Artists in the archive: creative and curatorial engagements with documents of art and performance
Artists in the Archive explores the agency and materiality of the archival document through a stunning collection of critical writings and original artworks. It examines the politics and philosophy behind re-using remains, historicising this artistic practice and considering the breadth of ways in w...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Abingdon, Oxon ; New York, NY
Routledge
2018
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Zusammenfassung: | Artists in the Archive explores the agency and materiality of the archival document through a stunning collection of critical writings and original artworks. It examines the politics and philosophy behind re-using remains, historicising this artistic practice and considering the breadth of ways in which archival materials inform, inflect and influence new works. Taking a fresh look at the relationships between insider know-how and outsider knowledge, Artists in the Archive opens a vital dialogue between a global range of artists and scholars. It seeks to trouble the distinction between artistic practice and scholarly research, offering disciplinary perspectives from experimental theatre, performance art, choreography and dance, to visual art making, archiving and curating |
| Beschreibung: | 336 Seiten Illustrationen 24 cm |
| ISBN: | 9781138915381 1138915386 9781138929784 1138929786 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV045220657 | ||
| 003 | DE-604 | ||
| 005 | 20190524 | ||
| 007 | t | ||
| 008 | 181005s2018 a||| |||| 00||| eng d | ||
| 020 | |a 9781138915381 |9 978-1-138-91538-1 | ||
| 020 | |a 1138915386 |9 1138915386 | ||
| 020 | |a 9781138929784 |9 978-1-138-92978-4 | ||
| 020 | |a 1138929786 |9 1138929786 | ||
| 035 | |a (OCoLC)1045076603 | ||
| 035 | |a (DE-599)BVBBV045220657 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 |a DE-19 |a DE-B170 | ||
| 084 | |a LH 65830 |0 (DE-625)94562:13114 |2 rvk | ||
| 245 | 1 | 0 | |a Artists in the archive |b creative and curatorial engagements with documents of art and performance |c edited by Paul Clarke, Simon Jones, Nick Kaye and Johanna Linsley |
| 250 | |a First edition | ||
| 264 | 1 | |a Abingdon, Oxon ; New York, NY |b Routledge |c 2018 | |
| 300 | |a 336 Seiten |b Illustrationen |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | 0 | |t Inside and outside the archive |r Paul Clarke, Simon Jones, Nick Kaye and Johanna Linsley |t Liveness and the entanglement with things |r Nick Kaye |t REMAKE. -- |t Monument G as a call for reconstruction |r Janez Janša |t Untitled (After violent incident) |r Tim Etchells |t Stuart Sherman's Hamlet: a careful misreading |r Robin Deacon |t Rosemary Butcher: after Kaprow--a visual journey |r Rosemary Butcher and Stefanie Sachsenmaier |t Six questions |r Zhang Huan |t The ghost time of transformation |r Adrian Heathfield |t RETURN. -- |t Jog shuttler |r Blast Theory/John Hunter |t Our 18 beginnings |r Lin Hixson and Matthew Goulish |t Performing art history: non-linear, synchronous and syncopated times in Performance Re-enactment Society's Group show (Arnolfini, Bristol 2012) |r Paul Clarke/Performance Re-enactment Society |t Re-enacting the archive: untimely meditations on the use and abuse of repetition |r Pil and Galia Kollectiv |t Archive, repertoire and embodied histories in Nao Bustamente's performative practice |r Amelia Jones |t The patina of performance: documentary practice and the search for origins in The Wooster Group's Fish story |r Andrew Quick |t REVIEW. -- |t The lesson of anatomy |r Mike Pearson |t Authority, authorship and authoring in The Theatre of Mistakes |r Fiona Templeton |t Do the wild thing! Redux |r Bodies in Flight |t Understanding negative dialectics |r Felix Gmelin |t 9 beginnings: sonic theatrical possibilities and potentialities in the performance archive |r Johanna Linsley |t Resistance to representation and the fabrication of truth: performance as thought-apparatus |r Maaike Bleeker |
| 505 | 8 | 0 | |t ARCHIVE. -- |t Talker catalogue |r Giles Bailey |t Nothing goes to waste |r Terry O'Connor |t The Singapore Art Archive Project |r Koh Nguang How |t Playing with shadows and speaking in echoes |r Richard Hancock and Traci Kelly |t Performing with ghosts: a talk remembered |r Claire MacDonald |t The future perfect of the archive: re-thinking performance in the age of third nature |r Simon Jones |
| 520 | 3 | |a Artists in the Archive explores the agency and materiality of the archival document through a stunning collection of critical writings and original artworks. It examines the politics and philosophy behind re-using remains, historicising this artistic practice and considering the breadth of ways in which archival materials inform, inflect and influence new works. Taking a fresh look at the relationships between insider know-how and outsider knowledge, Artists in the Archive opens a vital dialogue between a global range of artists and scholars. It seeks to trouble the distinction between artistic practice and scholarly research, offering disciplinary perspectives from experimental theatre, performance art, choreography and dance, to visual art making, archiving and curating | |
| 648 | 7 | |a Geschichte 2000-2018 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Tanz |0 (DE-588)4059028-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Archivierung |0 (DE-588)4420040-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Performance |g Künste |0 (DE-588)4173750-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Archiv |0 (DE-588)4002859-8 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Performing arts archives | |
| 653 | 0 | |a Arts / Philosophy | |
| 653 | 0 | |a Arts / Study and teaching / Philosophy | |
| 653 | 0 | |a Arts / Philosophy | |
| 653 | 0 | |a Performing arts archives | |
| 689 | 0 | 0 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | 1 | |a Performance |g Künste |0 (DE-588)4173750-7 |D s |
| 689 | 0 | 2 | |a Tanz |0 (DE-588)4059028-8 |D s |
| 689 | 0 | 3 | |a Archiv |0 (DE-588)4002859-8 |D s |
| 689 | 0 | 4 | |a Archivierung |0 (DE-588)4420040-7 |D s |
| 689 | 0 | 5 | |a Geschichte 2000-2018 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Clarke, Paul H. |0 (DE-588)1168278430 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n E-Book |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-030609264 | ||
Datensatz im Suchindex
| _version_ | 1804178939565834240 |
|---|---|
| any_adam_object | |
| author2 | Clarke, Paul H. |
| author2_role | edt |
| author2_variant | p h c ph phc |
| author_GND | (DE-588)1168278430 |
| author_additional | Paul Clarke, Simon Jones, Nick Kaye and Johanna Linsley Nick Kaye Janez Janša Tim Etchells Robin Deacon Rosemary Butcher and Stefanie Sachsenmaier Zhang Huan Adrian Heathfield Blast Theory/John Hunter Lin Hixson and Matthew Goulish Paul Clarke/Performance Re-enactment Society Pil and Galia Kollectiv Amelia Jones Andrew Quick Mike Pearson Fiona Templeton Bodies in Flight Felix Gmelin Johanna Linsley Maaike Bleeker Giles Bailey Terry O'Connor Koh Nguang How Richard Hancock and Traci Kelly Claire MacDonald Simon Jones |
| author_facet | Clarke, Paul H. |
| building | Verbundindex |
| bvnumber | BV045220657 |
| classification_rvk | LH 65830 |
| contents | Inside and outside the archive Liveness and the entanglement with things REMAKE. -- Monument G as a call for reconstruction Untitled (After violent incident) Stuart Sherman's Hamlet: a careful misreading Rosemary Butcher: after Kaprow--a visual journey Six questions The ghost time of transformation RETURN. -- Jog shuttler Our 18 beginnings Performing art history: non-linear, synchronous and syncopated times in Performance Re-enactment Society's Group show (Arnolfini, Bristol 2012) Re-enacting the archive: untimely meditations on the use and abuse of repetition Archive, repertoire and embodied histories in Nao Bustamente's performative practice The patina of performance: documentary practice and the search for origins in The Wooster Group's Fish story REVIEW. -- The lesson of anatomy Authority, authorship and authoring in The Theatre of Mistakes Do the wild thing! Redux Understanding negative dialectics 9 beginnings: sonic theatrical possibilities and potentialities in the performance archive Resistance to representation and the fabrication of truth: performance as thought-apparatus ARCHIVE. -- Talker catalogue Nothing goes to waste The Singapore Art Archive Project Playing with shadows and speaking in echoes Performing with ghosts: a talk remembered The future perfect of the archive: re-thinking performance in the age of third nature |
| ctrlnum | (OCoLC)1045076603 (DE-599)BVBBV045220657 |
| discipline | Kunstgeschichte |
| edition | First edition |
| era | Geschichte 2000-2018 gnd |
| era_facet | Geschichte 2000-2018 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04752nam a2200577 c 4500</leader><controlfield tag="001">BV045220657</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190524 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">181005s2018 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781138915381</subfield><subfield code="9">978-1-138-91538-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1138915386</subfield><subfield code="9">1138915386</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781138929784</subfield><subfield code="9">978-1-138-92978-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1138929786</subfield><subfield code="9">1138929786</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1045076603</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045220657</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-B170</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 65830</subfield><subfield code="0">(DE-625)94562:13114</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Artists in the archive</subfield><subfield code="b">creative and curatorial engagements with documents of art and performance</subfield><subfield code="c">edited by Paul Clarke, Simon Jones, Nick Kaye and Johanna Linsley</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Abingdon, Oxon ; New York, NY</subfield><subfield code="b">Routledge</subfield><subfield code="c">2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">336 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Inside and outside the archive</subfield><subfield code="r">Paul Clarke, Simon Jones, Nick Kaye and Johanna Linsley</subfield><subfield code="t">Liveness and the entanglement with things</subfield><subfield code="r">Nick Kaye</subfield><subfield code="t">REMAKE. --</subfield><subfield code="t">Monument G as a call for reconstruction</subfield><subfield code="r">Janez Janša</subfield><subfield code="t">Untitled (After violent incident)</subfield><subfield code="r">Tim Etchells</subfield><subfield code="t">Stuart Sherman's Hamlet: a careful misreading</subfield><subfield code="r">Robin Deacon</subfield><subfield code="t">Rosemary Butcher: after Kaprow--a visual journey</subfield><subfield code="r">Rosemary Butcher and Stefanie Sachsenmaier</subfield><subfield code="t">Six questions</subfield><subfield code="r">Zhang Huan</subfield><subfield code="t">The ghost time of transformation</subfield><subfield code="r">Adrian Heathfield</subfield><subfield code="t">RETURN. --</subfield><subfield code="t">Jog shuttler</subfield><subfield code="r">Blast Theory/John Hunter</subfield><subfield code="t">Our 18 beginnings</subfield><subfield code="r">Lin Hixson and Matthew Goulish</subfield><subfield code="t">Performing art history: non-linear, synchronous and syncopated times in Performance Re-enactment Society's Group show (Arnolfini, Bristol 2012)</subfield><subfield code="r">Paul Clarke/Performance Re-enactment Society</subfield><subfield code="t">Re-enacting the archive: untimely meditations on the use and abuse of repetition</subfield><subfield code="r">Pil and Galia Kollectiv</subfield><subfield code="t">Archive, repertoire and embodied histories in Nao Bustamente's performative practice</subfield><subfield code="r">Amelia Jones</subfield><subfield code="t">The patina of performance: documentary practice and the search for origins in The Wooster Group's Fish story</subfield><subfield code="r">Andrew Quick</subfield><subfield code="t">REVIEW. --</subfield><subfield code="t">The lesson of anatomy</subfield><subfield code="r">Mike Pearson</subfield><subfield code="t">Authority, authorship and authoring in The Theatre of Mistakes</subfield><subfield code="r">Fiona Templeton</subfield><subfield code="t">Do the wild thing! Redux</subfield><subfield code="r">Bodies in Flight</subfield><subfield code="t">Understanding negative dialectics</subfield><subfield code="r">Felix Gmelin</subfield><subfield code="t">9 beginnings: sonic theatrical possibilities and potentialities in the performance archive</subfield><subfield code="r">Johanna Linsley</subfield><subfield code="t">Resistance to representation and the fabrication of truth: performance as thought-apparatus</subfield><subfield code="r">Maaike Bleeker</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">ARCHIVE. --</subfield><subfield code="t">Talker catalogue</subfield><subfield code="r">Giles Bailey</subfield><subfield code="t">Nothing goes to waste</subfield><subfield code="r">Terry O'Connor</subfield><subfield code="t">The Singapore Art Archive Project</subfield><subfield code="r">Koh Nguang How</subfield><subfield code="t">Playing with shadows and speaking in echoes</subfield><subfield code="r">Richard Hancock and Traci Kelly</subfield><subfield code="t">Performing with ghosts: a talk remembered</subfield><subfield code="r">Claire MacDonald</subfield><subfield code="t">The future perfect of the archive: re-thinking performance in the age of third nature</subfield><subfield code="r">Simon Jones</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Artists in the Archive explores the agency and materiality of the archival document through a stunning collection of critical writings and original artworks. It examines the politics and philosophy behind re-using remains, historicising this artistic practice and considering the breadth of ways in which archival materials inform, inflect and influence new works. Taking a fresh look at the relationships between insider know-how and outsider knowledge, Artists in the Archive opens a vital dialogue between a global range of artists and scholars. It seeks to trouble the distinction between artistic practice and scholarly research, offering disciplinary perspectives from experimental theatre, performance art, choreography and dance, to visual art making, archiving and curating</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 2000-2018</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Tanz</subfield><subfield code="0">(DE-588)4059028-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Archivierung</subfield><subfield code="0">(DE-588)4420040-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Archiv</subfield><subfield code="0">(DE-588)4002859-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Performing arts archives</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Arts / Philosophy</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Arts / Study and teaching / Philosophy</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Arts / Philosophy</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Performing arts archives</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Tanz</subfield><subfield code="0">(DE-588)4059028-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Archiv</subfield><subfield code="0">(DE-588)4002859-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Archivierung</subfield><subfield code="0">(DE-588)4420040-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 2000-2018</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Clarke, Paul H.</subfield><subfield code="0">(DE-588)1168278430</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">E-Book</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030609264</subfield></datafield></record></collection> |
| id | DE-604.BV045220657 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:11:56Z |
| institution | BVB |
| isbn | 9781138915381 1138915386 9781138929784 1138929786 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030609264 |
| oclc_num | 1045076603 |
| open_access_boolean | |
| owner | DE-255 DE-19 DE-BY-UBM DE-B170 |
| owner_facet | DE-255 DE-19 DE-BY-UBM DE-B170 |
| physical | 336 Seiten Illustrationen 24 cm |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Routledge |
| record_format | marc |
| spelling | Artists in the archive creative and curatorial engagements with documents of art and performance edited by Paul Clarke, Simon Jones, Nick Kaye and Johanna Linsley First edition Abingdon, Oxon ; New York, NY Routledge 2018 336 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Inside and outside the archive Paul Clarke, Simon Jones, Nick Kaye and Johanna Linsley Liveness and the entanglement with things Nick Kaye REMAKE. -- Monument G as a call for reconstruction Janez Janša Untitled (After violent incident) Tim Etchells Stuart Sherman's Hamlet: a careful misreading Robin Deacon Rosemary Butcher: after Kaprow--a visual journey Rosemary Butcher and Stefanie Sachsenmaier Six questions Zhang Huan The ghost time of transformation Adrian Heathfield RETURN. -- Jog shuttler Blast Theory/John Hunter Our 18 beginnings Lin Hixson and Matthew Goulish Performing art history: non-linear, synchronous and syncopated times in Performance Re-enactment Society's Group show (Arnolfini, Bristol 2012) Paul Clarke/Performance Re-enactment Society Re-enacting the archive: untimely meditations on the use and abuse of repetition Pil and Galia Kollectiv Archive, repertoire and embodied histories in Nao Bustamente's performative practice Amelia Jones The patina of performance: documentary practice and the search for origins in The Wooster Group's Fish story Andrew Quick REVIEW. -- The lesson of anatomy Mike Pearson Authority, authorship and authoring in The Theatre of Mistakes Fiona Templeton Do the wild thing! Redux Bodies in Flight Understanding negative dialectics Felix Gmelin 9 beginnings: sonic theatrical possibilities and potentialities in the performance archive Johanna Linsley Resistance to representation and the fabrication of truth: performance as thought-apparatus Maaike Bleeker ARCHIVE. -- Talker catalogue Giles Bailey Nothing goes to waste Terry O'Connor The Singapore Art Archive Project Koh Nguang How Playing with shadows and speaking in echoes Richard Hancock and Traci Kelly Performing with ghosts: a talk remembered Claire MacDonald The future perfect of the archive: re-thinking performance in the age of third nature Simon Jones Artists in the Archive explores the agency and materiality of the archival document through a stunning collection of critical writings and original artworks. It examines the politics and philosophy behind re-using remains, historicising this artistic practice and considering the breadth of ways in which archival materials inform, inflect and influence new works. Taking a fresh look at the relationships between insider know-how and outsider knowledge, Artists in the Archive opens a vital dialogue between a global range of artists and scholars. It seeks to trouble the distinction between artistic practice and scholarly research, offering disciplinary perspectives from experimental theatre, performance art, choreography and dance, to visual art making, archiving and curating Geschichte 2000-2018 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf Archivierung (DE-588)4420040-7 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Archiv (DE-588)4002859-8 gnd rswk-swf Performing arts archives Arts / Philosophy Arts / Study and teaching / Philosophy Kunst (DE-588)4114333-4 s Performance Künste (DE-588)4173750-7 s Tanz (DE-588)4059028-8 s Archiv (DE-588)4002859-8 s Archivierung (DE-588)4420040-7 s Geschichte 2000-2018 z DE-604 Clarke, Paul H. (DE-588)1168278430 edt Erscheint auch als E-Book |
| spellingShingle | Artists in the archive creative and curatorial engagements with documents of art and performance Inside and outside the archive Liveness and the entanglement with things REMAKE. -- Monument G as a call for reconstruction Untitled (After violent incident) Stuart Sherman's Hamlet: a careful misreading Rosemary Butcher: after Kaprow--a visual journey Six questions The ghost time of transformation RETURN. -- Jog shuttler Our 18 beginnings Performing art history: non-linear, synchronous and syncopated times in Performance Re-enactment Society's Group show (Arnolfini, Bristol 2012) Re-enacting the archive: untimely meditations on the use and abuse of repetition Archive, repertoire and embodied histories in Nao Bustamente's performative practice The patina of performance: documentary practice and the search for origins in The Wooster Group's Fish story REVIEW. -- The lesson of anatomy Authority, authorship and authoring in The Theatre of Mistakes Do the wild thing! Redux Understanding negative dialectics 9 beginnings: sonic theatrical possibilities and potentialities in the performance archive Resistance to representation and the fabrication of truth: performance as thought-apparatus ARCHIVE. -- Talker catalogue Nothing goes to waste The Singapore Art Archive Project Playing with shadows and speaking in echoes Performing with ghosts: a talk remembered The future perfect of the archive: re-thinking performance in the age of third nature Tanz (DE-588)4059028-8 gnd Archivierung (DE-588)4420040-7 gnd Kunst (DE-588)4114333-4 gnd Performance Künste (DE-588)4173750-7 gnd Archiv (DE-588)4002859-8 gnd |
| subject_GND | (DE-588)4059028-8 (DE-588)4420040-7 (DE-588)4114333-4 (DE-588)4173750-7 (DE-588)4002859-8 |
| title | Artists in the archive creative and curatorial engagements with documents of art and performance |
| title_alt | Inside and outside the archive Liveness and the entanglement with things REMAKE. -- Monument G as a call for reconstruction Untitled (After violent incident) Stuart Sherman's Hamlet: a careful misreading Rosemary Butcher: after Kaprow--a visual journey Six questions The ghost time of transformation RETURN. -- Jog shuttler Our 18 beginnings Performing art history: non-linear, synchronous and syncopated times in Performance Re-enactment Society's Group show (Arnolfini, Bristol 2012) Re-enacting the archive: untimely meditations on the use and abuse of repetition Archive, repertoire and embodied histories in Nao Bustamente's performative practice The patina of performance: documentary practice and the search for origins in The Wooster Group's Fish story REVIEW. -- The lesson of anatomy Authority, authorship and authoring in The Theatre of Mistakes Do the wild thing! Redux Understanding negative dialectics 9 beginnings: sonic theatrical possibilities and potentialities in the performance archive Resistance to representation and the fabrication of truth: performance as thought-apparatus ARCHIVE. -- Talker catalogue Nothing goes to waste The Singapore Art Archive Project Playing with shadows and speaking in echoes Performing with ghosts: a talk remembered The future perfect of the archive: re-thinking performance in the age of third nature |
| title_auth | Artists in the archive creative and curatorial engagements with documents of art and performance |
| title_exact_search | Artists in the archive creative and curatorial engagements with documents of art and performance |
| title_full | Artists in the archive creative and curatorial engagements with documents of art and performance edited by Paul Clarke, Simon Jones, Nick Kaye and Johanna Linsley |
| title_fullStr | Artists in the archive creative and curatorial engagements with documents of art and performance edited by Paul Clarke, Simon Jones, Nick Kaye and Johanna Linsley |
| title_full_unstemmed | Artists in the archive creative and curatorial engagements with documents of art and performance edited by Paul Clarke, Simon Jones, Nick Kaye and Johanna Linsley |
| title_short | Artists in the archive |
| title_sort | artists in the archive creative and curatorial engagements with documents of art and performance |
| title_sub | creative and curatorial engagements with documents of art and performance |
| topic | Tanz (DE-588)4059028-8 gnd Archivierung (DE-588)4420040-7 gnd Kunst (DE-588)4114333-4 gnd Performance Künste (DE-588)4173750-7 gnd Archiv (DE-588)4002859-8 gnd |
| topic_facet | Tanz Archivierung Kunst Performance Künste Archiv |
| work_keys_str_mv | AT clarkepaulh artistsinthearchivecreativeandcuratorialengagementswithdocumentsofartandperformance |