The Routledge companion to cinema and gender:
Gespeichert in:
| Weitere Verfasser: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
[2019]
|
| Ausgabe: | First published in paperback |
| Schriftenreihe: | Routledge companions
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Literaturangaben |
| Beschreibung: | XIX, 492 Seiten Illustrationen |
| ISBN: | 9781138391840 9781138924956 |
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| 245 | 1 | 0 | |a The Routledge companion to cinema and gender |c edited by Kristin Lené Hole, Dijana Jelača, E. Ann Kaplan, and Patrice Petro ; contributors: Eylem Atakav, Jacqueline Bobo, Amy Borden, Sumita Chakravarty, Jenny Chamrett, Sally Chivers, Anne Ciecko, Felicity Colman, Lucy Fischer, Jane Gaines, Tejaswini Ganti, Julie Grossman, Anthony Hayt, Maggie Hennefeld, Kristin Lené Hole, Anikó Imre, Priya Jaikumar, Dijana Jelača, E. Ann Kaplan, Erica Levin, Rachel A. Lewis, Katarzyna Marciniak, Russell Meeuf, Mireille Miller-Young, Katherine E. Morissey, Ikechukwu Obiaya, Claire Pajaczkowska, Celine Parreñas Shimizu, Constance Penley, Jennifer Peterson, Patrice Petro, Sandra Ponzanesi, Veronica Pravadelli, Hilary Radner, Belinda Smaill, J. E. Smyth, Janet Staiger, Eliza Steinbock, Tristan Taormino, Yvonne Tasker, Maureen Turim, Kathleen M. Vernon, Lingzhen Wang, Alexa Weik von Mossner, Patricia White, Debra Zimmerman |
| 246 | 1 | 3 | |a Companion to cinema and gender |
| 246 | 1 | 3 | |a Cinema and gender |
| 246 | 1 | 3 | |a The Routledge companion to cinema & gender |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
List of figures x
List of contributors xii
Acknowledgments xix
Introduction 1
Kristin Lené Hole, Dijana Jelaca, E. Ann Kaplan, and
Patrice Petro
PART I
What is [feminist] cinema? 13
1 Classical feminist film theory: then and (mostly) now 15
Patrice Petro
2 Postcolonial and transnational approaches to film and
feminism 25
Sandra Ponzanesi
3 Feminist forms of address: Mai Zetterling s Loving Couples 36
Lucy Fischer
4 Sound and gender 47
Kathleen M. Vernon
5 Gender in transit: framing the cinema of migration 57
Sumita S. Chakravarty
6 “No place for sissies”: gender, age, and disability in Hollywood 68
Sally Chivers
v
Contents
7 Chinese socialist women’s cinema: an alternative feminist practice 77
Lingzhen Wang
8 Gender, socialism, and European film cultures 88
Aniko Imre
9 Queer or LGBTQ+: on the question of inclusivity in queer
cinema studies 98
Amy Borden
PART II
Genres, modes, stars 109
10 Contested masculinities: the action film, the war film, and
the Western 111
Yvonne Tasker
11 The rise and fall of the girly film: from the woman’s picture to
the new woman’s film, the chick flick, and the smart-chick film 121
Hilary Radner
12 Moving past the trauma: feminist criticism and transformations
of the slasher genre 131
Anthony Hayt
13 Slapstick comediennes in silent cinema: women’s laughter and
the feminist politics of gender in motion 141
Margaret Hennefeld
14 Feminist porn: the politics of producing pleasure 155
Constance Penley, Celine Parrenas Shimizu, Mireiiie Miller-Young,
and Tristan Taormino
15 The postmodern story of the femme fatale 164
Julie Grossman
16 The documentary: female subjectivity and the problem of realism 174
Belinda Srnaiii
17 Experimental women filmmakers 184
Maureen Turim
18 Transnational stardom 194
Russell Meeuf
VI
Contents
PART III
Making movies 203
19 Feminist and non-Westem interrogations of film
authorship 205
Priya Jaikumar
20 Pink material: white womanhood and the colonial imaginary
of world cinema authorship 215
Patricia White
21 Women, Islam, and cinema: gender politics and representation
in Middle Eastern films and beyond 227
Eylem Atakav
22 African “first films11: gendered authorship, identity,
and discursive resistance 237
Anne Ciecko
23 Black women filmmakers: a brief history 247
Jacqueline Bobo
24 Fair and lovely: class, gender, and colorism in Bollywood
song sequences 256
Tejaswini Ganti
25 What was “women’s work” in the silent film era? 266
Jane Gaines
26 Female editors in studio-era Hollywood: rethinking feminist
“frontiers” and the constraints of the archives 279
J. E. Smyth
27 Film as activism and transformative praxis: Women
Make Movies 289
Debra Zimmerman
PART IV
Spectatorship, reception, projecting identities 299
28 Psychoanalysis beyond the gaze: from celluloid
to new media 301
Claire Pajaczkowska
vii
Contents
29 Embodying spectatorship: from phenomenology to sensation 311
Jenny C hamarette
30 Deleuzian spectatorship 322
Felicity Colman
31 Film reception studies and feminism 332
Janet Staiger
32 Nollywood, female audience, and the negotiating of pleasure 342
Ikechukwu Obiaya
33 Gender and fandom: from spectators to social audiences 352
Katherine E. Morrissey
34 Classical Hollywood and modernity: gender, style, aesthetics 361
Veronica Pravadelli
35 Lesbian cinema post-feminism: ageism, difference, and desire 372
Rachel A. Lewis
PART V
Thinking cinema’s future 383
36 Revolting aesthetics: feminist transnational cinema
in the US 385
Katarzyna Marciniak
37 Towards trans cinema 395
Eliza Steinbock
38 Visualizing climate trauma: the cultural work of films
anticipating the future 407
£. Ann Kaplan
39 Ecocinema and gender 417
Aiexa Weik von hAossner
40 Green Porno and the sex life of animals in the digital age 427
Jennifer Peterson
41 Class/Omament: Cinema, new media, labor-power,
and performativity 437
Erica Levin
viii
Contents
Film feminism, post-cinema, and the affective turn
Dijana Jelaca
Fantasy echoes and the future anterior of cinema and gender
Kristin Lene Hole
Index
The Routledge Companion to Cinema and Gender comprises forty-three innovative essays that offer
both an overview of and an intervention into the field of cinema and gender.
The contributions in this volume address a variety of geographical and cultural contexts through an
analysis of cinema, from the representation of women and Islam in Middle Eastern film, and female ¡
audience reception in Nigeria, to changing class and race norms in Bollywood dance sequences. The
book includes a special focus on women directors in a global context, examining films and filmmakers
from Asia, Africa, Australia, Europe, and North and South America.
Alongside a comprehensive overview of feminist perspectives on genre, this collection also offers
discussion on a range of approaches to spectatorship, reception studies, and fandom, as well as
transnational approaches to star studies and the relationship between feminist film theory and
new media. Other topics include queer and trans* cinema, ecocinema, the post-human, and the
methodological dimensions of feminist film history.
This Routledge Companion provides researchers, students, and scholars with an essential guide to the
key political, cultural, and theoretical debates surrounding cinema and gender.
Kristin Leñé Hole is an Assistant Professor in the School of Film at Portland State University, USA. She is
the author of Towards a Feminist Cinematic Ethics: Claire Denis, Emmanuel Levinas, and Jean-Luc Nancy!
(2016) and co-author (with Dijana Jelaca) of Film Feminisms: A Global Introduction (2019).
Dijana Jelaca teaches in the Film Department at Brooklyn College, USA. She is the author of Dislocated
Screen Memory: Narrating Trauma in Post-Yugoslav Cinema (2016) and co-author (with Kristin Leñé Hole)
of Film Feminisms: A Global Introduction (2019).
E. Ann Kaplan is Distinguished Professor of English and Women’s, Gender and Sexuality Studies at
Stony Brook University, USA, where she also founded and directed The Humanities Institute. She is Past
President of the Society for Cinema and Media Studies. Kaplan’s pioneering research on women in film
includes Women in Film: Both Sides of the Camera, Motherhood and Representation, Looking for the
Other, and Feminism and Film. Her recent research focuses on trauma: see Trauma and Cinema (2004)
with Ban Wang; Trauma Culture: The Politics of Terror and Loss in Media and Literature (2005); and
Climate Trauma: Foreseeing the Future in Dystopian Film and Fiction (2015).
Patrice Petro is Dick Wolf Director of the Carsey-Wolf Center, Professor of Film and Media Studies, and
Presidential Chair in Media Studies at the University of California, Santa Barbara, USA. She is the author,
editor, and co-editor of twelve books, most recently Idols of Modernity: Movie Stars of the 1920s (2010),
Teaching Film (2012), and After Capitalism: Horizons of Finance, Culture, and Citizenship (2016).
Contributors: Eylem Atakav, Jacqueline Bobo, Amy Borden, Sumita Chakravarty, Jenny Chamarette,
Sally Chivers, Anne Ciecko, Felicity Colman, Lucy Fischer, Jane Gaines, Tejaswini Ganti, Julie Grossman,
Anthony Hayt, Maggie Hennefeld, Kristin Leñé Hole, Anikó Imre, Priya Jaikumar, Dijana Jelaca, E. Ann
Kaplan, Erica Levin, Rachel A. Lewis, Katarzyna Marciniak, Russell Meeuf, Mireille Miller-Young, Katherine
E. Morrissey, Ikechukwu Obiaya, Claire Pajaczkowska, Celine Parreñas Shimizu, Constance Penley,
Jennifer Peterson, Patrice Petro, Sandra Ponzanesi, Veronica Pravadelli, Hilary Radner, Belinda Smaill, J.
E. Smyth, Janet Staiger, Eliza Steinbock, Tristan Taormino, Yvonne Tasker, Maureen Turim, Kathleen M.
Vernon, Lingzhen Wang, Alexa Weik von Mossner, Patricia White, Debra Zimmerman.
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| record_format | marc |
| series2 | Routledge companions |
| spelling | The Routledge companion to cinema and gender edited by Kristin Lené Hole, Dijana Jelača, E. Ann Kaplan, and Patrice Petro ; contributors: Eylem Atakav, Jacqueline Bobo, Amy Borden, Sumita Chakravarty, Jenny Chamrett, Sally Chivers, Anne Ciecko, Felicity Colman, Lucy Fischer, Jane Gaines, Tejaswini Ganti, Julie Grossman, Anthony Hayt, Maggie Hennefeld, Kristin Lené Hole, Anikó Imre, Priya Jaikumar, Dijana Jelača, E. Ann Kaplan, Erica Levin, Rachel A. Lewis, Katarzyna Marciniak, Russell Meeuf, Mireille Miller-Young, Katherine E. Morissey, Ikechukwu Obiaya, Claire Pajaczkowska, Celine Parreñas Shimizu, Constance Penley, Jennifer Peterson, Patrice Petro, Sandra Ponzanesi, Veronica Pravadelli, Hilary Radner, Belinda Smaill, J. E. Smyth, Janet Staiger, Eliza Steinbock, Tristan Taormino, Yvonne Tasker, Maureen Turim, Kathleen M. Vernon, Lingzhen Wang, Alexa Weik von Mossner, Patricia White, Debra Zimmerman Companion to cinema and gender Cinema and gender The Routledge companion to cinema & gender First published in paperback London ; New York Routledge, Taylor & Francis Group [2019] © 2019 XIX, 492 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Routledge companions Literaturangaben Sex role in motion pictures Frauenfilm (DE-588)4125060-6 gnd rswk-swf Frau Motiv (DE-588)4113617-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Soziale Rolle Motiv (DE-588)4462045-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Frauenfilm (DE-588)4125060-6 s Film (DE-588)4017102-4 s Frau Motiv (DE-588)4113617-2 s Soziale Rolle Motiv (DE-588)4462045-7 s DE-604 Hole, Kristin Lené (DE-588)108412520X edt Jelača, Dijana 1979- (DE-588)1082017809 edt Kaplan, Elizabeth Ann 1936- (DE-588)124763057 edt Petro, Patrice 1957- (DE-588)124310931 edt Äquivalent Druck-Ausgabe, Hardcover 978-1-138-92495-6 Erscheint auch als Online-Ausgabe 978-1-315-68406-2 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030609089&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030609089&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | The Routledge companion to cinema and gender Sex role in motion pictures Frauenfilm (DE-588)4125060-6 gnd Frau Motiv (DE-588)4113617-2 gnd Film (DE-588)4017102-4 gnd Soziale Rolle Motiv (DE-588)4462045-7 gnd |
| subject_GND | (DE-588)4125060-6 (DE-588)4113617-2 (DE-588)4017102-4 (DE-588)4462045-7 (DE-588)4143413-4 |
| title | The Routledge companion to cinema and gender |
| title_alt | Companion to cinema and gender Cinema and gender The Routledge companion to cinema & gender |
| title_auth | The Routledge companion to cinema and gender |
| title_exact_search | The Routledge companion to cinema and gender |
| title_full | The Routledge companion to cinema and gender edited by Kristin Lené Hole, Dijana Jelača, E. Ann Kaplan, and Patrice Petro ; contributors: Eylem Atakav, Jacqueline Bobo, Amy Borden, Sumita Chakravarty, Jenny Chamrett, Sally Chivers, Anne Ciecko, Felicity Colman, Lucy Fischer, Jane Gaines, Tejaswini Ganti, Julie Grossman, Anthony Hayt, Maggie Hennefeld, Kristin Lené Hole, Anikó Imre, Priya Jaikumar, Dijana Jelača, E. Ann Kaplan, Erica Levin, Rachel A. Lewis, Katarzyna Marciniak, Russell Meeuf, Mireille Miller-Young, Katherine E. Morissey, Ikechukwu Obiaya, Claire Pajaczkowska, Celine Parreñas Shimizu, Constance Penley, Jennifer Peterson, Patrice Petro, Sandra Ponzanesi, Veronica Pravadelli, Hilary Radner, Belinda Smaill, J. E. Smyth, Janet Staiger, Eliza Steinbock, Tristan Taormino, Yvonne Tasker, Maureen Turim, Kathleen M. Vernon, Lingzhen Wang, Alexa Weik von Mossner, Patricia White, Debra Zimmerman |
| title_fullStr | The Routledge companion to cinema and gender edited by Kristin Lené Hole, Dijana Jelača, E. Ann Kaplan, and Patrice Petro ; contributors: Eylem Atakav, Jacqueline Bobo, Amy Borden, Sumita Chakravarty, Jenny Chamrett, Sally Chivers, Anne Ciecko, Felicity Colman, Lucy Fischer, Jane Gaines, Tejaswini Ganti, Julie Grossman, Anthony Hayt, Maggie Hennefeld, Kristin Lené Hole, Anikó Imre, Priya Jaikumar, Dijana Jelača, E. Ann Kaplan, Erica Levin, Rachel A. Lewis, Katarzyna Marciniak, Russell Meeuf, Mireille Miller-Young, Katherine E. Morissey, Ikechukwu Obiaya, Claire Pajaczkowska, Celine Parreñas Shimizu, Constance Penley, Jennifer Peterson, Patrice Petro, Sandra Ponzanesi, Veronica Pravadelli, Hilary Radner, Belinda Smaill, J. E. Smyth, Janet Staiger, Eliza Steinbock, Tristan Taormino, Yvonne Tasker, Maureen Turim, Kathleen M. Vernon, Lingzhen Wang, Alexa Weik von Mossner, Patricia White, Debra Zimmerman |
| title_full_unstemmed | The Routledge companion to cinema and gender edited by Kristin Lené Hole, Dijana Jelača, E. Ann Kaplan, and Patrice Petro ; contributors: Eylem Atakav, Jacqueline Bobo, Amy Borden, Sumita Chakravarty, Jenny Chamrett, Sally Chivers, Anne Ciecko, Felicity Colman, Lucy Fischer, Jane Gaines, Tejaswini Ganti, Julie Grossman, Anthony Hayt, Maggie Hennefeld, Kristin Lené Hole, Anikó Imre, Priya Jaikumar, Dijana Jelača, E. Ann Kaplan, Erica Levin, Rachel A. Lewis, Katarzyna Marciniak, Russell Meeuf, Mireille Miller-Young, Katherine E. Morissey, Ikechukwu Obiaya, Claire Pajaczkowska, Celine Parreñas Shimizu, Constance Penley, Jennifer Peterson, Patrice Petro, Sandra Ponzanesi, Veronica Pravadelli, Hilary Radner, Belinda Smaill, J. E. Smyth, Janet Staiger, Eliza Steinbock, Tristan Taormino, Yvonne Tasker, Maureen Turim, Kathleen M. Vernon, Lingzhen Wang, Alexa Weik von Mossner, Patricia White, Debra Zimmerman |
| title_short | The Routledge companion to cinema and gender |
| title_sort | the routledge companion to cinema and gender |
| topic | Sex role in motion pictures Frauenfilm (DE-588)4125060-6 gnd Frau Motiv (DE-588)4113617-2 gnd Film (DE-588)4017102-4 gnd Soziale Rolle Motiv (DE-588)4462045-7 gnd |
| topic_facet | Sex role in motion pictures Frauenfilm Frau Motiv Film Soziale Rolle Motiv Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030609089&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030609089&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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