From St. Petersburg to Vienna: the New Jewish School in music (1908-1938) as part of the Jewish cultural renaissance
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Table of contents Preface to the revised and supplemented English edition (2023) . IX Preface to the German edition (2004) . XV Editorial Note . XIX Historic and Ideological Premises: From the Haskalah to „Auto-Emancipation” . 1.1 Beginnings of the Haskalah in Russia (1800-1855). 1.2 The Haskalah at the Time of the Great Reforms (1855-1881). 1.3 The End of the Haskalah and „Auto-Emancipation” (1881-1900). 1.4 Spiritual Zionism (Ahad Ha’am) . 1.5 „Autonomism” (Simon Dubnow). 1.6 Regarding the Term „Jewish Nation”. 1 1 3 7 10 13 15 II Thejewish Cultural Renaissance in Russia . IL 1 The New Intellectual Elite. II.2 Jewish Cultural Institutions. II.3 The Jewish Historical and Ethnographical Society and the Jewish Ethnographic Expedition . 24 II.4 Some Ethical Aspects of Ethnographic Research . II.5 Excursus: The National
Renaissance in the Fine Arts. 17 17 19 31 33 III The Society for Jewish Folk Music in St. Petersburg . III. 1 The Founding. III.2 Legends and Reality. III.3 The First Years until 1913. III.4 Who was the Father of the New Jewish Music?. III.5 Music of the Ghetto - Music of the Bible. III.6 The Activities of the Society until 1919. III.7 The Decline of the Society for Jewish Folk Music. 39 39 43 51 58 70 73 83 IV The Moscow Branch of the Society for Jewish Folk Music. 89 V The Musical Publishing Houses Jibneh and Juwal. V .l Beginnings of Hebrew Music Research. V .2 Faivel Schapiro, an Idealist of Modern Jewish Music. V .3 Ham’nagen and Jibneh: Underground Jewish Musical Activities in the Soviet Russia . 105 V .4 Joseph Achron and Jibneh. V .5 Mikhail
Gnesin and Jibneh . V .6 The Founding ofJuwal. 101 101 102 I 110 115 123
VI Table of contents .7 The Activities of . .8 Jibneh and Juwal: Two Jewish Music Publishers in One City. .9 Jibneh in Vienna. .10 Yibneh in New York . 125 129 134 139 VI The Society forjewish Music in Moscow (1923-1931) . VI . I From Ham’nagen to the Society forjewish Music . VI .2 The Foundation Phase. VI .3 The Concerts of the Society ". VI .4 The . . 141 141 147 151 164 V V V V VII The New Jewish School in Petrograd I Leningrad in the 1920s . 173 VII .lJewish Music at the Time of the „New Economic Policy” (NEP) . 173 VII .2 Jewish Ethnomusicology in Leningrad during the 1920s and the Foundation of the Music Section . 180 VII .3 „The Examination of these Materials is Very Problematic” . 185 VII .4 Expeditions . 188 VII .5 The Publishing Company of the Music Section. 190 VII .6 The Dissolution of the
Jewish Historical and Ethnographical Society . 192 VIII The Newjewish School in Vienna (1919-1938) . VIII . 1 Vienna as the New Center ofJewish Music . VIII .2 The Foundation of the Society for the Promotion ofJewish Music. VIII .3 Concerts of New Jewish Music. VIII .4 Israel Brandmann: „musical talent which justifies hopes for the future” VIII .5 Joachim Stutschewsky on the Newjewish Music . VIII .6 Vienna as the International Center ofJewish Music. VIII .7 The End. 197 197 202 207 . 219 233 237 266 IX Outlook: „I hope that we can soon escape from our musical Ghetto”. 269 Appendix I: Biographical Notes on the Newjewish School’s Composers. Joseph Achron (1886-1943) . Ilya Aisberg (1868-1942) . Léon Algazi (1890-1971) . Simeon Bellison (1881-1953). Israel Brandmann (1901-1992). Julius Chajes
(1910-1985). Vladimir Dyck (1882-1943) . Abram Dzimitrovsky (1873-1943). Yuliy (Joel) Engel (1868-1927) . Zinovy Feldman (1893-1942) . Grigory Gamburg (1900-1967). Mikhail Gnesin (1883-1957) . 281 281 291 291 291 293 294 295 296 298 302 302 302
Table of contents Hirsh Kopyt (1885-?). Alexander Krein (1883-1951). Grigory Krein (1879-1955). Julian Krein (1913-1996) . Alice Jacob-Loewenson (1895-1967) . Boris Levenson (1884-1947) . Mikhail Lewin (Michel Michelet) (1899-1995). Pesach (Pavel) Lvov (1880-1913). Moshe (Mikhail) Milner (1882-1953). Solomon Rosowsky (1878-1962) . Aron Marko Rothmüller (1908-1993). Lazare Saminsky (1882-1959). Moshe Schalyt (?- ?). Ephraim (Efrem) Shkliar (1871-1943) . Mitya (Michel) Stillman (1892-1936)
. Lyubov Streicher (1885-1958) . Joachim (Chaim, Yehoyachin) Stutschewsky (1891-1982) . Yakov (Jacob) Weinberg (1879-1956). Alexander Weprik (1899-1958) . Juliusz Wolfsohn (1880-1944). Lev (Leo) Zeitlin (1884-1930) . Alexander Zhitomirsky (1881-1937) . VII 315 315 323 328 330 333 334 335 337 340 341 342 348 348 350 351 352 363 364 378 380 382 Appendix II: Publishing Houses of the New Jewish School and Lists of Publications . 1 Society forjewish Folk Music, St. Petersburg . 2 Moscow Branch of the Society for Jewish Folk Music . 3 Kultur-Lige, Kiev. 4 Society forjewish Music, Moscow . 5 Juwal, Berlin. 6 Jibneh, Berlin
. 7 Music Section of the Leningrad Jewish Historical and Ethnographical Society. 423 8 Jibneh, Vienna. 9 Society for the Promotion of the J ewish Music Hanigun, Tel Aviv. 10 Omanut, Zagreb. 11 Mizmor, Paris. 12 Yibneh, New York. 425 430 432 435 439 List of Archives and Explanations of Document Codes . Selected Bibliography. List of Illustrations. Index . 445 447 457 465 385 386 397 402 407 408 419
Selected Bibliography Adler, Hans Günther: DieJuden in Deutschland (The Jews in Germany), München 1960 Apter-Gabriel, Ruth (ed.): Tradition and Revolution. The Jewish Renaissance in Russian Avant-Garde Art 1912-1928, exhibition catalog, Jerusalem 1987 Baker, Paula Eisenstein and Robert S. Nelson (eds.): Leo Zeitlin. Chamber Music, A-R Editions, Middlton, Wisconsin, 2009 Baker, Paula Eisenstein: Jewish Folk Songs: Exile and Return, in: Proceedings of the Conference „Next Year in Jerusalem: Exile and Return in Jewish History", Purdue University Press, 2019, pp. 111-126 Baker, Paula Eisenstein: Leo Zeitlin and the Flourishing ofJewish Art Music in Early 1920s Vilna, in: François Guesnet et al. (edsfJews and Music-Making in the Polish Lands (Polin: Studies in Polish Jewry, Volume 32), Liverpool University Press, 2020, pp. 279-307 Baker, Paula Eisenstein: A Transition to America: The Yibneh Music Edition in New York, 1940-1950, in: Musicajudaica, New York 2021, pp. 133-153 Baker’s Biographical Dictionary of Musicians. Seventh Edition (Revised by Nicolas Slonimsky), Schirmer - Macmillan, New York 1984 Beizer, Mikhail: Evrei v Peterburge (Jews in St. Petersburg), Jerusalem 1989 Beizer, Mikhail: Evrei Leningrada 1917-1939. Natsional’naia zhizn’i sovetizatsiia. (The Jews of Leningrad 1917-1939. National life and the sovietization), Moscow-Jerusalem 1999 Beizer, Mikhail: Reliefin Time ofNeed. Russian Jewry and theJoint, 1914-24, Bloomington 2015 Ben-Ari, Raikin: Habima, New York-London 1957 Ben-Sasson, Haim Hillel (ed.): Geschichte des jüdischen Volkes. Dritter Band. Vom 17.
Jahrhundert bis zur Gegenwart (History of the Jewish People. Third volume. From the 17th century to the present time), Munich 1980 Beregovsky, Moisei: Evrejskie narodnyepesni (Jewish Folk Songs), Moscow 1962 Blaszczyk, Leon Tadeusz: Zydzi w kulturze muzycznej ziem polskich w XIX i XX wieku. Slownik biograficzny (Jews in the musical culture of the Polish lands in the 19th and 20th centuries. Biographical dictionary), Stowarzyszenie Zydowski Instytut Historyczny w Polsce, Warszawa 2014
448 Selected Bibliography Blum, Arlen: Evreiskii vopros pod sovetskoi tsenzuroi (The Jewish Question under Soviet Censorship), St. Petersburg 1996 Bogdanov-Berezovsky, Valerian: Alexandr Moiseevich Veprik. Ocherk zhizni i tvorchestva (Alexander Weprik. Outline of his life and work), Moscow-Leningrad 1964 Bopp, Verena: MAILAMM 1932-1941. Die Geschichte einer Vereinigung zur Förderung jüdischer Musik in den USA (MAILAMM 1932-1941. The History of an Association for the Promotion ofJewish Music in the USA), Harrassowitz Verlag, Wiesbaden 2007 Braun, J oachim: The Double Meaning ofJewish Elements in Dmitri Shostakovich ’s Music, in: Musical Quarterly 71 (January 1985), pp. 68-80 Brod, Max: Die Musik Israels (The music of Israel), Kassel 1976 Dansker, Olga and Galina Kopytova: Putevoditel’po kabinetu rukopisei Rossiiskogo Instituta Istorii Iskusstv (Guide to the Manuscripts Department of the Russian Institute of Art History), St. Petersburg 1996 De Paoli, Domenico et al.: Lazare Saminsky. Composer and Civic Worker, New York 1930 Deutsch, Nathaniel: The Jewish Dark Continent: Life and Death in the Russian Pale of Settlement, Harvard University Press, Cambridge-London, 2011 Dohrn, Verena: Jüdische Eliten im Russischen Reich: Aujklärung und Integration im 19. Jahrhundert (Jewish Elites in the Russian Empire: Enlightenment and Integration in the 19th Century), Böhlau, Köln 2008 Dokumenty po istorii i kul’ture evreev v archivakh Moskvy. Putevoditel’ (Documents on Jewish history and culture in Moscow archives. Guide), Moskau 1997 Drozdov, Anatoly: MikhailFabianovich Gnesin, Moskau 1927
Dubnow, Simon: Pis’ma о starom i novom evreistve (Letters about old and new Jewry), St. Petersburg 1907 Dubnow, Simon: Die neueste Geschichte des jüdischen Volkes, 1789-1914 (The Newest History of the Jewish People, 1789-1914), volumes 1-3, Berlin 1920-1923 Engel, Yuliy: Glazami sovremennika (With the eyes of a contemporary), Moskau 1971 Ewen, David: Hebrew Music: A Study and an Interpretation, New York 1931 Fater, Issachar: Muzyka zydowska w Polsce w okresie miçdzywojennym (Jewish music in Poland between the two world wars), Warsaw 1997 Flomenboim, Rita: The National School ofJewish Art Music:Joel Engel and Mikhail Gnesin, doctoral thesis, Ramat-Gan 1996 Frenkel, Alexander and Galina Kopytova (ed.): Iz istorii evreiskoi muzyki vRossii (From the History ofJewish Music in Russia), volumes 1-3, St. Petersburg 2001, 2006, and 2015
Selected Bibliography 449 Frumkin, Jacob u.a. {ed.): Russian Jewry (1860-1917), New York-London 1966 Geiger, Friedrich (ed.): Komponisten unter Stalin. Alexandr Veprik (1899-1958) und die Neue jüdische Schule (Composers under Stalin. Alexander Veprik (1899-1958) and the Newjewish School), Dresden, 2000 Geißler, Frank (ed.): Die Musik des osteuropäischen Judentums - totalitäre Systeme Nachklänge (The Music of Eastern European Jewry - Totalitarian Systems - Echoes), Leipzig-Dresden 1997 Gessen, Valery: The Strange Fate ofthe Archives ofthe St Petersburgjewish Societies, in: Soviet Jewish Affairs, vol. 21, no. 2,1991, pp. 55-68 Gessen, Valery: D. G.Magid i Moskovskoe evreiskoe muzykalnoe obshchestvo (David Magid and the Moscow Society for Jewish Music), in: Evreiskaia muzyka: izuchenie i prepodavanie (Jewish music: research and teaching), Moskau 1998 Gessen, Valery: Kistorii Sankt-Peterburgskoi evreiskoi religioznoi obshchiny (On the history of the Jewish religious community in St. Petersburg), St. Petersburg 2000 Ginzburg, Saul: Das Trümmerfeld der jüdischen Kultur in Sowjetrussland (The Ruins of Jewish Culture in Soviet Russia), in: Die neue Welt, Vienna, December 12, 1930, no. 169, p.8. Gitelman, Zvi: A Century ofAmbivalence: TheJews ofRussia and the Soviet Union, 1881 to the Present, New York 1988 Glezer, Raisa (ed.): M.F. Gnesin: stat’i, vospominaniia, materialy (Mikhail Gnesin: Essays, memoirs, materials), Moscow 1961 Gnesin, Mikhail: Mysli i vospominaniia ο N.A. Rimskom-Korsakove (Thoughts and memories of Nikolai Rimsky-Korsakov), Moscow 1956 Gonen, Rivka (ed.), Back to
the Shtetl: Ап-Sky and the Jewish Ethnographic Expedition, 1912-1914, The Israel Museum Jerusalem, Jerusalem 1994 Gradenwitz, Peter: Music and Musicians in Israel, Tel Aviv 1959 Gradenwitz, Peter: Musikgeschichte Israels (Music history of Israel), Kassel 1961 Gradenwitz, Peter: The Music ofIsrael: From the Biblical Era to Modern Times, Amadeus Press, Cleckheaton 1996 Grözinger, Elvira and Susi Hudak-Lazic (eds.): „Unser Rebbe, unser Stalin.“. Jiddische Lieder aus den St. Petersburger Sammlungen von Moishe Beregowski (1892-1961) undSojya Magid (1892-1954) („Our Rebbe, Our Stalin.“. Yiddish Songs from the St. Petersburg Collections of Moishe Beregovsky, 1892-1961 and Sofya Magid, 1892-1954), Harrassowitz Verlag, Wiesbaden 2008
450 Selected Bibliography Grözinger, Karl E. (ed.): Klesmer, Klassik,jiddisches Lied. Jüdische Musikkultur in Osteuropa (Klezmer, classical music, Yiddish song. Jewish music culture in Eastern Europe), Harrassowitz Verlag, Wiesbaden 2004 Guralnik, Leonid: Muzykalnoe oformlenie narodnych ballad na idis (po materialam neopublikovannogo issledovanija S. Magid) (Die musikalische Gestaltung jiddischer Volksballaden (Materialien einer unveröffentlichten Forschung von Sofya Magid), in: Evreiskaia muzyka: izuchenie i prepodavanie (Jewish music: research and teaching), Moskau 1998 Heskes, Irene und Wolfson, Arthur (eds.): The Historic Contribution ofRussian Jewry to Jewish Music, New York 1967 Hirshberg, Jehoash: Music in the Jewish Community of Palestine 1880-1948: A Social History, Clarendon Press, Oxford 1996 Hofman, Shlomo: The Music oftheJewish Petersburg Composers and its Impact on the Music Renaissance in Israel, in: Judith Cohen (ed.), Proceedings of the World Congress on Jewish Music in Jerusalem 1978, Jerusalem 1982, pp. 9-14 Ivanov, Vladislav: Russkie sezony teatra Gabima (The Russian seasons of the Habima Theater), Moskau 1999 Jaczyhski, Michal: Representatives ofthe NewJewish School on the Stages ofInterwar Prague, in: Jan Blüml (ed.): Czech and Slovak Journal of Humanities. Musicologica, Olomouc, no. 2/2017, pp. 59-69 Kanzedikas, Alexander und Irina Sergeeva: The Jewish Artistic Heritage Album by Semyon Ап-sky, Moskau 2001 Khazdan, Evgeniia: Dve palestinskie poezdki M.F. Gnesina (Two Palestine journeys ofM.F. Gnesin), in: Opera musicologica, St. Petersburg, no. 1 (11),
2012, pp. 26-46. Khazdan, Evgeniia: Sbornik Z. Kiselgofa „Dlia evreiskoi shkoly i sem’i”: Zvuchanie traditsii (The Song Collection by S. Kiselgof „For the Jewish School and Home”: The Sound of Tradition), in: Μ. Meltsin (ed.), Evrei Evropy i Blizhnego Vostoka: traditsiia i sovremennost’. Istoriia, iazyki, literatura (Jews ofEurope and the Middle East: tradition and modernity. History, languages, literature), St. Petersburg 2016, pp. 334-341 Klause, Inna and Christoph-Mathias Mueller (eds.): From the Gewandhaus to the Gulag: Symphonic Music by Aleksandr Veprik, Harrassowitz Verlag, Wiesbaden 2020 Klokova, Antonina and Jascha Nemtsov (eds.): Einbahnstraße oder „die heilige Brücke“? Jüdische Musik und die europäische Musikkultur (One-way street or „the sacred bridge“? Jewish Music and the European Music Culture), Harrassowitz Verlag, Wiesbaden 2016 Kochan, Lionel (ed.): TheJews in Soviet Russia since 1917, London - New York 1978
Selected Bibliography 451 Kopytova, Galina: Obshchestvo evreiskoi narodnoi muzyki v Peterburge - Petrograde (The Society ofJewish Folk Music in St. Petersburg - Petrograd), St. Petersburg 1997 Kostyrchenko, Gennady: Tainaia politika Stalina. Vlast’ i antisemitizm (Stalin’s Secret Politics. Power and anti-Semitism), Mezhdunarodnye otnosheniia, Moscow 2001 Krein, Julian and Nina Rogozhina: Alexandr Krein, Moskau 1964 Krein, Julian: Notizen aus meinem musikalischen Leben (From My Musical Life), ed. by Jascha Nemtsov and Antonina Klokova, Harrassowitz Verlag, Wiesbaden 2018 Kuhn, Ernst, Andreas Wehrmeyer und Günter Wolter (eds.): Dmitri Schostakowitsch und das jüdische musikalische Erbe (Dmitry Shostakovich and the Jewish Musical Heritage), Berlin 2001 Kuhn, Ernst, Jascha Nemtsov and Andreas Wehrmeyer (eds.): „Samuel“ Goldenberg und „Schmuyle“. Jüdisches und Antisemitisches in der russischen Musikkultur („Samuel“ Goldenberg and „Schmuyle“. The Jewish and the Anti-Semitic in Russian Musical Culture), Berlin 2003 Levitt, Jessica: The Tango and the Hora: Conflicting Cultural Influences in Verdina Shlonsky’s Life and Music 1905-1990. Thesis for Master of Sacred Music Degree. Hebrew Union College-Jewish Institute of Religion, School of Sacred Music, New York 1998 Levy, Emanuel: The Habima - Israel’s National Theater 1917-1977, New York 1979 Loeffler, James: The Most Musical Nation: Jews and Culture in the Late Russian Empire, Yale University Press, 2010 Lukin, Veniamin: Fond evreiskogo istoriko-etnograficheskogo obshchestva v Tsentralnom gosudarstvennom istoricheskom arkhive
Leningrada (Documents of the Jewish Historical and Ethnographical Society at the Central State Archiv for History in Leningrad), in: Igor Krupnik (ed.): Istoricheskie sud’by evreev v Rossii i SSSR: nachalo dialoga (The historical fate of the Jews in Russia and the USSR: the beginning of a dialogue), Moscow 1992, pp. 245-254 Lukin, Veniamin: Ot narodnichestva k narodu (S.A. An-skiy - etnograf vostochnoevropeiskogo evreistva) (From the Narodniki movement to the people. Semyon An-sky - the ethnographer of Eastern European Jewry), in: Istoriia i kul’tura evreev v Rossii (The history and culture of the Jews in Russia), St. Petersburg 1995 Lustiger, Arno: Rotbuch: Stalin und dieJuden (Redbook: Stalin and the Jews), Berlin 1998 Maslovskaia, Tatyana: Evreiskaia natsional’naia shkola v muzyke (Jewish national school in music), in: Uchenye zapiski Rossiiskoi akademii muzyki im. Gnesinykh (Scientific papers of the Russian Gnesin Academy of Music), no. 2 (33), Moscow 2020, pp. 54-65 Matveeva, Julia (ed.): David Shor. Vospominaniia (David Schor. Memories), MoskauJerusalem 2001
452 Selected Bibliography Moddel, Philip: Joseph Achron, Tel Aviv 1966 Moricz, Klara. Jewish Identities: Nationalism, Racism, and Utopianism in TwentiethCentury Music, University of California Press, 2008. Moss, Kenneth B.:Jewish Renaissance in the Russian Revolution, Harvard Press, Cambridge 2009 Nathans, Benjamin. Beyond the Pale: The Jewish Encounter with Late Imperial Russia. University of California Press, Berkeley 2002. Nemtsov, Jascha und Ernst Kuhn (eds.): Jüdische Musik in Sowjetrussland. Die „Jüdische Nationale Schule"der zwanzigerJahre (Jewish Music in Soviet Russia. The „Jewish National School“ of the Twenties), Verlag Ernst Kuhn, Berlin 2002 Nemtsov, Jascha (ed.): Jüdische Kunstmusik im 20. Jahrhundert: Quellenlage, Entwicklungsgeschichte, Stilanalysen (Jewish art music in the 20th century: Source situation, history of development, stylistic analyses), Harrassowitz Verlag, Wiesbaden 2006 Nemtsov, Jascha: Enzyklopädisches Findbuch zum Archiv der „Neuen Jüdischen Schule” (Encyclopedic Find Book on the Archive of the „New Jewish School“), Harrassowitz Verlag, Wiesbaden 2008 Nemtsov, Jascha: ,National Dignity’ and spiritual Reintegration’: The Discovery and Presentation ofJewish Folk Music in Germany, in: Simon J. Bronner (ed.), Jewish Cultural Studies, vol. 1, The Littman Library ofJewish Civilatization, Oxford 2008, pp. 105-129 Nemtsov, Jascha: Der Zionismus in der Musik:jüdische Musik und nationale Idee (Zionism in music: Jewish music and national idea), Harrassowitz Verlag, Wiesbaden 2009 Nemtsov, Jascha: Jüdische Musikkultur in der Ukraine. Die Musiksektion
der,Kulturliga’ in Kiew (Jewish music culture in Ukraine. The Music Section ofthe ‘Cultural League’ in Kiev), in: Manfred Sapper and Volker Weichsel (eds.), Macht Musik. Kultur und Gesellschaft in Russland (Power Music. Culture and Society in Russia), Osteuropa, no. 4/2009, Berlin 2009, pp. 47-60 Nemtsov, Jascha: Deutsch-jüdische Identität und Überlehenskampf:jüdische Komponisten im Berlin der NS-Zeit (German-Jewish Identity and the Struggle for Survival: Jewish Composers in Nazi Berlin), Harrassowitz Verlag, Wiesbaden 2010 Nemtsov, Jascha: Doppelt vertrieben: deutsch-jüdische Komponisten aus dem östlichen Europa in Palästina /Israel (Doubly Expelled: German-Jewish Composers from Eastern Europe in Palestine / Israel), Harrassowitz Verlag, Wiesbaden 2013 Nemtsov, Jascha (ed.): Jüdische Musik als Dialog der Kulturen (Jewish music as a dialogue of cultures), Harrassowitz Verlag, Wiesbaden 2013 Nemtsov, Jascha: „Die Verschmelzung der zwei Kulturen “: Mikhail Gnesin und seine Oper „DieJugend Abrahams“ („The merging of the two cultures“: Mikhail Gnesin and his opera
Selected Bibliography 453 „The Youth of Abraham”), in: Elisabeth Bock and Michael Pauser (eds.): „Denn Musik ist der größte Segen.“: Festschrift Helen Geyer zum 65. Geburtstag („Because music is the greatest blessing.“: Festschrift Helen Geyer on her 65th birthday), Studiopunkt Verlag, Sinzig 2018, pp. 159-190 Nemtsov, Jascha: Jakob Schonberg and Jewish Art Music, in: Claus Bockmaier und Tina Frühauf (eds.): Mapping Jewish Music of Southern Germany, Allitera Verlag, Munich 2021, pp. 61-78 Nemtsov, Jascha: Jewish Music and Totalitarianism in the Post-Stalinist Soviet Union, in: Tina Frühauf (ed.), The Oxford Handbook of Jewish Music Studies, Oxford University Press, New York 2023, pp. 309-334 Nulman, Macy: Concise Encyclopedy ofJewish Music, New York 1975 Parkhomovsky, Mikhail (ed.): Evrei v kul’ture Russkogo Zarubezh’ia 1919-1939 (Jews in the Culture of the Russian Diaspora 1919-1939), Jerusalem 1993 Rechtman, Abraham: The Lost World ofRussia ’sJews. Ethnography and Folklore in the Pale of Settlement (translated by Nathanael Deutsch and Noah Barrera), Indiana University Press, Bloomington-Indianapolis, 2021 Roginskaya, Ada: К Engel (vospominaniia docheri) (Y. Engel: Memories of his daughter), in: Yuliy Engel, Glazami sovremennika (With the eyes of a contemporary), Moskau 1971, pp. 493-507 Rosowsky, Solomon: The Society for Jewish Folk Music: Personal Reminiscences, in: The Jewish Music Forum Bulletin, vol. IX, New York, December 1948, S. 9-10 Rothmüller, Aron Marko: Die Musik der Juden. Versuch einer geschichtlichen Darstellung ihrer Entwicklung und ihres Wesens (The
Music of the Jews. Attempt at a historical account of its development and essence), Zürich 1951, English edition: The Music ofthe Jews. An Historical Appreciation, The Beechhurst Press, New York 1954 Sabaneyev, Leonid: Natsional’naia evreiskaia shkola v muzyke (National Jewish school in music), Moscow 1924 Sabaneyev, Leonid: Alexandr Abramovich Krein, Moskau 1928 Sabaneyev, Leonid: Geschichte der russischen Musik (History of Russian Music), Leipzig 1926 Safran, Gabriella and Steven J. Zipperstein (eds.): The Worlds ofS. Ап-sky. A Russian Jewish Intellectual at the Turn ofthe Century, Stanford University Press 2006 Salesky, Gdal: Famous Musicians ofJewish Origin, New York 1949 Saminsky, Lazare: Ob evreiskoi muzyke. Sbornik statei (On Jewish Music. Collection of Essays), St. Petersburg 1914
454 Selected Bibliography Saminsky, Lazare: Evreiskaia muzyka, ееproshloe i nastoiashchee, ееperspektivy (The Jewish music, its past and presence, its perspectives), Petrograd 1915 Saminsky, Lazare: The Music ofthe Ghetto and the Bible, New York 1934 Saminsky, Lazare: Music ofour Day. Essentials and Prophecies, Freeport 1970 Saminsky, Lazare: Autobiography (Excerpts), in: Musica Judaica vol. II, New York 1977/78 Schröder-Nauenburg, Beate: „Der Eintritt des Jüdischen in die Welt der Kunstmusik“. Die Anfänge der NeuenJüdischen Schule: werkanalytische Studien („The Entry of the Jewish into the World of Art Music“. The Beginnings of the New Jewish School: Analytical Studies of Compositions), Harrassowitz Verlag, Wiesbaden 2007 Sholokhova, Lyudmila: Stanovlennia ta rozvitok evreiskoi muzichnoifol’kloristiki vRosiiskoi imperii na pochatku XX st. (The Emergence and Development ofJewish Musical Folklore Research in the Russian Empire at the Beginning of the 20th Century), Doctoral Thesis, Kiev 2000 Sitsky, Larry: Music ofthe Repressed Russian Avant-Garde 1900-1928, Westport-London 1994 Slepovitch, Dmitri: Activities oftheJewish Music Institute in Vilna as part ofPost-Haskalah and Yiddishist movement, in: Proceedings of the Ninth Annual International Interdisciplinary Conference on Jewish Studies, vol. 2, Moscow 2003, pp. 263-270 Slobin, Mark (ed.): Old Jewish Folk Music. The Collections and Writings of Moshe Beregovsky, Philadelphia 1982 Soltes, Avraham: Offthe Willows. The Rebirth ofModern Jewish Music, New York 1970 Soroker, Yakov: Rossiiskie muzykanty evrei. Lexikon (Jewish
musicians in Russia. Lexicon), volumes 1-2, Jerusalem 1992 Stutschewsky, Joachim: Mein Weg zurjüdischen Musik (My Path to Jewish Music), Vienna 1935 Stutschewsky, Joachim: Der Wilnaer Balebessel. Texte und Briefe (The Vilna Balebessel. Texts and letters), ed. by Silja Haller et al., Harrassowitz Verlag, Wiesbaden 2013 Stutschewsky, Joachim: Jüdische Spielleute („Klezmorim “). Geschichte, Lebensweise, Musik (Jewish minstrels - „klezmorim“. History, way of life, music), ed. by Joachim Klein, Harrassowitz Verlag, Wiesbaden 2019 Svet, Gershon: Evrei v russkoi muzykal’noi kul’ture v sovetskii period (Jews in the Russian Music Culture ofthe Soviet Era), in: Gregor Aronson et al. (eds.), Kniga о russkom evreistve 1917-1967 (The Book of Russian Jewry 1917-1967), New York 1968
Selected Bibliography 455 Veidlinger, Jeffrey: The Moscow State Yiddish Theater: Jewish Culture on the Soviet Stage, Indiana University Press, Bloomington-Indianapolis 2000 Veidlinger, Jeffrey: Jewish Public Culture in the Late Russian Empire, Indiana University Press, Bloomington-Indianapolis 2009 Vitali, Christoph (ed.) : Marc Chagall. Die russischen Jahre 1906-1922 (Marc Chagall. The Russian years 1906-1922), Exihibition catalog, Frankfurt 1991 Volger, Gisela and Georg Heuberger (eds.): Leben im russischen Schtetl. Jüdische Sammlungen des Staatlichen Ethnographischen Museums in Sankt Petersburg. Auf den Spuren von Ап-sky (Life in the Russian Shtetl. Jewish Collections of the State Ethnographic Museum in Saint Petersburg. In the footsteps of An-sky), Exihibition catalog, KölnFrankfurt 1993-1994 Weinberg, Jacob: Joel Engel, a Pioneer in Jewish Musical Renaissance (personal recollections 1902-1927), in: Bulletin of Jewish Music Forum, vol. VII/VIII, New York 1946-1947, pp. 33-38 Weisser, Albert: The Modern Renaissance ofJewish Music. Events and Figures. Eastern Europe and America, Bloch Publishing Company, New York 1954 Werth, Nicolas: Istoriya sovetskogo gosudarstva 1900-1991 (The history of the Soviet state 1900-1991), Moscow 2000 Yardeini, Mordecai: Words and Music, New York 1986 Zemtsovsky, Izaly: Ephraim Shkliar: Stranitsy zhizni muzykanta (From the life of a musician), in: T.A. Zaitseva (ed.), M.A. Balakirevu posviashchaetsia. Sbornik statei i materialov (Dedicated to Miliy Balakirev. Collection of essays and materials), St. Petersburg 2014, pp. 206-217 Zerin,
Samantha Elisheva: A Miracle of Virtuosity: Joseph Achron as a Prodigy PerformerComposer. A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Department of Music, New York University, January 2020, published by ProQuest, Number: 27668011
List of Illustrations Fig. 1 : Fig. 2: Fig. 3: Fig. 4: Fig. 5: Fig. 6: Fig. 7: Fig. 8: Fig. 9: Fig. 10: Fig. 11: Fig. 12: Fig. 13: Fig. 14: Fig. 15: Fig. 16: Fig. 17: Fig. 18: Fig. 19: Fig. 20: Fig. 21 : Fig. 22: Evsel Gintsburg and his son Goracy Gintsburg, p. 5 (Wikimedia Commons) Commemorative medal of the Society for the Spread of Enlightenment among the Jews of Russia, p. 6 (Wikimedia Commons) Leon Pinsker and the first edition of his Auto-Emancipation1 ., p. 9 (Wikimedia Commons) Ahad Ha’am, p. 11 (Wikimedia Commons) Ahad Ha’am with the founder of the Bezalel School of Art in Jerusalem, Boris Schatz, and his students, Jerusalem 1912, p. 12 (Wikimedia Commons) Simon Dubnow, 1896, p. 13 (Wikimedia Commons) Cover of the Jewish Encyclopedia in Russian, p. 21 Baron David Gintsburg, p. 22 (Wikimedia Commons) S. An-sky, p. 25 (Wikimedia Commons) Solomon Yudovin, Yuliy Engel and S. An-sky, 1912, p. 27 (Vernadski National Library Kiev) Zusman Kiselgof, 1902, p. 28 (Wikimedia Commons) Zusman Kiselgof with a phonograph recording folk songs during the An-sky expedition, Kremenets, July 1913, p. 29 (Vernadski National Library Kiev) The building on Vasilyevsky Island, 5. Line, No. 50 with the inscription Jewish Poorhouse of Moisei Akimovich Ginsburg, p. 30 (RIII St. Petersburg) Abraham Rechtman, Solomon Yudovin, S. An-sky, Sholem Aleychem, Olga Rabinovich and Moisei Ginsburg at the exhibition ofJudaica collection gathered during the An-sky fieldwork, in the halls ofJewish Historical and Ethnographical Society on Vasilyevsky Island, 1914, p. 31 (Vernadski National Library Kiev)
Abram Efros, Drawing by Yury Annenkov (1921), p. 35 (Wikimedia Commons) From the cycle Jewish Graphic by Nathan Altman (Berlin 1923), p. 38 (Wikimedia Commons) Lev Nesvizhsky, Iosif Tomars and Solomon Rosowsky (RIII St. Petersburg) Concert program from Sunday, April 12, 1909: Society for Jewish Folk Music, First season (1908-1909), „Evening ofJewish Folk Song with close involvement ofY.D. Engel” in the Small Hall of the Conservatory, p. 44 (RIII St. Petersburg) St. Petersburg Conservatory at the beginning of the 20th century, p. 45 (Wikimedia Commons) Title page of the first edition of the song Far’n Obscheid (To Farewell) by Ephraim Shkliar, St. Petersburg 1914, p. 46 Nikolai Rimsky-Korsakov and Alexander Glazunov with their students, including Mikhail Gnesin and Solomon Rosowsky, p. 47 (Wikimedia Commons) General Daniil Drachevsky in his office, p. 50 (Wikimedia Commons)
458 Fig. 23: Fig. 24: Fig. 25: Fig. 26: Fig. 27: Fig. 28: Fig. 29: Fig. 30: Fig. 31: Fig. 32: Fig. 33: Fig. 34: Fig. 35: Fig. 36: Fig. 37: Fig. 38: Fig. 39: Fig. 40: Fig. 41: Fig. 42: Fig. 43: Fig. 44: Fig. 45: Fig. 46: Fig. 47: Fig. 48: Fig. 49: Fig. 50: Fig. 51: Fig. 52: List of Illustrations Isay Knorozovsky and Israel Okun, p. 55 (RIII St. Petersburg) Yuliy Engel (ca. 1890) and Abram (Abraham) Idelsohn, p. 61 (RIII St. Petersburg) Pesach Marek and Saul Ginzburg, p. 62 (RIII St. Petersburg) Vladimir Stasov, portrait by Ilya Repin (1905), p. 65 (Wikimedia Commons) Front and back cover of the 1st volume of „Jewish Folk Songs in musical arrangement of Yuliy Engel”, p. 66 Program of the „Second musical event” in the building ofM.A. Ginsburg’s Jewish Poorhouse, March 27, 1916, p. 74 (RIII St. Petersburg) Concert program from April 14,1915, p. 75 (RIII St. Petersburg) Program of the First Series of Vocal Concerts, p. 76 (YIVO New York) Program of the first concert of the ensemble Zimro, Petrograd, January 21,1918, p. 77 (Jerusalem Academy of Music and Dance) Zimro concert in Surabaya (Java), p. 78 (Jerusalem Academy of Music and Dance) Zimro Concert in the Carnegie Hall, New York, November 1, 1919, p. 79 (Jerusalem Academy of Music and Dance) Concert program „on the occasion of the 10th anniversary of the Society for Jewish Folk Music”, March 28,1919, p. 81 (RIII St. Petersburg) Solomon Rosowsky and Simon Dubnow after the concert on March 28, 1919, p. 82 (RIII St. Petersburg) Zakhar Grinberg in his office, p. 85 (Wikimedia Commons) Mark Rivesman, p. 87 (RIII St. Petersburg)
David Schor, Lev (Arie) Friedman-Lvov and Maria Nemenova-Luntz, p. 90 (RIII St. Petersburg) Concert program from Mai 2, 1914 in Nizhny Novgorod, p. 92 (RNMM Moscow) Concert program of the Moscow branch, design by El Lissitzky, May 11, 1918, p. 96 (RNMM Moscow) Concert program from December 20 and 29,1922, p. 99 (RNMM Moscow) Potrait-Album by Leonid Pasternak with portraits of S. An-sky and Joel Engel, Berlin 1923, p. 107 Title page of the first series ofJibneh publications, Berlin 1922, p. 109 Concert program New Hebrew Music, Berlin, November 1, 1923, p. 112 (RNMM Moscow) Zinaida Yuryevskaia and Theodor Scheidl, p. 113 (Wikimedia Commons) Poverty in Russia at the time of the Civil War, p. 117 (Wikimedia Commons) Catalogjibneh, Berlin 1923, p. 120 The last page of the piano score of Gnesin’s chamber opera Abraham’s Youth, p. 122 (RGALI Moscow) Logos ofjibneh and Juwal, p. 131 Collection Jibneh - Juwal, page 1, UE Vienna, 1926, p. 135 Piano Album for the Jewish Young, p. 137 The original edition of the booklet The NationalJewish School in Music by Leonid Sabaneyev, Moscow 1924, p. 150
List of Illustrations 459 Fig. 53: Concert programs of the Moscow Society for Jewish Music, November 15, 1925 and December 28,1926, p. 152 (RGALI Moscow) Fig. 54: The „Moscow Four”: Alexander Krein, Alexander Weprik, Mikhail Gnesin, Grigory Krein, p. 154 (RGALI Moscow) Fig. 5 5: Concert with the works by Grigory Krein, January 20, 1926, p. 157 (RNMM Moscow) Fig. 56: Alexander Weprik and Grigory Gamburg, 1927, p. 159 (RGALI Moscow) Fig. 57: The Beethoven Quartet during a concert in the Small Hall of the Moscow Conservatory, 1928, p. 160 (RGALI Moscow) Fig. 58: Maria Mirzoeva and Maria Yudina, p. 161 Fig. 59: Program of the concert with Maria Yudina, April 29, 1926, p. 162 (Wikimedia Commons) Fig. 60: Raya Garbousova and Vitya Vronsky, p. 163 (private collection ofElena Kruglova, Moscow) Fig. 61: Soviet propaganda in Yiddish, 1932, p. 168 (Wikimedia Commons) Fig. 62: Concert program from March 12, 1928 with Weprik’s Legend of the Crazy Badchen, p. 169 (RGALI Moscow) Fig. 63: Invitation to a general meeting followed by a concert at the Jewish Workers’ Club, February 12,1929, p. 171 (RGALI Moscow) Fig. 64: Poster and announcement for the planned “first performances of the first Jewish opera ‘Di himlen brenen’” on May 16, 20 and 22, 1923, p. 175 (RIII St. Petersburg) Fig 65: Program of the concert organized by the Music Section, with the singer Etina Meladed, Leningrad, February 2,1929, p. 185 (YIVO New York) Fig. 66: Zusman Kiselgof, Lyubov Streicher, Sofya Magid, p. 186 (RIII St. Petersburg) Fig. 67 : Program of the only event of the Society for the Research and Promotion ofJ
ewish Music, p. 199 (FBMC Tel Aviv) Fig. 68: Concert program from May 9,1927, p. 201 (FBMC Tel Aviv) Fig. 69: Concert program from December 19,1929, p. 209 (FBMC Tel Aviv) Fig. 70: Concert program from April 29,1929, p. 212 (FBMC Tel Aviv) Fig. 71 : Concert program from May 10,1933, p. 215 (FBMC Tel Aviv) Fig. 72: Israel Brandmann, p. 219 (FBMC Tel Aviv) Fig. 73: Stamp of the Kadimah organization on an edition of sheet music from the Brandmann brothers’ library, p. 220 (JTS New York) Fig. 74: Concert program of Kadimah, Kamenets-Podolsk, September 22,1919, including the list of the orchestra musicians and the choral singers, p. 221 (JTS New York) Fig. 75: Concert programs of Kadimah, Tel Aviv 1922, p. 222 (FBMC Tel Aviv) Fig. 76: Concert program, May 25,1922, Jerusalem, p. 223 (FBMC Tel Aviv) Fig. 77: Concert program with the premiere of Brandmann’s Violin Sonata, p. 225 (JTS New York) Fig. 78: Concert program of the Society for the Promotion of Contemporary Music, p. 226 (JTS New York)
460 List of Illustrations Fig. 79: The Vienna Jewish Choral Society with its director Israel Brandmann, p. 227 (JTS New York) Fig. 80: Concert program from June 12,1935, p. 229 (FBMC Tel Aviv) Fig. 81: Concert of the Belgrade Serbianjewish Choral Society from November 18,1933, p. 229 (FBMC Tel Aviv) Fig. 82: Concert program from February 1, 1931 with Brandmann’s Hechaluz, p. 230 (FBMC Tel Aviv) Fig. 83: Israel Brandmann (seated in the 2nd row, fourth from the left) with a choir in Palestine (after 1935), p. 233 (JTS New York) Fig. 84: „Evening ofJewish Music and Folk Dance“ with works of the New Jewish School at the Jewish Theater in Riga, Latvia, April 3,1940, p. 238 (FBMC Tel Aviv) Fig. 86: Concert program „New Jewish Music” by Alice Jacob-Loewenson with works of the New Jewish School, p. 240 (FBMC Tel Aviv) Fig. 87: The statutes of the Jewish Literary and Musical Society Ha-zomir in Warsaw, 1906, p. 241 (FBMC Tel Aviv) Fig. 88: Program of the „Evening ofJewish Music”, Grodno, May 9,1931, p. 243 (FBMC Tel Aviv) Fig. 89: Program of the opening concert of the Warsaw Society from February 27, 1928, p. 245 (FBMC Tel Aviv) Fig. 90: Board of the Warsaw Society for the Promotion ofJewish Music, p. 247 (Issachar Fater: Muzyka iydowska w Polsce w okresie miçdzywojennym, Warsaw 1997) Fig. 91: Concert program from February 28, 1928, p. 248 (FBMC Tel Aviv) Fig. 92: Concert program from May 5, 1928, p. 249 (FBMC Tel Aviv) Fig. 93: Letter of Rosa Arnold to Joachim Stutschewsky on the letterhead of the „Music School at the Jewish Music Society in Krakow”, February 12,1934, p. 253 (FBMC
Tel Aviv) Fig. 94: Concert program from March 11,1934, p. 25 5 (FBMC Tel Aviv) Fig. 95: The Auerbach Brothers’ Building in Lodz (1896), the former domicile of the Szir Choir Society, p. 256 (Wikimedia Commons) Fig. 96: The third issue of the monthly Omanut from November 1936 with articles on Jewish music by Stutschewsky, Rothmüller and Samlaic, p. 258 (FBMC Tel Aviv) Fig. 97: „Concert ofJewish Chamber Music”, Zagreb, November 12,1936, p. 259 (FBMC Tel Aviv) Fig. 98: Program „Evening of Jewish Music”, Zürich, October 16, 1937, p. 261 (FBMC Tel Aviv) Fig. 99: Program “Concert ofJewish Music”, Zürich, January 9, 1929, p. 262 (FBMC Tel Aviv) Fig. 100: Rita Kurzmann and Jakob Gimpel, p. 263 (Wikimedia Commons) Fig. 101: Gertrud Kraus in 1929, p. 264 (Wikimedia Commons) Fig. 102: Program “Hebrew Festive Concert”, Brno, November 22, 1931, p. 265 (FBMC Tel Aviv) Fig. 103: One of Stutschewsky’s concert programs in Beit Brenner, November 4, 1939, p. 272 (FBMC Tel Aviv)
List of Illustrations 461 Fig. 104: Jakob Schonberg’s Yiddish songLandfrom ourpast, Berlin 1933, p. 273 (JTS New York) Fig. 105: Title page of Shirei Eretz Israel by Jacob Schönberg, p. 274 (JTS New York) Fig. 107: The song Rachel by Yehuda Shertok in Jakob Schönbergs songbook and as the theme of Viktor Ullmann’s Variations, p. 275 (JTS New York) Fig. 108: Jakob Schönberg in the 1950s, p. 277 (JTS New York) Fig. 109: Concert program for the 40th Anniversary of the St. Petersburg Society for Jewish Folk Music, New York, January 28,1948, p. 278 (JTS New York) Fig. 110: Joseph Achron at the age of 11 months and as a child prodigy in Warsaw, p. 282 (Wikimedia Commons) Fig. 111: Joseph Achron, St. Petersburg 1908, p. 284 (Wikimedia Commons) Fig. 112: Joseph Achron, Berlin 1923, p. 287 (Wikimedia Commons) Fig. 113: Children’s Suite for Piano by Joseph Achron, p. 288 (NLI Jerusalem) Fig. 114: Leopold Pilichowski: Joseph Achron (New York, 1929), p. 290 (Wikimedia Commons) Fig. 115: Simeon Bellison, p. 292 (Jerusalem Academy of Music and Dance) Fig. 116: Julius Chajes, p. 294 (Wikimedia Commons) Fig. 117: Vladimir Dyck, p. 295 (Wikimedia Commons) Fig. 118: Abram Dzimitrovski with his wife and daughter, p. 297 (NLI Jerusalem) Fig. 119: Yuliy Engel, Moscow 1920, p. 300 (Wikimedia Commons) Fig. 120: Yuliy Engel, Marc Chagall and other staff members of the Jewish orphanage in Malakhovka near Moscow, 1921, p. 301 (Wikimedia Commons) Fig. 121: Joel Engel, Tel Aviv 1925, p. 301 (Wikimedia Commons) Fig. 122: Mikhail Gnesin’s parents: Rabbi Fabian Gnesin and Bella Flötsinger, p. 303 (RGALI
Moscow) Fig. 123: The Gnesin sisters: Olga, Elena, Evgeniya, Maria and Elisaveta, p. 304 (RGALI Moscow) Fig. 124: Mikhail Gnesin in the 1900s, p. 306 (RGALI Moscow) Fig. 125: Mikhail Gnesin before his departure for Palestine, Rostov-on-Don 1921, p. 310 (RGALI Moscow) Fig. 126: Bab al-Wad in the 1920s, p. 311 (Wikimedia Commons) Fig. 127: Mikhail Gnesin with his sisters, Moscow, 1930s, p. 313 (RGALI Moscow) Fig. 128: Mikhail Gnesin in the 1940s, p. 314 (RGALI Moscow) Fig. 129: The Krein brothers: David, Fiodor, Ephraim, standing: Alexander and Grigory, p. 315 (private collection of Elena Kruglova, Moscow) Fig. 130: Krein’s parents, p. 316 (RNMM Moscow) Fig. 131 : The Krein brothers with Russian avant-garde composers: Alexander Krein, Alexey Stanchinsky, Grigory Krein, Yevgeny Gunst, Leonid Sabaneyev, after a concert with their compositions on March 2, 1914 in the Small Hall of the Moscow Conservatory, p. 316 (RNMM Moscow) Fig. 132: Alexander Krein, Moscow 1916, p. 317 (RGALI Moscow) Fig. 133: Alexander Krein in the 1930s, p. 321 (RGALI Moscow) Fig. 134: Alexander Krein, Moscow 1947, p. 322 (RGALI Moscow)
462 List of Illustrations 135: Grigory Krein, drawing of his wife, p. 324 (RNMM Moscow) 136: Grigory Krein, p. 325 (RNMM Moscow) 137: Grigory Krein with his son Julian, Moscow 1924, p. 326 (RNMM Moscow) 138: Grigory Krein, Paris 1928, p. ЪИ (RNMM Moscow) 139: Julian Krein, Paris 1931, p. 328 (RNMM Moscow) 140: Julian Krein and the violinist Jascha Brodsky, Paris 1929, p. 329 (RNMM Moscow) Fig. 141: Julian Krein and Mikhail Gnesin, Moscow 1955, p. 330 (RNMM Moscow) Fig. 142: Alice Jacob-Loewenson, p. 331 (NLI Jerusalem) Fig. 143: Nikolai Rimsky-Korsakov and Alexander Glazunov with their students at the St. Petersburg Conservatory, including Boris Levenson and Mikhail Gnesin, St. Petersburg 1904, p. 333 (RIII St. Petersburg) Fig. 144: Concert poster of the New York debut concert of Boris Levenson, 1921, p. 334 (Wikimedia Commons) Fig. 145: Mikhail Lewin (Michel Michelet), p. 335 (Wikimedia Commons) Fig. 146: Pesach Lvov, p. 336 (RIII St. Petersburg) Fig. 147: Moshe Milner, Leningrad, 1930s, p. 339 (RIII St. Petersburg) Fig. 148: Solomon Rosowsky, p. 340 (JTS New York) Fig. 149: Aron Marko Rothmüller, p. 342 (FBMC Tel Aviv) Fig. 150: Lazare Saminsky, p. 343 (RGALI Moscow) Fig. 151 : Temple Emanu-El in New York, p. 345 (Wikimedia Commons) Fig. 152: Lazare Saminsky, New York, 1940s, p. 347 (Wikimedia Commons) Fig. 153: Ephraim Shkliar, p. 349 (RIII St. Petersburg) Fig. 154: The Stutschewsky Klezmer family (Chaim Stutschewsky in the center with cello, his father Klementy with clarinet in hand), p. 352 (FBMC Tel Aviv) Fig. 155: Joachim Stutschewsky and Alexander Schaichet, Zürich
1914, p. 353 (FBMC Tel Aviv) Fig. 156: Joachim Stutschewsky. Drawing by Gregor Rabinovitch (1884-1958), p. 355 (FBMC Tel Aviv) Fig. 157: Vienna String Quartet rehearsing the Lyric Suite by Alban Berg in the presence of the composer and Arnold Schoenberg, Vienna 1925, drawing by Benedikt Fred Dolbin (1883-1971), p. 356 (FBMC Tel Aviv) Fig. 158: Concert program with the world premiere of the Lyric Suite by Alban Berg, p. 356 (FBMC Tel Aviv) Fig. 159: Vienna String Quartet (from left to right: Rudolf Kolisch, Marcel Dick, Joachim Stutschewsky and Fritz Rothschild), p. 357 (FBMC Tel Aviv) Fig. 160: Joachim Stutschewsky, Zürich 1961, drawing by Wladimir Sagal (1898-1969), p. 360 (FBMC Tel Aviv) Fig. 161: Joachim Stutschewsky, Tel Aviv, 1960s, p. 361 (FBMC Tel Aviv) Fig. 162: Yakov Weinberg, Moscow 1905, p. 363 (RNMM Moscow) Fig. 163: Yakov (Jacob) Weinberg, Jerusalem 1926 and New York, ca. 1950, p. 363 (RNMM Moscow) Fig. Fig. Fig. Fig. Fig. Fig.
List of Illustrations 463 Fig. 164: Alexander Weprik with his younger sister Anna, Warsaw 1905, p. 364 (RGALI Moscow) Fig. 165: Alexander Weprik, Moscow 1926, p. 367 (RGALI Moscow) Fig. 166: Concert program of the performance of Alexander Weprik’s Dances and Songs of the Ghetto by the New York Philharmonic Orchestra under Arturo Toscanini, p. 369 (RGALI Moscow) Fig. 167: Alexander Weprik, Moscow 1934, p. 373 (RGALI Moscow) Fig. 168: Alexander Weprik, Saratov 1942, p. 375 (RGALI Moscow) Fig. 169: Alexander Weprik in Sos’va labor camp, p. 377 (RGALI Moscow) Fig. 170: Juliusz Wolfsohn, p. 379 (Wikimedia Commons) Fig. 171: Leo Zeitlin, p. 381 (Wikimedia Commons) Fig. 172: Alexander Zhitomirsky, p. 382 (RIII St. Petersburg) Fig. 173: Title page of a music publication by the Hebrew publisher Klal, Berlin 1922, p.385 Fig. 174: Title page of the first series, St. Petersburg 1910, p. 388 Fig. 175: Title page of the second series, St. Petersburg - Berlin 1912, p. 390 Fig. 176: Moisei Maimon: Title page of the third series, St. Petersburg 1914, p. 392 Fig. 177: Title page of the forth series, St. Petersburg 1917, p. 394 Fig. 178: First edition of the Lieder-Sammelbuch fir die Jüdische Schule und Familie, St. Petersburg - Berlin, 1912, p. 396 Fig. 179: Leonid Pasternak: Title page of Yuliy Engel’s Jewish Children’s Songs, p. 398 Fig. 180: Eleazar (El) Lissitzky: Title page of the printed editions of the Moscow branch, p. 400 Fig. 181: Joseph Tchaikov: Title page of the Small Suite for piano by Mikhail Lewin. Publishing house of the Kultur-Lige, Kiev 1921, p. 404 Fig. 182: Issachar Ber
Ryback: Title page ofthe song Tanz, meydele, tanz by Moshe Milner, p.405 Fig. 183: Joseph Tchaikov: Title page of the vocal suite The Mother and the Child by Moshe Milner. Publishing house of the Kultur-Lige, Kiev 1921, p. 406 Fig. 184: Title page of the only music publication of the Moscow Society for Jewish Music, p. 407 Fig. 185: Title page of the first publication of Juwal, Joel Engel’s 50 children's songs for children’s homes, school andfamily (Yiddish version), Berlin 1923, p. 416 Fig. 186: Title page of the first series ofJuwal's music publications, Berlin 1923, p. 417 Fig. 187: Title page of the last series of Juwal's music publications, Tel Aviv - Berlin 1926, p.418 Fig. 188: Title page of the first series ofjibneh’s publications, Berlin 1922, p. 421 Fig. 189: Sch. Rubin: Title page of the second series ofjibneh’s publications, Berlin 1923, p. 422 Fig. 190: Title page of Orah. Workingsmen’s Dance in Galilea by Mikhail Gnesin, Berlin 1923, p. 423 Fig. 191: Solomon Yudovin: Title page of the printed editions of the Music Section, Leningrad 1930, p. 424
464 List of Illustrations Fig. 192: Title page of a new edition of the Berlin Jibneh publications, p. 427 Fig. 193: Title page of new publications based on the design by Sch. Rubin from Berlin, p. 428 Fig. 194: Title page of one ofJibneh’s later publications, p. 429 Fig. 195: Title page of the printed editions ofHanigun, p. 431 Fig. 196: Title page of Omanut’s music publications, p. 434 Fig. 197: Title page of the publishing house Mizmor, p. 437 Fig. 198: Catalog of the Collection ofJewish Music „Mizmor”, p. 438 Fig. 199: Catalog of the Yibneh Edition (New Jewish Music) including publications from Berlin and Vienna, printed on the back of No. 417 and 418, New York 1941, p. 440 Fig. 200: Title page of the publishing house Yibneh, New York, based on the design by Sch. Rubin from Berlin, p. 441 Fig. 201: Title page of Scherzo by Jacob Weinberg, p. 442 Fig. 202: Title page of Tel Aviv by Mordechai Sandberg, p. 443 |
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| author | Nemtsov, Jascha 1963- |
| author_GND | (DE-588)123077591 |
| author_facet | Nemtsov, Jascha 1963- |
| author_role | aut |
| author_sort | Nemtsov, Jascha 1963- |
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| building | Verbundindex |
| bvnumber | BV045314000 |
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| ctrlnum | (OCoLC)1429560203 (DE-599)DNB1167798139 |
| discipline | Musikwissenschaft |
| era | Geschichte 1908-1938 gnd |
| era_facet | Geschichte 1908-1938 |
| format | Book |
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| geographic_facet | Moskau Wien Sankt Petersburg Russland |
| id | DE-604.BV045314000 |
| illustrated | Illustrated |
| indexdate | 2024-11-22T17:47:39Z |
| institution | BVB |
| institution_GND | (DE-588)1068107626 |
| isbn | 9783447111058 |
| language | English |
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| physical | XIX, 475 Seiten Illustrationen |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Harrassowitz Verlag |
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| series | Jüdische Musik |
| series2 | Jüdische Musik |
| spelling | Nemtsov, Jascha 1963- Verfasser (DE-588)123077591 aut From St. Petersburg to Vienna the New Jewish School in music (1908-1938) as part of the Jewish cultural renaissance Jascha Nemtsov Wiesbaden Harrassowitz Verlag 2024 XIX, 475 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Jüdische Musik Band 17 Geschichte 1908-1938 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Juden (DE-588)4028808-0 gnd rswk-swf Musikethnologie (DE-588)4127833-1 gnd rswk-swf Neue jüdische Schule (DE-588)1026198186 gnd rswk-swf Moskau (DE-588)4074987-3 gnd rswk-swf Wien (DE-588)4066009-6 gnd rswk-swf Sankt Petersburg (DE-588)4267026-3 gnd rswk-swf Russland (DE-588)4076899-5 gnd rswk-swf Cultural Studies East European Studies Folkore Studies History Jewish Studies Klezmer Musicology Religious Studies (DE-588)4113937-9 Hochschulschrift gnd-content Sankt Petersburg (DE-588)4267026-3 g Moskau (DE-588)4074987-3 g Wien (DE-588)4066009-6 g Neue jüdische Schule (DE-588)1026198186 s Juden (DE-588)4028808-0 s Musik (DE-588)4040802-4 s Musikethnologie (DE-588)4127833-1 s Geschichte 1908-1938 z DE-604 Russland (DE-588)4076899-5 g Otto Harrassowitz GmbH & Co. KG (DE-588)1068107626 pbl Erscheint auch als Online-Ausgabe 978-3-447-19799-1 Jüdische Musik Band 17 (DE-604)BV043984834 17 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030700968&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030700968&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030700968&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Personenregister |
| spellingShingle | Nemtsov, Jascha 1963- From St. Petersburg to Vienna the New Jewish School in music (1908-1938) as part of the Jewish cultural renaissance Jüdische Musik Musik (DE-588)4040802-4 gnd Juden (DE-588)4028808-0 gnd Musikethnologie (DE-588)4127833-1 gnd Neue jüdische Schule (DE-588)1026198186 gnd |
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| title | From St. Petersburg to Vienna the New Jewish School in music (1908-1938) as part of the Jewish cultural renaissance |
| title_auth | From St. Petersburg to Vienna the New Jewish School in music (1908-1938) as part of the Jewish cultural renaissance |
| title_exact_search | From St. Petersburg to Vienna the New Jewish School in music (1908-1938) as part of the Jewish cultural renaissance |
| title_full | From St. Petersburg to Vienna the New Jewish School in music (1908-1938) as part of the Jewish cultural renaissance Jascha Nemtsov |
| title_fullStr | From St. Petersburg to Vienna the New Jewish School in music (1908-1938) as part of the Jewish cultural renaissance Jascha Nemtsov |
| title_full_unstemmed | From St. Petersburg to Vienna the New Jewish School in music (1908-1938) as part of the Jewish cultural renaissance Jascha Nemtsov |
| title_short | From St. Petersburg to Vienna |
| title_sort | from st petersburg to vienna the new jewish school in music 1908 1938 as part of the jewish cultural renaissance |
| title_sub | the New Jewish School in music (1908-1938) as part of the Jewish cultural renaissance |
| topic | Musik (DE-588)4040802-4 gnd Juden (DE-588)4028808-0 gnd Musikethnologie (DE-588)4127833-1 gnd Neue jüdische Schule (DE-588)1026198186 gnd |
| topic_facet | Musik Juden Musikethnologie Neue jüdische Schule Moskau Wien Sankt Petersburg Russland Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030700968&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030700968&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030700968&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV043984834 |
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