The race of sound: listening, timbre, and vocality in African American music
In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre—the color or tone of a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Durham ; London
Duke University Press
[2019]
|
| Schriftenreihe: | Refiguring American music
|
| Schlagworte: | |
| Online-Zugang: | Volltext Inhaltsverzeichnis |
| Zusammenfassung: | In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre—the color or tone of a voice. Eidsheim examines singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as the vocal synthesis technology Vocaloid to show how listeners carry a series of assumptions about the nature of the voice and to whom it belongs. Outlining how the voice is linked to ideas of racial essentialism and authenticity, Eidsheim untangles the relationship between race, gender, vocal technique, and timbre while addressing an undertheorized space of racial and ethnic performance. In so doing, she advances our knowledge of the cultural-historical formation of the timbral politics of difference and the ways that comprehending voice remains central to understanding human experience, all the while advocating for a form of listening that would allow us to hear singers in a self-reflexive, denaturalized way |
| Beschreibung: | xiv, 268 Seiten Illustrationen |
| ISBN: | 9780822368687 9780822368564 |
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| 520 | 3 | |a In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre—the color or tone of a voice. Eidsheim examines singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as the vocal synthesis technology Vocaloid to show how listeners carry a series of assumptions about the nature of the voice and to whom it belongs. Outlining how the voice is linked to ideas of racial essentialism and authenticity, Eidsheim untangles the relationship between race, gender, vocal technique, and timbre while addressing an undertheorized space of racial and ethnic performance. In so doing, she advances our knowledge of the cultural-historical formation of the timbral politics of difference and the ways that comprehending voice remains central to understanding human experience, all the while advocating for a form of listening that would allow us to hear singers in a self-reflexive, denaturalized way | |
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Contents
Acknowledgments * xi
Introduction, the acousmatic question:
Who Is This? # i
1 FORMAL AND INFORMAL PEDAGOGIES
Believing in Race, Teaching Race, Hearing Race # 39
2 PHANTOM GENEALOGY
Sonic Blackness and the American Operatic Timbre #61
3 FAMILIARITY AS STRANGENESS
Jimmy Scott and the Question of Black Timbral Masculinity #91
4 RACE AS ZEROS AND ONES
Vocaloid Refused, Reimagined, and Repurposed »115
5 BIFURCATED LISTENING
The Inimitable, Imitated Billie Holiday #151
6 WIDENING RINGS OF BEING
The Singer as Stylist and Technician € 177
Appendix • 201 Notes ©205 Bibliography % 243 Index * 259 |
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| contents | Formal and informal pedagogies : believing in race, teaching race, hearing race Phantom genealogy : sonic Blackness and the American operatic timbre Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity Race as zeros and ones : Vocaloid refused, reimagined, and repurposed Bifurcated listening : the inimitable, imitated Billie Holiday Widening rings of being : the singer as stylist and technician |
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| series2 | Refiguring American music |
| spellingShingle | Eidsheim, Nina 1975- The race of sound listening, timbre, and vocality in African American music Formal and informal pedagogies : believing in race, teaching race, hearing race Phantom genealogy : sonic Blackness and the American operatic timbre Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity Race as zeros and ones : Vocaloid refused, reimagined, and repurposed Bifurcated listening : the inimitable, imitated Billie Holiday Widening rings of being : the singer as stylist and technician African Americans / Music / Social aspects Music and race / United States Voice culture / Social aspects / United States Tone color (Music) / Social aspects / United States Music / Social aspects / United States Singing / Social aspects / United States Zuhören (DE-588)4192660-2 gnd Afroamerikanische Musik (DE-588)4122767-0 gnd Klang (DE-588)4030933-2 gnd |
| subject_GND | (DE-588)4192660-2 (DE-588)4122767-0 (DE-588)4030933-2 |
| title | The race of sound listening, timbre, and vocality in African American music |
| title_alt | Formal and informal pedagogies : believing in race, teaching race, hearing race Phantom genealogy : sonic Blackness and the American operatic timbre Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity Race as zeros and ones : Vocaloid refused, reimagined, and repurposed Bifurcated listening : the inimitable, imitated Billie Holiday Widening rings of being : the singer as stylist and technician |
| title_auth | The race of sound listening, timbre, and vocality in African American music |
| title_exact_search | The race of sound listening, timbre, and vocality in African American music |
| title_full | The race of sound listening, timbre, and vocality in African American music by Nina Sun Eidsheim |
| title_fullStr | The race of sound listening, timbre, and vocality in African American music by Nina Sun Eidsheim |
| title_full_unstemmed | The race of sound listening, timbre, and vocality in African American music by Nina Sun Eidsheim |
| title_short | The race of sound |
| title_sort | the race of sound listening timbre and vocality in african american music |
| title_sub | listening, timbre, and vocality in African American music |
| topic | African Americans / Music / Social aspects Music and race / United States Voice culture / Social aspects / United States Tone color (Music) / Social aspects / United States Music / Social aspects / United States Singing / Social aspects / United States Zuhören (DE-588)4192660-2 gnd Afroamerikanische Musik (DE-588)4122767-0 gnd Klang (DE-588)4030933-2 gnd |
| topic_facet | African Americans / Music / Social aspects Music and race / United States Voice culture / Social aspects / United States Tone color (Music) / Social aspects / United States Music / Social aspects / United States Singing / Social aspects / United States Zuhören Afroamerikanische Musik Klang |
| url | https://www.doabooks.org/doab?func=fulltext&uiLanguage=en&rid=44676 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030801599&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT eidsheimnina theraceofsoundlisteningtimbreandvocalityinafricanamericanmusic |