The Microeconomic Mode: Political Subjectivity in Contemporary Popular Aesthetics
From The Road to Game of Thrones, across works as seemingly different as Gone Girl and Saw, literature, film, and television have become obsessed with the intersection of survival and choice. When the trapped rock-climber hero of 127 Hours is confronted with self-amputation or death, it is only a pa...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2018]
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| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-355 DE-739 Volltext |
| Zusammenfassung: | From The Road to Game of Thrones, across works as seemingly different as Gone Girl and Saw, literature, film, and television have become obsessed with the intersection of survival and choice. When the trapped rock-climber hero of 127 Hours is confronted with self-amputation or death, it is only a particularly blunt example of an omnipresent set-up. In real-life settings or fantastical games, protagonists find themselves confronting extreme scenarios with life-or-death consequences, forced to make torturous either-or choices in stripped-down, brutally stark environments.Jane Elliott identifies and analyzes this new and distinctive aesthetic phenomenon, which she calls "the microeconomic mode." Through close readings of its narratives, tropes, and concepts, she traces the implicit theoretical and political claims conveyed by this combination of abstraction and extremity. In the microeconomic mode, humans isolated from any forms of social organization operate within a mini-economy of costs and benefits, gains and losses, measured in the currency of life. Elliott reads the key concepts that emerge from this aesthetic—life-interest, sovereign capture, and binary life—in relation to biopolitics and natural law theory, becoming and the control society, and primitive accumulation in racial capitalism. The microeconomic mode interrogates the destruction of the liberal political subject, but what it leaves in its place is as disturbing as it is radically new. Going beyond the question of neoliberalism in literature, The Microeconomic Mode combines revelatory close readings of key literary and popular texts with significant theoretical interventions to identify how an aesthetics of choice has reshaped our contemporary understanding of what it means to be human |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Sep 2018) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780231547512 |
| DOI: | 10.7312/elli17474 |
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| 520 | |a From The Road to Game of Thrones, across works as seemingly different as Gone Girl and Saw, literature, film, and television have become obsessed with the intersection of survival and choice. When the trapped rock-climber hero of 127 Hours is confronted with self-amputation or death, it is only a particularly blunt example of an omnipresent set-up. In real-life settings or fantastical games, protagonists find themselves confronting extreme scenarios with life-or-death consequences, forced to make torturous either-or choices in stripped-down, brutally stark environments.Jane Elliott identifies and analyzes this new and distinctive aesthetic phenomenon, which she calls "the microeconomic mode." Through close readings of its narratives, tropes, and concepts, she traces the implicit theoretical and political claims conveyed by this combination of abstraction and extremity. In the microeconomic mode, humans isolated from any forms of social organization operate within a mini-economy of costs and benefits, gains and losses, measured in the currency of life. Elliott reads the key concepts that emerge from this aesthetic—life-interest, sovereign capture, and binary life—in relation to biopolitics and natural law theory, becoming and the control society, and primitive accumulation in racial capitalism. The microeconomic mode interrogates the destruction of the liberal political subject, but what it leaves in its place is as disturbing as it is radically new. Going beyond the question of neoliberalism in literature, The Microeconomic Mode combines revelatory close readings of key literary and popular texts with significant theoretical interventions to identify how an aesthetics of choice has reshaped our contemporary understanding of what it means to be human | ||
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| spelling | Elliott, Jane Verfasser aut The Microeconomic Mode Political Subjectivity in Contemporary Popular Aesthetics Jane Elliott New York, NY Columbia University Press [2018] © 2018 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Sep 2018) From The Road to Game of Thrones, across works as seemingly different as Gone Girl and Saw, literature, film, and television have become obsessed with the intersection of survival and choice. When the trapped rock-climber hero of 127 Hours is confronted with self-amputation or death, it is only a particularly blunt example of an omnipresent set-up. In real-life settings or fantastical games, protagonists find themselves confronting extreme scenarios with life-or-death consequences, forced to make torturous either-or choices in stripped-down, brutally stark environments.Jane Elliott identifies and analyzes this new and distinctive aesthetic phenomenon, which she calls "the microeconomic mode." Through close readings of its narratives, tropes, and concepts, she traces the implicit theoretical and political claims conveyed by this combination of abstraction and extremity. In the microeconomic mode, humans isolated from any forms of social organization operate within a mini-economy of costs and benefits, gains and losses, measured in the currency of life. Elliott reads the key concepts that emerge from this aesthetic—life-interest, sovereign capture, and binary life—in relation to biopolitics and natural law theory, becoming and the control society, and primitive accumulation in racial capitalism. The microeconomic mode interrogates the destruction of the liberal political subject, but what it leaves in its place is as disturbing as it is radically new. Going beyond the question of neoliberalism in literature, The Microeconomic Mode combines revelatory close readings of key literary and popular texts with significant theoretical interventions to identify how an aesthetics of choice has reshaped our contemporary understanding of what it means to be human In English Choice (Psychology) in mass media Mass media Social aspects Storytelling in mass media Entscheidung (DE-588)4014904-3 gnd rswk-swf Massenkultur (DE-588)4125858-7 gnd rswk-swf Mikroökonomie (DE-588)4039225-9 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Massenkultur (DE-588)4125858-7 s Ästhetik (DE-588)4000626-8 s Entscheidung (DE-588)4014904-3 s Mikroökonomie (DE-588)4039225-9 s 1\p DE-604 https://doi.org/10.7312/elli17474 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Elliott, Jane The Microeconomic Mode Political Subjectivity in Contemporary Popular Aesthetics Choice (Psychology) in mass media Mass media Social aspects Storytelling in mass media Entscheidung (DE-588)4014904-3 gnd Massenkultur (DE-588)4125858-7 gnd Mikroökonomie (DE-588)4039225-9 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4014904-3 (DE-588)4125858-7 (DE-588)4039225-9 (DE-588)4000626-8 |
| title | The Microeconomic Mode Political Subjectivity in Contemporary Popular Aesthetics |
| title_auth | The Microeconomic Mode Political Subjectivity in Contemporary Popular Aesthetics |
| title_exact_search | The Microeconomic Mode Political Subjectivity in Contemporary Popular Aesthetics |
| title_full | The Microeconomic Mode Political Subjectivity in Contemporary Popular Aesthetics Jane Elliott |
| title_fullStr | The Microeconomic Mode Political Subjectivity in Contemporary Popular Aesthetics Jane Elliott |
| title_full_unstemmed | The Microeconomic Mode Political Subjectivity in Contemporary Popular Aesthetics Jane Elliott |
| title_short | The Microeconomic Mode |
| title_sort | the microeconomic mode political subjectivity in contemporary popular aesthetics |
| title_sub | Political Subjectivity in Contemporary Popular Aesthetics |
| topic | Choice (Psychology) in mass media Mass media Social aspects Storytelling in mass media Entscheidung (DE-588)4014904-3 gnd Massenkultur (DE-588)4125858-7 gnd Mikroökonomie (DE-588)4039225-9 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Choice (Psychology) in mass media Mass media Social aspects Storytelling in mass media Entscheidung Massenkultur Mikroökonomie Ästhetik |
| url | https://doi.org/10.7312/elli17474 |
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