Art, history, and postwar fiction:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford, United Kingdom
Oxford University Press
2018
|
| Ausgabe: | First edition |
| Schriftenreihe: | Oxford English monographs
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Überarbeitete Fassung der Dissertation des Autors mit dem Titel "The Work of Art in Postwar Fiction 1945-2001" |
| Beschreibung: | 195 Seiten Illustrationen |
| ISBN: | 9780198824459 |
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Datensatz im Suchindex
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| adam_text | Contents
List of Figures xi
Introduction: Reviewing Postwar Fiction 1
1. Pig Vomit: Beckett s Art Historical Necessities 23
2. Canvas in the Cold War: William Gaddis and
the Context of Art 63
3. The Moment of History: John Bergers Modernism
After Realism 97
4. Arts Swindle: W. G. Sebald and History After Trauma 129
Conclusion: The Perspective of the Present 166
Bibliography 173
Author Index 193
Art, History, and Postwar Fiction explores the ways in which novelists
responded to the visual arts from the aftermath of the Second World War up
to the present day. If art had long served as a foil to enable novelists to reflect
on their craft, this book argues that in the postwar period, novelists turned
to the visual arts to develop new ways of conceptualizing the relationship
between literature and history. The sense that the novel was becalmed in
the end of history was pervasive in the postwar decades. In seeming to bring
modernism to a climax whilst repeating its foundational gestures, visual art
also raised questions about the relationship between continuity and change
in the development of art.
In chapters on Samuel Beckett, William Gaddis, John Berger, and
W. G. Sebald, and shorter discussions of writers like Doris Lessing, Kathy
Acker, and Teju Cole, this book shows that writing about art was often a
means of commenting on historical developments of the period: the Cold
War, the New Left, the legacy of the Holocaust. Furthermore, it argues that
forms of postwar visual art, from abstraction to the readymade, off ered
novelists ways of thinking about the relationship between form and history
that went beyond models of reflection or determination. Bv doing so, this
book also argues that attention to interactions between literature and art
can provide critics with new ways to think about the relationship between
literature and history beyond reductive oppositions between formalism
and historicism, autonomy and context.
|
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| discipline | Anglistik / Amerikanistik Literaturwissenschaft |
| edition | First edition |
| era | Geschichte 1945-2015 gnd |
| era_facet | Geschichte 1945-2015 |
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