Italy's primacy in musical history:
This remarkable revelatory reference work, written in a conversational style that is witty and fast-paced, argues that the Italian people did more for the development and propagation of music than any other people in the world. The book is filled with supporting data that prove this claim, showing t...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publishing
2019
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | This remarkable revelatory reference work, written in a conversational style that is witty and fast-paced, argues that the Italian people did more for the development and propagation of music than any other people in the world. The book is filled with supporting data that prove this claim, showing that the first written music was an Italian creation, and that the vocabulary of music is primarily Italian. It also notes that the primary instruments were either devised or thoroughly improved by the Italians, the great musical forms, including the opera, ballet, operetta, and symphony, and that the great body of musical geniuses who were the early composers, musicians, conductors and vocalists were Italian. The book eventually closes with a telling of the great musical story to come out of the Italian-American communities. - Guy Graybill entered military service in the United States Army Security Agency as a Morse Code intercept operator in 1952. After this, he received a degree in History from Gettysburg College, USA, before beginning a secondary-level teaching career in rural Pennsylvania, pursuing additional educational opportunities at the universities of Temple, Puget Sound, Penn State and Georgetown, USA. After retiring from teaching, he was elected to the office of county-commissioner and became the chairman of the board of commissioners of Snyder County, Pennsylvania, in 1987. His publications include a biography of a moonshiner, a book of Russian folk tales (Frost!), a history of Pennsylvania (Keystone), and a book of poetry and related commentaries (Whimsy and Wry). (Klappentext) |
Beschreibung: | viii, 226 Seiten Illustrationen |
ISBN: | 9781527518209 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV045403102 | ||
003 | DE-604 | ||
005 | 20190402 | ||
007 | t| | ||
008 | 190116s2019 xx a||| |||| 00||| eng d | ||
020 | |a 9781527518209 |c Festeinband |9 978-1-5275-1820-9 | ||
035 | |a (OCoLC)1088340234 | ||
035 | |a (DE-599)BVBBV045403102 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-703 |a DE-12 | ||
084 | |a MUS |q DE-12 |2 fid | ||
084 | |a LQ 81600 |0 (DE-625)109071:13528 |2 rvk | ||
100 | 1 | |a Graybill, Guy |e Verfasser |0 (DE-588)1181891965 |4 aut | |
245 | 1 | 0 | |a Italy's primacy in musical history |c by Guy Graybill |
264 | 1 | |a Newcastle upon Tyne |b Cambridge Scholars Publishing |c 2019 | |
300 | |a viii, 226 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
505 | 8 | |a Foreword / Frank Tenaglia. - Prelude. - Act I Guido's Guidance. - Act II "Bravo!". - Act III Cremona and Beyond: The Legendary Luthiers of Lombardy. - Act IV The Deluge Begins. - Act V The Rumor about Antonio. - Act VI Dafne's Spawn Cradled in Italy. - Act VII Opera's Siblings. - Act VIII I Hear Voices: Castrati to Pavarotti. - Act IX Under the Baton. - Act X Heirs to the Fortune. - Act XI In Colombo's Wake. - Curtain: The Superlatives. - Bibliography. - Index | |
520 | |a This remarkable revelatory reference work, written in a conversational style that is witty and fast-paced, argues that the Italian people did more for the development and propagation of music than any other people in the world. The book is filled with supporting data that prove this claim, showing that the first written music was an Italian creation, and that the vocabulary of music is primarily Italian. It also notes that the primary instruments were either devised or thoroughly improved by the Italians, the great musical forms, including the opera, ballet, operetta, and symphony, and that the great body of musical geniuses who were the early composers, musicians, conductors and vocalists were Italian. The book eventually closes with a telling of the great musical story to come out of the Italian-American communities. - Guy Graybill entered military service in the United States Army Security Agency as a Morse Code intercept operator in 1952. After this, he received a degree in History from Gettysburg College, USA, before beginning a secondary-level teaching career in rural Pennsylvania, pursuing additional educational opportunities at the universities of Temple, Puget Sound, Penn State and Georgetown, USA. After retiring from teaching, he was elected to the office of county-commissioner and became the chairman of the board of commissioners of Snyder County, Pennsylvania, in 1987. His publications include a biography of a moonshiner, a book of Russian folk tales (Frost!), a history of Pennsylvania (Keystone), and a book of poetry and related commentaries (Whimsy and Wry). (Klappentext) | ||
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Musiker |0 (DE-588)4040841-3 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Komponist |0 (DE-588)4032009-1 |2 gnd |9 rswk-swf |
651 | 7 | |a Italien |0 (DE-588)4027833-5 |2 gnd |9 rswk-swf | |
653 | 0 | |a Music / Italy / History and criticism | |
653 | 0 | |a Music | |
653 | 2 | |a Italy | |
653 | 6 | |a Criticism, interpretation, etc | |
689 | 0 | 0 | |a Italien |0 (DE-588)4027833-5 |D g |
689 | 0 | 1 | |a Musik |0 (DE-588)4040802-4 |D s |
689 | 0 | 2 | |a Komponist |0 (DE-588)4032009-1 |D s |
689 | 0 | 3 | |a Musiker |0 (DE-588)4040841-3 |D s |
689 | 0 | 4 | |a Geschichte |A z |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-5275-2442-2 |
856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030789149&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
942 | 1 | 1 | |c 780.9 |e 22/bsb |g 45 |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-030789149 |
Datensatz im Suchindex
_version_ | 1820172764515926016 |
---|---|
adam_text |
Table of Contents
Foreword.vii
Frank Tenaglia
Prelude.ix
Act 1.1
Guido's Guidance
Act II.10
“Bravo!”
Act III. 13
Cremona and Beyond: The Legendary Luthiers of Lombardy
Act IV.36
The Deluge Begins
Act V.52
The Rumor about Antonio
Act VI.58
Dafne’s Spawn Cradled in Italy
Act VII.115
Opera’s Siblings
Act VIII.123
I Hear Voices: Castrati to Pavarotti
Act IX.148
Under the Baton
Act X.
Heirs to the Fortune
156
VI
Table of Contents
Act XI.169
In Colombo’s Wake
Curtain.202
The Superlatives
Bibliography.204
Index
206 |
any_adam_object | 1 |
author | Graybill, Guy |
author_GND | (DE-588)1181891965 |
author_facet | Graybill, Guy |
author_role | aut |
author_sort | Graybill, Guy |
author_variant | g g gg |
building | Verbundindex |
bvnumber | BV045403102 |
classification_rvk | LQ 81600 |
contents | Foreword / Frank Tenaglia. - Prelude. - Act I Guido's Guidance. - Act II "Bravo!". - Act III Cremona and Beyond: The Legendary Luthiers of Lombardy. - Act IV The Deluge Begins. - Act V The Rumor about Antonio. - Act VI Dafne's Spawn Cradled in Italy. - Act VII Opera's Siblings. - Act VIII I Hear Voices: Castrati to Pavarotti. - Act IX Under the Baton. - Act X Heirs to the Fortune. - Act XI In Colombo's Wake. - Curtain: The Superlatives. - Bibliography. - Index |
ctrlnum | (OCoLC)1088340234 (DE-599)BVBBV045403102 |
discipline | Musikwissenschaft |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV045403102</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190402</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">190116s2019 xx a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781527518209</subfield><subfield code="c">Festeinband</subfield><subfield code="9">978-1-5275-1820-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1088340234</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045403102</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LQ 81600</subfield><subfield code="0">(DE-625)109071:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Graybill, Guy</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1181891965</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Italy's primacy in musical history</subfield><subfield code="c">by Guy Graybill</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Newcastle upon Tyne</subfield><subfield code="b">Cambridge Scholars Publishing</subfield><subfield code="c">2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">viii, 226 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Foreword / Frank Tenaglia. - Prelude. - Act I Guido's Guidance. - Act II "Bravo!". - Act III Cremona and Beyond: The Legendary Luthiers of Lombardy. - Act IV The Deluge Begins. - Act V The Rumor about Antonio. - Act VI Dafne's Spawn Cradled in Italy. - Act VII Opera's Siblings. - Act VIII I Hear Voices: Castrati to Pavarotti. - Act IX Under the Baton. - Act X Heirs to the Fortune. - Act XI In Colombo's Wake. - Curtain: The Superlatives. - Bibliography. - Index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This remarkable revelatory reference work, written in a conversational style that is witty and fast-paced, argues that the Italian people did more for the development and propagation of music than any other people in the world. The book is filled with supporting data that prove this claim, showing that the first written music was an Italian creation, and that the vocabulary of music is primarily Italian. It also notes that the primary instruments were either devised or thoroughly improved by the Italians, the great musical forms, including the opera, ballet, operetta, and symphony, and that the great body of musical geniuses who were the early composers, musicians, conductors and vocalists were Italian. The book eventually closes with a telling of the great musical story to come out of the Italian-American communities. - Guy Graybill entered military service in the United States Army Security Agency as a Morse Code intercept operator in 1952. After this, he received a degree in History from Gettysburg College, USA, before beginning a secondary-level teaching career in rural Pennsylvania, pursuing additional educational opportunities at the universities of Temple, Puget Sound, Penn State and Georgetown, USA. After retiring from teaching, he was elected to the office of county-commissioner and became the chairman of the board of commissioners of Snyder County, Pennsylvania, in 1987. His publications include a biography of a moonshiner, a book of Russian folk tales (Frost!), a history of Pennsylvania (Keystone), and a book of poetry and related commentaries (Whimsy and Wry). (Klappentext)</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musiker</subfield><subfield code="0">(DE-588)4040841-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Komponist</subfield><subfield code="0">(DE-588)4032009-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Italien</subfield><subfield code="0">(DE-588)4027833-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Italy / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Italy</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Italien</subfield><subfield code="0">(DE-588)4027833-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Komponist</subfield><subfield code="0">(DE-588)4032009-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Musiker</subfield><subfield code="0">(DE-588)4040841-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-5275-2442-2</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030789149&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="g">45</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030789149</subfield></datafield></record></collection> |
geographic | Italien (DE-588)4027833-5 gnd |
geographic_facet | Italien |
id | DE-604.BV045403102 |
illustrated | Illustrated |
indexdate | 2025-01-02T21:06:55Z |
institution | BVB |
isbn | 9781527518209 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030789149 |
oclc_num | 1088340234 |
open_access_boolean | |
owner | DE-703 DE-12 |
owner_facet | DE-703 DE-12 |
physical | viii, 226 Seiten Illustrationen |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | Cambridge Scholars Publishing |
record_format | marc |
spelling | Graybill, Guy Verfasser (DE-588)1181891965 aut Italy's primacy in musical history by Guy Graybill Newcastle upon Tyne Cambridge Scholars Publishing 2019 viii, 226 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Foreword / Frank Tenaglia. - Prelude. - Act I Guido's Guidance. - Act II "Bravo!". - Act III Cremona and Beyond: The Legendary Luthiers of Lombardy. - Act IV The Deluge Begins. - Act V The Rumor about Antonio. - Act VI Dafne's Spawn Cradled in Italy. - Act VII Opera's Siblings. - Act VIII I Hear Voices: Castrati to Pavarotti. - Act IX Under the Baton. - Act X Heirs to the Fortune. - Act XI In Colombo's Wake. - Curtain: The Superlatives. - Bibliography. - Index This remarkable revelatory reference work, written in a conversational style that is witty and fast-paced, argues that the Italian people did more for the development and propagation of music than any other people in the world. The book is filled with supporting data that prove this claim, showing that the first written music was an Italian creation, and that the vocabulary of music is primarily Italian. It also notes that the primary instruments were either devised or thoroughly improved by the Italians, the great musical forms, including the opera, ballet, operetta, and symphony, and that the great body of musical geniuses who were the early composers, musicians, conductors and vocalists were Italian. The book eventually closes with a telling of the great musical story to come out of the Italian-American communities. - Guy Graybill entered military service in the United States Army Security Agency as a Morse Code intercept operator in 1952. After this, he received a degree in History from Gettysburg College, USA, before beginning a secondary-level teaching career in rural Pennsylvania, pursuing additional educational opportunities at the universities of Temple, Puget Sound, Penn State and Georgetown, USA. After retiring from teaching, he was elected to the office of county-commissioner and became the chairman of the board of commissioners of Snyder County, Pennsylvania, in 1987. His publications include a biography of a moonshiner, a book of Russian folk tales (Frost!), a history of Pennsylvania (Keystone), and a book of poetry and related commentaries (Whimsy and Wry). (Klappentext) Geschichte gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musiker (DE-588)4040841-3 gnd rswk-swf Komponist (DE-588)4032009-1 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Music / Italy / History and criticism Music Italy Criticism, interpretation, etc Italien (DE-588)4027833-5 g Musik (DE-588)4040802-4 s Komponist (DE-588)4032009-1 s Musiker (DE-588)4040841-3 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-1-5275-2442-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030789149&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Graybill, Guy Italy's primacy in musical history Foreword / Frank Tenaglia. - Prelude. - Act I Guido's Guidance. - Act II "Bravo!". - Act III Cremona and Beyond: The Legendary Luthiers of Lombardy. - Act IV The Deluge Begins. - Act V The Rumor about Antonio. - Act VI Dafne's Spawn Cradled in Italy. - Act VII Opera's Siblings. - Act VIII I Hear Voices: Castrati to Pavarotti. - Act IX Under the Baton. - Act X Heirs to the Fortune. - Act XI In Colombo's Wake. - Curtain: The Superlatives. - Bibliography. - Index Musik (DE-588)4040802-4 gnd Musiker (DE-588)4040841-3 gnd Komponist (DE-588)4032009-1 gnd |
subject_GND | (DE-588)4040802-4 (DE-588)4040841-3 (DE-588)4032009-1 (DE-588)4027833-5 |
title | Italy's primacy in musical history |
title_auth | Italy's primacy in musical history |
title_exact_search | Italy's primacy in musical history |
title_full | Italy's primacy in musical history by Guy Graybill |
title_fullStr | Italy's primacy in musical history by Guy Graybill |
title_full_unstemmed | Italy's primacy in musical history by Guy Graybill |
title_short | Italy's primacy in musical history |
title_sort | italy s primacy in musical history |
topic | Musik (DE-588)4040802-4 gnd Musiker (DE-588)4040841-3 gnd Komponist (DE-588)4032009-1 gnd |
topic_facet | Musik Musiker Komponist Italien |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030789149&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT graybillguy italysprimacyinmusicalhistory |