Čuvašskaja muzyka v zerkale parallelej: k probleme Volgo-Uralʹskoj muzykalʹnoj civilizacii = Chuvash music in the mirror of regional parallels : considering the problem of Volga-Ural musical civilization
Чувашская музыка в зеркале параллелей к проблеме Волго-Уральской музыкальной цивилизации
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Russian |
| Veröffentlicht: |
Čeboksary
Čuvašskoe knižnoe izdatelʹstvo
2018
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | 446 Seiten, 8 ungezählte Seiten Tafeln Illustrationen (teils farbig) |
| ISBN: | 9785767027019 |
Internformat
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| 245 | 1 | 0 | |6 880-03 |a Čuvašskaja muzyka v zerkale parallelej |b k probleme Volgo-Uralʹskoj muzykalʹnoj civilizacii = Chuvash music in the mirror of regional parallels : considering the problem of Volga-Ural musical civilization |c Michail Kondratʹev |
| 246 | 1 | 1 | |a Chuvash music in the mirror of regional parallels |
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| 546 | |a Text russisch. - Zusammenfassung auch in englischer Sprache | ||
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| 880 | 1 | |6 100-01/(N |a Кондратьев, Михаил Григорьевич |a ut | |
| 880 | 2 | |6 710-02/(N |a Чувашский Государственный Институт Гуманитарных Наук |4 4isb | |
| 880 | 1 | 0 | |6 245-03/(N |a Чувашская музыка в зеркале параллелей |b к проблеме Волго-Уральской музыкальной цивилизации |c Михаил Кондратьев |
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Datensatz im Suchindex
| _version_ | 1804178969732317184 |
|---|---|
| adam_text | CogepjkAHuc
Bee^eraie
MyBamcKaH My3biKa/ibHO-nosTiraecKaH cucreMa KaK pernoHæibHaH «TOHKa OTcneTa» 3
HacTb nepBaa
DiaBa 1. My3biKa^bHO-no3THHecKHe cncTeMbi HapoßOB Bojiro-YpaitbH
KaK npeAMer cpaBHHTenbHbix HccjieaoBaHHH.......................................13
DiaBa 2. O KTiaccHcfmKaijHOHHbix noApa3ße;ieHHflx My3biKajibHoro (JiojibKiiopa . . 37
DiaBa 3. 06 ocoóchhocthx ^caHpoBOH CTpyKTypbi TaTapCKoro neceHHoro J)o;ibKnopa 51
HacTb BTopaa
DiaBa 4. O THnax ]x)pMoo6pa30BaHHH b neceHHOM HCKyccTBe HapoAOB
Bonro-YpaiibH...........................................................87
DiaBa 5. HeTbipex^bUMeiiKOBaH neceHHan (J opMa «TaKMaK»..................102
DiaBa 6. MHorooioroBaa (nBTHHneHKOBafl) neceHHaa (J)opMa.................130
Diasa 7. Tpex-inecTHBMeHKOBaB neceHHaa (J)opMa...........................162
HaCTb TpeTbH
DiaBa 8. HyBauiCKaa çaepa wpä KaK perHOHa/tbHbm cjieHOMeH........................177
DiaBa 9. Ocoôchhocth KpaTKOCio^ceTHbix neceH: çaepa wpä h KucKa 3*çup . . . .194
DiaBa 10. OcoôeHHOCTK KpaTKocio^ceTHbix neceH: çaepa wpä, Mypo-tuonuMaui,
Kbip3aH bëc-MaAnacbKOH bëc ............................................209
DiaBa 11. YpOBHH B3aHMOCOOTBeTCTBHH KpaTKHX CIO^CeTOB....................241
DiaBa 12. riapannejiH b oópHAOBbix h MKcjiOTiorHHecKHX cio^ceTax.........251
HacTb neTBepTaa
Tnasa 13. OTHOHCTopHnecKHH KOHTeKCTHyBamcKO-TaTapcKHxnapaÆneneH . . . 285
DiaBa 14. My3biKanbHbiH cjxmbiuiop MonbKeeBCKHX KpmiieH b cBeTe nyBaiiicKHx
napajuieiieH ..........................................................306
DiaBa 15. O HyBamcko-MapniicKHX napa;uie;iHX.............................348
DiaBa 16. «HysaincKHH aie«» b })o;ibioiope 3aBHTCKHx yAMypTOB...........375
3aKjiK HeHiie
n^oAbi Tbicane/ieTHero o6in,eHHH.........................................407
HcmoHuuKu u numepamypa...................................................419
npeduemHo-meMamuHecKuu. yKa3amenb........................................440
Summary...........................................................................
Summary
At least during thirteen centuries in the Volga-Ural region was the process of formation
of large ethnic entities, known today as the title peoples of Russian republics: the Bashkirs,
Chuvashes, Maris, Mordovians, Tatars, Udmurts. The modern cultures of the region are
independent enough and in a number of respects contrast each other. The contrasts are
based on their deep typological differences. Peoples living here are as follows: in language
they belong to different families: Finno-Ugric (Maris, Mordovians, Udmurts) and Turkic
(Bashkirs, Chuvashes, Tatars), with considerable layers of Iranian, Arabic and later (from
the 16th century) of the Slavic origin, too; in geography of the original settlement — to the
northern and southern peoples (in other words, autochthonous and emigrated more than
a thousand years ago); in confessions — to Orthodox Christians and Muslims; there are
also clear traces of monotheistic religions. In the economic and cultural typology the local
peoples in the majority belong to common field farmers with individual signs of game
husbandry (Maris, Udmurts), but there are livestock breeders with distinct traces of
nomadism (Bashkirs and, to some extent, Tatars).
For such a long period, diversified intercultural connections naturally led to the
formation of regional entirety. So, ethnologists began talking about the existence of the
Volga-Ural historical and ethnographic fields linguists - about the Volga-Kama language union.
Musicology, that uses widely the concept of pentatonic area of the Volga and Ural, drew
nearer to the regional approach out of art disciplines.
The vast expanse of folk music discussed in this monograph has been historically
formed over millennia. The origins of local cultures represent contrasting musical
“protocivilizations”: northern Asian (it has been brought to the Volga region by the
ancestors of Finno-Ugric tribes) and southern Asian (brought here by the ancestors of
Turkic peoples). In their pure form, neither survived in the Volga region, although traces
of such antiquity of varying condition are found in each separate culture. This ethnocultural
space, complex in its roots, already a number of centuries demonstrates the signs of entirety,
that allows to name it as the Volga-Ural musical civilization.
If we describe the musical culture of the region separately, then we disclose their system
qualities, having either centripetal or centrifugal modus with regard to the Volga-Ural
musical civilization. Centrifugal modus means contacts with the world external to the
region, centripetal one - intraregional ties. Centripetal properties form the regional system
that is the essence of the Volga-Ural musical civilization.
The proposed monograph in comparison with the well-studied typology of the
Chuvash musical-poetic system deals with the similar systems of Volga Tatars, Maris, and
Udmurts. Of closely living peoples of the Volga-Ural region, this picture does not yet enter
Summary
445
Mordovians (Erzya and Moksha) and Bashkirs. Their musical and poetic systems, being
in the outskirts - southwest and southeast of the Volga-Ural historical and ethnographic
field, distance from the Chuvash system mildly further not only geographically, but also,
to some extent, typologically.
1. Genre aspect is an essential characteristic of any folk musical-poetic system, linking
it with the historically formed conditions of existence (place, time, traditions) identifying
both the content and the form. In this regard, the Volga-Ural musical civilization is notable
for the various “specific gravity” of vocal and instrumental types of music, lyric and epic
kinds of creativity.
1.1. Today, the vocal types of music-making prevail over the instrumental ones. The
problem of erosion of the traditional instrumental music-making in local cultures was
fixed by many researchers of the 19th century: of late centuries, the song genres remained
better than the instrumental ones. Song and singing are the main representatives of musical
art in general. Some cultures differ in the forms of singing: mostly ensemble or solo.
1.2. Predominance of lyrics over epic is another characteristic of the genre system of
the Volga-Ural musical civilization. Epic chants in any of the local cultures are not the
most representatives determining kind of creativity (although Bashkir kubairs, Tatar baits,
Mordovian kuvaka morots attach great coloring to their cultures). In Mari, Udmurt and
Chuvash cultures the genres of narrative chants are developed less.
Needless to talk about the existence of the regional genre system as a whole. This is
hindered by typological differences connected with the economic-cultural types and
ceremonial life.
2. The tonal system of the Volga-Ural musical civilization is characterized by
predominance of pentatonic scale in all people, in a varying degree coupled with diatonic
scale (especially among Mordovians, northern Udmurts, partly Bashkirs) and small-extent
archaic forms, “relevant” in pentatonic scales (especially among Udmurts). The most
developed and sustained forms of pentatonic music are presented in oeuvre of Tatars and
Chuvashes.
3. The rhythmic system of the Volga-Ural musical civilization is characterized by
presence of music-quantitative organization among all peoples, predominant among
Chuvashes, Tatars and Bashkirs. Among Maris and Udmurts, the quantitative rhythm is a
kind of “superimposed” on other archaic forms of rhythmic organization.
4. The composite forms, distinguishing the folksongs of the Volga-Ural musical
civilization, are based on two basic types of stanza: musical-syllabic “ takmak” with four-
cell song form and many-syllable five-cell song form. The latter, by virtue of specificity of
the structure, is most typical for regional musical-poetic folklore. This form is easily
detected and has already been described in folklore of the Chuvashes, Bashkirs, Tatars,
eastern Maris, southern Udmurts. The three-cell song form of 5 or 6 syllables is less
common, but also has a regional character.
5. In the sphere of poetics of the Volga-Ural musical civilization, there is a special
type of songs — with a brief plot or aphoristic one. It is shaped in the form of quatrains,
differing in philosophical depth of content, often having a parallelistic structure. One has
good grounds for believing that this is a branch of aphoristic traditions of Eastern poetry,
entered in the Volga region from the South more than a thousand years ago.
6. The Volga-Ural musical civilization differs greatly in the variety of musical
446
HyBamcKan My3MKa b 3epKaae nap miejieH
instruments. All in all, more than 100 folk musical instruments, including 50 among the
Chuvash, have been revealed in the region. Constructive and tonal characteristics of most
instruments are approximately the same. Close are also some titles in various local
languages, regardless of their linguistic grouping.
Summing up, it should be said that the Volga-Ural musical civilization differs in
original combinations of properties known to other world musical civilizations. It can be
referred to pentatonic scale modality, but differing from the Far Eastern musical civilization
in forms, with the signs of modal organization (availability of keynotes, natural, according
to Allein Danie lou, to the region of the “first epicenter”, i.e. Indo-Iranian-Mediterranean
musical civilization). In terms of the concept of ratio of melody/rhythm, here we are faced
with the balance of melopea and rythmopea. Melos prevails in the genres of the so-called
plangent songs, rhythm is a “carrying” constructive basis for most resistant forms, including
the plangent ones.
On the basis of the study, one can say about the Chuvash culture that it is the carrier
of the majority of the most important defining qualities of regional nature in the field of
musical-poetic language (in all its systems,) in the genre field and instrumentalism.
The problematics of interethnic relationships is highly manifold, and requires con-
sideration of a large number of data on each culture. The author has tried to give the
“third dimension” of the region-wide picture, differentiating its common “multicultural”
phenomena and “binary” parallels relating to individual pairs of cultures. So has devel-
oped the structure of the monograph proposed to the reader. It consists of 16 chapters
grouped into four parts.
Staatsbibliothek
München
Bayerische
|
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| author | Kondratʹev, Michail G. 1948- |
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| indexdate | 2024-07-10T08:12:25Z |
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| publisher | Čuvašskoe knižnoe izdatelʹstvo |
| record_format | marc |
| spelling | 880-01 Kondratʹev, Michail G. 1948- Verfasser (DE-588)103549188 aut 880-03 Čuvašskaja muzyka v zerkale parallelej k probleme Volgo-Uralʹskoj muzykalʹnoj civilizacii = Chuvash music in the mirror of regional parallels : considering the problem of Volga-Ural musical civilization Michail Kondratʹev Chuvash music in the mirror of regional parallels 880-04 Čeboksary Čuvašskoe knižnoe izdatelʹstvo 2018 446 Seiten, 8 ungezählte Seiten Tafeln Illustrationen (teils farbig) txt rdacontent n rdamedia nc rdacarrier Text russisch. - Zusammenfassung auch in englischer Sprache Kyrillische Schrift Volksmusik (DE-588)4063854-6 gnd rswk-swf Volkslied (DE-588)4063852-2 gnd rswk-swf Ural-Wolga-Gebiet (DE-588)4394974-5 gnd rswk-swf Ural-Wolga-Gebiet (DE-588)4394974-5 g Volkslied (DE-588)4063852-2 s Volksmusik (DE-588)4063854-6 s DE-604 880-02 Čuvašskij Gosudarstvennyj Institut Gumanitarnych Nauk (Tscheboksary) (DE-588)5193742-6 isb Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030625870&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030625870&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract 100-01/(N Кондратьев, Михаил Григорьевич ut 710-02/(N Чувашский Государственный Институт Гуманитарных Наук 4isb 245-03/(N Чувашская музыка в зеркале параллелей к проблеме Волго-Уральской музыкальной цивилизации Михаил Кондратьев 264-04/(N Чебоксары Чувашское книжное издательство 2018 |
| spellingShingle | Kondratʹev, Michail G. 1948- Čuvašskaja muzyka v zerkale parallelej k probleme Volgo-Uralʹskoj muzykalʹnoj civilizacii = Chuvash music in the mirror of regional parallels : considering the problem of Volga-Ural musical civilization Volksmusik (DE-588)4063854-6 gnd Volkslied (DE-588)4063852-2 gnd |
| subject_GND | (DE-588)4063854-6 (DE-588)4063852-2 (DE-588)4394974-5 |
| title | Čuvašskaja muzyka v zerkale parallelej k probleme Volgo-Uralʹskoj muzykalʹnoj civilizacii = Chuvash music in the mirror of regional parallels : considering the problem of Volga-Ural musical civilization |
| title_alt | Chuvash music in the mirror of regional parallels |
| title_auth | Čuvašskaja muzyka v zerkale parallelej k probleme Volgo-Uralʹskoj muzykalʹnoj civilizacii = Chuvash music in the mirror of regional parallels : considering the problem of Volga-Ural musical civilization |
| title_exact_search | Čuvašskaja muzyka v zerkale parallelej k probleme Volgo-Uralʹskoj muzykalʹnoj civilizacii = Chuvash music in the mirror of regional parallels : considering the problem of Volga-Ural musical civilization |
| title_full | Čuvašskaja muzyka v zerkale parallelej k probleme Volgo-Uralʹskoj muzykalʹnoj civilizacii = Chuvash music in the mirror of regional parallels : considering the problem of Volga-Ural musical civilization Michail Kondratʹev |
| title_fullStr | Čuvašskaja muzyka v zerkale parallelej k probleme Volgo-Uralʹskoj muzykalʹnoj civilizacii = Chuvash music in the mirror of regional parallels : considering the problem of Volga-Ural musical civilization Michail Kondratʹev |
| title_full_unstemmed | Čuvašskaja muzyka v zerkale parallelej k probleme Volgo-Uralʹskoj muzykalʹnoj civilizacii = Chuvash music in the mirror of regional parallels : considering the problem of Volga-Ural musical civilization Michail Kondratʹev |
| title_short | Čuvašskaja muzyka v zerkale parallelej |
| title_sort | cuvasskaja muzyka v zerkale parallelej k probleme volgo uralʹskoj muzykalʹnoj civilizacii chuvash music in the mirror of regional parallels considering the problem of volga ural musical civilization |
| title_sub | k probleme Volgo-Uralʹskoj muzykalʹnoj civilizacii = Chuvash music in the mirror of regional parallels : considering the problem of Volga-Ural musical civilization |
| topic | Volksmusik (DE-588)4063854-6 gnd Volkslied (DE-588)4063852-2 gnd |
| topic_facet | Volksmusik Volkslied Ural-Wolga-Gebiet |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030625870&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030625870&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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