Bach and the counterpoint of religion:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Urbana ; Chicago ; Springfield
University of Illinois Press
[2018]
|
| Schriftenreihe: | Bach perspectives
volume 12 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | x, 157 Seiten Notenbeispiele |
| ISBN: | 9780252041983 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
Preface vii
Abbreviations ix
Historical Proximity: John Wesley Visits Leipzig in 1738 i
BY MARK NOLL
Dancing in Bach’s Time: Sin or Permissible Pleasure? 17
BY JOYCE L. IRWIN
A Catholic Hymnal for Use in Lutheran Leipzig:
Catholisches Gesang-Buch (Leipzig, 1724) 36
BY ROBIN A. LEAVER
Liturgical Music for a New Elector:
Origins of Bach’s 1733 Missa Revisited 63
BY JANICE B. STOCKIGT
Bach’s Christmas Oratorio and the Mystical Theology
of Bernard of Clairvaux 84
BY MARKUS RATHEY
The Church under Persecution: Bach’s Cantatas for the
Fourth Sunday after Epiphany 104
BY DEREK STAUFF
Music Historicism: Sara Levy and the Jewish Enlightenment 129
BY REBECCA CYPESS
Contributors T53
General Index r55
Index of Bach’s Works 159
BACH PERSPECTIVES, VOLUME 12
Bach and the Counterpoint
of Religion
Edited by Robin A. Leaver
Johann Sebastian Bach was a Lutheran,
and much of his music was for Lutheran
liturgical worship. As these insightful
essays in the twelfth volume of
Perspectives demonstrate, he was also
influenced by-and in turn influenced-
different expressions of religious belief. The
vocal music, especially the Christmas ,
owes much to medieval Catholic mysticism,
and the evolution of the B IVlinor lYlass has
strong Catholic connections. In Leipzig,
Catholic and Lutheran congregations
sang many of the same vernacular hymns.
Internal squabbles were rarely missing
within Lutheranism-for example, JPi etists
disliked concerted church music, especially
if it employed specific dance forms. Also
investigated here are broader issues such
as the close affinity between Bach’s cantata
libretti and the hymns of Charles Wesley,
and Bach’s music in the context of the Jewish
Enlightenment as shaped by Protestant
Rationalism in Berlin.
Contributors: Rebecca Cypess, Joyce L.
Irwin, Robin A Leaver, /VI ark INI oil, Markus
Rat hey, Derek S tariff, and Janice B. Stockigt.
Robin A. Leaver is a professor emeritus
of sacred music at Westminster Choir
College, Princeton; honorary professor at
Queen’s University, Belfast; and recently
visiting professor at the Institute of Sacred
AIusic at Yale University. He is the general
editor of The Routledge Research Companion
to Johann Sebastian Bach.
A volume in the series Bach Perspectives
|
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