The production and reading of music sources: mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530
The first comprehensive study of how polyphonic music of the Renaissance was laid out on the written or printed page, and how this influenced the ways it was read or sung00Renaissance sources of polyphonic music not only convey a rich repertoire of some of the most impressive music ever written. Fro...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Turnhout, Belgium
Brepols
[2018]
|
| Schriftenreihe: | Collection "Épitome musical"
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The first comprehensive study of how polyphonic music of the Renaissance was laid out on the written or printed page, and how this influenced the ways it was read or sung00Renaissance sources of polyphonic music not only convey a rich repertoire of some of the most impressive music ever written. From the point of view of their layout or mise-en-page, they are also amongst the most complex books of their time. They typically combine verbal text, musical notation and other graphic devices, and the different voice parts are arranged to be read separately by the performers, yet to be performed simultaneously. As an integral part of the production and use of these books, the mise-en-page thus provides crucial information for the understanding of the repertoire that is transmitted through them.0The present volume combines a number of studies resulting from a research project funded by the UK Arts and Humanities Research Council (AHRC) into this question, combining the examination of a number of overarching themes (e.g. luxury codices, printed polyphony, music theory books, illumination) with case studies of individual sources |
| Beschreibung: | Literaturverzeichnis: Seite [489]-507 |
| Beschreibung: | xl, 541 Seiten Illustrationen |
| ISBN: | 9782503579610 |
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| 520 | 3 | |a The first comprehensive study of how polyphonic music of the Renaissance was laid out on the written or printed page, and how this influenced the ways it was read or sung00Renaissance sources of polyphonic music not only convey a rich repertoire of some of the most impressive music ever written. From the point of view of their layout or mise-en-page, they are also amongst the most complex books of their time. They typically combine verbal text, musical notation and other graphic devices, and the different voice parts are arranged to be read separately by the performers, yet to be performed simultaneously. As an integral part of the production and use of these books, the mise-en-page thus provides crucial information for the understanding of the repertoire that is transmitted through them.0The present volume combines a number of studies resulting from a research project funded by the UK Arts and Humanities Research Council (AHRC) into this question, combining the examination of a number of overarching themes (e.g. luxury codices, printed polyphony, music theory books, illumination) with case studies of individual sources | |
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Datensatz im Suchindex
| _version_ | 1804179095912710144 |
|---|---|
| adam_text | Contents
List of Figures xiii
List of Colour Plates xxviii
List of Tables xxxi
Abbreviations xxxii
Manuscript Sigla xxxiii
Parti
1 Thomas Schmidt 3
Making Polyphonic Books in the Late Fifteenth and Early Sixteenth Centuries
1. Introduction 3
2. The Page 5
3. Preparing the Text Block: Techniques and Implements 8
4. Ruling the Text Block: Dimensions and Patterns 16
5. Voice Disposition and Voice Layout 31
6. Notation 56
7. Breaks 73
8. Spacing and Aligning the Text 84
9. Organizing and Articulating the Opening and the Book 89
10. Reading the Polyphonic Book Around 1500 99
Part II
2 Christian Thomas Leitmeir 103
Made to Measure: Compositional Challenges behind the Penitential Psalm Codices from the
Munich Court
3 SannaRaninen 117
The Early History of Printed Folio Choirbooks: Production and Layout
4 Stanley Boorman 151
The Representation of Notation in Early Printed Treatises on Music
5 Mara Hofmann 193
The Decoration of Music Manuscripts from the Burgundian-Habsburg Court
Part III
6 Mara Hofmann 211
Brussels, Koninklijke Bibliotheek/Bibliotheque royale de Belgique, MS 9126
7 Mara Hofmann 229
The Chansonnier of Margaret of Austria (Brussels, Koninklijke Bibliotheek/Bibliotheque royale
de Belgique, MS 228)
8 Mara Hofmann 245
Mechelen, Archief en Stadsbibliotheek, s.s.
9 Joanna Froriska 263
London, British Library, Royal MS 20 A. xvi
10 Ian Rumbold 285
Munich,BayerischeStaatsbibliothek,Mus. Ms. 3154 (‘Leopold Codex)
11 Ian Rumbold 349
Hradec Kralove, Muzeum Vychodnich Cech, Knihovna, MS IIA 7 (‘Specialnik Codex’)
12 Ian Rumbold 397
The Polyphonic Manuscripts of the Duomo in Modena
Colour Plates 449
Bibliography 489
Index 509
|
| any_adam_object | 1 |
| author2 | Schmidt-Beste, Thomas 1968- Leitmeir, Christian Thomas 1974- |
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| discipline | Musikwissenschaft |
| era | Geschichte 1480-1530 gnd |
| era_facet | Geschichte 1480-1530 |
| format | Book |
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| spelling | The production and reading of music sources mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530 edited by Thomas Schmidt and Christian Thomas Leitmeir Turnhout, Belgium Brepols [2018] xl, 541 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Collection "Épitome musical" Literaturverzeichnis: Seite [489]-507 The first comprehensive study of how polyphonic music of the Renaissance was laid out on the written or printed page, and how this influenced the ways it was read or sung00Renaissance sources of polyphonic music not only convey a rich repertoire of some of the most impressive music ever written. From the point of view of their layout or mise-en-page, they are also amongst the most complex books of their time. They typically combine verbal text, musical notation and other graphic devices, and the different voice parts are arranged to be read separately by the performers, yet to be performed simultaneously. As an integral part of the production and use of these books, the mise-en-page thus provides crucial information for the understanding of the repertoire that is transmitted through them.0The present volume combines a number of studies resulting from a research project funded by the UK Arts and Humanities Research Council (AHRC) into this question, combining the examination of a number of overarching themes (e.g. luxury codices, printed polyphony, music theory books, illumination) with case studies of individual sources Geschichte 1480-1530 gnd rswk-swf Polyfonie (DE-588)4175288-0 gnd rswk-swf Musikhandschrift (DE-588)4040847-4 gnd rswk-swf Musikdruck (DE-588)4075121-1 gnd rswk-swf Gestaltung (DE-588)4157139-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Musikhandschrift (DE-588)4040847-4 s Polyfonie (DE-588)4175288-0 s Musikdruck (DE-588)4075121-1 s Gestaltung (DE-588)4157139-3 s Geschichte 1480-1530 z DE-604 Schmidt-Beste, Thomas 1968- (DE-588)130330590 edt Leitmeir, Christian Thomas 1974- (DE-588)1016139640 edt Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030693178&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The production and reading of music sources mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530 Polyfonie (DE-588)4175288-0 gnd Musikhandschrift (DE-588)4040847-4 gnd Musikdruck (DE-588)4075121-1 gnd Gestaltung (DE-588)4157139-3 gnd |
| subject_GND | (DE-588)4175288-0 (DE-588)4040847-4 (DE-588)4075121-1 (DE-588)4157139-3 (DE-588)4143413-4 |
| title | The production and reading of music sources mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530 |
| title_auth | The production and reading of music sources mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530 |
| title_exact_search | The production and reading of music sources mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530 |
| title_full | The production and reading of music sources mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530 edited by Thomas Schmidt and Christian Thomas Leitmeir |
| title_fullStr | The production and reading of music sources mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530 edited by Thomas Schmidt and Christian Thomas Leitmeir |
| title_full_unstemmed | The production and reading of music sources mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530 edited by Thomas Schmidt and Christian Thomas Leitmeir |
| title_short | The production and reading of music sources |
| title_sort | the production and reading of music sources mise en page in manuscripts and printed books containing polyphonic music 1480 1530 |
| title_sub | mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530 |
| topic | Polyfonie (DE-588)4175288-0 gnd Musikhandschrift (DE-588)4040847-4 gnd Musikdruck (DE-588)4075121-1 gnd Gestaltung (DE-588)4157139-3 gnd |
| topic_facet | Polyfonie Musikhandschrift Musikdruck Gestaltung Aufsatzsammlung |
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