Surpassing modernity: ambivalence in art, politics and society
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2019
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | x, 249 Seiten Illustrationen |
| ISBN: | 9781350008342 9781350008335 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | image credits vii
Acknowledgements ix
Introduction: The surpassing urge 1
1 What are we talking about? Narratives of
modernity and beyond 17
A landscape in which nothing was the same except
the clouds 17
Narratives of modern art and life 26
The antinomies of a culture of modernity 34
The ambivalence of surpassing and paradigm shifts:
The anti-aesthetic 42
The affirmation of surpassing and paradigm shifts:
Contemporaneity 54
Conclusion 61
2 We petty-bourgeois radicals: Reflections on Polke’s
Wir Kleinbiirger! (We Petty Bourgeois!) 63
The puzzle of the ‘we’ in Polke’s iWe Petty BourgeoisP
exhibition, Hamburg, 2009—10 64
The irresistibility of the Petty Bourgeoisie and its
cloak of invisibility 68
Marxism and the petty bourgeoisie 73
Comrades and contemporaries, the 1970s, from the vanguard
to intermediaries 77
VI
CONTENTS
From supermarkets to supernatural: Vision, magic,
and the mediated 89
Conclusions: Petty-bourgeois revolutionaries? 100
3 What is art supposed to do? The modernist legacy,
the Arab Spring, a censorship case in Sharjah, and
artist arrests in the Year of the Protester 105
30 December 2010, Qatar: Mathaf: Arab Museum of Modern
Art, Doha 105
17 December 2010, Tunisia; A protest leads
to uprisings 110
April 2011, Sharjah: A censorship controversy 112
What is art supposed to do? Art, civil action, doing one’s job,
and the enduring assertion of aesthetic autonomy 121
The legacy of testing cultural limits 126
The limits of critical determinism 133
Eurocentrism, cultural universalism, or cultural relativism? 140
Conclusion 154
4 Inversions and aberrations: Visual acuity and the
erratic chemistry of art-historical exchange in a
transcultural situation 159
The problem of centres and peripheries 162
Is standpoint aesthetics new and how would we know? 166
Aberrations and inversions as alternative
art-historical models 169
Ian Burn on visual acuity 175
Malevich’s organic model and a chemical art history 184
Conclusion 193
Notes 199
Select Bibliography 234
Index 246
|
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| discipline | Kunstgeschichte Allgemeines |
| format | Book |
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| isbn | 9781350008342 9781350008335 |
| language | English |
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| spelling | McNamara, Andrew Verfasser (DE-588)136888860 aut Surpassing modernity ambivalence in art, politics and society Andrew McNamara London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2019 x, 249 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Polke, Sigmar 1941-2010 (DE-588)118741381 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Begriff (DE-588)4005248-5 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Ambivalenz (DE-588)4196468-8 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Kunst (DE-588)4114333-4 s Ästhetik (DE-588)4000626-8 s Ambivalenz (DE-588)4196468-8 s DE-604 Moderne (DE-588)4039827-4 s Begriff (DE-588)4005248-5 s Polke, Sigmar 1941-2010 (DE-588)118741381 p Erscheint auch als Online-Ausgabe, PDF 978-1-3500-0832-8 Erscheint auch als Online-Ausgabe, ebook 978-1-3500-0835-9 V:DE-605;X:semantics application/pdf http://digitale-objekte.hbz-nrw.de/storage2/2018/11/25/file%5F16/8204170.pdf Inhaltsverzeichnis V:DE-576;B:DE-14 application/pdf http://swbplus.bsz-bw.de/bsz514658649inh.htm 20181204151519 Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030773616&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | McNamara, Andrew Surpassing modernity ambivalence in art, politics and society Polke, Sigmar 1941-2010 (DE-588)118741381 gnd Ästhetik (DE-588)4000626-8 gnd Begriff (DE-588)4005248-5 gnd Moderne (DE-588)4039827-4 gnd Ambivalenz (DE-588)4196468-8 gnd Kunst (DE-588)4114333-4 gnd |
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| title | Surpassing modernity ambivalence in art, politics and society |
| title_auth | Surpassing modernity ambivalence in art, politics and society |
| title_exact_search | Surpassing modernity ambivalence in art, politics and society |
| title_full | Surpassing modernity ambivalence in art, politics and society Andrew McNamara |
| title_fullStr | Surpassing modernity ambivalence in art, politics and society Andrew McNamara |
| title_full_unstemmed | Surpassing modernity ambivalence in art, politics and society Andrew McNamara |
| title_short | Surpassing modernity |
| title_sort | surpassing modernity ambivalence in art politics and society |
| title_sub | ambivalence in art, politics and society |
| topic | Polke, Sigmar 1941-2010 (DE-588)118741381 gnd Ästhetik (DE-588)4000626-8 gnd Begriff (DE-588)4005248-5 gnd Moderne (DE-588)4039827-4 gnd Ambivalenz (DE-588)4196468-8 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Polke, Sigmar 1941-2010 Ästhetik Begriff Moderne Ambivalenz Kunst |
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