The origins of cool in postwar America:
Cool'. It was a new word and a new way to be, and in a single generation, it became the supreme compliment of American culture. 'The Origins of Cool in Postwar America' uncovers the hidden history of this concept and its new set of codes that came to define a global attitude and style...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
University of Chicago Press
2018
|
| Ausgabe: | Paperback edition |
| Schlagworte: | |
| Zusammenfassung: | Cool'. It was a new word and a new way to be, and in a single generation, it became the supreme compliment of American culture. 'The Origins of Cool in Postwar America' uncovers the hidden history of this concept and its new set of codes that came to define a global attitude and style. As Joel Dinerstein reveals in this dynamic book, cool began as a stylish defiance of racism, a challenge to suppressed sexuality, a philosophy of individual rebellion, and a youthful search for social change. Through eye-opening portraits of iconic figures, Dinerstein illuminates the cultural connections and artistic innovations among Lester Young, Humphrey Bogart, Robert Mitchum, Billie Holiday, Frank Sinatra, Jack Kerouac, Albert Camus, Marlon Brando, and James Dean, among others. We eavesdrop on conversations among John-Paul Sartre, Simone De Beauvoir, and Miles Davis, and on a forgotten debate between Lorraine Hansberry and Norman Mailer over the "white negro" and Black cool. We come to understand how the cool worlds of Beat writers and Method actors emerged from the intersections of film noir, jazz, and existentialism. Out of this mix, Dinerstein sketches nuanced definitions of cool that unite concepts from African-American and Euro-American culture: the stylish stoicism of the ethical rebel loner; the relaxed intensity of the improvising jazz musician; the effortless, physical grace of the Method actor. To be cool is not to be hip and to be hot is definitely not to be cool |
| Beschreibung: | 541 Seiten Illustrationen 24 cm |
| ISBN: | 9780226599069 |
Internformat
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| 505 | 8 | |a Prelude: Paris, 1949 -- Introduction: the origins of cool -- Lester Young and the birth of cool -- Humphrey Bogart and the birth of noir cool from the Great Depression -- Albert Camus and the birth of existential cool from the idea of rebellion (and the blues) -- Billie Holiday and Simone de Beauvoir: toward a postwar cool for women -- Cool convergences, 1950: jazz, noir, existentialism -- A generational interlude: postwar II (1953-1963) and the shift in cool -- Kerouac and the cool mind: jazz and zen -- From noir cool to Vegas cool: swinging into prosperity with Frank Sinatra -- American rebel cool: Brando, Dean, Elvis -- Sonny Rollins and Miles Davis sound out cool individuality -- Hip versus cool in the Fugitive kind (1960) and Paris blues -- Lorraine Hansberry and the end of postwar cool -- Epilogue: the many lives of postwar cool | |
| 520 | 3 | |a Cool'. It was a new word and a new way to be, and in a single generation, it became the supreme compliment of American culture. 'The Origins of Cool in Postwar America' uncovers the hidden history of this concept and its new set of codes that came to define a global attitude and style. As Joel Dinerstein reveals in this dynamic book, cool began as a stylish defiance of racism, a challenge to suppressed sexuality, a philosophy of individual rebellion, and a youthful search for social change. Through eye-opening portraits of iconic figures, Dinerstein illuminates the cultural connections and artistic innovations among Lester Young, Humphrey Bogart, Robert Mitchum, Billie Holiday, Frank Sinatra, Jack Kerouac, Albert Camus, Marlon Brando, and James Dean, among others. We eavesdrop on conversations among John-Paul Sartre, Simone De Beauvoir, and Miles Davis, and on a forgotten debate between Lorraine Hansberry and Norman Mailer over the "white negro" and Black cool. We come to understand how the cool worlds of Beat writers and Method actors emerged from the intersections of film noir, jazz, and existentialism. Out of this mix, Dinerstein sketches nuanced definitions of cool that unite concepts from African-American and Euro-American culture: the stylish stoicism of the ethical rebel loner; the relaxed intensity of the improvising jazz musician; the effortless, physical grace of the Method actor. To be cool is not to be hip and to be hot is definitely not to be cool | |
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Datensatz im Suchindex
| _version_ | 1804178969019285504 |
|---|---|
| any_adam_object | |
| author | Dinerstein, Joel 1958- |
| author_GND | (DE-588)173908284 |
| author_facet | Dinerstein, Joel 1958- |
| author_role | aut |
| author_sort | Dinerstein, Joel 1958- |
| author_variant | j d jd |
| building | Verbundindex |
| bvnumber | BV045237243 |
| classification_rvk | HU 1075 LB 26000 LB 40000 |
| contents | Prelude: Paris, 1949 -- Introduction: the origins of cool -- Lester Young and the birth of cool -- Humphrey Bogart and the birth of noir cool from the Great Depression -- Albert Camus and the birth of existential cool from the idea of rebellion (and the blues) -- Billie Holiday and Simone de Beauvoir: toward a postwar cool for women -- Cool convergences, 1950: jazz, noir, existentialism -- A generational interlude: postwar II (1953-1963) and the shift in cool -- Kerouac and the cool mind: jazz and zen -- From noir cool to Vegas cool: swinging into prosperity with Frank Sinatra -- American rebel cool: Brando, Dean, Elvis -- Sonny Rollins and Miles Davis sound out cool individuality -- Hip versus cool in the Fugitive kind (1960) and Paris blues -- Lorraine Hansberry and the end of postwar cool -- Epilogue: the many lives of postwar cool |
| ctrlnum | (OCoLC)1057661817 (DE-599)BVBBV045237243 |
| dewey-full | 306.09730904 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 306 - Culture and institutions |
| dewey-raw | 306.09730904 |
| dewey-search | 306.09730904 |
| dewey-sort | 3306.09730904 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie Anglistik / Amerikanistik Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| edition | Paperback edition |
| era | Geschichte 1900-2000 Geschichte 1945-1965 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1945-1965 |
| format | Book |
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| id | DE-604.BV045237243 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:12:24Z |
| institution | BVB |
| isbn | 9780226599069 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030625506 |
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| physical | 541 Seiten Illustrationen 24 cm |
| publishDate | 2018 |
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| spelling | Dinerstein, Joel 1958- Verfasser (DE-588)173908284 aut The origins of cool in postwar America Joel Dinerstein Paperback edition Chicago ; London University of Chicago Press 2018 © 2017 541 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Prelude: Paris, 1949 -- Introduction: the origins of cool -- Lester Young and the birth of cool -- Humphrey Bogart and the birth of noir cool from the Great Depression -- Albert Camus and the birth of existential cool from the idea of rebellion (and the blues) -- Billie Holiday and Simone de Beauvoir: toward a postwar cool for women -- Cool convergences, 1950: jazz, noir, existentialism -- A generational interlude: postwar II (1953-1963) and the shift in cool -- Kerouac and the cool mind: jazz and zen -- From noir cool to Vegas cool: swinging into prosperity with Frank Sinatra -- American rebel cool: Brando, Dean, Elvis -- Sonny Rollins and Miles Davis sound out cool individuality -- Hip versus cool in the Fugitive kind (1960) and Paris blues -- Lorraine Hansberry and the end of postwar cool -- Epilogue: the many lives of postwar cool Cool'. It was a new word and a new way to be, and in a single generation, it became the supreme compliment of American culture. 'The Origins of Cool in Postwar America' uncovers the hidden history of this concept and its new set of codes that came to define a global attitude and style. As Joel Dinerstein reveals in this dynamic book, cool began as a stylish defiance of racism, a challenge to suppressed sexuality, a philosophy of individual rebellion, and a youthful search for social change. Through eye-opening portraits of iconic figures, Dinerstein illuminates the cultural connections and artistic innovations among Lester Young, Humphrey Bogart, Robert Mitchum, Billie Holiday, Frank Sinatra, Jack Kerouac, Albert Camus, Marlon Brando, and James Dean, among others. We eavesdrop on conversations among John-Paul Sartre, Simone De Beauvoir, and Miles Davis, and on a forgotten debate between Lorraine Hansberry and Norman Mailer over the "white negro" and Black cool. We come to understand how the cool worlds of Beat writers and Method actors emerged from the intersections of film noir, jazz, and existentialism. Out of this mix, Dinerstein sketches nuanced definitions of cool that unite concepts from African-American and Euro-American culture: the stylish stoicism of the ethical rebel loner; the relaxed intensity of the improvising jazz musician; the effortless, physical grace of the Method actor. To be cool is not to be hip and to be hot is definitely not to be cool Geschichte 1900-2000 Geschichte 1945-1965 gnd rswk-swf Alltag, Brauchtum Geschichte Soziale Distanz (DE-588)4327376-2 gnd rswk-swf Verweigerung (DE-588)4250678-5 gnd rswk-swf Lebensstil (DE-588)4138354-0 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf Popular culture / United States / History / 20th century United States / Social life and customs / 1945-1970 Cool (The English word) Manners and customs Popular culture United States 1900-1999 History USA (DE-588)4078704-7 g Lebensstil (DE-588)4138354-0 s Soziale Distanz (DE-588)4327376-2 s Verweigerung (DE-588)4250678-5 s Geschichte 1945-1965 z DE-604 Erscheint auch als Online-Ausgabe 978-0-226-45343-9 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-226-15265-3 BV044346880 |
| spellingShingle | Dinerstein, Joel 1958- The origins of cool in postwar America Prelude: Paris, 1949 -- Introduction: the origins of cool -- Lester Young and the birth of cool -- Humphrey Bogart and the birth of noir cool from the Great Depression -- Albert Camus and the birth of existential cool from the idea of rebellion (and the blues) -- Billie Holiday and Simone de Beauvoir: toward a postwar cool for women -- Cool convergences, 1950: jazz, noir, existentialism -- A generational interlude: postwar II (1953-1963) and the shift in cool -- Kerouac and the cool mind: jazz and zen -- From noir cool to Vegas cool: swinging into prosperity with Frank Sinatra -- American rebel cool: Brando, Dean, Elvis -- Sonny Rollins and Miles Davis sound out cool individuality -- Hip versus cool in the Fugitive kind (1960) and Paris blues -- Lorraine Hansberry and the end of postwar cool -- Epilogue: the many lives of postwar cool Alltag, Brauchtum Geschichte Soziale Distanz (DE-588)4327376-2 gnd Verweigerung (DE-588)4250678-5 gnd Lebensstil (DE-588)4138354-0 gnd |
| subject_GND | (DE-588)4327376-2 (DE-588)4250678-5 (DE-588)4138354-0 (DE-588)4078704-7 |
| title | The origins of cool in postwar America |
| title_auth | The origins of cool in postwar America |
| title_exact_search | The origins of cool in postwar America |
| title_full | The origins of cool in postwar America Joel Dinerstein |
| title_fullStr | The origins of cool in postwar America Joel Dinerstein |
| title_full_unstemmed | The origins of cool in postwar America Joel Dinerstein |
| title_short | The origins of cool in postwar America |
| title_sort | the origins of cool in postwar america |
| topic | Alltag, Brauchtum Geschichte Soziale Distanz (DE-588)4327376-2 gnd Verweigerung (DE-588)4250678-5 gnd Lebensstil (DE-588)4138354-0 gnd |
| topic_facet | Alltag, Brauchtum Geschichte Soziale Distanz Verweigerung Lebensstil USA |
| work_keys_str_mv | AT dinersteinjoel theoriginsofcoolinpostwaramerica |