Contemporary political cinema:
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2019]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | ix, 189 Seiten Illustrationen |
| ISBN: | 9781474423410 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents List of Pigures .■ tcknoip/edgeuieuis Introduction Movement in Classical Politics, Time in Contemporary Politics Networked Subjects and the New lira of Globalization Becoming-film: I rom Minor Literature to Contemporary Political Cinema Biopolitical Production and Cinematic Subjectivity The Contemporary Political Film in a Global Context 1. From Hat tie of Algiers to Outside the Law: Translating tbc Algerian Revolution for the Contemporary Fra The Classical Political Cinema: Battle of Algiers as Revolutionary Cinema Outside the Law. Three Brothers, Three Politics Towards a Contemporary Political Cinema 2. Networks of Fxtrcmity: Militancy in Bah El-Oued City and Timbuktu Fragmentation and Multitude Bab Td-()ued City. What is a Citizen? Zidane or Messi? Jihad and Desire in Timbuktu The Intolerability ofViolence 3. Kurds on Screen and Bahman Ghobadi’s Networks of Resistance The 1979 Revolution, Censorship, and Cinema Interrupted Journeys: Bahman Ghobadi’s Musical Travels Kurdish Meta-narrative and Sound Situations in ! húf-Moon No One Knows About Persian Cats and Musical Diversity in Tehran Sonic Strategies for fragmenting Subjects vii viii 1 7 11 17 21 28 39 41 49 56 59 61 64 72 80 82 84 88 92 Ю2 109
VI CONTEMPORARY POLITICAI. CINEMA 4. Jia Zhangke’s Aimless Youths: Witnessing Economic Reform in the People’s Republic ol China The Pickpocket and the Peddler: Dichotomies of 1 albor in Xiao Wu Questionable Freedoms: Nothing to Do in Unknown Pleasures The Problem of Distribution as the Solution to Distribution The World in Private: Global Movement, Personal Trauma Pre-hodological Narratives, Pre-individuated Subjects, and Contemporary Politics 5. Ramin Bahrani’s Fragmented Dreams: Contemporary American Realist Cinema and the Broken Cliché Nation, Immigration, and the American Dream The Pursuit of the Same Happiness The Broken Cliché in Contemporary American Realist Cinema Man Push Cart: Sisyphean Time and the American 1 )rcam Chop Shop and Realist Immanence The Collapse of the Dream, an Immanent Politics Bibliography Index 112 1H 12b 125 128 133 137 138 142 146 151 158 164 ] ft) 77
‘Matt Holtmeier’s original and elegantly illuminating study brilliantly explores what “cine-politics looks like on today’s screens. Using well-chosen recent films primarily from the global south, Holtmeier makes, through lucid textual analysis, thoroughly grounded theory and judicious contextual notes, a valuable, fresh and significant contribution to the literature on political cinema. Brian Winston, University of Lincoln Explores political films that have emerged on the global film festival circuit ( I 990s-201 Os) The political films that have emerged on the global film festival circuit since the 1990s mark a shift in cinematic strategies for critically addressing dominant, militant, or otherwise repressive ideologies. From a focus on the representation of oppression in films like The battle of Algiers, films such as Timbuktu, Nobody Knows About Persian Cats and Chop Shop now contribute to the active formation of political characters and viewers, a form not fully realised until the 21st century due to shifts in information technologies and resulting political organisation.This book demonstrates that a contemporary form of political cinema has emerged, centred on the production of subjectivity and networks of protest, which depicts the active formation of political identities that resonates with off-screen protest movements. Key Features • Documents global political cinemas I990s-20l0s • Argues for a contemporary shift in understanding political cinemas, beyond Third Cinema and political modernism • Offers a new approach to cinematic independence by looking at
understudied films, such as North/West African films and Kurdish films • Revisits the cinematic politics of Gilles Deleuze MATTHEW HOLTMEIER is an Assistant Professor and Coordinator of Film Studies at East Tennessee State University. His research focuses on the production of cinematic subjectivity in response to globalisation and in bioregional media through its focus on specific environments. Previous publications on global cinema and bioregional media have been published in journals such as Screen, Film-Philosophy, the Journal of Chinese Cinemas and The Middle East Journal of Culture and Communication. (’over image: Man Push Carl, Ramin Bahram, 2005 © films Philos/Photofest ( over design: www.paulsmithdesign.com EDINBURGH University Press edinburghuniversitypress.com ISBN 978-1-4744-2341-0 9781474423410 9 781474 423410
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