Sounding the novel: voice in twenty-first century American fiction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Heidelberg
Universitätsverlag Winter
[2018]
|
| Schriftenreihe: | American studies
volume 294 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | Literaturverzeichnis: Seite 245-258 |
| Beschreibung: | 258 Seiten |
| ISBN: | 9783825369163 3825369161 |
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgments......................................................................................... 9 1 Introduction: Listening as Literary Practice....................................... 11 2 Sounding Voices...................................................................................23 2.1 Voice, Language, and Text.......................................................26 2.2 Toward a Theory of the Sounding Voice: Body, Medium, Performance.............................................................. 38 2.3 Auditory Imagination, Soundscape, and Voice......................57 3 The Scream and the Word: (Non)Human Voices in Richard Powers’s The Echo Maker................................................................... 63 3.1 Human Voice, Primal Echoes, and Language...................... 68 3.2 Natural Soundscape, Animal Voices, and Ecofiction...........83 3.3 Media Ecology and Voice in The Echo Maker..................... 96 4 Singing Time: Vocal Performance and Temporality in Richard Powers’s The Time of Our Singing................................... 103 4.1 The Physics of Voice and Time..............................................109 4.2 Voice and Possible Worlds in The Time of Our Singing..... 117 5 Listening for Voice..............................................................................129 5.1 Listening, Resonance, and Voice............................................131 5.2 Listening Features................................................................... 135 5.3 Intention and
Attention........................................................... 138 6 Polyphonic Soundscapes: Vocal Resonance and Place in Karen Tei Yamashita’s I Hotel..................................................................... 145 6.1 The Textualization of Polyphonic Soundscapes................. 153 6.2 ‘Live’ Bodies, Vocal Resonance, and Place in I Hotel...... 164 6.3 Politics of Voice and Listening...............................................175
7 A Listening Self: Vocal Sound Event and Intersubjectivity in Jonathan Safran Foer’s Extremely Loud Incredibly Close........185 7.1 Auditory Experience and the Listening Self.......................190 7.2 War, Terrorism, and Sound Event........................................194 7.3 Intersubjective Networks and UrbanSoundscapes.............. 207 8 By Way of Conclusion: Silence in Jennifer Egan’s A Visitfrom the Goon Squad...................................................................................223 8.1 Silences of Anticipation......................................................... 228 8.2 Vocal Absence and Intermediai Pause.................................. 233 8.3 From Sound to Silence........................................................... 241 Works Cited.............................................................................................. 245
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| spelling | Aghoro, Nathalie Verfasser (DE-588)1169327168 aut Sounding the novel voice in twenty-first century American fiction Nathalie Aghoro Heidelberg Universitätsverlag Winter [2018] © 2018 258 Seiten txt rdacontent n rdamedia nc rdacarrier American studies volume 294 Literaturverzeichnis: Seite 245-258 Dissertation Katholische Universität Eichstätt-Ingolstadt 2016 Geschichte gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf Klang Motiv (DE-588)4413513-0 gnd rswk-swf Stimme Motiv (DE-588)4221636-9 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content USA (DE-588)4078704-7 g Roman (DE-588)4050479-7 s Stimme Motiv (DE-588)4221636-9 s Klang Motiv (DE-588)4413513-0 s Geschichte z DE-604 Carl-Winter-Universitätsverlag (DE-588)2006799-9 pbl American studies volume 294 (DE-604)BV000005812 294 B:DE-101 application/pdf http://d-nb.info/1165078821/04 Inhaltsverzeichnis X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=ece30396108442efb0e18850ca4f45d1&prov=M&dok_var=1&dok_ext=htm Inhaltstext Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030631814&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Aghoro, Nathalie Sounding the novel voice in twenty-first century American fiction American studies Roman (DE-588)4050479-7 gnd Klang Motiv (DE-588)4413513-0 gnd Stimme Motiv (DE-588)4221636-9 gnd |
| subject_GND | (DE-588)4050479-7 (DE-588)4413513-0 (DE-588)4221636-9 (DE-588)4078704-7 (DE-588)4113937-9 |
| title | Sounding the novel voice in twenty-first century American fiction |
| title_auth | Sounding the novel voice in twenty-first century American fiction |
| title_exact_search | Sounding the novel voice in twenty-first century American fiction |
| title_full | Sounding the novel voice in twenty-first century American fiction Nathalie Aghoro |
| title_fullStr | Sounding the novel voice in twenty-first century American fiction Nathalie Aghoro |
| title_full_unstemmed | Sounding the novel voice in twenty-first century American fiction Nathalie Aghoro |
| title_short | Sounding the novel |
| title_sort | sounding the novel voice in twenty first century american fiction |
| title_sub | voice in twenty-first century American fiction |
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