Technomodern poetics: the American literary avant-garde at the start of the Information Age
"After the second World War, the term "technology" came to signify both the anxieties of possible annihilation in a rapidly changing world and the exhilaration of accelerating cultural change. Technomodern Poetics examines how some of the most well-known writers of the era described t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Iowa City
University of Iowa Press
2018
|
| Schriftenreihe: | The New American canon : the Iowa series in contemporary literature and culture
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "After the second World War, the term "technology" came to signify both the anxieties of possible annihilation in a rapidly changing world and the exhilaration of accelerating cultural change. Technomodern Poetics examines how some of the most well-known writers of the era described the tensions between technical, literary, and media cultures at the dawn of the Digital Age. Poets and writers such as Allen Ginsberg, Charles Olson, Jack Kerouac, and Frank O'Hara, among others, anthologized in Donald Allen's iconic The New American Poetry, 1945-1960, provided a canon of work that has proven increasingly relevant to our technological present. Elaborating on the theories of contemporaneous technologists such as Norbert Wiener, Claude Shannon, J. C. R. Licklider, and a host of noteworthy others, these artists express the anxieties and avant-garde impulses they wrestled with as they came to terms with a complex array of issues raised by the dawning of the nuclear age, computer-based automation, and the expansive reach of electronic media. As author Todd Tietchen reveals, even as these writers were generating novel forms and concerns, they often continued to question whether such technological changes were inherently progressive or destructive. With an undeniable timeliness, Tietchen's book is sure to appeal to courses in modern English literature and American studies, as well as among fans of Beat writers and early Cold War culture"... "After the second World War, the term "technology" came to signify both the anxieties of possible annihilation in a rapidly changing world and the exhilaration of accelerating cultural change. Informatics & the New American Poetry examines how some of the most well-known writers of the era described the tensions between the technical, literary and media cultures during the ascendency of computing. Poets and writers such as Allen Ginsberg, Charles Olson, Jack Kerouac and Frank O'Hara, among others anthologized in Donald Allen's iconic The New American Poetry, 1945-1960, provided a canon of work that has proven increasingly relevant to our technological present. Engaging and elaborating upon the theories of contemporaneous technologists such as Norbert Wiener, Claude Shannon, J.C.R. Licklider, and a host of noteworthy others, these artists reveal the anxieties and avant-garde impulses they wrestled with as they came to terms with a complex of issues raised by the dawning of the nuclear age, computer-based automation, and the expansive reach of electronic media. As author Todd Tietchen reveals, even as these writers were generating novel forms and concerns, they often continued to question whether such technological changes were inherently progressive, or geared toward human well-being"... |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | x, 181 pages |
| ISBN: | 9781609385903 |
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Datensatz im Suchindex
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| adam_text | TECHNOMODERN POETICS
/ TIETCHEN, TODD F.YYEAUTHOR
: 2018
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION: THE POETICS OF SYMMETRICAL CRITIQUE
CHAPTER 1. STARTING WITH OLSON
CHAPTER 2. HUMANIZING THE NETWORK: NOISE!
CHAPTER 3. DHARMIC ATOMISM: ON THE METAPHYSICS OF EXTENDED COGNITION
CHAPTER 4. SECONDARY PARADISE: THE SURREALIST IMMERSION
CHAPTER 5. SURVEILLANCE AS PLEASURE
CHAPTER 6. MIRROR, MIRROR: THOUGHTS AT THE INTERFACE
CODA: CONTEXTUALIZING QUANTIFICATION
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
After the second World War, the term “technology” came to signify both
the anxieties of possible annihilation in a rapidly changing world and
the exhilaration of accelerating cultural change. Technomodem Poetics
examines how some of the most well-known writers of the era described
the tensions between technical, literary, and media cultures at the dawn of
the Digital Age.
Poets and writers anthologized in Donald Allen’s iconic The New
American Poetry, 1945-1960, provided a canon of work that has proven
increasingly relevant to our technological present. As author Todd
Tietchen reveals, even as these writers were generating novel forms and
concerns, they often continued to question whether such technological
changes were inherently progressive or destructive.
|
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| spelling | Tietchen, Todd F. Verfasser (DE-588)143244787 aut Technomodern poetics the American literary avant-garde at the start of the Information Age Todd F. Tietchen Iowa City University of Iowa Press 2018 x, 181 pages txt rdacontent n rdamedia nc rdacarrier The New American canon : the Iowa series in contemporary literature and culture Includes bibliographical references and index "After the second World War, the term "technology" came to signify both the anxieties of possible annihilation in a rapidly changing world and the exhilaration of accelerating cultural change. Technomodern Poetics examines how some of the most well-known writers of the era described the tensions between technical, literary, and media cultures at the dawn of the Digital Age. Poets and writers such as Allen Ginsberg, Charles Olson, Jack Kerouac, and Frank O'Hara, among others, anthologized in Donald Allen's iconic The New American Poetry, 1945-1960, provided a canon of work that has proven increasingly relevant to our technological present. Elaborating on the theories of contemporaneous technologists such as Norbert Wiener, Claude Shannon, J. C. R. Licklider, and a host of noteworthy others, these artists express the anxieties and avant-garde impulses they wrestled with as they came to terms with a complex array of issues raised by the dawning of the nuclear age, computer-based automation, and the expansive reach of electronic media. As author Todd Tietchen reveals, even as these writers were generating novel forms and concerns, they often continued to question whether such technological changes were inherently progressive or destructive. With an undeniable timeliness, Tietchen's book is sure to appeal to courses in modern English literature and American studies, as well as among fans of Beat writers and early Cold War culture"... "After the second World War, the term "technology" came to signify both the anxieties of possible annihilation in a rapidly changing world and the exhilaration of accelerating cultural change. Informatics & the New American Poetry examines how some of the most well-known writers of the era described the tensions between the technical, literary and media cultures during the ascendency of computing. Poets and writers such as Allen Ginsberg, Charles Olson, Jack Kerouac and Frank O'Hara, among others anthologized in Donald Allen's iconic The New American Poetry, 1945-1960, provided a canon of work that has proven increasingly relevant to our technological present. Engaging and elaborating upon the theories of contemporaneous technologists such as Norbert Wiener, Claude Shannon, J.C.R. Licklider, and a host of noteworthy others, these artists reveal the anxieties and avant-garde impulses they wrestled with as they came to terms with a complex of issues raised by the dawning of the nuclear age, computer-based automation, and the expansive reach of electronic media. As author Todd Tietchen reveals, even as these writers were generating novel forms and concerns, they often continued to question whether such technological changes were inherently progressive, or geared toward human well-being"... Geschichte 1945-1960 gnd rswk-swf American literature 20th century History and criticsm Literature and technology History 20th century Literature and science History 20th century Literature, Experimental United States History and criticism Beats (Persons) Authors, American 20th century Political and social views Technology and the arts History 20th century Science and the arts History 20th century Literatur (DE-588)4035964-5 gnd rswk-swf Technischer Fortschritt (DE-588)4059252-2 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Literatur (DE-588)4035964-5 s Technischer Fortschritt (DE-588)4059252-2 s Geschichte 1945-1960 z DE-604 Erscheint auch als Online-Ausgabe 978-1-60938-591-0 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030621646&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030621646&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Tietchen, Todd F. Technomodern poetics the American literary avant-garde at the start of the Information Age American literature 20th century History and criticsm Literature and technology History 20th century Literature and science History 20th century Literature, Experimental United States History and criticism Beats (Persons) Authors, American 20th century Political and social views Technology and the arts History 20th century Science and the arts History 20th century Literatur (DE-588)4035964-5 gnd Technischer Fortschritt (DE-588)4059252-2 gnd |
| subject_GND | (DE-588)4035964-5 (DE-588)4059252-2 (DE-588)4078704-7 |
| title | Technomodern poetics the American literary avant-garde at the start of the Information Age |
| title_auth | Technomodern poetics the American literary avant-garde at the start of the Information Age |
| title_exact_search | Technomodern poetics the American literary avant-garde at the start of the Information Age |
| title_full | Technomodern poetics the American literary avant-garde at the start of the Information Age Todd F. Tietchen |
| title_fullStr | Technomodern poetics the American literary avant-garde at the start of the Information Age Todd F. Tietchen |
| title_full_unstemmed | Technomodern poetics the American literary avant-garde at the start of the Information Age Todd F. Tietchen |
| title_short | Technomodern poetics |
| title_sort | technomodern poetics the american literary avant garde at the start of the information age |
| title_sub | the American literary avant-garde at the start of the Information Age |
| topic | American literature 20th century History and criticsm Literature and technology History 20th century Literature and science History 20th century Literature, Experimental United States History and criticism Beats (Persons) Authors, American 20th century Political and social views Technology and the arts History 20th century Science and the arts History 20th century Literatur (DE-588)4035964-5 gnd Technischer Fortschritt (DE-588)4059252-2 gnd |
| topic_facet | American literature 20th century History and criticsm Literature and technology History 20th century Literature and science History 20th century Literature, Experimental United States History and criticism Beats (Persons) Authors, American 20th century Political and social views Technology and the arts History 20th century Science and the arts History 20th century Literatur Technischer Fortschritt USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030621646&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030621646&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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