When fiction feels real: representation and the reading mind
"Why do readers claim that fictional worlds feel real even when they know they're not? How can certain literary characters seem capable of leading lives of their own, outside the stories in which they appear? What is uniquely pleasurable about the experience of reading a novel and what do...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
2018
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Why do readers claim that fictional worlds feel real even when they know they're not? How can certain literary characters seem capable of leading lives of their own, outside the stories in which they appear? What is uniquely pleasurable about the experience of reading a novel and what do readers lose when this experience comes to an end? These questions are central to literary experience but remain difficult for readers, critics, and philosophers to explain. 'When Fiction Feels Real' introduces a new set of tools for thinking about the phenomenology of reading by bringing narrative techniques into conversation with well-established psychological research on reading and cognition. Through sensitive attention to classic novels by Jane Austen, Charles Dickens, George Eliot, and Leo Tolstoy, as well as to the elegies of Thomas Hardy, Elaine Auyoung reveals what nineteenth-century writers know about what happens when we read. This book changes the way we think about literary language, realist aesthetics, and what readers bring to a text, opening up a new field of inquiry centered on the intricate relationship between fictional representation and comprehension" - Umschlag |
| Beschreibung: | Literaturverzeichnis: Seite 143-156 |
| Beschreibung: | x, 164 Seiten |
| ISBN: | 9780190845476 |
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| adam_text | WHEN FICTION FEELS REAL
/ AUYOUNG, ELAINEYYD1981-YYEAUTHOR
: 2018
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION: A NOVEL APPROACH TO READING
TOLSTOY S EMBODIED READER: GRASPING THE FICTIONAL WORLD
ENDURING MINDS IN AUSTEN: BECOMING FAMILIAR WITH FICTIONAL CHARACTERS
ORGANIZING THINGS IN DICKENS: COMPREHENSION AND NARRATIVE FORM
GEORGE ELIOT S PROMISE OF MORE: HOW REALISM ENCHANTS THE EVERYDAY
WHEN NOVELS END: HARDY AND THE LIBERTY OF LITERARY EXPERIENCE
CONCLUSION: ON MIMESIS
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
CONTENTS Acknowledgments ¡x Introduction: A Novel Approach to Reading і 1. Tolstoy s Embodied Reader: Grasping the Fictional World 20 2. Enduring Minds in Austen: Becoming Familiar with Fictional Characters Յ8 3. Organizing Things in Dickens: Comprehension and Narrative Form 6i 4. George Eliots Promise of More: How Realism Enchants the Everyday so 5. When Novels End: Hardy and the Liberty of Literary Experience Conclusion: On Mimesis Notes 125 Works Cited Index 157 143 119 97
Why do readers claim that fictional worlds feel real? How can certain literary characters seem capable of leading lives of their own, outside the stories in which they appear? What makes the experience of reading a novel uniquely pleasurable and what do readers lose when this experience comes to an end? Since their first publication, nineteenth-century realist novels like Pride and Prejudice and Anna Karenina have inspired readers to describe literary experience as gaining access to vibrant fictional worlds and becoming friends with fictional characters. While this effect continues to be central to the experience of reading realist fiction and later works in this tradition, the capacity for novels to evoke persons and places in a reader’s mind has often been taken for granted and even dismissed as a naive phenomenon unworthy of critical attention. When Fiction Feels Real provides literary studies with new tools for thinking about the phenomenology of reading by bringing narrative techniques into conversation with psychological research on reading and cognition. Through close readings of classic novels by Jane Austen, Charles Dickens, George Eliot, and Leo Tolstoy, and the elegies of Thomas Hardy, Elaine Auyoung reveals what nineteenthcentury writers know about how reading works. Building on well-established research on the mind, Auyoung exposes the underpinnings of the seemingly impossible achievement of realist fiction, introducing new perspectives on narrative theory, mimesis, and fictionality.
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| spellingShingle | Auyoung, Elaine 1981- When fiction feels real representation and the reading mind Tolstoy, Leo graf 1828-1910 Fiction History and criticism Theory, etc Fiction Psychological aspects English fiction 19th century History and criticism Realism in literature Mimesis in literature Reading, Psychology of Fiktion (DE-588)4192723-0 gnd Realismus (DE-588)4048680-1 gnd Leser (DE-588)4035441-6 gnd Roman (DE-588)4050479-7 gnd |
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| title | When fiction feels real representation and the reading mind |
| title_auth | When fiction feels real representation and the reading mind |
| title_exact_search | When fiction feels real representation and the reading mind |
| title_full | When fiction feels real representation and the reading mind Elaine Auyoung |
| title_fullStr | When fiction feels real representation and the reading mind Elaine Auyoung |
| title_full_unstemmed | When fiction feels real representation and the reading mind Elaine Auyoung |
| title_short | When fiction feels real |
| title_sort | when fiction feels real representation and the reading mind |
| title_sub | representation and the reading mind |
| topic | Tolstoy, Leo graf 1828-1910 Fiction History and criticism Theory, etc Fiction Psychological aspects English fiction 19th century History and criticism Realism in literature Mimesis in literature Reading, Psychology of Fiktion (DE-588)4192723-0 gnd Realismus (DE-588)4048680-1 gnd Leser (DE-588)4035441-6 gnd Roman (DE-588)4050479-7 gnd |
| topic_facet | Tolstoy, Leo graf 1828-1910 Fiction History and criticism Theory, etc Fiction Psychological aspects English fiction 19th century History and criticism Realism in literature Mimesis in literature Reading, Psychology of Fiktion Realismus Leser Roman |
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