Oceanic art:
The dazzling colours and patterns of the art of the Pacific Islands have long entranced Western audiences, not least artists such as Gauguin and Picasso. The tendency has been to regard Oceanic art as 'primitive', mysterious and shrouded in taboo, but Nicholas Thomas, in looking at and bey...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
Thames & Hudson
2018
|
Ausgabe: | Second edition |
Schriftenreihe: | World of art
|
Schlagworte: | |
Zusammenfassung: | The dazzling colours and patterns of the art of the Pacific Islands have long entranced Western audiences, not least artists such as Gauguin and Picasso. The tendency has been to regard Oceanic art as 'primitive', mysterious and shrouded in taboo, but Nicholas Thomas, in looking at and beyond the familiar, stunning surfaces of masks and shields, carved canoe prows and feathered gods, discovers the significance of such objects, past and present, for the peoples of the Pacific. He shows how each region is characterised by certain art forms and practices -- among them Maori ancestral carvings, rituals of exchange and warfare in the Solomon Islands, the production of barkcloth by women in Polynesia -- while also being shaped by influences from within the Pacific and beyond. The dynamism and diversity of this compelling art are highlighted by the works accompanying this revelatory text -- from those that evoke deep-rooted customs to ones that address contemporary political issues |
Beschreibung: | First edition published: 1995 |
Beschreibung: | 224 Seiten 186 llustrationen, 1 Karte 21 cm |
ISBN: | 9780500204405 0500204403 |
Internformat
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520 | 3 | |a The dazzling colours and patterns of the art of the Pacific Islands have long entranced Western audiences, not least artists such as Gauguin and Picasso. The tendency has been to regard Oceanic art as 'primitive', mysterious and shrouded in taboo, but Nicholas Thomas, in looking at and beyond the familiar, stunning surfaces of masks and shields, carved canoe prows and feathered gods, discovers the significance of such objects, past and present, for the peoples of the Pacific. He shows how each region is characterised by certain art forms and practices -- among them Maori ancestral carvings, rituals of exchange and warfare in the Solomon Islands, the production of barkcloth by women in Polynesia -- while also being shaped by influences from within the Pacific and beyond. The dynamism and diversity of this compelling art are highlighted by the works accompanying this revelatory text -- from those that evoke deep-rooted customs to ones that address contemporary political issues | |
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Datensatz im Suchindex
_version_ | 1804179046276268032 |
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any_adam_object | |
author | Thomas, Nicholas 1960- |
author_GND | (DE-588)13158555X |
author_facet | Thomas, Nicholas 1960- |
author_role | aut |
author_sort | Thomas, Nicholas 1960- |
author_variant | n t nt |
building | Verbundindex |
bvnumber | BV045276289 |
classification_rvk | LO 90780 |
ctrlnum | (OCoLC)1077679342 (DE-599)BVBBV045276289 |
discipline | Kunstgeschichte |
edition | Second edition |
format | Book |
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id | DE-604.BV045276289 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T08:13:38Z |
institution | BVB |
isbn | 9780500204405 0500204403 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030663958 |
oclc_num | 1077679342 |
open_access_boolean | |
owner | DE-12 DE-19 DE-BY-UBM |
owner_facet | DE-12 DE-19 DE-BY-UBM |
physical | 224 Seiten 186 llustrationen, 1 Karte 21 cm |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Thames & Hudson |
record_format | marc |
series2 | World of art |
spelling | Thomas, Nicholas 1960- Verfasser (DE-588)13158555X aut Oceanic art Nicholas Thomas Second edition London Thames & Hudson 2018 224 Seiten 186 llustrationen, 1 Karte 21 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier World of art First edition published: 1995 The dazzling colours and patterns of the art of the Pacific Islands have long entranced Western audiences, not least artists such as Gauguin and Picasso. The tendency has been to regard Oceanic art as 'primitive', mysterious and shrouded in taboo, but Nicholas Thomas, in looking at and beyond the familiar, stunning surfaces of masks and shields, carved canoe prows and feathered gods, discovers the significance of such objects, past and present, for the peoples of the Pacific. He shows how each region is characterised by certain art forms and practices -- among them Maori ancestral carvings, rituals of exchange and warfare in the Solomon Islands, the production of barkcloth by women in Polynesia -- while also being shaped by influences from within the Pacific and beyond. The dynamism and diversity of this compelling art are highlighted by the works accompanying this revelatory text -- from those that evoke deep-rooted customs to ones that address contemporary political issues Kulturgut (DE-588)4139819-1 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Ozeanien (DE-588)4044257-3 gnd rswk-swf Art / Oceania Art, Pacific Island Ozeanien (DE-588)4044257-3 g Kunst (DE-588)4114333-4 s Kulturgut (DE-588)4139819-1 s DE-604 |
spellingShingle | Thomas, Nicholas 1960- Oceanic art Kulturgut (DE-588)4139819-1 gnd Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)4139819-1 (DE-588)4114333-4 (DE-588)4044257-3 |
title | Oceanic art |
title_auth | Oceanic art |
title_exact_search | Oceanic art |
title_full | Oceanic art Nicholas Thomas |
title_fullStr | Oceanic art Nicholas Thomas |
title_full_unstemmed | Oceanic art Nicholas Thomas |
title_short | Oceanic art |
title_sort | oceanic art |
topic | Kulturgut (DE-588)4139819-1 gnd Kunst (DE-588)4114333-4 gnd |
topic_facet | Kulturgut Kunst Ozeanien |
work_keys_str_mv | AT thomasnicholas oceanicart |