Why does Michelangelo matter?: A historian's questions about the visual arts
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Palo Alto, California
The Society for the promotion of Science and Scholarship
[2018]
|
Beschreibung: | xv, 322 pages Illustrationen 24 cm |
ISBN: | 9780930664312 0930664310 0930664329 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
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020 | |a 9780930664312 |9 9780930664312 | ||
020 | |a 0930664310 |9 0930664310 | ||
020 | |a 9780930664312 |9 978-0-930664-31-2 | ||
020 | |a 0930664329 |9 0930664329 | ||
035 | |a (OCoLC)1047617164 | ||
035 | |a (DE-599)BVBBV045243198 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-11 | ||
084 | |a LH 61100 |0 (DE-625)94210: |2 rvk | ||
084 | |a LH 61055 |0 (DE-625)94205: |2 rvk | ||
084 | |a LH 61045 |0 (DE-625)94203: |2 rvk | ||
100 | 1 | |a Rabb, Theodore K. |d 1937- |e Verfasser |0 (DE-588)124311911 |4 aut | |
245 | 1 | 0 | |a Why does Michelangelo matter? |b A historian's questions about the visual arts |c Theodore K. Rabb |
246 | 1 | 3 | |a Historian's questions about the visual arts |
264 | 1 | |a Palo Alto, California |b The Society for the promotion of Science and Scholarship |c [2018] | |
300 | |a xv, 322 pages |b Illustrationen |c 24 cm | ||
336 | |b txt |2 rdacontent | ||
336 | |b sti |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
505 | 8 | |a A first question: why does Michelangelo matter? -- Part one: the historian and the art historian -- Part two: the portrait -- Part three: the world of the collector -- Part four: Bohemian and German art -- Part five: Dutch and Flemish art -- Part six: Spanish art -- Part seven: Italian art -- Part eight: Venetian art and architecture -- Afterword | |
999 | |a oai:aleph.bib-bvb.de:BVB01-030631362 |
Datensatz im Suchindex
_version_ | 1804178981083152384 |
---|---|
any_adam_object | |
author | Rabb, Theodore K. 1937- |
author_GND | (DE-588)124311911 |
author_facet | Rabb, Theodore K. 1937- |
author_role | aut |
author_sort | Rabb, Theodore K. 1937- |
author_variant | t k r tk tkr |
building | Verbundindex |
bvnumber | BV045243198 |
classification_rvk | LH 61100 LH 61055 LH 61045 |
contents | A first question: why does Michelangelo matter? -- Part one: the historian and the art historian -- Part two: the portrait -- Part three: the world of the collector -- Part four: Bohemian and German art -- Part five: Dutch and Flemish art -- Part six: Spanish art -- Part seven: Italian art -- Part eight: Venetian art and architecture -- Afterword |
ctrlnum | (OCoLC)1047617164 (DE-599)BVBBV045243198 |
discipline | Kunstgeschichte |
format | Book |
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id | DE-604.BV045243198 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:12:36Z |
institution | BVB |
isbn | 9780930664312 0930664310 0930664329 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030631362 |
oclc_num | 1047617164 |
open_access_boolean | |
owner | DE-11 |
owner_facet | DE-11 |
physical | xv, 322 pages Illustrationen 24 cm |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | The Society for the promotion of Science and Scholarship |
record_format | marc |
spelling | Rabb, Theodore K. 1937- Verfasser (DE-588)124311911 aut Why does Michelangelo matter? A historian's questions about the visual arts Theodore K. Rabb Historian's questions about the visual arts Palo Alto, California The Society for the promotion of Science and Scholarship [2018] xv, 322 pages Illustrationen 24 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier A first question: why does Michelangelo matter? -- Part one: the historian and the art historian -- Part two: the portrait -- Part three: the world of the collector -- Part four: Bohemian and German art -- Part five: Dutch and Flemish art -- Part six: Spanish art -- Part seven: Italian art -- Part eight: Venetian art and architecture -- Afterword |
spellingShingle | Rabb, Theodore K. 1937- Why does Michelangelo matter? A historian's questions about the visual arts A first question: why does Michelangelo matter? -- Part one: the historian and the art historian -- Part two: the portrait -- Part three: the world of the collector -- Part four: Bohemian and German art -- Part five: Dutch and Flemish art -- Part six: Spanish art -- Part seven: Italian art -- Part eight: Venetian art and architecture -- Afterword |
title | Why does Michelangelo matter? A historian's questions about the visual arts |
title_alt | Historian's questions about the visual arts |
title_auth | Why does Michelangelo matter? A historian's questions about the visual arts |
title_exact_search | Why does Michelangelo matter? A historian's questions about the visual arts |
title_full | Why does Michelangelo matter? A historian's questions about the visual arts Theodore K. Rabb |
title_fullStr | Why does Michelangelo matter? A historian's questions about the visual arts Theodore K. Rabb |
title_full_unstemmed | Why does Michelangelo matter? A historian's questions about the visual arts Theodore K. Rabb |
title_short | Why does Michelangelo matter? |
title_sort | why does michelangelo matter a historian s questions about the visual arts |
title_sub | A historian's questions about the visual arts |
work_keys_str_mv | AT rabbtheodorek whydoesmichelangelomatterahistoriansquestionsaboutthevisualarts AT rabbtheodorek historiansquestionsaboutthevisualarts |