Staged: show trials, political theater, and the aesthetics of judgment
Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term "show trials" suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era’s great trials as shows. T...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Columbia University Press
[2018]
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 FUBA1 KUBA3 UBG01 UBR01 UPA01 Volltext |
| Zusammenfassung: | Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term "show trials" suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era’s great trials as shows. The Nuremberg trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages?In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions |
| Beschreibung: | 1 Online-Ressource (XV, 232 Seiten) Illustrationen |
| ISBN: | 9780231545730 |
| DOI: | 10.7312/arjo18488 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV045294167 | ||
| 003 | DE-604 | ||
| 005 | 20230116 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 181116s2018 |||| o||u| ||||||eng d | ||
| 020 | |a 9780231545730 |c Online |9 978-0-231-54573-0 | ||
| 024 | 7 | |a 10.7312/arjo18488 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780231545730 | ||
| 035 | |a (ZDB-30-PQE)EBC5552433 | ||
| 035 | |a (OCoLC)1073152115 | ||
| 035 | |a (DE-599)BVBBV045294167 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-860 |a DE-Aug4 |a DE-859 |a DE-739 |a DE-473 |a DE-1046 |a DE-188 |a DE-355 |a DE-1043 |a DE-Y7 |a DE-858 | ||
| 082 | 0 | |a 306.4/848 | |
| 100 | 1 | |a Arjomand, Minou |d 1984- |e Verfasser |0 (DE-588)1051418860 |4 aut | |
| 245 | 1 | 0 | |a Staged |b show trials, political theater, and the aesthetics of judgment |c Minou Arjomand |
| 264 | 1 | |a New York |b Columbia University Press |c [2018] | |
| 264 | 4 | |c © 2018 | |
| 300 | |a 1 Online-Ressource (XV, 232 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | |a Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term "show trials" suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era’s great trials as shows. The Nuremberg trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages?In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions | ||
| 650 | 4 | |a Theater |x Philosophy | |
| 650 | 4 | |a Theater |x Political aspects | |
| 650 | 4 | |a Trials | |
| 650 | 4 | |a War crime trials | |
| 650 | 0 | 7 | |a Politisches Theater |0 (DE-588)4046587-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Theater |0 (DE-588)4059702-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Schauprozess |0 (DE-588)4179438-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Theater |0 (DE-588)4059702-7 |D s |
| 689 | 0 | 1 | |a Schauprozess |0 (DE-588)4179438-2 |D s |
| 689 | 0 | 2 | |a Politisches Theater |0 (DE-588)4046587-1 |D s |
| 689 | 0 | 3 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-0-231-18488-5 |
| 856 | 4 | 0 | |u https://doi.org/10.7312/arjo18488 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG |a ZDB-30-PQE | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-030681475 | ||
| 966 | e | |u https://doi.org/10.7312/arjo18488 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7312/arjo18488 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/document/doi/10.7312/arjo18488 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG_Kauf |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7312/arjo18488 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7312/arjo18488 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7312/arjo18488 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7312/arjo18488 |l FUBA1 |p ZDB-23-DGG |q ZDB-23-DGG 2018 |x Verlag |3 Volltext | |
| 966 | e | |u https://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=5552433 |l KUBA3 |p ZDB-30-PQE |q DFK |x Aggregator |3 Volltext | |
| 966 | e | |u https://doi.org/10.7312/arjo18488 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7312/arjo18488 |l UBR01 |p ZDB-23-DKU |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7312/arjo18488 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804179073918828544 |
|---|---|
| any_adam_object | |
| author | Arjomand, Minou 1984- |
| author_GND | (DE-588)1051418860 |
| author_facet | Arjomand, Minou 1984- |
| author_role | aut |
| author_sort | Arjomand, Minou 1984- |
| author_variant | m a ma |
| building | Verbundindex |
| bvnumber | BV045294167 |
| collection | ZDB-23-DGG ZDB-30-PQE |
| ctrlnum | (ZDB-23-DGG)9780231545730 (ZDB-30-PQE)EBC5552433 (OCoLC)1073152115 (DE-599)BVBBV045294167 |
| dewey-full | 306.4/848 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 306 - Culture and institutions |
| dewey-raw | 306.4/848 |
| dewey-search | 306.4/848 |
| dewey-sort | 3306.4 3848 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| doi_str_mv | 10.7312/arjo18488 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04447nmm a2200649zc 4500</leader><controlfield tag="001">BV045294167</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230116 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">181116s2018 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231545730</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-231-54573-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7312/arjo18488</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780231545730</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PQE)EBC5552433</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1073152115</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045294167</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-860</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-Y7</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">306.4/848</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Arjomand, Minou</subfield><subfield code="d">1984-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1051418860</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Staged</subfield><subfield code="b">show trials, political theater, and the aesthetics of judgment</subfield><subfield code="c">Minou Arjomand</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Columbia University Press</subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (XV, 232 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term "show trials" suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era’s great trials as shows. The Nuremberg trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages?In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater</subfield><subfield code="x">Philosophy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater</subfield><subfield code="x">Political aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Trials</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">War crime trials</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Politisches Theater</subfield><subfield code="0">(DE-588)4046587-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schauprozess</subfield><subfield code="0">(DE-588)4179438-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Schauprozess</subfield><subfield code="0">(DE-588)4179438-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Politisches Theater</subfield><subfield code="0">(DE-588)4046587-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-0-231-18488-5</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7312/arjo18488</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield><subfield code="a">ZDB-30-PQE</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030681475</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/arjo18488</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/arjo18488</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/document/doi/10.7312/arjo18488</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG_Kauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/arjo18488</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/arjo18488</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/arjo18488</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/arjo18488</subfield><subfield code="l">FUBA1</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">ZDB-23-DGG 2018</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=5552433</subfield><subfield code="l">KUBA3</subfield><subfield code="p">ZDB-30-PQE</subfield><subfield code="q">DFK</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/arjo18488</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/arjo18488</subfield><subfield code="l">UBR01</subfield><subfield code="p">ZDB-23-DKU</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/arjo18488</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV045294167 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:14:04Z |
| institution | BVB |
| isbn | 9780231545730 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030681475 |
| oclc_num | 1073152115 |
| open_access_boolean | |
| owner | DE-860 DE-Aug4 DE-859 DE-739 DE-473 DE-BY-UBG DE-1046 DE-188 DE-355 DE-BY-UBR DE-1043 DE-Y7 DE-858 |
| owner_facet | DE-860 DE-Aug4 DE-859 DE-739 DE-473 DE-BY-UBG DE-1046 DE-188 DE-355 DE-BY-UBR DE-1043 DE-Y7 DE-858 |
| physical | 1 Online-Ressource (XV, 232 Seiten) Illustrationen |
| psigel | ZDB-23-DGG ZDB-30-PQE ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG_Kauf ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG ZDB-23-DGG 2018 ZDB-30-PQE DFK ZDB-23-DGG UBG_PDA_DGG ZDB-23-DKU ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Columbia University Press |
| record_format | marc |
| spelling | Arjomand, Minou 1984- Verfasser (DE-588)1051418860 aut Staged show trials, political theater, and the aesthetics of judgment Minou Arjomand New York Columbia University Press [2018] © 2018 1 Online-Ressource (XV, 232 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term "show trials" suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era’s great trials as shows. The Nuremberg trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages?In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions Theater Philosophy Theater Political aspects Trials War crime trials Politisches Theater (DE-588)4046587-1 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Schauprozess (DE-588)4179438-2 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Theater (DE-588)4059702-7 s Schauprozess (DE-588)4179438-2 s Politisches Theater (DE-588)4046587-1 s Ästhetik (DE-588)4000626-8 s DE-604 Erscheint auch als Druck-Ausgabe 978-0-231-18488-5 https://doi.org/10.7312/arjo18488 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Arjomand, Minou 1984- Staged show trials, political theater, and the aesthetics of judgment Theater Philosophy Theater Political aspects Trials War crime trials Politisches Theater (DE-588)4046587-1 gnd Theater (DE-588)4059702-7 gnd Schauprozess (DE-588)4179438-2 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4046587-1 (DE-588)4059702-7 (DE-588)4179438-2 (DE-588)4000626-8 |
| title | Staged show trials, political theater, and the aesthetics of judgment |
| title_auth | Staged show trials, political theater, and the aesthetics of judgment |
| title_exact_search | Staged show trials, political theater, and the aesthetics of judgment |
| title_full | Staged show trials, political theater, and the aesthetics of judgment Minou Arjomand |
| title_fullStr | Staged show trials, political theater, and the aesthetics of judgment Minou Arjomand |
| title_full_unstemmed | Staged show trials, political theater, and the aesthetics of judgment Minou Arjomand |
| title_short | Staged |
| title_sort | staged show trials political theater and the aesthetics of judgment |
| title_sub | show trials, political theater, and the aesthetics of judgment |
| topic | Theater Philosophy Theater Political aspects Trials War crime trials Politisches Theater (DE-588)4046587-1 gnd Theater (DE-588)4059702-7 gnd Schauprozess (DE-588)4179438-2 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Theater Philosophy Theater Political aspects Trials War crime trials Politisches Theater Theater Schauprozess Ästhetik |
| url | https://doi.org/10.7312/arjo18488 |
| work_keys_str_mv | AT arjomandminou stagedshowtrialspoliticaltheaterandtheaestheticsofjudgment |