On declaring love: eighteenth-century literature and Jane Austen
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2019
|
| Schriftenreihe: | Routledge studies in eighteenth-century literature
19 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxi, 204 Seiten |
| ISBN: | 9780367077389 |
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Datensatz im Suchindex
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|---|---|
| adam_text | ON DECLARING LOVE
/ PARKER, G. F.YYQ(GRAHAM FREDERICK)YYD1956-YYEAUTHOR
: 2019
TABLE OF CONTENTS / INHALTSVERZEICHNIS
NEVER SEEK TO TELL THY LOVE
THE DISENGAGED SELF IN THE THEATRE OF THE WORLD
CLARISSA: I WANTED SOMEBODY TO SPEAK FOR ME
THE PERFORMANCE OF LOVE IN JANE AUSTEN
THE LETHAL RESERVE OF FANNY PRICE
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Contents Note on References Preface 1 ‘Never seek to tell thy love’ A Matter of Delicacy: A Poem by Blake 1 Sincerity Rejected: Emma Courtney 9 Mary Hays and William Godwin: A Debate about Independence 14 2 The Disengaged Self in the Theatre of the World The Disengaged Self in the Eighteenth Century 25 Engaging Nevertheless: Johnson’s Antagonism, Godwin’s Frankness 35 Molière’s Misanthrope and the Problem with Sincerity 44 Performance Culture and Performance Art: Chesterfield’s Letters and Diderot’s Rameau’s Nephew 53 She Stoops to Conquer and the Embarrassments of Courtship 65 Boswell, Role-Playing, and Love 75 3 Clarissa: ‘I wanted somebody to speak for me’ 4 The Performance of Love in Jane Austen Pride and Prejudice: Three Proposals 116 Love and Acknowledgement 121 Declarations of Love in Northanger Abbey 127 Persuasion: Making Love in Public Spaces 132 Persuadability 141 Emma: Fictions and Feelings 146
Contents The Lethal Reserve of Fanny Price 163 Works Cited Index 195 203
On Declaring Love What did she say? ֊ Just what she ought, of course. A lady always does. This book explores the act of declaring love in works of literature written between the middle of the eighteenth century and the death of Jane Austen - and uncovers the uncertain boundaries of the self in the force field of courtship. Declaring love is understood as the hazardous attempt to find public, social terms which can communicate personal feelings and bring intimacy into being. This was a period highly sensitive to the propriety and artificiality of public forms, and hence peculiarly alive to problems around the idea of saying what you feel, problems experienced especially though not exclusively by women. Through this historical lens the author considers the ways in which we may become entangled with one another through language, the limits to our operation as indepen dent individuals, and whether in love you can only feel what you can tell. The first part of the book examines eighteenth-century attitudes to wards the independent or disengaged self, performance culture, and the feasibility of sincerity, through readings of a wide range of different works. This provides the basis for a discussion of Austen’s novels in the final two chapters, focussed on the dynamics of courtship and the moment of proposal, and making much of the role of Austen’s narrative voice in supporting the subjectivity of the one in love.
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| title | On declaring love eighteenth-century literature and Jane Austen |
| title_auth | On declaring love eighteenth-century literature and Jane Austen |
| title_exact_search | On declaring love eighteenth-century literature and Jane Austen |
| title_full | On declaring love eighteenth-century literature and Jane Austen Fred Parker |
| title_fullStr | On declaring love eighteenth-century literature and Jane Austen Fred Parker |
| title_full_unstemmed | On declaring love eighteenth-century literature and Jane Austen Fred Parker |
| title_short | On declaring love |
| title_sort | on declaring love eighteenth century literature and jane austen |
| title_sub | eighteenth-century literature and Jane Austen |
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