Routledge handbook to Luigi Nono and musical thought:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2019
Orpheus Instituut 2019 |
| Schriftenreihe: | Routledge handbooks
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturverzeichnis: Seite 502-515 Register: Seite 516-527 |
| Beschreibung: | xxii, 527 Seiten, 9 ungezählte Seiten Tafeln Illustrationen, Notenbeispiele |
| ISBN: | 9781409455974 |
Internformat
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| 246 | 1 | 3 | |a Handbook to Luigi Nono and musical thought |
| 246 | 1 | 3 | |a Luigi Nono and musical thought |
| 264 | 1 | |a London ; New York |b Routledge, Taylor & Francis Group |c 2019 | |
| 264 | 1 | |b Orpheus Instituut |c 2019 | |
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Datensatz im Suchindex
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|---|---|
| adam_text |
CONTENTS
List of figures xii
List of plates xvi
Notes xvii
Acknowledgements xviii
Foreword xix
Introduction xx
1 Prolegomena: a Venetian pre-biography 1
2 Accelerated learning: years of study, 1942-50 9
A classical education 9
Encounters 15
Gian Francesco Malipiero 15
Bruno Maderna 17
Hermann Scherchen 22
Eunice Katunda 25
René Leibowitz 27
Luigi Dallapiccola 28
‘Due liriche greche’ 29
3 Confronting modernism: Darmstadt 36
The emergence of a language 36
'Variazioni canoniche sulla serie delVop. 41 di Arnold Schonberg’ 37
Dodecaphonic variations 47
‘Fucik’ 47
'Polifonica - Monodia - Ritmica* 49
vii
Contents
‘Composizione per orchestra [n. if 59
Engagement 63
Lorca: drama, struggle and reference: ‘Epitaffio n. 1—3 per Federico
Garcia Lorca’ 66
4Epitaffio n. 1: España en el corazón’ 66
Epitaffio n. 2: Y su sangre ya viene cantandof 72
Epitaffio n. 3: Memento — Romance de la Guardia Civil Española9 74
4 Taking positions: song 83
Traveller . 83
Expressions 87
4Due espressionV 87
*La Victoire de Guernica’ 93
Eiebesliedf 98
Into the theatre: ‘Der rote Mantel, Was ihr wollt’ 100
Integration 105
(Cantil 105
(Incontri} 112
5 6Docere e movere’: H canto sospeso 122
Genesis 122
Text 124
Music 125
Instrumental movements Í, 4 and 8 127
Solo vocal movements 3y 5 and 7 129
Choral movement 29 6 and 9 134
Song 139
6 Poetry and drama 147
£Varianti’ 147
Collaboration 147
Reflection 148
Composi tion 150
Earth and sea 158
4La terra e la compagna’ . 159
(Cori di Didoney 168
Diary and design: ‘Composizione per orchestra n. 2: Diario
polacco ’58’ 175
Inception 175
Space and movement 178
Historical presence and present tensions 185
Helmut Lachenmann 187
Melos reborn 189
viii
Contents
‘Sard, dolce tacere 191
(“Ha venido”. Canciones para Silvia’ 194
Into the studio: ‘Omaggio a Emilio Vedova’ 196
7 Intolleranza 1960 204
Gestation 204
Composition 211
Production 215
Resonance 217
8 New spaces: studio, street, factory 221
‘Canti di vita e d’amore: Sul ponte di Hiroshima’ 221
‘Canciones a Guiomar’ 232
Possibility of a new theatre . . . 237
Evolving projects 237
(Un diario italiano’ 239
‘La fabbrica illuminata’ 245
Locating the work 245
The sonic factory 246
American journey 253
The inferno: ‘Die Ermittlung’ and ‘Ricorda cosa ti hanno fatto
in Auschwitz’ 254
Internationalism 260
The living studio 260
{A floresta éjovem e cheja de vida’ 263
9 Manifestos 276
Anti-revisionism: ‘Per Bastiana — Tai-Yang Cheng’ 276
Political engagement at home and abroad 279
Situated action and Venetian counterpoint: ‘Contrappunto
dialettico alia mente’ 282
The soundtrack of struggle 285
‘II Manifesto’ 287
Direct action 292
‘Música-Manifesto n. 1: Un volto, e del mare — Non consumiamo Marx’ 292
*Y entonces comprendió’ 297
The institutional performance of protest: ‘Voci destroying muros,
Ein Gespenst geht um in der Welt’ 301
Solidarity in a new culture 308
Music and reality 308
A wave of strength and light 311
IX
Contents
10 Al gran sole carico d’amove 320
A long-awaited sunrise 320
Operatic architecture 322
A national event 328
A Gramscian opera? 330
Under a common flag: ‘Für Paul Dessau’ 333
11 Waves 337
‘. sofferte onde serene 337
Exploring piano and pianist 337
r. . . the infinite smile of the waves’ 339
r. . . a man searching for truth’ 341
Aftershock: 7 Turcs tal FriüV 344
‘Con Luigi Dallapiccola’ 345
‘Fragmente-Stille, an Diotima’ 349
The process of knowledge 349
Waves of memory 352
Fragmente’ and criticism 361
FragmenteHölderlin and the caesura 362
Fragmente’, Hölderlin and Marx 363
12 Prometeo 368
‘Das atmende Klarsein ’ 368
Breathing anew 368
. . a sense of the possible’ 371
‘Io, frammento dal Prometeo’ 376
‘Quando stanno morendo, Diario polacco n. 2’ 381
Music of continuous resistance 381
Subversive humanism 387
\ . . peace is doubtful disquiet’ 388
Reconciliation 388
‘Omaggio a György Kurtäg’ 388
{Guai aigelidi mostri’ 390
Physical, virtual and historical spaces 394
13 A tragedy of listening 399
Inception 399
Production 407
‘Prometeo. Tragedia dell’ascolto’ 412
Frologo’ 412
Isola 1°’ 419
‘Isola 2° (lo-Prometeo, Hölderlin, Stasimo t°)’ 421
x
Contents
Interludio I 07 425
‘3 voci (a)’ 426
‘Isola 3o - 4o ~ 5o’ 427
‘3 voci (by 429
‘Interludio 2 o’ 430
‘Stasimo 2°’ 431
14 Resonances 435
Echoes 435
The architecture of silence: A Carlo Scarpa, architetto, ai suoi
infiniti possibili' 435
A Pierre: DelVazzurro silenzio, inquietum’ 439
‘Risonanze erranti. Liederzyklus a Massimo Cacciari’ 441
Musical precursors 441
Poetic catalysis 443
‘Der Wanderer’ 448
15 Possible worlds 452
‘Io Caminantes . . . Ayacucho’ 452
. . in an infinite space and with innumerable voices' 452
Ars combinatoriaJ 453
The word and its absence 462
‘Découvrir la subversion. Hommage a Edmond Jabes9 462
The blank page 465
‘Post-pme-luáium n. Í “per Donan”' 467
‘2o No hay caminos, hay que caminar . . . Andrej Tarkovskij’ 468
Distillation 468
Expansion 471
Sun, sacrifice and angels 475
Berlin 478
‘La lontananza nostálgica future’ 480
A short history: Berlin 480
A long history: Freiburg 481
The folds of memory 485
‘Post-prae-ludium n. 3 “BAAB-ARR” ’ 489
“‘Hay que caminar” Soñando’ 491
Unexplored worlds 494
References 502
Index 516
xi |
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| spelling | Impett, Jonathan ca. 20. Jh. Verfasser (DE-588)115067170X aut Routledge handbook to Luigi Nono and musical thought Jonathan Impett Handbook to Luigi Nono and musical thought Luigi Nono and musical thought London ; New York Routledge, Taylor & Francis Group 2019 Orpheus Instituut 2019 xxii, 527 Seiten, 9 ungezählte Seiten Tafeln Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Routledge handbooks Literaturverzeichnis: Seite 502-515 Register: Seite 516-527 Nono, Luigi 1924-1990 (DE-588)118588559 gnd rswk-swf Nono, Luigi / Criticism and interpretation Nono, Luigi Music / 20th century / History and criticism Music 1900-1999 Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Nono, Luigi 1924-1990 (DE-588)118588559 p DE-604 Erscheint auch als Online-Ausgabe, ebk. 978-0-429-94086-6 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030764431&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Impett, Jonathan ca. 20. Jh Routledge handbook to Luigi Nono and musical thought Nono, Luigi 1924-1990 (DE-588)118588559 gnd |
| subject_GND | (DE-588)118588559 (DE-588)4143413-4 |
| title | Routledge handbook to Luigi Nono and musical thought |
| title_alt | Handbook to Luigi Nono and musical thought Luigi Nono and musical thought |
| title_auth | Routledge handbook to Luigi Nono and musical thought |
| title_exact_search | Routledge handbook to Luigi Nono and musical thought |
| title_full | Routledge handbook to Luigi Nono and musical thought Jonathan Impett |
| title_fullStr | Routledge handbook to Luigi Nono and musical thought Jonathan Impett |
| title_full_unstemmed | Routledge handbook to Luigi Nono and musical thought Jonathan Impett |
| title_short | Routledge handbook to Luigi Nono and musical thought |
| title_sort | routledge handbook to luigi nono and musical thought |
| topic | Nono, Luigi 1924-1990 (DE-588)118588559 gnd |
| topic_facet | Nono, Luigi 1924-1990 Aufsatzsammlung |
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