Dorothea Lange: politics of seeing
Dorothea Lange's photograph, Migrant Mother, is one of the most indelible and recognizable images of the Dust Bowl era. Lange's career stretched far beyond the Great Depression, driven throughout by her compassionate advocacy for the people and land of California. This riveting book opens...
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| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Munich ; London ; New York
Prestel
[2018]
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| Schlagworte: | |
| Zusammenfassung: | Dorothea Lange's photograph, Migrant Mother, is one of the most indelible and recognizable images of the Dust Bowl era. Lange's career stretched far beyond the Great Depression, driven throughout by her compassionate advocacy for the people and land of California. This riveting book opens with Lange's Bay Area portraits of the 1920s and '30s when her photo studio formed a hub for San Francisco's bohemian and artistic elite. It offers a generous overview of her work with the Farm Security Administration, where Lange was the only female photographer documenting the impact of the Depression and Dust Bowl on the west coast, working alongside the likes of Walker Evans, as well as her pictures of Japanese Americans forcibly displaced into internment camps following Pearl Harbor. It also includes images from her wartime shipyards series with Ansel Adams, postwar projects on the injustices of the American court system, loss of a community through the damming of the Putah Creek, and a photo series on Ireland. Accompanying these superbly reproduced images are thoughtful essays by curator Drew Johnson, critic Abigail Solomon-Godeau, and writer and curator David Campany, which offer appreciations of Lange's work as an artist and humanitarian, charting the legacy of her exceptional photographic oeuvre |
| Beschreibung: | Literatutverzeichnis: Seite 279-281 |
| Beschreibung: | 285 Seiten |
| ISBN: | 379135776X 9783791357768 |
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| 520 | 3 | |a Dorothea Lange's photograph, Migrant Mother, is one of the most indelible and recognizable images of the Dust Bowl era. Lange's career stretched far beyond the Great Depression, driven throughout by her compassionate advocacy for the people and land of California. This riveting book opens with Lange's Bay Area portraits of the 1920s and '30s when her photo studio formed a hub for San Francisco's bohemian and artistic elite. It offers a generous overview of her work with the Farm Security Administration, where Lange was the only female photographer documenting the impact of the Depression and Dust Bowl on the west coast, working alongside the likes of Walker Evans, as well as her pictures of Japanese Americans forcibly displaced into internment camps following Pearl Harbor. It also includes images from her wartime shipyards series with Ansel Adams, postwar projects on the injustices of the American court system, loss of a community through the damming of the Putah Creek, and a photo series on Ireland. Accompanying these superbly reproduced images are thoughtful essays by curator Drew Johnson, critic Abigail Solomon-Godeau, and writer and curator David Campany, which offer appreciations of Lange's work as an artist and humanitarian, charting the legacy of her exceptional photographic oeuvre | |
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| illustrated | Not Illustrated |
| indexdate | 2024-09-23T22:09:49Z |
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| isbn | 379135776X 9783791357768 |
| language | English |
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| physical | 285 Seiten |
| publishDate | 2018 |
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| spelling | Dorothea Lange politics of seeing edited by Alona Pardo with Jilke Golbach Munich ; London ; New York Prestel [2018] © 2018 285 Seiten txt rdacontent sti rdacontent n rdamedia nc rdacarrier Literatutverzeichnis: Seite 279-281 Dorothea Lange's photograph, Migrant Mother, is one of the most indelible and recognizable images of the Dust Bowl era. Lange's career stretched far beyond the Great Depression, driven throughout by her compassionate advocacy for the people and land of California. This riveting book opens with Lange's Bay Area portraits of the 1920s and '30s when her photo studio formed a hub for San Francisco's bohemian and artistic elite. It offers a generous overview of her work with the Farm Security Administration, where Lange was the only female photographer documenting the impact of the Depression and Dust Bowl on the west coast, working alongside the likes of Walker Evans, as well as her pictures of Japanese Americans forcibly displaced into internment camps following Pearl Harbor. It also includes images from her wartime shipyards series with Ansel Adams, postwar projects on the injustices of the American court system, loss of a community through the damming of the Putah Creek, and a photo series on Ireland. Accompanying these superbly reproduced images are thoughtful essays by curator Drew Johnson, critic Abigail Solomon-Godeau, and writer and curator David Campany, which offer appreciations of Lange's work as an artist and humanitarian, charting the legacy of her exceptional photographic oeuvre (DE-588)4135467-9 Ausstellungskatalog Barbican Centre 22.06.2018-02.09.2018 London gnd-content (DE-588)4135467-9 Ausstellungskatalog Jeu de Paume 16.10.2018-27.01.2019 Paris gnd-content Lange, Dorothea 1895-1965 (DE-588)118778668 pht Pardo, Alona 1974- (DE-588)1017351708 edt Golbach, Jilke ctb Barbican Art Gallery (DE-588)805904-4 orm Jeu de Paume (Paris) (DE-588)1090647387 orm Prestel Verlag (DE-588)2179043-7 pbl |
| spellingShingle | Dorothea Lange politics of seeing |
| subject_GND | (DE-588)4135467-9 |
| title | Dorothea Lange politics of seeing |
| title_auth | Dorothea Lange politics of seeing |
| title_exact_search | Dorothea Lange politics of seeing |
| title_full | Dorothea Lange politics of seeing edited by Alona Pardo with Jilke Golbach |
| title_fullStr | Dorothea Lange politics of seeing edited by Alona Pardo with Jilke Golbach |
| title_full_unstemmed | Dorothea Lange politics of seeing edited by Alona Pardo with Jilke Golbach |
| title_short | Dorothea Lange |
| title_sort | dorothea lange politics of seeing |
| title_sub | politics of seeing |
| topic_facet | Ausstellungskatalog Barbican Centre 22.06.2018-02.09.2018 London Ausstellungskatalog Jeu de Paume 16.10.2018-27.01.2019 Paris |
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