Panorama ellēnikēs poiēsēs: apo ton Omēro ōs ton Elytē : diglōssē ekdosē: Ellēnika - Anglika = A panorama of greek poetry : from Homer to Elytis : a bilingual edition: greek - english
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Greek English |
| Veröffentlicht: |
Athēna
Ekdoseis Philyra
2018
|
| Schriftenreihe: | Seira Poiēsē
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Teilweise in griechischer Schrift; Text in griechischer und englischer Sprache |
| Beschreibung: | 619 Seiten |
| ISBN: | 9786185270247 |
Internformat
MARC
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| 100 | 1 | |a Karagiōrgos, Panos |d ca. 20./21. Jh. |e Verfasser |0 (DE-588)116024894X |4 aut | |
| 245 | 1 | 0 | |a Panorama ellēnikēs poiēsēs |b apo ton Omēro ōs ton Elytē : diglōssē ekdosē: Ellēnika - Anglika = A panorama of greek poetry : from Homer to Elytis : a bilingual edition: greek - english |c Epimeleia: Panos Karagōrgos, kathēgētēs Ioniu Panepistēmiu |
| 246 | 1 | 0 | |a hellēnikēs Homēro Hellēnika Agglika |
| 246 | 1 | 1 | |a A panorama of greek poetry |
| 264 | 1 | |a Athēna |b Ekdoseis Philyra |c 2018 | |
| 300 | |a 619 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Seira Poiēsē | |
| 500 | |a Teilweise in griechischer Schrift; Text in griechischer und englischer Sprache | ||
| 505 | 8 | |a Enthält Bibliografie (S. 579) und Indices (S. 609-619) | |
| 650 | 0 | 7 | |a Lyrik |0 (DE-588)4036774-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Mittelgriechisch |0 (DE-588)4120260-0 |2 gnd |9 rswk-swf |
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| 650 | 0 | 7 | |a Neugriechisch |0 (DE-588)4120278-8 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4002214-6 |a Anthologie |2 gnd-content | |
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| 942 | 1 | 1 | |c 880 |e 22/bsb |g 38 |
Datensatz im Suchindex
| _version_ | 1804178986901700608 |
|---|---|
| adam_text | CONTENTS
A. ANCIENT GREEK POETRY
I. EPIC POETRY
HOMER, 8th c. BC ....................................... 39
Hector to Andromache*, Iliad, Book VI, 447-465 ......... 39
Preparation of the Trojans, Iliad, Book VIII, 553-565 .. 41
Priam supplicating Achilles, Iliad, Book XXIV, 485-542 . 41
Andromache lamenting Hector, Iliad, Book XXIV, 719-745 . 45
Nausikaas Preparation, Odyssey, Book VI, 1-84 .......... 47
Ilthaca, Odyssey, Book IX, 19-28 ....................... 51
Penelope and the absence of Odysseus, Odyssey, BookXIX, 518-525.. 53
HESIOD, 8th c. BC ..................................... 55
Invocation to the Muses, Theogony, 1-34 ............... 55
Advice to Perses, Works and Days, 274-292, 352-362 ..... 57
II. LYRIC POETRY
TYRTAEUS, 7th c. BC ................................... 59
Patriotism .......................................... 59
CALLINUS, 7th c. BC ................................... 61
Encouragement to Warriors ............................. 61
ALCMAN, 7th c. BC ..................................... 63
Old Age ............................................... 63
Nature’s Sleep ........................................ 63
* [The titles of ancient poems are provided by the anthologist].
9
2HMQNIAH2 O AMOPTINOS, pea. loo ocL tu. X.............. 64
Ilspl yovoaxtov ....................................... 64
eH èXraôoc napanXavá .................................. 64
MIMNEPMOS, péa. 7ou - apx- 6ou al. n. X................ 66
Tí slvoa Yj Çgoyj x^pï-ç ty)v AcppoSixr); ............. 66
Ottcoç; toc cpuXXa ................................... 66
AAKAIOS, TéXoç loo ai. tu. X.......................... 68
2xr¡v Earapcb ........................................ 68
©ósXXa ............................................... 68
Xeipoviáxoaj axYjVY) ............................... 68
CH dídoooa xa v Ö7uXa)v .............................. 70
Eü0opo ............................................... 70
innQNAS, 7rpcoTO Yjptao 6oo ai. n. X.................. 72
ExxXyjar] axov *Epp7j ............................... 72
nXoüxoç .............................................. 72
Oí dúo nXéov euxócptaxsç pepee; ...................... 72
IBTKOS, Seúxepo Tjpcao 6oo ai. n. X................... 74
Epcoç ............................................... 74
^Etuocivoç axöv EupoocXo ............................. 74
’Etcox^ too eptoxa ................................... 74
OQKTAIAHE, péa. 6oo ai. rz. X......................... 76
Kocvévaç xaXoç ....................................... 76
IIpaypocTtxY] eùyéveioc .............................. 76
’ExXoyy] aoÇoyou ..................................... 76
APXIAOXOE, 680-640 tu. X.............................. 78
O aÇcoç rjyéxrjç .................................... 78
H x *pévY} àoniôa ................................... 78
Xapà xoo Çsvoo ....................................... 78
Kapôia pou, xapScdc pou............................... 80
’Ev ôaa Çoôpe ....................................... 80
Ilpovota ............................................. 80
EOAQN, 638-558 n. X................................... 82
Eiç éaoxôv ........................................... 82
- 10 -
SEMONIDES OF AMORGOS, mid. 7th c. BC ................. 65
On Women ............................................. 65
Hope is Misleading ................................... 65
MIMNERMUS, mid. 7th - beg. 6th c. BC ................. 67
What Is Life without Aphrodite? ...................... 67
Like the Leaves ...................................... 67
ALCAEUS, end 7th c. BC ............................... 69
To Sappho ............................................ 69
Storm ................................................ 69
Winter Scene ......................................... 69
The Armory Hall ...................................... 71
Convivial ............................................ 71
HIPPONAX, first half 6th c. BC ..................... 73
Petition to Hermes ................................... 73
Wealth ............................................... 73
The Two Most Pleasant Days ........................... 73
IBYCUS, second half 6th c. BC ........................ 75
Eros ................................................. 75
Praise to Euryalus ................................... 75
Eros’s Season ........................................ 75
PHOCYLIDES, mid. 6th c. BC ........................ 77
None Good ............................................ 77
Real Nobility ........................................ 77
Choosing a Wife ...................................... 77
ARCHILOCHUS, 680-640 BC ........................ 79
The Worthy Leader .................................... 79
The Lost Shield .................................... 79
The Stranger’s Delight ............................... 79
Heart, My Heart....................................... 81
As Long As We Live ................................... 81
Providence ........................................... 81
SOLON, 638-558 BC .................................... 83
To Himself ........................................... 83
11 ~
’loCCTTj .................................................. 82
rioÀtTixoc péxpa .......................................... 84
STHEIXOPOS, 632-556 n.X................................... 86
EXévrj ................................................... 86
EXévrj xai KXoTaipvTrjaxpa ............................... 86
EAIIOQ, 630-570 7t. X..................................... 88
Móvt] ..................................................... 88
’ Epcoç, A ............................................... 88
’ Epcoç, B ............................................... 88
Exrjv AxOiSa, A .......................................... 88
Sxr)v AxOiSa, B .......................................... 90
Ottcoç to yXoxóprjXo .................................... 90
KaXcoaóptapa .............................................. 90
AiàXoyoç AXxaíoo — Ea7t(poôç .............................. 92
’Ep p áviorj .............................................. 92
Sè pía ócpóptpwxrj yuvaïxa ................................ 92
Â7toxwpiapoç .............................................. 92
’ETUTÓccpio ............................................... 94
A7t007t£ptTiqÇ............................................ 94
KXeïç ..................................................... 94
SopßooXy) .............................................. 94
O 7tXoÔTOÇ X7]Ç .......................................... 96
Sxrjv AíppoSÍTT] ..........................................96
Styjv Avaxxôpia .......................................... 98
’Eyxcópto ................................................ 98
rfjpaç ................................................... 100
EENOOANHS, 570-480 7t. X.................................. 102
SopTtoaia ................................................ 102
O ocOXtjtyjç xai ó cpiXôcrcxpoç ......................... 102
ExaSioSpopia xai rjXixia ................................. 104
O IloOayôpaç xai ó axôXoç ............................... 104
OXa xà xaxà ............................................. 104
ANAKPEQN, nep. 570-485 7t. X.............................. 106
KàXXoç yovaixcov ..........................................106
H aavSaXotpôpoç ......................................... 106
’ Epioxoç à7toxéXeapa .................................... 106
~ 12 ~
Cure .................................................... 83
Political Measures ...................................... 85
STESICHORUS, 632-556 BC ................................. 87
Helen ................................................... 87
Helen and Clytaemnestra ................................. 87
SAPPHO, 630-570 BC ...................................... 89
Alone ................................................... 89
Eros, I ................................................. 89
Eros, II ................................................ 89
To Atthis, I ............................................ 89
To Atthis, II ........................................... 91
Like the Sweet Apple .................................... 91
Welcoming ............................................... 91
Alkaios — Sappho Conversation ........................... 93
Appearance .............................................. 93
To an Uneducated Woman .................................. 93
Separation .............................................. 93
Epitaph ................................................. 95
Evening Star ............................................ 95
Kleis ................................................... 95
Advice .................................................. 95
Her Wealth ............................................... 97
To Aphrodite ............................................. 97
To Anaktoria ............................................ 99
Encomium ................................................ 99
Old Age ................................................. 101
XENOPHANES, 570-480 BC .................................. 103
Symposia ................................................ 103
The Athlete and the Philosopher ......................... 103
Career and Age .......................................... 105
Pythagoras and the Dog .................................. 105
All Evils ............................................... 105
ANACREON, ca.570-485 BC .................. 107
Women’s Beauty .......................................... 107
The Sandalled Girl ...................................... 107
The Result of Eros ...................................... 107
13
rs-/
Hvioxoç tfjç 108
rfjpaç; .................................................. 108
Oépe oivov ............................................... 108
cO ixavoç Itcttsuç ....................................... 110
ELç éauTÔv ............................................... 110
Sè eva tÇitÇîxi .......................................... 112
EIMQNIAHS O KEIOS, nep. 556-468 n. X...................... 114
Oi èv 0£pp.O7a3Xat,ç 0avovT£ç; ........................... 114
’Eraypappa crcouç S7tocpTtdcT£ç tcûv 0£ppo7ioX6)v ........ 114
T6 péXXov ................................................ 114
Tipoxpécov ............................................... 114
©EOrNIS, 550-467 n. X..................................... 116
H V£OTYjTOC ............................................. 116
To ëpyo tou .............................................. 116
0£¿l v ßooXrjau; ......................................... 116
Ot.Xoxp*rçpcraa ...........................................118
IlaTptSa.................................................. 118
TEXmÔa ................................................... 118
T(i) xei(X .........................................*... 120
Etov Kopvo ............................................... 120
KOPINNA, nep. 6oq - 5oç ai. n. X.
«Tépota» ................................................. 122
Tloc tyjv MopxiSa ........................................ 122
H T£XVT] tyjç ........................................... 122
niNAAPOS, 518-438 n. X.................................... 124
A tco ty]v A ’OXuprciaxrj èmvixio cbdr ................. 124
AOfjvac. ................................................. 128
’AvOpcoTTOt xal 0£oi ..................................... 128
BAKXTAIAHE, 505-430 tu. X................................. 130
’ ISaç xai MapTirjaaa .................................... 130
riaiocv axYjv EiprjvY} ................................... 130
nPASIAAA, nep. 450 tu. X.................................. 132
HXiocptoç ............................................... 132
’E[icpáviori ............................................. 132
O SetXoç ................................................ 132
~ 14 ~
Soul’s Master ...................................... 109
Old Age ............................................ 109
Bring Wine ......................................... 109
The Able Rider ...................................... Ill
To Himself .......................................... Ill
To a Cicada ......................................... 113
SIMONIDES OF CEOS, ca. 556-468 BC ................... 115
The Dead at Thermopylae ............................. 115
Epigram on the Spartans of Thermopylae .............. 115
The Future .......................................... 115
Timocreon ........................................... 115
THEOGNIS, 550-467 BC ................................ 117
Youth ............................................... 117
His Work ............................................ 117
Gods’ Will .......................................... 117
Avarice ............................................. 119
Fatherland .......................................... 119
Hope ................................................ 119
Poverty ............................................. 121
To Kyrnos ........................................... 121
CORINNA, ca. 6th - 5th c. BC
Tales of Old ........................................ 123
On Myrtis ........................................... 123
Her Art ............................................ 123
PINDAR, 518-438 BC .................................. 125
From the First Olympian Ode ......................... 125
Athens ............................................. 129
Men and Gods ....................................... 129
BACCHYLIDES, 505-430 BC ............................. 131
Idas and Marpessa ................................... 131
Paean to Peace ...................................... 131
PRAXILLA, ca.450 BC ................................. 133
Sunlight ............................................ 133
Appearance .......................................... 133
The Coward .......................................... 133
~ 15 ~
IIAATQN, 427-347 ru. X.................................. 134
ÄOTY]p ................................................. 134
Fia XOOÇ 7t£aÔVX£Ç TYJÇ ’Epéxpiocç ................ 134
API2TOTEAHS, 384-322 7t. X.............................. 136
Âp£XY] ................................................. 136
KAAAIMAXOH, nsp. 310-240 7t. X..................... 138
Exov cpíXo too HpaxXeixo ......................... 138
Â7r£x6ôcvopaL xà xoivà Ttpaypaxa ....................... 138
B£p£VLX7] .............................................. 138
III. APAMATIKH IIOIHEH
AISXTAOS, nep. 525-456 7t. X............................ 140
CH vaopaxtoc gxtj HaXapiva, Ilépoca, 386-405 ...... 140
Auaxoxíoc npojjiYjOéa, Tlpoprjdeùç deapcorrjg, 88-113 .. 142
EOOOKAHS, 496-406 7t. X................................. 144
IIoXXoc xà ôeivoc, AvTíyóvr¡, 332-347 .................. 144
Ypvoç axöv £ptoxa, âvtrfóvr¡, 781-800 ................. 146
Mr] cpüvoa, Oiôinooç ènï KoÀovco, 1224-1240 ....... 146
EYPiniAHS, nep. 480-406 7t. X........................... 148
’EpExOstôai xo 7tocXaiöv öXßiot, Mvjdeca, 824-865 ...... 148
’HXipaxoïç U7tö X£o0pcoaL y£voipav, InnôÀoroç, 732-751 . 150
APISTOOANHS, nep. 450-385 7t. X......................... 152
OL yuvaïxeç 0à Ttaôaoov xov TtoXepo, Auatarpárr}, 565-597 ... 152
MENANAP02, 342-292 7t. X................................ 156
rivcoaxc aocuxov ....................................... 156
O0ôvoç ................................................. 156
Oxcox^ta ............................................... 156
IV. EAAHNIETIKH IIEPIOAOS
HPINNA, nep. 350 7t. X................................. 158
’ETtLxàcpio ............................................ 158
Exov xà po xfjç BauxiSaç ............................... 158
16
PLATO, 427-347 BC ................................... 135
Star ................................................ 135
On the Fallen of Eretria ............................ 135
ARISTOTLE, 384-322 BC ............................... 137
Virtue .............................................. 137
CALLIMACHUS, ca. 310-240 BC ......................... 139
To his Friend Heracleitus ........................... 139
I Loath All Common Things ........................... 139
Berenice ............................................ 139
III. DRAMATIC POETRY
AESCHYLUS, ca. 525-456 BC .............. 141
The Naval Battle of Salamis, Persians, 386-405 ...... 141
Prometheus’ Misery, Prometheus Bound, 88-113 ........ 143
SOPHOCLES, 496-406 BC ............................... 145
Wonders Are Many, Antigone, 332-347 ................. 145
Hymn to Eros, Antigone, 781-800 ..................... 147
Endure What Life God Gives, Oedipus at Colonos, 1224-1240... 147
EURIPIDES, ca. 480-406 BC ........................... 149
From of Old the Children of Erechtheus, Medea, 824-865 .... 149
I Would be in Aerial Hiding-Places, 732-751 . 151
ARISTOPHANES, ca. 450-385 BC ........................ 153
The Women will Stop War, Lyssistrata, 565-597........ 153
MENANDER, 342-292 BC ................................ 157
Know Thyself ........................................ 157
Envy ................................................ 157
Poverty ............................................. 157
IV. HELLENISTIC PERIOD
ERINNA, ca.350 BC ................................... 159
Epitaph ............................................. 159
On Baucis’ Tomb ..................................... 159
~ 17 ~
0EOKPITOS, 315-260 tt. X.............................. 160
EtSoXXto I KoxXomJj ................................. 160
ANYTH, 7rep. 300 tt. X................................ 166
’ETTtxoctpto xop-qc, ................................. 166
O 0avaxo? cpspvEt taoxrjxa .......................... 166
’Emypappa yta aXoyo .................................. 166
’Eraypappa y tactxoXo ................................ 168
IlpoaxXrjaT] ......................................... 168
’EmxdTpto xopiq? (ok aXkri psxatppaaY]) .............. 168
ASKAHniAAHS, n sp.270 tt. X........................... 170
HStov ............................................... 170
HStov, (ok ocXXtq pExdtppaaY}) ...................... 170
Otvo? spcoxo? eXeyyo? .............................. 170
To paopo stvat ibpato! ............................... 172
2e pta SoaxpoTrvj napdeva. ........................... 172
Iltve, ACTxXYjTUocSyj ................................ 172
AEQNIAAS O TAPANTINOS, n 270 tt. X.................... 174
Katpd? vaoCTiTrXota? ................................. 174
’ETUxatpio axov ¿aoxo xoo ............................ 174
nOSEIAinnOS, 3oc; at. tt. X........................... 176
H ^coyj, xaxapa ..................................... 176
MOEXOE, nep. 150 tt. X..................... 178
©aXacraa xat 2;r]poc.................................. 178
MEAEATPOS, 140-70 tt. X............................... 180
T^tx^txa? ............................................ 180
’Eyco, 6 MsXeaypo? ................................. 180
BIQN, nep. 120 tt. X.................................. 182
©prjvo? yid xov ’AScovrj ............................. 182
«DIAinnOS 0ESSAAONIKHE, nep. lo? at. tt. X. - lo? at. p. X... 182
Sxov OetSta ........................................ 182
/V/
18
THEOCRITUS, 315-260 BC ............................... 161
Idyll XI, The Cyclops .................................. 161
ANYTE, ca.300 BC ............................ 167
Epitaph on a Girl’s Tombstone .......................... 167
Death Brings Equality .................................. 167
A Horse Epigram ........................................ 167
A Dog Epigram .......................................... 169
Invitation ............................................. 169
Epitaph on a Girl’s Tombstone (in another translation) . 169
ASCLEPI AD ES, ca. 270 BC ............................ 171
Sweeter Still .......................................... 171
Sweeter Still, (in another translation) ................ 171
Wine is the Test of Love ............................... 171
Black is Beautiful! .................................... 173
To a Recalcitrant Virgin ............................... 173
Drink, Asclepiades ..................................... 173
LEONIDAS OF TARANTUM, ca. 270 BC ....................... 175
Season of Sailing ...................................... 175
Epitaph to Himself ..................................... 175
POSEIDIPPUS, 3rd c. BC ................................. 177
Life a Bane ............................................ 177
MOSCHUS, ca. 150 BC .................................... 179
Sea and Land ........................................... 179
MELEAGER, ca. 140-70 BC ................................ 181
Cicada ................................................. 181
I, Meleagros ........................................... 181
BION, ca. 120 BC ....................................... 183
Lament for Adonis ...................................... 183
PHILLIP OF THESSALONICA, ca. 1st c. BC - 1st c. AD....183
To Pheidias ............................................ 183
19
ANTinATPOS 0ESSAAONIKHS, xsXoç loo X................ 184
Apxaïsç notiQTptEç ................................. 184
H CTTEplà TUpOTtpÔTEpT^ ........................... 184
V. TTPQIMH XPIZTIANIKH EnOXH
ANQNYMOX ........................................... 186
’ Epcoç ctvoTiôcpopoç .............................. 186
ITîve xat, Eotppaivoo .............................. 186
POTOINOX, nsp. 150 ................................. 188
’Evàvxioç axov ’ Epcoxa ............................ 188
Araxpsaxsia ........................................ 188
Meàîxï] ............................................ 188
I1AAAAAA2, 350-400 ................................. 190
O ßioq ............................................. 190
H xôxTj ......................-.................... 190
Aoxo sîvai Çcorj ................................... 190
B. BTZANTINH IIOIH2H
ANQNYM02, 4oç ai.............................. 192
Oi àpyaîot. 0EOL slvai vsxpoi ............ 192
ANQNYMOS, 4oç ai.............................. 192
Oà ç iXapôv .................................. 192
ANQNYMOE, 5oç ai.............................. 194
EoTtSpiVY] 7rpOCT£0)pi ...................... 194
ANQNYMOS, 5oç ai.............................. 196
Ato xàv Axâdtaro Ypvo ....................... 196
IOYAIANOS, nep. 530 .......................... 198
AiàXoyoç ..................................... 198
’AXXoç ôiàXoyoç .............................. 198
20
ANTIPATER OF THESSALONICA, ca. late 1st c. BC .... 185
Ancient Women Poets .............................— 185
The Mainland is Preferable ....................... 185
V. EARLY CHRISTIAN ERA
ANONYMOUS ........................................ 187
Love Unbearable .................................. 187
Drink and Be Merry ............................... 187
RUFINUS, ca. 150 ................................. 189
Against Eros ..................................... 189
Dislike .......................................... 189
Melite ........................................... 189
PALLADAS, 350-400 ................................ 191
Life ............................................. 191
Fortune .......................................... 191
This is Life ..................................... 191
B. BYZANTINE POETRY
ANONYMOUS, 4th c.................................. 193
The Ancient Gods Are Dead ........................ 193
ANONYMOUS, 4th c.................................. 193
Joyful Light ..................................... 193
ANONYMOUS, 5th c.................................. 195
Evening Prayer ................................... 195
ANONYMOUS, 5th c.................................. 197
Fron the Akathistos Hymn ......................... 197
JULI ANUS, ca.530 ................................ 199
A Dialogue ....................................... 199
Another Dialogue ................................. 199
~ 21 ~
PQMANOS O MEAQAOE, nsp. 540 ..................... 200
Aizö xöv c Y/jtvo t¿l v Xpíaxooyevvwv ........... 200
’Em ttjç Sxaopcoascoç .......................... 200
IQANNHS AAMASKHNOH, 680-749 .................... 202
IToloc too ßtoo xpucpv] ........................ 202
KASEIANH, 805-865 .............................. 204
Mapía MaySaXY)VY) .............................. 204
XPISTOOOPOü MYTIAHNAI02, nsp. 1000-1068 ........ 206
Eiç tov rpocpjjiaTtxöv recopytov ............... 206
IQANNHS MAYPOnOYS, ttsp. 1050 .................. 206
üXaxcov xai nXoôxapxpç ......................... 206
©E0AQP02 nPO APOMOS, tt ep. 1100-1156 .......... 208
Avá0£p,a axa ypáppaxa .......................... 208
Oi opxoí. Trapaßaivovxai ....................... 210
MIX AH A AKOMINATOS, nsp. 1140-1220 ............ 212
CH A0rjva xaxoc xóv Msaaícova .................. 212
r. NEOEAAHNIKH IIOIHEH
ANQNYMOE, lloç ai............................... 214
Atio xo stcoç Acysvrjg Axptrag:
Sóyxpooayj ................................... 214
ANQNYM02, 14oç ai............................... 216
Apoóacpvooaa, KoTrpiaxo Ayjpoxtxo TpayoóSi ..... 216
ANQNYMOS, 15oç ai............................. 222
To àvaxaXrjpa xfjç KcovaxavxivoimôXstoç ........ 222
ANQNYMOS, 15oç ai.
Tfjç áyánr¡g ................................... 224
~ 22 ~
ROMANOS THE MELODIST, ca. 540 . 201
From Christmas Hymn ............................. 201
On the Crucifixion .............................. 201
IOANNIS THE DAMASCENE, 680-749 ................. 203
What Pleasure of Life ........................ 203
KASSIANE, 805-865 .............................. 205
Mary Magdalene ................................. 205
CHRISTOPHER OF MYTILENE ca. 1000-1068 ...........207
To George, a Literature Writer ..................207
IOANNIS MAVROPOUS, ca. 1050 .................... 207
Plato and Plutarch ............................. 207
THEODORE PRODROMOS, ca. 1100-1156 .............. 209
Cursed be Learning ............................. 209
Vows Can be Broken ............................. 211
MICHAEL ACOMINATOS, ca. 1140-1220 ............... 213
Athens in the Middle Ages ....................... 213
C. MODERN GREEK POETRY
ANONYMOUS, lithe................................. 215
From the epic Digenis Akritas:
Clash ........................................ 215
ANONYMOUS, 14th c................................ 217
Arodaphnoussa, Cyprian demotic song ............ 217
ANONYMOUS, 15th c................................ 223
Lament for Constantinople ...................... 223
ANONYMOUS, 15th c.
Love Song ....................................... 225
~ 23 ~
KPHTIKH nOIHEH
BITEENTZOE KOPNAPOS, 1553-1617 ........................... 226
Arco xöv ’Epcoróxpcro: ................................... 226
H tóx^ xoû àvOpwTTOo ................................. 226
H Sóvocprj tcùv Xóyoov ............................... 228
çO xpàvoq dzparzeùei ôXa xà xpocopaxa ................. 228
O ’Epcoxoxptxoç axrjv Äpexoöaa ....................... 230
H SóE,a eîvou TtapoSiXY) ............................. 232
AHMOTIKA TPArOYAIA, 10oç-19oç oct.
O Ôccvaxoç xoo Aiyevrj .................................. 236
To 7iocpaipo xfjç ITôXrjç ................................ 236
Ty q Qpiaç xo xaaxpo .................................... 238
O Kixaioç ............................................... 240
Tou vsxpou ôcôep poo ..................................... 242
O Oocvaxoç xoo Aiàxoo ................................... 246
O ’ OXopTioç XL ó KÉaaaPoç .............................. 250
Tf)Ç Apxaç xo yiocpopi ................................. 250
H KXecpxoTTOÔXa ......................................... 254
O SxépyLoç .............................................. 254
Kpocpà xo Xévs xà 7rooXià ................................ 256
Tfjç Kopà-Opoaovrjç ...................................... 256
SevLxepévo poo nooXi ..................................... 258
To cpiXi ................................................. 258
cO rcv£opaxixo ; ......................................... 258
Kocxco axr¡ Poôo ......................................... 260
IIôOoç; véoo ............................................. 262
nô0oç xopr ç ............................................. 262
Ilepa axooç; rcépa xapizooq .............................. 262
Ataxia xr¡q àyaTrrçç ..................................... 264
PHTAE BEAESTINAHE (OEPAIOS), 1757-1798 ................... 278
O ©oopioç ............................................... 278
IQANNHS BHAAPAE, 1771-1823 ............................... 282
AvoiÇrç ................................................. 282
24
CRETAN POETRY
VITSENTZOS CORNAROS, 1553-1617 ......................... 227
From Erotocritos: ...................................... 227
Man’s Fortune ....................................... 227
The Power of Words .................................. 229
Time Heals all Wounds ...............................229
Erotokritos to Aretousa ............................. 231
Glory is Transitory ................................. 233
DEMOTIC SONGS, 10th-19th e.
Digenis’ Death .....................................*... 237
The Fall of Constantinople ............................. 237
Beauty’s Castle ........................................ 239
Kitsios ................................................ 241
The Dead Brother’s Ballad .............................. 243
The Death of Diakos .................................... 247
Olympos and Kissavos ................................... 251
The Bridge of Arta ..................................... 251
The Klepht Maiden ...................................... 255
Steryos ................................................ 255
’Tis Whispered by the Birds _*.......................... 257
Kyra-Frosyni ........................................... 257
Poor Little Bird ....................................... 259
The Kiss ............................................... 259
The Confessor .......................................... 259
Down on Rhodes ......................................... 261
A Youth’s Wish ......................................... 263
A Girl’s Longing ....................................... 263
Away Beyond the Plain .................................. 263
Love Couplets .......................................... 265
RHIGAS VELESTINLIS (PHERAIOS), 1757-1798 ............... 279
War Hymn ............................................... 279
IOANNIS VILARAS, 1771-1823 ............................. 283
Spring ................................................. 283
~ 25 ~
ANAPEAE KAABOE, 1792-1869 .............................. 284
O qxX07tocTpt,ç ....................................... 284
Eiç töv Tepöv Aóxov .................................... 290
AIONTEIOE EOAQMOE, 1798-1857 ........................... 296
CH Eùpoxopyj ........................................... 296
Atco töv r Ypvo scç Tr¡v ’EÀsodsptav ................... 296
Arco tvjv cbSï) Etç töv dávocTov too Aópdou Mnáúpov .... 298
CH xaxaaTpcxpY] tc5v Tapcov ............................ 302
Eiç Dpayxíaxcc «DpaïÇep ............................... 302
Arco töv Aápnpo: ....................................... 304
eH SsYjarj tyJç Mapiocç ............................. 304
To ovsxpo Tfjç Mapiaç ............................... 306
H raspee Tr ç AocjJiTupyjç ......................... 308
EÀsudepoc IIoÀLOpxrjpévoc .............................. 310
MrjTépa psyccXotpoxvi................................ 310
O 7T£Lpocapôç ...................................... 312
IOTAIOE TTITAAAOE, 1814-1883 ........................... 314
CH xaTaSixyj toö KXécpTY] .............................. 314
APIETOTEAHE BAAAQPITHE, 1824-1879 ...................... 316
Attö töv A6aváor¡ Acàxo ................................ 316
AtIO TÖV 0CÚTSÍV0 ...................................... 320
çO ßpcc/pq xori to xo[ia ............................... 324
TEPASIMOS MAPKOPAE, 1826-1911 .......................... 328
Aoo .................................................... 328
napdc7rovo TxeOapiévrîç ................................ 328
rEQPriOS BIZTHNOE, 1849-1896 ........................... 332
To ovetpo ............................................ 332
H xpoppévrj OXicJnç ................................... 334
Avs(jigl vy¡ ........................................... 336
AAESANAPOS 1IAAAHE, 1851-1933 .......................... 338
PoopsXicoTiaaa ......................................... 338
Kavâprjç ............................................... 340
MLxpooXa ............................................... 340
~ 26 ~
ANDREAS KALVOS, 1792-1869 ........................... 285
The Lover of His Country ............................ 285
To the Sacred Battalion ............................. 291
DIONYSIOS SOLOMOS, 1798-1857 ........................ 297
Eurycome ............................................ 297
From the Hymn to Liberty ............................ 297
From the ode On the Death of Lord Byron ............. 299
The Destruction of Psara ............................ 303
To Frances Fraser ................................... 303
From Lambros ........................................ 305
Maria’s Prayer ................................... 305
Maria’s Dream .................................... 307
Easter Day ....................................... 309
The Free Besieged ................................. 311
Oh you Mother Magnanimous ........................ 311
The Temptation ................................... 313
JULIUS TYPALDOS, 1814-1883 .......................... 315
The Execution of the Klepht ......................... 315
ARISTOTELIS VALAORITIS, 1824-1879 ................... 317
From Athanasis Diakos ............................... 317
From Photeinos ...................................... 321
The Rock and the Wave ............................... 325
GERASIMOS MARKORAS, 1826-1911 ....................... 329
Two ................................................. 329
A Dead Maiden’s Complaint ........................... 329
GEORGIOS VIZYINOS, 1849-1896 ........................ 333
The Dream ........................................... 333
The Hidden Sorrow ................................... 335
Anemone ............................................. 337
ALEXANDROS P ALLIS, 1851-1933 ....................... 339
The Girl From Roumeli ............................... 339
Kanaris ............................................. 341
Come, Sweetheart .................................. 341
~ 27 ~
KQ2THX IIAAAMAX, 1859-1943 ............................... 342
Atto too ; ’TapjSoog xal AvanoaoTOug ..................... 342
A7i6 tov Tacpo ........................................... 344
Arzb ty|v AoaAsuTiq Zcori: ............................... 346
Tlarpcdeg [Kepxopa] ................................... 346
Tlarpideg [ EXXocSa] .................................. 346
XaXaapoeTa ............................................... 348
A7to Tiq rExard cpoiveg .................................. 348
Arco ty]v TloXixeia xal Movafya: ......................... 352
PoSoo poaxoPoXyjpa .................................... 352
’Ep,£i£ Ol £pYOCT£ ; .................................. 352
Ano tov AcodexaAoyo too rdcproo: ......................... 354
To TravTjyopt. ty q Kaxafiaq .......................... 354
Atio tyj tPAoyspa too Bacn/aa: ........................... 356
Attixo Tipcol vo ...................................... 356
A no xobq Bcopoog: .................................. 358
Oi 7raT£p£c; .......................................... 358
FEQPriOS AP02INH2, 1859-1951 ............................. 360
H ixoydaXia ............................................. 360
riaTi, Mapia; ............................................ 360
O Odvaxog too xoxvoo .................................... 362
Ti Xol7tov; .............................................. 362
Xtopoc ¿XXyjvixo ......................................... 364
EaTOpivOi; .............................................. 368
AOPENTZOS MABIAHS, 1860-1912 ............................. 370
IlaxpiSa ............................................... 370
KpTQTY] .................................................. 370
nXrjpcopoc xpovoo ........................................ 372
AVjOrj ................................................... 372
EXia ..................................................... 374
KaXXiTcaTEipa ............................................ 376
ETScoXa .................................................. 376
Excelsior! ............................................... 378
IIocXoaoxaaTpLTaa ........................................ 378
’OpopcpLa ................................................ 380
IQANNH2 nOAEMHE, 1862-1924 ............................... 382
To naXio PtoXl ........................................... 382
~ 28 ~
COSTIS PALAMAS, 1859-1943 ................................ 343
From Iambs and Anapaests ................................. 343
From The Grave ........................................... 345
From Life Immovable ...................................... 347
Fatherlands [Corfu] .................................... 347
Fatherlands [Greece] ................................... 347
Ruins .................................................... 349
From A Hundred Voices .................................... 349
From City and Solitude ................................... 353
Rose-fragrance ......................................... 353
The Labourers ......................................... 353
From The Twelve Lays of the Gypsy ........................ 355
Kakava Fair ............................................ 355
From the King s Flute ................................... 357
Attic Morning ......................................... 357
From Altars .............................................. 359
The Fathers ............................................ 359
GEORGIOS DROSINIS, 1859-1951 ............................ 361
The Almond Tree ......................................... 361
Why, Mary? .............................................. 361
The Death of the Swan .................................. 363
What then? ............................................... 363
Grecian Soil ........................................... 365
Vespers .................................................. 369
LORENTZOS MAVILIS, 1860-1912 ............................. 371
Country of My Birth ...................................... 371
Crete .................................................... 371
Fullness of Time ......................................... 373
Oblivion ................................................. 373
The Olive Tree ....................................... 375
Kallipateira ............................................. 377
Idols .................................................... 377
Excelsior! ............................................... 379
Palaeocastritsa .......................................... 379
Beauty ................................................... 381
IOANNIS POLEMIS, 1862-1924 ............................... 383
The Old Violin ........................................... 383
~ 29 ~
’Emypappa [axöv Mraxopov] ............................ 384
Ayvcoaxoç ............................................ 384
K. n. KABAOH2, 1863-1933 ............................. 386
T six*] .............................................. 386
CH izoXiç ............................................ 386
nepipévovxaç xooç ßapßdpou ; ......................... 388
©sppoTióXai .......................................... 390
TOaxrj ............................................... 392
Tamxöv ............................................... 394
Fià xöv ’Appovrj, ttoo TréOavs 29 èxtov, to 610 ...... 394
©áXaaaa xoö Tcpcoïoô ................................. 396
’ETréaTpsxps ......................................... 396
©opVjaoo, acopa....................................... 398
’Exopiaa eiç tyjv Téxvyjv ............................ 398
AHMHTPI02 AHIEPTHE, 1866-1937 ........................ 400
Ta paopa àppaSxia .................................... 400
KQETAS KPTSTAAAHU, 1868-1894 ......................... 402
’ HOsXa voc ’pouv xaéXtyxaç .......................... 402
O xpoyoç ............................................ 402
To xévxrjpa tou pavxYjXcoo ........................... 406
Exo axaopaïxo ........................................ 410
To xpayooSi too xpoyyjxoô ............................ 412
KQ2TA2 XATZOIIOTAOll, 1868-1920....................... 414
’Aa ttj ßdpxa......................................... 414
OOivÓTrcopo .......................................... 416
Kt. öxav cpTáoEi r¡ avoiÇyj ...........................416
MIATIAAHS MAAAKAXHS, 1869-1943 ....................... 418
Tö Saaoç ............................................. 418
üapapóOi ............................................. 420
Mraxöpov ............................................. 424
O MTcaxapiocc; ...................................... 426
IQANNHH rPTIlAPHS, 1870-1942 ......................... 430
Tttvoç ............................................... 430
©ávaxoc; ............................................. 430
TaatXvx XápoXvx ...................................... 432
- 30 -
Epigram [To Byron] .................................. 385
The Stranger ........................................ 385
C. P. KAVAFIS, 1863-1933 ............................ 387
Walls ............................................... 387
The City ............................................ 387
Waiting for the Barbarians ........................ 389
Thermopylae ......................................... 391
Ithaca .............................................. 393
Ionian Song ......................................... 395
For Ammonis, Who Died at 29, in 610 ................. 395
Morning Sea ......................................... 397
Return .............................................. 397
Body, Remember....................................... 399
I Have Brought to Art ............................. 399
DIMITRIOS LIPERTIS, 1866-1937 ....................... 401
The Black Eyes ...................................... 401
COSTAS KRYSTALLIS, 1868-1894 ........................ 403
I Wish I Were a Shepherd ............................ 403
The Vintage ......................................... 403
The Embroidery of the Kerchief ...................... 407
The King-Eagle ...................................... 411
The Song of the Vine-Harvest ........................ 413
COSTAS HATZOPOULOS, 1868-1920 ....................... 415
Let the Shallop Drift Free........................... 415
Autumn .............................................. 417
When spring comes ................................... 417
MILTIADIS MALAKASIS, 1869-1943 ...................... 419
The Forest .......................................... 419
A Tale .............................................. 421
Byron ............................................... 425
Batarias ............................................ 427
IOANNIS GRYPARIS, 1870-1942 ......................... 431
Sleep ............................................... 431
Death ............................................... 431
Childe Harold ....................................... 433
31
ZAXAPIAS nAüANTQNIOY, 1877-1940 ..................... 434
H 7ipOa£OX*n TOü TOCTtSlVOÜ ........................ 434
Tö tccÇéSl .......................................... 434
AAMIIPOS nOP DYPAS, 1879-1932 ....................... 438
Lacrymae Rerum ...................................... 438
lité GTOü yiocXoö.................................... 438
BpdSo er £va x^P1® .................................. 440
EQTHPHS SKUIHS, 1881-1952 ........................... 442
~Q AOiqva yXoxtà .................................. 442
0à p,è Oupôcaat ..................................... 442
EÙTOXtÇtL) oaooç prtopsaav .......................... 444
TAAATEIA KAZANTZAKH, 1881-1962 ...................... 446
ApapxtaXo ........................................... 446
MYPTIQTIZXA, 1885-1968 .............................. 448
EooXtcoxiaaeç ....................................... 448
NIKOS KAZANTZAKH2, 1883-1957 ........................ 454
Atco Tïjv ’Oôoaaetoc ................................ 454
Atio xiç «Tepxaivsç» ............................. 458
H Téyyr tou SoctÇjcYjp .......................... 458
ArrEAOS SIKEAIAN02, 1884-1951 ....................... 460
rpàpjxa àno xo [¿éxamo .............................. 460
H Avxtaxaayj ....................................... 462
Atto tyjv lepà oôô .................................. 462
Sx’ ~Oatoo Aoüxa xo Movaax^pt ....................... 466
H rtoevocyià xrjç STtôcpxyjç ....................... 470
Ava8uo[xévr¡ ........................................ 470
’Äypacpov ........................................... 472
AiXiO ........................................... 474
MAPKOS AYrEPHS, 1884-1973 ........................... 482
H ßdßco y¡ Taaiôc .................................. 482
Tö xpayoóSi TYjç TcXyjßeiaq ......................... 484
~ 32 ~
ZACHARIAS PAPANTONIOU, 1877-1940 .................... 435
The Prayer of the Humble ............................ 435
A Journey ........................................... 435
LAMBROS PORFYRAS, 1879-1932 ......................... 439
Lacrymae Rerum ...................................... 439
Drink your Wine...................................... 439
A Village Evening ................................... 441
SOTIRIS SKIPIS, 1881-1952 ........................... 443
O Sweet Athens ...................................... 443
You Will Remember Me ................................ 443
Fortunate Are They .................................. 445
GALATEIA KAZANTZAKI, 1881-1962 ...................... 447
Sinner .............................................. 447
MYRTIOTISSA, 1885-1968 .............................. 449
Women of Souli ...................................... 449
NIKOS KAZANTZAKIS, 1883-1957 ........................ 455
From the Odyssey .................................... 455
From the “Terzines” ................................. 459
Shakespeare’s Artistry ........................... 459
ANGELOS SIKELIANOS, 1884-1951 ....................... 461
Letter from the Front ............................... 461
Resistance .......................................... 463
From the Sacred Way ................................. 463
At St. Luke’s Monastery ............................. 467
The Holy Virgin of Sparta ........................... 471
Aphrodite Rising ................................... 471
Agraphon ............................................ 473
Lilith .............................................. 475
MARKOS AVGERIS, 1884-1973 ........................... 483
Granny Tassia ....................................... 483
Plebeian Song ....................................... 485
33 ~
KQSTAS BAPNAAHS, 1884-1974 ............................... 486
Ol 7róvot, xÿ}ç Ilavctyiaç ............................... 486
H [jidcva tou Xpiaxoö ................................... 486
01 [jtotpaïoi ............................................ 490
KQSTA2 OYPANHE, 1890-1953 ................................ 494
’EôooapSoç ST ........................................... 494
NoaxocXyisç .............................................. 494
0à 7i£0avG eva rcévOipo xou cpOivÔTitopoo deiXi ......... 496
KQSTAS KAPYQTAKHS, 1896-1928 ............................. 500
AOrjvoc .................................................. 500
Aiàxoç ................................................... 500
Bupcov ................................................... 502
c Ytzvoç ................................................. 502
ripsßs^a ................................................. 504
MixaXioç ................................................. 506
MttjocXXcxvtoc axoùc; aôoÇouç Troi^xèç xwv aicovcov ...... 508
’Ejjißax^pto 7iév0i,p,o xal xaxaxopucpo .................. 510
riQPrOS SE0 EPHS, 1900-1971 .............................. 512
’Apvyjarj ................................................ 512
A tco xi] HxépvoL ........................................ 512
Atio xo MuQioTÓpr¡¡jL(x .................................. 516
«’Etc! ôcaTraXocOtov...» ........... ..................... 516
O ßaatXiotc; ttjç Aolvtjç ............................... 518
Atio to fHpspoÀoyio xaraarpcoparoç ....................... 522
Necxpoxoç; ó eyxXsiaxoç; p.tXâ ........................... 524
ZQH KAPEAAH, 1901-1998 .................................... 526
MovocÇcà .................................................. 526
J oßo ; .................................................. 526
MAPIA nOAYAOYPH, 1902-1930 ................................ 530
Tiaxí p,’ (XY 7zr¡oEq ..................................... 530
NIKOS ErrONOnOYAOS, 1907-1985 ............................ 534
A tco xov MrcoÄtßap ...................................... 534
34
COSTAS VARNALIS, 1884-1974 ............................ 487
The Pains of the Virgin Mary .......................... 487
The Mother of Christ .................................. 487
The Doomed ............................................ 491
COSTAS OURANIS, 1890-1953 ............................. 495
Edward VI ............................................. 495
Nostalgias ............................................ 495
I Shall Die One Day on a Mournful Autumn Twilight ..... 497
COSTAS KARYOTAKIS, 1896-1928 .......................... 501
Athens ................................................ 501
Diakos ................................................ 501
Byron ................................................. 503
Sleep ................................................. 503
Preveza ............................................... 505
Michael ............................................... 507
Ballade to the Inglorious Poets of the Ages ........... 509
Marche funèbre et perpendiculaire ..................... 511
GIORGOS SEFERIS, 1900-1971 ............................ 513
Denial ................................................ 513
From the Cistern ...................................... 513
From Myth of Our History .............................. 517
“Against Whitethorns...” .............................. 517
The King of Asine ..................................... 519
From the Log Book ..................................... 523
Neophytos the Cloisterer Speaks ....................... 525
ZOE KARELLI, 1901-1998 ................................ 527
Loneliness ............................................ 527
Fear .................................................. 527
MARIA POLYDOURL 1902-1930 ............................. 531
Because you Loved me .................................. 531
NIKOS ENGONOPOULOS, 1907-1985 ......................... 535
From Bolivar .......................................... 535
^s/
35
MEAISSAN0H, 1907-1990 ..................................... 540
Sttj [xvrj[a,Y] too Trorcépa ¡jioo ........................ 540
’E^iXécoarj ............................................... 542
Záv vr ’Apx ............................................... 542
TIANNHS PITZOS, 1909-1990 ................................. 544
Ano tó Tpayoúdi Tfjg ádeÁcprjg poo ........................ 544
Attó tr¡v !Eapivr¡ oupcpcovía ............................. 546
Attó tó Fpapila otóv Zoáió - Ktoopl ....................... 548
Ano tóc 12 notyjpaTa yiá tóv Kaf3ácpr¡ .....................548
O y poq too noirfcf¡ .................................. 548
NIKOE KABBAAIAZ, 1910-1975 ................................ 550
Marabou ................................................... 550
O tuXótoc; NáyxsX ........................................ 554
Mal du départ ............................................. 556
NIKOS rKATüOS, 1911-1992 .................................. 558
Arcó Trjv Apopyó .......................................... 558
NóyroL otóv KoXcovó ....................................... 558
’Epeí^ ttoó psívape ....................................... 560
OATZZEAZ EAYTHS, 1911-1996 ................................ 562
H tpeXr] poStóc .......................................... 562
H Mapíva tcov ppáx^ov .................................... 564
Attó tó A opa rjpciuxó xat névQipo ytá tóv x pévo ávduno-
Áoxocyó Tfjg AÁ(3aviag ................................. 566
Arcó tó Afyov !Eotl, B ................................... 574
Bi(3Xtoypacpíoc ........................................... 579
DóvTope ; Pioypoccpíe^ TrotrjTwv .......................... 581
EópeTrjpio óvojjiáTcov TratrjTcov ......................... 609
’Ovójjloctcí peTacppaaTcov ................................ 617
- 36 -
MELISSANTHI, 1907-1990 ................................. 541
To the Memory of my Father ............................. 541
Atonement .............................................. 543
Joan of Arc .......................................... 543
YANNIS RITSOS, 1909-1990 ............................... 545
From the Song to My Sister ............................. 545
From Spring Symphony ................................... 547
From the Letter to Joliot - Curie .......................549
Fron 12 Poems for Cavafy ............................... 549
The Poet s Room ...................................... 549
NIKOS KAVADIAS, 1910-1975 .............................. 551
Marabou ................................................ 551
The Pilot Nagel ........................................ 555
Mal du départ ........................................ 557
NIKOS GATSOS, 1911-1992 ................................ 559
From Amor g os ......................................... 559
Evening at Kolonos ..................................... 559
We Who Are Left ........................................ 561
ODYSSEUS ELYTIS, 1911-1996 ............................. 563
The Mad Pomegranate Tree ............................... 563
Marina of the Rocks .................................... 565
From Heroic and Elegiac Song for the Lost Second Lieutenant of
the Albanian Campaign ................................ 567
From Axion Esti, II .................................... 575
Bibliography ........................................... 579
Short Biographies of Poets ............................. 595
Index of Poets’ Names .................................. 613
Translators’ Names ..................................... 617
37
|
| any_adam_object | 1 |
| author | Karagiōrgos, Panos ca. 20./21. Jh |
| author_GND | (DE-588)116024894X |
| author_facet | Karagiōrgos, Panos ca. 20./21. Jh |
| author_role | aut |
| author_sort | Karagiōrgos, Panos ca. 20./21. Jh |
| author_variant | p k pk |
| building | Verbundindex |
| bvnumber | BV045246586 |
| contents | Enthält Bibliografie (S. 579) und Indices (S. 609-619) |
| ctrlnum | (OCoLC)1059564395 (DE-599)BVBBV045246586 |
| format | Book |
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| genre | (DE-588)4002214-6 Anthologie gnd-content |
| genre_facet | Anthologie |
| id | DE-604.BV045246586 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:12:41Z |
| institution | BVB |
| isbn | 9786185270247 |
| language | Greek English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030634680 |
| oclc_num | 1059564395 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 619 Seiten |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Ekdoseis Philyra |
| record_format | marc |
| series2 | Seira Poiēsē |
| spelling | Karagiōrgos, Panos ca. 20./21. Jh. Verfasser (DE-588)116024894X aut Panorama ellēnikēs poiēsēs apo ton Omēro ōs ton Elytē : diglōssē ekdosē: Ellēnika - Anglika = A panorama of greek poetry : from Homer to Elytis : a bilingual edition: greek - english Epimeleia: Panos Karagōrgos, kathēgētēs Ioniu Panepistēmiu hellēnikēs Homēro Hellēnika Agglika A panorama of greek poetry Athēna Ekdoseis Philyra 2018 619 Seiten txt rdacontent n rdamedia nc rdacarrier Seira Poiēsē Teilweise in griechischer Schrift; Text in griechischer und englischer Sprache Enthält Bibliografie (S. 579) und Indices (S. 609-619) Lyrik (DE-588)4036774-5 gnd rswk-swf Mittelgriechisch (DE-588)4120260-0 gnd rswk-swf Griechisch (DE-588)4113791-7 gnd rswk-swf Neugriechisch (DE-588)4120278-8 gnd rswk-swf (DE-588)4002214-6 Anthologie gnd-content Griechisch (DE-588)4113791-7 s Mittelgriechisch (DE-588)4120260-0 s Neugriechisch (DE-588)4120278-8 s Lyrik (DE-588)4036774-5 s DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030634680&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Karagiōrgos, Panos ca. 20./21. Jh Panorama ellēnikēs poiēsēs apo ton Omēro ōs ton Elytē : diglōssē ekdosē: Ellēnika - Anglika = A panorama of greek poetry : from Homer to Elytis : a bilingual edition: greek - english Enthält Bibliografie (S. 579) und Indices (S. 609-619) Lyrik (DE-588)4036774-5 gnd Mittelgriechisch (DE-588)4120260-0 gnd Griechisch (DE-588)4113791-7 gnd Neugriechisch (DE-588)4120278-8 gnd |
| subject_GND | (DE-588)4036774-5 (DE-588)4120260-0 (DE-588)4113791-7 (DE-588)4120278-8 (DE-588)4002214-6 |
| title | Panorama ellēnikēs poiēsēs apo ton Omēro ōs ton Elytē : diglōssē ekdosē: Ellēnika - Anglika = A panorama of greek poetry : from Homer to Elytis : a bilingual edition: greek - english |
| title_alt | hellēnikēs Homēro Hellēnika Agglika A panorama of greek poetry |
| title_auth | Panorama ellēnikēs poiēsēs apo ton Omēro ōs ton Elytē : diglōssē ekdosē: Ellēnika - Anglika = A panorama of greek poetry : from Homer to Elytis : a bilingual edition: greek - english |
| title_exact_search | Panorama ellēnikēs poiēsēs apo ton Omēro ōs ton Elytē : diglōssē ekdosē: Ellēnika - Anglika = A panorama of greek poetry : from Homer to Elytis : a bilingual edition: greek - english |
| title_full | Panorama ellēnikēs poiēsēs apo ton Omēro ōs ton Elytē : diglōssē ekdosē: Ellēnika - Anglika = A panorama of greek poetry : from Homer to Elytis : a bilingual edition: greek - english Epimeleia: Panos Karagōrgos, kathēgētēs Ioniu Panepistēmiu |
| title_fullStr | Panorama ellēnikēs poiēsēs apo ton Omēro ōs ton Elytē : diglōssē ekdosē: Ellēnika - Anglika = A panorama of greek poetry : from Homer to Elytis : a bilingual edition: greek - english Epimeleia: Panos Karagōrgos, kathēgētēs Ioniu Panepistēmiu |
| title_full_unstemmed | Panorama ellēnikēs poiēsēs apo ton Omēro ōs ton Elytē : diglōssē ekdosē: Ellēnika - Anglika = A panorama of greek poetry : from Homer to Elytis : a bilingual edition: greek - english Epimeleia: Panos Karagōrgos, kathēgētēs Ioniu Panepistēmiu |
| title_short | Panorama ellēnikēs poiēsēs |
| title_sort | panorama ellenikes poieses apo ton omero os ton elyte diglosse ekdose ellenika anglika a panorama of greek poetry from homer to elytis a bilingual edition greek english |
| title_sub | apo ton Omēro ōs ton Elytē : diglōssē ekdosē: Ellēnika - Anglika = A panorama of greek poetry : from Homer to Elytis : a bilingual edition: greek - english |
| topic | Lyrik (DE-588)4036774-5 gnd Mittelgriechisch (DE-588)4120260-0 gnd Griechisch (DE-588)4113791-7 gnd Neugriechisch (DE-588)4120278-8 gnd |
| topic_facet | Lyrik Mittelgriechisch Griechisch Neugriechisch Anthologie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030634680&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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