Journeys on screen: theory, ethics, aesthetics
Gespeichert in:
Weitere Verfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2019]
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | Literaturangaben |
Beschreibung: | xii, 304 Seiten Illustrationen |
ISBN: | 9781474421836 |
Internformat
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Datensatz im Suchindex
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Contents
Figures vii
Notes on the Contributors ix
Introduction 1
Part la Mapping Cinematic Journeys: Chronotopes
of Journeys
1 Global Visions: Around-the-World Travel and Visual
Culture in Early Modernity 19
Tiago de Luca
2 Brief Encounters: The Railway Station on Film 36
Lucy Mazdon
3 Diasporic Dreams and Shattered Desires: Displacement,
Identity and Tradition in Heaven on Earth 50
Clelia Clini
4 Chronotopic Ghosts and Quiet Men: José Luis Guerin’s
Innisfree 70
Michael Pigott
5 Memories, Notebooks, Roads: The Essayistic Journey in Time
and Space 86
Adam Ludford Freeman
Part lb Expanding Europe: Interstitial Production and
Border-crossing in Eastern European Cinema
6 Shadows of Unforgotten Ancestors: Representations of
Estonian Mass Deportations of the 1940s in In the Crosswind
and Body Memory 103
Eva Ndripea
VI
CONTENTS
7 The Holocaust and the Cinematic Landscapes of Postmemory
in Lithuania, Hungary and Ukraine 118
Maurizio Cinquegrani
8 Hesitant Journeys: Fugitive and Migrant Narratives in the
New Romanian Cinema 130
Ldszlo Strausz
9 Women on the Road: Representing Female Mobility in
Contemporary Hungarian—Romanian Co-productions 147
Hajnal Kirdly
Part 2a Form and Narrative in Journey Genres
10 The Sense of an Ending: Music, Time and Romance in Before
Sunrise
Carlo Cenciarelli
11 Moving in Circles: Kinetic Elite and Kinetic Proletariat in
‘End of the World’ Films
Erva Mazierska
12 Gothic Journeys: Travel and Transportation in the Films of
Terence Fisher
Chris Fujirpara
13 Transnational Productions and Regional Funding: Border-
crossing, European Locations and the Case of Contemporary
Horror
Stefano Baschiera
Part 2b The Politics of the Road Movie
14 Colonialism in Latin American Road Movies 235
Natdlia Pinazza
15 Spaces of Failure: The Gendering of Neoliberal Mobilities in
the US Indie Road Movie 252
Anna Cooper
16 Sic transit: The Serial Killer Road Movie 270
Louis Bayman
167
183
199
215
Index
291
‘From the interplanetary travel and alien encounters of
science fiction films to the exploratory drive and spiritual
growth associated with road movies, journeys both actual and
metaphorical have been central to the motion picture medium
since its origins as a technological curiosity over a century ago.
The contributors to this appropriately globe-trotting, border-
crossing collection - with chapters fo:cusinb on migrant narratives
in Romanian cinema, diasporic themes in In dian filmmaking, and
everything in-between - make the case tha!: \.he story of the
movies is and has always been the story offn|ov/ng. In an age
of mass deportations and international traveLbans, Journeys on
Screen reminds us of the need for cross-cultural connectedness
and cosmopolitan understanding of other people and places, and
is sure to inspire a restorative wanderlust in its readers/
David Scott Diffrient, Colorado State University
Addressing the appeal of the journey narrative from pre-cinema
to new media, and through documentary, fiction and the spaces
between, this collection reveals the journey to be a persistent
presence across cinema and in cultural modernity.
The book draws on examples from different regions and cultures
that traverse art and genre cinema, to explore the journey as a
motif for something wider — a metaphor for self-discovery and
social transformation, and evidence of autonomy and progress
(or their lack). Illuminating areas of global movement, belonging,
diaspora and memory, the contributors to this volume document
epochal changes in human behaviour, from urbanisation, migration
and war to tourism and shopping.
LOUIS BAYMAN is a lecturer in Film Studies at the University
of Southampton. NATALIA PINAZZA is a lecturer in Portuguese
Studies at the University of Exeter.
Cover image: Ulysses’ Gaze* 1995, Théo Angelopoulos © Roissy Films
Cover design: www.paulsmithdesign.com
EDINBURGH
University Press
edinburghuniversitypress.com
ISBN 978-1-4744-2183-6
9 781474 421836 |
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discipline | Allgemeines |
era | Geschichte gnd |
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spellingShingle | Journeys on screen theory, ethics, aesthetics Film (DE-588)4017102-4 gnd Reise Motiv (DE-588)4115736-9 gnd |
subject_GND | (DE-588)4017102-4 (DE-588)4115736-9 (DE-588)4143413-4 |
title | Journeys on screen theory, ethics, aesthetics |
title_auth | Journeys on screen theory, ethics, aesthetics |
title_exact_search | Journeys on screen theory, ethics, aesthetics |
title_full | Journeys on screen theory, ethics, aesthetics edited by Louis Bayman and Natália Pinazza |
title_fullStr | Journeys on screen theory, ethics, aesthetics edited by Louis Bayman and Natália Pinazza |
title_full_unstemmed | Journeys on screen theory, ethics, aesthetics edited by Louis Bayman and Natália Pinazza |
title_short | Journeys on screen |
title_sort | journeys on screen theory ethics aesthetics |
title_sub | theory, ethics, aesthetics |
topic | Film (DE-588)4017102-4 gnd Reise Motiv (DE-588)4115736-9 gnd |
topic_facet | Film Reise Motiv Aufsatzsammlung |
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