The screen actor's "First self" and "Second self": John Wayne and Coquelin's acting theory
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2012
|
| Beschreibung: | Part III. Culture: film history, industry and the vicissitudes of star acting |
| ISBN: | 978-0-203-12321-8 |
Internformat
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV045237144 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 181017s2012 |||| 00||| eng d | ||
| 035 | |a (DE-599)BVBBV045237144 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-M472 | ||
| 100 | 1 | |a Carnicke, Sharon Marie |d 1949- |0 (DE-588)124386210 |4 aut | |
| 245 | 1 | 0 | |a The screen actor's "First self" and "Second self" |b John Wayne and Coquelin's acting theory |c Sharon Marie Carnicke |
| 264 | 1 | |c 2012 | |
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Part III. Culture: film history, industry and the vicissitudes of star acting | ||
| 773 | 1 | 8 | |g pages:184-200 |
| 773 | 0 | 8 | |t Theorizing film acting / ed. by Aaron Taylor |b 1. publ. |d New York, NY [u.a.], 2012 |g Seiten 184-200 |k Routledge advances in film studies ; 14 |w (DE-604)BV040287643 |z 978-0-203-12321-8 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-030625411 | ||
| 941 | |s 184-200 | ||
Datensatz im Suchindex
| _version_ | 1804178968934350848 |
|---|---|
| any_adam_object | |
| article_link | (DE-604)BV040287643 |
| author | Carnicke, Sharon Marie 1949- |
| author_GND | (DE-588)124386210 |
| author_facet | Carnicke, Sharon Marie 1949- |
| author_role | aut |
| author_sort | Carnicke, Sharon Marie 1949- |
| author_variant | s m c sm smc |
| building | Verbundindex |
| bvnumber | BV045237144 |
| ctrlnum | (DE-599)BVBBV045237144 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00993naa a2200265 c 4500</leader><controlfield tag="001">BV045237144</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">181017s2012 |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045237144</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M472</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Carnicke, Sharon Marie</subfield><subfield code="d">1949-</subfield><subfield code="0">(DE-588)124386210</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The screen actor's "First self" and "Second self"</subfield><subfield code="b">John Wayne and Coquelin's acting theory</subfield><subfield code="c">Sharon Marie Carnicke</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2012</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Part III. Culture: film history, industry and the vicissitudes of star acting</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:184-200</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Theorizing film acting / ed. by Aaron Taylor</subfield><subfield code="b">1. publ.</subfield><subfield code="d">New York, NY [u.a.], 2012</subfield><subfield code="g">Seiten 184-200</subfield><subfield code="k">Routledge advances in film studies ; 14</subfield><subfield code="w">(DE-604)BV040287643</subfield><subfield code="z">978-0-203-12321-8</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030625411</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">184-200</subfield></datafield></record></collection> |
| id | DE-604.BV045237144 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:12:24Z |
| institution | BVB |
| isbn | 978-0-203-12321-8 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030625411 |
| open_access_boolean | |
| owner | DE-M472 |
| owner_facet | DE-M472 |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| record_format | marc |
| spelling | Carnicke, Sharon Marie 1949- (DE-588)124386210 aut The screen actor's "First self" and "Second self" John Wayne and Coquelin's acting theory Sharon Marie Carnicke 2012 txt rdacontent n rdamedia nc rdacarrier Part III. Culture: film history, industry and the vicissitudes of star acting pages:184-200 Theorizing film acting / ed. by Aaron Taylor 1. publ. New York, NY [u.a.], 2012 Seiten 184-200 Routledge advances in film studies ; 14 (DE-604)BV040287643 978-0-203-12321-8 |
| spellingShingle | Carnicke, Sharon Marie 1949- The screen actor's "First self" and "Second self" John Wayne and Coquelin's acting theory |
| title | The screen actor's "First self" and "Second self" John Wayne and Coquelin's acting theory |
| title_auth | The screen actor's "First self" and "Second self" John Wayne and Coquelin's acting theory |
| title_exact_search | The screen actor's "First self" and "Second self" John Wayne and Coquelin's acting theory |
| title_full | The screen actor's "First self" and "Second self" John Wayne and Coquelin's acting theory Sharon Marie Carnicke |
| title_fullStr | The screen actor's "First self" and "Second self" John Wayne and Coquelin's acting theory Sharon Marie Carnicke |
| title_full_unstemmed | The screen actor's "First self" and "Second self" John Wayne and Coquelin's acting theory Sharon Marie Carnicke |
| title_short | The screen actor's "First self" and "Second self" |
| title_sort | the screen actor s first self and second self john wayne and coquelin s acting theory |
| title_sub | John Wayne and Coquelin's acting theory |
| work_keys_str_mv | AT carnickesharonmarie thescreenactorsfirstselfandsecondselfjohnwayneandcoquelinsactingtheory |