Tintoretto's difference: Deleuze, diagrammatics and art history
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2019
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | xix, 215 Seiten Illustrationen |
| ISBN: | 9781350083073 |
Internformat
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Datensatz im Suchindex
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| adam_text |
Contents
List of figures x
Preface
Prologue xvii
1 Tintoretto: A Problem for Art History? 1
Tradition and contextualism 1
Representational thought 5
Theory, philosophy 7
Towards Deleuze 9
Deleuze and art history 13
The diagram 15
2 Tintoretto and His Time? 19
Christ among the Doctors 24
Annibales hesitation 25
Aretinos U-turn 26
Miracle of the Slave 26
Historia 27
The stage-method 30
Painting and theatre 41
Tintoretto. From theatre to drama 47
Genealogy of the stage-method in Tintorettos works 48
Ridolfis motto 58
viii
Contents
Art history's recycling of Ridolfi s motto 59
Deleuzes Tintoretto 60
3 Diagrammatic Constructivism 65
Thought as difference 68
Deleuzes diagram and Kant’s schema 70
Kant’s constructivism 71
Peirce’s diagram. An empiricist’s constructivism 72
Pure icons 75
Diagrammatic subversion of iconography in Tintoretto’s works 76
Tintoretto’s ghostly figures 82
The genetic method: Maimon and Deleuze 86
Deleuzes transcendental empiricism 88
Tintoretto’s constructivism. Stage-method as diagram 90
4 Diagrammatic Aesthetic 93
Deleuze after Kant: Sensation and genesis 94
Genetic method in the third critique 96
Material aesthetic and the work of art 99
Aesthetic paradigm 100
Diagrammatic aesthetic 102
Diagrammatic art 102
Tintoretto’s material constructivism 104
Constructivism beyond Venetian empiricism 106
Tintoretto’s imagination 110
Boschini’s experience 112
The Scuola Grande di San Rocco 116
5 Diagrammatic Time 129
The time of difference 129
Anachronism in contemporary art history 136
Constructivism, time, and art 140
Deleuzes syntheses of time 145
The third synthesis of time and Nietzsche’s eternal return 147
Contents
IX
The diagram, genealogy, and history 150
Tintoretto’s time 152
Tintoretto’s return in the 2011 Venice Biennale 158
Conclusion 163
Notes 167
Bibliography 201
Index 211
TINTORETTO*S DIFFERENCE
DELEUZE, DIAGRAMMATICS,
AND ART HISTORY
RAMINI VELLODI
BLOOMSBURY ACADEMIC
LONDON NEW YORK OXFORD * NEW DELHI SYDNEY
CONTENTS
LIST OF FIGURES X
PREFACE XIV
PROLOGUE XVII
1 TINTORETTO: A PROBLEM FOR ART HISTORY? 1
TRADITION AND CONTEXTUALISM 1
REPRESENTATIONAL THOUGHT 5
THEORY, PHILOSOPHY 7
TOWARDS DELEUZE 9
DELEUZE AND ART HISTORY 13
THE DIAGRAM 15
2 TINTORETTO AND HIS TIME? 19
CHRIST AMONG THE DOCTORS
24
ANNIBALE*S HESITATION 25
ARETINO*S U-TURN 26
MIRACLE OF THE SLAVE
26
HISTORIA
27
THE STAGE-METHOD 30
PAINTING AND THEATRE 41
TINTORETTO. FROM THEATRE TO DRAMA 47
GENEALOGY OF THE STAGE-METHOD IN TINTORETTO*S WORKS 48
RIDOLFI S MOTTO 58
VIII
CONTENTS
ART HISTORY*S RECYCLING OF RIDOLFI*S MOTTO 59
DELEUZE*S TINTORETTO 60
3 DIAGRAMMATIC CONSTRUCTIVISM 65
THOUGHT AS DIFFERENCE 68
DELEUZE*S DIAGRAM AND KANT*S SCHEMA 70
KANT*S CONSTRUCTIVISM 71
PEIRCE*S DIAGRAM. AN EMPIRICIST*S CONSTRUCTIVISM 72
PURE ICONS 75
DIAGRAMMATIC SUBVERSION OF ICONOGRAPHY IN TINTORETTO*S WORKS 76
TINTORETTO*S GHOSTLY FIGURES 82
THE GENETIC METHOD: MAIMON AND DELEUZE 86
DELEUZE*S TRANSCENDENTAL EMPIRICISM 88
TINTORETTO*S CONSTRUCTIVISM. STAGE-METHOD AS DIAGRAM 90
4 DIAGRAMMATIC AESTHETIC 93
DELEUZE AFTER KANT: SENSATION AND GENESIS 94
GENETIC METHOD IN THE THIRD CRITIQUE 96
MATERIAL AESTHETIC AND THE WORK OF ART 99
AESTHETIC PARADIGM 100
DIAGRAMMATIC AESTHETIC 102
DIAGRAMMATIC ART 102
TINTORETTO*S MATERIAL CONSTRUCTIVISM 104
CONSTRUCTIVISM BEYOND VENETIAN EMPIRICISM 106
TINTORETTO*S IMAGINATION 110
BOSCHINI*S EXPERIENCE 112
THE SCUOLA GRANDE DI SAN ROCCO 116
5 DIAGRAMMATIC TIME 129
THE TIME OF DIFFERENCE 129
ANACHRONISM IN CONTEMPORARY ART HISTORY 136
CONSTRUCTIVISM, TIME, AND ART 140
DELEUZE*S SYNTHESES OF TIME 145
THE THIRD SYNTHESIS OF TIME AND NIETZSCHE*S ETERNAL RETURN 147
CONTENTS
IS
THE DIAGRAM, GENEALOGY, AND HISTORY 150
TINTORETTO*S TIME 152
TINTORETTO*S RETURN IN THE 2011 VENICE BIENNALE 158
CONCLUSION 163
NOTES
BIBLIOGRAPHY
INDEX
167
201
211
Tintoretto’s Difference
Deleuze, Diagrammatics,
and Art History
Ramini Vellodi
BLOOMSBURY ACADEMIC
LONDON · NEW YORK · OXFORD * NEW DELHI · SYDNEY
Contents
List of figures x
Preface xiv
Prologue xvii
1 Tintoretto: A Problem for Art History? 1
Tradition and contextualism 1
Representational thought 5
Theory, philosophy 7
Towards Deleuze 9
Deleuze and art history 13
The diagram 15
2 Tintoretto and His Time? 19
Christ among the Doctors 24
Annibale’s hesitation 25
Aretino’s U-turn 26
Miracle of the Slave 26
Historia 27
The stage-method 30
Painting and theatre 41
Tintoretto. From theatre to drama 47
Genealogy of the stage-method in Tintoretto’s works 48
Ridolfi s motto 58
viii Contents
Art history’s recycling of Ridolfi’s motto 59
Deleuze’s Tintoretto 60
3 Diagrammatic Constructivism 65
Thought as difference 68
Deleuze’s diagram and Kant’s schema 70
Kant’s constructivism 71
Peirce’s diagram. An empiricist’s constructivism 72
Pure icons 75
Diagrammatic subversion of iconography in Tintoretto’s works 76
Tintoretto’s ghostly figures 82
The genetic method: Maimon and Deleuze 86
Deleuze’s transcendental empiricism 88
Tintoretto’s constructivism. Stage-method as diagram 90
4 Diagrammatic Aesthetic 93
Deleuze after Kant: Sensation and genesis 94
Genetic method in the third critique 96
Material aesthetic and the work of art 99
Aesthetic paradigm 100
Diagrammatic aesthetic 102
Diagrammatic art 102
Tintoretto’s material constructivism 104
Constructivism beyond Venetian empiricism 106
Tintoretto’s imagination 110
Boschini’s experience 112
The Scuola Grande di San Rocco 116
5 Diagrammatic Time 129
The time of difference 129
Anachronism in contemporary art history 136
Constructivism, time, and art 140
Deleuze’s syntheses of time 145
The third synthesis of time and Nietzsche’s eternal return 147
Contents is
The diagram, genealogy, and history 150
Tintoretto’s time 152
Tintoretto’s return in the 2011 Venice Biennale 158
Conclusion 163
Notes
Bibliography
Index
167
201
211 |
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| author | Vellodi, Kamini |
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| ctrlnum | (OCoLC)1083883601 (DE-599)BVBBV045380600 |
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| spelling | Vellodi, Kamini Verfasser (DE-588)1176661434 aut Tintoretto's difference Deleuze, diagrammatics and art history Kamini Vellodi London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2019 xix, 215 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Kant, Immanuel 1724-1804 (DE-588)118559796 gnd rswk-swf Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd rswk-swf Tintoretto 1518-1594 (DE-588)118622854 gnd rswk-swf Diagramm (DE-588)4012044-2 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Tintoretto 1518-1594 (DE-588)118622854 p DE-604 Kant, Immanuel 1724-1804 (DE-588)118559796 p Deleuze, Gilles 1925-1995 (DE-588)118524534 p Ästhetik (DE-588)4000626-8 s Diagramm (DE-588)4012044-2 s Erscheint auch als Online-Ausgabe, PDF 978-1-3500-8306-6 Erscheint auch als Online-Ausgabe 978-1-3500-8308-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030766940&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030766940&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Vellodi, Kamini Tintoretto's difference Deleuze, diagrammatics and art history Kant, Immanuel 1724-1804 (DE-588)118559796 gnd Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd Tintoretto 1518-1594 (DE-588)118622854 gnd Diagramm (DE-588)4012044-2 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)118559796 (DE-588)118524534 (DE-588)118622854 (DE-588)4012044-2 (DE-588)4000626-8 |
| title | Tintoretto's difference Deleuze, diagrammatics and art history |
| title_auth | Tintoretto's difference Deleuze, diagrammatics and art history |
| title_exact_search | Tintoretto's difference Deleuze, diagrammatics and art history |
| title_full | Tintoretto's difference Deleuze, diagrammatics and art history Kamini Vellodi |
| title_fullStr | Tintoretto's difference Deleuze, diagrammatics and art history Kamini Vellodi |
| title_full_unstemmed | Tintoretto's difference Deleuze, diagrammatics and art history Kamini Vellodi |
| title_short | Tintoretto's difference |
| title_sort | tintoretto s difference deleuze diagrammatics and art history |
| title_sub | Deleuze, diagrammatics and art history |
| topic | Kant, Immanuel 1724-1804 (DE-588)118559796 gnd Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd Tintoretto 1518-1594 (DE-588)118622854 gnd Diagramm (DE-588)4012044-2 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Kant, Immanuel 1724-1804 Deleuze, Gilles 1925-1995 Tintoretto 1518-1594 Diagramm Ästhetik |
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