Philosophy of the novel:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
Palgrave Macmillan
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | vii, 321 Seiten |
| ISBN: | 9783319658902 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
1 Introduction from Analysis to Form 1
Analytic and Continental European Approaches 1
Lamarque s Analytic Aesthetics 6
Ethics, Poetics, Erotics 8
Conclusion: Approach to the Philosophy of the Novel 13
References 16
2 Epic in Aristotle and Vico 19
Introduction 19
Aristotle: Metaphysics and Poetics 23
Aristotle: Poetics and Rhetoric 29
Introduction to Vico 35
Vico s Philosophy of Literature 38
Conclusion 56
References 57
3 Idealism and Romanticism 59
Eighteenth-Century Literary Aesthetics 59
Romantic Philosophy of the Novel 62
v
70
73
77
84
87
87
90
95
103
108
111
112
115
115
121
131
136
140
143
143
144
147
157
160
162
164
167
173
175
175
179
Contents
Hegel’s Critique of Romantic Philosophy of the Novel
The Difference Between Schlegel and Hegel
Art and Nature in Romanticism
References
Kierkegaard, Irony and Subjectivity
Introduction
From the Papers of One Still Living
The Concept of Irony
Either/Or
A Literary Review
Conclusion
References
Lukács on Subjectivity and History
(Introduced Through Nietzsche)
Nietzsche: From Tragedy to Novel
Romantic Lukács
Commentary on The Theory of the Novel
Lukács the Marxist
References
Bakhtin, Ethics and Time
Introduction
Bakhtin on Dostoevsky
History of a Genre
Language of the Novel
Carnival
Precursors and Beginnings of the Novel
Humanist Metaphysics
From Carnival to Polyphony
References
Mimesis, Humanism and History
Auerbach on Mimesis
Adorno and Humanist History Questioned
Contents
■ ■
VII
Benjamin and Sacred Marxism 189
A Political Conclusion 198
References 200
8 Mimetic Limits Desire, Death and the Sacred 203
Introduction 203
Bataille 206
Blanchot 212
Girard 217
Later French Anti-Mimeticism 223
References 226
9 The Absolute Novel Proust on Lost Time 229
Proust and Philosophy 229
Proust and French Society 232
Proust and Literary History 237
Proust, France and Europe 241
Philosophers on Proust 244
Conclusion 252
References 253
10 The Philosophical Novel 257
Introduction 257
Joyce 261
Kierkegaard and Joyce 263
Vico and Joyce 267
Austen 271
Austen and Kierkegaard 283
Conclusion 288
References 290
Bibliography 293
Author Index 303
Subject Index 313
This book explores the aesthetics of the novel from the perspective of Continental European
philosophy, presenting a theory on the philosophical definition and importance of the novel as
a literary genre. It analyses a variety of individuals whose work is reflected in both theoretical
literary criticism and Continental European aesthetics, including Mikhail Bakhtin, Georg Lukács
Theodor Adorno, and Walter Benjamin. Moving through material from eighteenth century and
ancient Greek philosophy and aesthetics, the book provides comprehensive coverage of the
major positions on the philosophy of the novel. Distinctive features include the importance
of Vico s view of the epic to understanding the novel, the importance of Kierkegaard’s view of
the novel and irony along with his other aesthetic views, the different possibilities associated
with seeing the novel as mimetic and the importance of Proust in understanding the genre in
all its philosophical aspects, relating the issue of the philosophical aesthetics of the novel with
the issue of philosophy written as a novel and the interaction between these two alternative
positions.
|
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| discipline | Philosophie Literaturwissenschaft |
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| language | English |
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