Stranger Than Paradise:
A low-budget breakout film that wowed critics and audiences on its initial release, Stranger Than Paradise would prove to be a seminal film in the new American independent cinema movement and establish its director, Jim Jarmusch, as a hip, cult auteur. Taking inspiration from 1960s underground filmm...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2018]
|
| Schriftenreihe: | Cultographies
|
| Schlagworte: | |
| Online-Zugang: | FHA01 FKE01 FLA01 UPA01 UBG01 FAW01 FAB01 FCO01 Volltext |
| Zusammenfassung: | A low-budget breakout film that wowed critics and audiences on its initial release, Stranger Than Paradise would prove to be a seminal film in the new American independent cinema movement and establish its director, Jim Jarmusch, as a hip, cult auteur. Taking inspiration from 1960s underground filmmaking, international art cinema, genre cinema, and punk culture, Jarmusch’s film provides a bridge between midnight movie features and a new mode of quirky, offbeat independent filmmaking. This book probes the film's production history, initial reception, aesthetics, and legacy in order to understand its place within the cult film canon. In examining the film's cult pedigree, it explores a number of threads that fed into the film—including New York downtown culture of the early 1980s and Jarmusch’s involvement in music—as well as reflecting on how the film's status has developed alongside Jarmusch’s subsequent output and reputation |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Sep 2018) |
| Beschreibung: | 1 online resource 12 b&w illustrations |
| ISBN: | 9780231851022 |
| DOI: | 10.7312/sext18055 |
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| 520 | |a A low-budget breakout film that wowed critics and audiences on its initial release, Stranger Than Paradise would prove to be a seminal film in the new American independent cinema movement and establish its director, Jim Jarmusch, as a hip, cult auteur. Taking inspiration from 1960s underground filmmaking, international art cinema, genre cinema, and punk culture, Jarmusch’s film provides a bridge between midnight movie features and a new mode of quirky, offbeat independent filmmaking. This book probes the film's production history, initial reception, aesthetics, and legacy in order to understand its place within the cult film canon. In examining the film's cult pedigree, it explores a number of threads that fed into the film—including New York downtown culture of the early 1980s and Jarmusch’s involvement in music—as well as reflecting on how the film's status has developed alongside Jarmusch’s subsequent output and reputation | ||
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Datensatz im Suchindex
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| author | Sexton, Jamie |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4372 |
| dewey-search | 791.4372 |
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| discipline | Allgemeines |
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| illustrated | Illustrated |
| indexdate | 2024-07-10T08:14:05Z |
| institution | BVB |
| isbn | 9780231851022 |
| language | English |
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| oclc_num | 1073170413 |
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| physical | 1 online resource 12 b&w illustrations |
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| publishDate | 2018 |
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| publisher | Columbia University Press |
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| series2 | Cultographies |
| spelling | Sexton, Jamie Verfasser aut Stranger Than Paradise Jamie Sexton New York, NY Columbia University Press [2018] © 2018 1 online resource 12 b&w illustrations txt rdacontent c rdamedia cr rdacarrier Cultographies Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Sep 2018) A low-budget breakout film that wowed critics and audiences on its initial release, Stranger Than Paradise would prove to be a seminal film in the new American independent cinema movement and establish its director, Jim Jarmusch, as a hip, cult auteur. Taking inspiration from 1960s underground filmmaking, international art cinema, genre cinema, and punk culture, Jarmusch’s film provides a bridge between midnight movie features and a new mode of quirky, offbeat independent filmmaking. This book probes the film's production history, initial reception, aesthetics, and legacy in order to understand its place within the cult film canon. In examining the film's cult pedigree, it explores a number of threads that fed into the film—including New York downtown culture of the early 1980s and Jarmusch’s involvement in music—as well as reflecting on how the film's status has developed alongside Jarmusch’s subsequent output and reputation In English Stranger than paradise (DE-588)4433621-4 gnd rswk-swf Cult films History and criticism Stranger than paradise (DE-588)4433621-4 u 1\p DE-604 https://doi.org/10.7312/sext18055 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Sexton, Jamie Stranger Than Paradise Stranger than paradise (DE-588)4433621-4 gnd Cult films History and criticism |
| subject_GND | (DE-588)4433621-4 |
| title | Stranger Than Paradise |
| title_auth | Stranger Than Paradise |
| title_exact_search | Stranger Than Paradise |
| title_full | Stranger Than Paradise Jamie Sexton |
| title_fullStr | Stranger Than Paradise Jamie Sexton |
| title_full_unstemmed | Stranger Than Paradise Jamie Sexton |
| title_short | Stranger Than Paradise |
| title_sort | stranger than paradise |
| topic | Stranger than paradise (DE-588)4433621-4 gnd Cult films History and criticism |
| topic_facet | Stranger than paradise Cult films History and criticism |
| url | https://doi.org/10.7312/sext18055 |
| work_keys_str_mv | AT sextonjamie strangerthanparadise |