Music as an art:
Roger Scruton is a polymath. He has written authoritatively on a huge range of subjects from the environment to wine, from cosmology to the Middle East. He is also an accomplished musician (organ and piano) and a composer of works including an opera and a song cycle. This is Scruton's second ma...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; Oxford ; New York ; New Delhi ; Sydney
Bloomsbury Continuum
2018
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Roger Scruton is a polymath. He has written authoritatively on a huge range of subjects from the environment to wine, from cosmology to the Middle East. He is also an accomplished musician (organ and piano) and a composer of works including an opera and a song cycle. This is Scruton's second major work on music for Bloomsbury--the first being Understanding Music (Continuum, 2009). In this new book he turns again to the meaning of tonality and sound. His abstract, somewhat mystical, argument on these topics includes slashing attacks on Marxist reductionism, the authenticity of Early Music, on rival aestheticians such as Adorno and on sentimentality and cliché in any form |
| Beschreibung: | 263 Seiten Notenbeispiele |
| ISBN: | 9781472955715 |
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| 520 | 3 | |a Roger Scruton is a polymath. He has written authoritatively on a huge range of subjects from the environment to wine, from cosmology to the Middle East. He is also an accomplished musician (organ and piano) and a composer of works including an opera and a song cycle. This is Scruton's second major work on music for Bloomsbury--the first being Understanding Music (Continuum, 2009). In this new book he turns again to the meaning of tonality and sound. His abstract, somewhat mystical, argument on these topics includes slashing attacks on Marxist reductionism, the authenticity of Early Music, on rival aestheticians such as Adorno and on sentimentality and cliché in any form | |
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Datensatz im Suchindex
| _version_ | 1804179178468147200 |
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CONTENTS
Introduction
PHILOSOPHICAL INVESTIGATIONS
When is a Tune?
Music and Cognitive Science
Music and the Moral Life
Music and the Transcendental
Tonality
German Idealism and the Philosophy of Music
CRITICAL EXPLORATIONS
Franz Schubert and the Quartettsatz
Rameau the Musician
Brittens Dirge
David Matthews
Reflections on Deaths in Venice
Pierre Boulez
Film Music
The Assault on Opera
Nietzsche on Wagner
The Music of the Future
The Culture of Pop
Bibliography
Acknowledgements
Index
|
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