | DE-604.BV045422387 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:17:43Z |
| institution | BVB |
| institution_GND | (DE-588)10174144-3 |
| isbn | 9783903172296 3903172294 |
| language | German English |
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| physical | 63 Seiten |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | MAK Schlebrügge, Editor |
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| spelling | Czernin, Adriana 1969- (DE-588)123734053 art Fragment - Adriana Czernin herausgegeben von/edited by Christoph Thun-Hohenstein, Johannes Wieninger Adriana Czernin : Fragment Wien MAK [2018] Wien Schlebrügge, Editor 63 Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier Dieser Katalog erschien anlässlich der Ausstellung "Adriana Czernin: Fragment", Ausstellungsdauer: 18.4.-30.9.2018 Inspired by the tableau with the wooden ornaments of the minbar of the Ibn Tulun Mosque in Cairo from the year 1296, a masterpiece of the Mameluke era, the artist Adriana Czernin developed a work series that takes as its theme the different aspects of geometric construction. In doing so, she sees ornament as a metaphor for cultural, social, and personal entanglements. Construction and deconstruction keeping to strict rules but also breaking and dodging them are components of Czernin's intensive work with the ornamental element. Apart from the strictly formal approach to the historic relict's language of forms, Czernin focuses on the function of the ornament as vehicle of tradition and religion, thus alluding to its transcendent significance. Exhibition: MAK - Austrian Museum of Applied Arts, Wien, Austria (18.04. - 30.09.2018) Text deutsch und englisch Czernin, Adriana 1969- (DE-588)123734053 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog MAK 18.04.2018-30.09.2018 Wien gnd-content (DE-588)4145395-5 Bildband gnd-content Czernin, Adriana 1969- (DE-588)123734053 p DE-604 Thun-Hohenstein, Christoph 1960- (DE-588)121329585 edt Wieninger, Johannes 1954- (DE-588)104796886X edt MAK - Österreichisches Museum für Angewandte Kunst Gegenwartskunst (DE-588)10174144-3 isb |
| spellingShingle | Fragment - Adriana Czernin Czernin, Adriana 1969- (DE-588)123734053 gnd |
| subject_GND | (DE-588)123734053 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | Fragment - Adriana Czernin |
| title_alt | Adriana Czernin : Fragment |
| title_auth | Fragment - Adriana Czernin |
| title_exact_search | Fragment - Adriana Czernin |
| title_full | Fragment - Adriana Czernin herausgegeben von/edited by Christoph Thun-Hohenstein, Johannes Wieninger |
| title_fullStr | Fragment - Adriana Czernin herausgegeben von/edited by Christoph Thun-Hohenstein, Johannes Wieninger |
| title_full_unstemmed | Fragment - Adriana Czernin herausgegeben von/edited by Christoph Thun-Hohenstein, Johannes Wieninger |
| title_short | Fragment - Adriana Czernin |
| title_sort | fragment adriana czernin |
| topic | Czernin, Adriana 1969- (DE-588)123734053 gnd |
| topic_facet | Czernin, Adriana 1969- Ausstellungskatalog MAK 18.04.2018-30.09.2018 Wien Bildband |
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