Theories of the soundtrack:
This work is concerned with summarizing & critiquing theories of the soundtrack from roughly 1929 until today. A theory of the soundtrack is concerned with what belongs to it, how it is effectively organized, how its status in a multimedia object affects the nature of the object, the tools avail...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
2018
|
| Schriftenreihe: | Oxford music/media series
Oxford scholarship online |
| Schlagworte: | |
| Online-Zugang: | BSB01 URL des Erstveröffentlichers |
| Zusammenfassung: | This work is concerned with summarizing & critiquing theories of the soundtrack from roughly 1929 until today. A theory of the soundtrack is concerned with what belongs to it, how it is effectively organized, how its status in a multimedia object affects the nature of the object, the tools available for its analysis, & the interpretive regime that the theory mandates for determining the meaning, sense, & structure that sound & music bring to film & other audiovisual media. Beyond that, a theory may also delineate the range of possible uses of sound (& music), classify the types of relations that films have used for image & sound, identify the central problems, & reflect on & describe effective uses of sound in film. This text does not provide an exhaustive historical survey but rather sketches out the range of theoretical approaches that have been applied to the soundtrack over time |
| Beschreibung: | Previously issued in print: 2018. - Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9780199371105 |
| DOI: | 10.1093/oso/9780199371075.001.0001 |
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Datensatz im Suchindex
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| author | Buhler, James 1964- |
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| id | DE-604.BV045376870 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:16:28Z |
| institution | BVB |
| isbn | 9780199371105 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030763265 |
| oclc_num | 1080951354 |
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| physical | 1 Online-Ressource |
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| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Oxford University Press |
| record_format | marc |
| series2 | Oxford music/media series Oxford scholarship online |
| spelling | Buhler, James 1964- (DE-588)1024738043 aut Theories of the soundtrack James Buhler New York, NY Oxford University Press 2018 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Oxford music/media series Oxford scholarship online Previously issued in print: 2018. - Includes bibliographical references and index This work is concerned with summarizing & critiquing theories of the soundtrack from roughly 1929 until today. A theory of the soundtrack is concerned with what belongs to it, how it is effectively organized, how its status in a multimedia object affects the nature of the object, the tools available for its analysis, & the interpretive regime that the theory mandates for determining the meaning, sense, & structure that sound & music bring to film & other audiovisual media. Beyond that, a theory may also delineate the range of possible uses of sound (& music), classify the types of relations that films have used for image & sound, identify the central problems, & reflect on & describe effective uses of sound in film. This text does not provide an exhaustive historical survey but rather sketches out the range of theoretical approaches that have been applied to the soundtrack over time Motion picture music / History and criticism Film soundtracks / History and criticism Motion picture music / Philosophy and aesthetics Theorie (DE-588)4059787-8 gnd rswk-swf Filmmusik (DE-588)4017129-2 gnd rswk-swf Filmmusik (DE-588)4017129-2 s Theorie (DE-588)4059787-8 s DE-604 Erscheint auch als Druck-Ausgabe 978-0-19-937107-5 https://doi.org/10.1093/oso/9780199371075.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Buhler, James 1964- Theories of the soundtrack Motion picture music / History and criticism Film soundtracks / History and criticism Motion picture music / Philosophy and aesthetics Theorie (DE-588)4059787-8 gnd Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)4059787-8 (DE-588)4017129-2 |
| title | Theories of the soundtrack |
| title_auth | Theories of the soundtrack |
| title_exact_search | Theories of the soundtrack |
| title_full | Theories of the soundtrack James Buhler |
| title_fullStr | Theories of the soundtrack James Buhler |
| title_full_unstemmed | Theories of the soundtrack James Buhler |
| title_short | Theories of the soundtrack |
| title_sort | theories of the soundtrack |
| topic | Motion picture music / History and criticism Film soundtracks / History and criticism Motion picture music / Philosophy and aesthetics Theorie (DE-588)4059787-8 gnd Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Motion picture music / History and criticism Film soundtracks / History and criticism Motion picture music / Philosophy and aesthetics Theorie Filmmusik |
| url | https://doi.org/10.1093/oso/9780199371075.001.0001 |
| work_keys_str_mv | AT buhlerjames theoriesofthesoundtrack |