Benjamin Britten studies: essays on an inexplicit art
Benjamin Britten Studies brings together established authorities and new voices to offer a fresh perspective on previous scholarship models and a re-contextualization of previously held beliefs about Britten. Using the most recent and innovative historical, musicological, sociological, psychological...
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Suffolk
Boydell & Brewer
2017
|
| Schriftenreihe: | Aldeburgh studies in music
volume 12 |
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Benjamin Britten Studies brings together established authorities and new voices to offer a fresh perspective on previous scholarship models and a re-contextualization of previously held beliefs about Britten. Using the most recent and innovative historical, musicological, sociological, psychological, and theoretical methodologies, the authors take off the 'protective arm' around Britten and disclose an unprecedented amount of previously unpublished and disregarded primary source materials. The collection considers difficult questions of identity such as Britten's retreat to America, his re-entry into the British musical scene, and late-life revisions of his American works; scrutinizes the fraught establishing of the English Opera Group contemporaneous with the founding of the Aldeburgh Festival of Music and the Arts; explores his break with Boosey & Hawkes and inspects international copyright concerns in the Soviet Union' investigates sensitive issues of intimacy and Britten's relationships; and combines closer analysis of Britten's musico-rhythmic, harmonic, and compositional practices with a description of the more overtly political context within which he found himself. Benjamin Britten Studies ends by asking what we can actually know about the composer in a reconsideration of the materials he left behind. All of this coalesces into a volume that not only serves as a model of on-going and future Britten research but which generates a greater understanding of the overall trends within the ever-synthesizing and interdisciplinary musicological field of the twenty-first century.VICKI P. STROEHER is Professor of Music History at Marshall University.JUSTIN VICKERS is Assistant Professor of Voice at Illinois State University.Contributors: Byron Adams, Nicholas Clark, Jenny Doctor, Paul Kildea, Christopher Mark, Thornton Miller, Louis Niebur, Philip Reed, Colleen Renihan, Philip Rupprecht, Kevin Salfen, Vicki P. Stroeher, Justin Vickers, Lucy Walker, Danielle Ward-Griffin, Lloyd Whitesell |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 30 Oct 2017) |
| Beschreibung: | 1 online resource (xxviii, 526 pages) |
| ISBN: | 9781787440067 |
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| 520 | |a Benjamin Britten Studies brings together established authorities and new voices to offer a fresh perspective on previous scholarship models and a re-contextualization of previously held beliefs about Britten. Using the most recent and innovative historical, musicological, sociological, psychological, and theoretical methodologies, the authors take off the 'protective arm' around Britten and disclose an unprecedented amount of previously unpublished and disregarded primary source materials. | ||
| 520 | |a The collection considers difficult questions of identity such as Britten's retreat to America, his re-entry into the British musical scene, and late-life revisions of his American works; scrutinizes the fraught establishing of the English Opera Group contemporaneous with the founding of the Aldeburgh Festival of Music and the Arts; explores his break with Boosey & Hawkes and inspects international copyright concerns in the Soviet Union' investigates sensitive issues of intimacy and Britten's relationships; and combines closer analysis of Britten's musico-rhythmic, harmonic, and compositional practices with a description of the more overtly political context within which he found himself. Benjamin Britten Studies ends by asking what we can actually know about the composer in a reconsideration of the materials he left behind. | ||
| 520 | |a All of this coalesces into a volume that not only serves as a model of on-going and future Britten research but which generates a greater understanding of the overall trends within the ever-synthesizing and interdisciplinary musicological field of the twenty-first century.VICKI P. STROEHER is Professor of Music History at Marshall University.JUSTIN VICKERS is Assistant Professor of Voice at Illinois State University.Contributors: Byron Adams, Nicholas Clark, Jenny Doctor, Paul Kildea, Christopher Mark, Thornton Miller, Louis Niebur, Philip Reed, Colleen Renihan, Philip Rupprecht, Kevin Salfen, Vicki P. Stroeher, Justin Vickers, Lucy Walker, Danielle Ward-Griffin, Lloyd Whitesell | ||
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Datensatz im Suchindex
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| dewey-ones | 780 - Music |
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| spelling | Benjamin Britten studies essays on an inexplicit art edited by Vicki P. Stroeher and Justin Vickers Suffolk Boydell & Brewer 2017 1 online resource (xxviii, 526 pages) txt rdacontent c rdamedia cr rdacarrier Aldeburgh studies in music volume 12 Title from publisher's bibliographic system (viewed on 30 Oct 2017) Benjamin Britten Studies brings together established authorities and new voices to offer a fresh perspective on previous scholarship models and a re-contextualization of previously held beliefs about Britten. Using the most recent and innovative historical, musicological, sociological, psychological, and theoretical methodologies, the authors take off the 'protective arm' around Britten and disclose an unprecedented amount of previously unpublished and disregarded primary source materials. The collection considers difficult questions of identity such as Britten's retreat to America, his re-entry into the British musical scene, and late-life revisions of his American works; scrutinizes the fraught establishing of the English Opera Group contemporaneous with the founding of the Aldeburgh Festival of Music and the Arts; explores his break with Boosey & Hawkes and inspects international copyright concerns in the Soviet Union' investigates sensitive issues of intimacy and Britten's relationships; and combines closer analysis of Britten's musico-rhythmic, harmonic, and compositional practices with a description of the more overtly political context within which he found himself. Benjamin Britten Studies ends by asking what we can actually know about the composer in a reconsideration of the materials he left behind. All of this coalesces into a volume that not only serves as a model of on-going and future Britten research but which generates a greater understanding of the overall trends within the ever-synthesizing and interdisciplinary musicological field of the twenty-first century.VICKI P. STROEHER is Professor of Music History at Marshall University.JUSTIN VICKERS is Assistant Professor of Voice at Illinois State University.Contributors: Byron Adams, Nicholas Clark, Jenny Doctor, Paul Kildea, Christopher Mark, Thornton Miller, Louis Niebur, Philip Reed, Colleen Renihan, Philip Rupprecht, Kevin Salfen, Vicki P. Stroeher, Justin Vickers, Lucy Walker, Danielle Ward-Griffin, Lloyd Whitesell Britten, Benjamin 1913-1976 Criticism and interpretation Britten, Benjamin 1913-1976 (DE-588)118515527 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf 1\p (DE-588)1071861417 Konferenzschrift 2013 gnd-content Britten, Benjamin 1913-1976 (DE-588)118515527 p Musik (DE-588)4040802-4 s 2\p DE-604 Stroeher, Vicki P. Sonstige oth Vickers, Justin Sonstige oth Erscheint auch als Druck-Ausgabe 9781783271955 https://www.cambridge.org/core/product/identifier/9781787440067/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Benjamin Britten studies essays on an inexplicit art Britten, Benjamin 1913-1976 Criticism and interpretation Britten, Benjamin 1913-1976 (DE-588)118515527 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)118515527 (DE-588)4040802-4 (DE-588)1071861417 |
| title | Benjamin Britten studies essays on an inexplicit art |
| title_auth | Benjamin Britten studies essays on an inexplicit art |
| title_exact_search | Benjamin Britten studies essays on an inexplicit art |
| title_full | Benjamin Britten studies essays on an inexplicit art edited by Vicki P. Stroeher and Justin Vickers |
| title_fullStr | Benjamin Britten studies essays on an inexplicit art edited by Vicki P. Stroeher and Justin Vickers |
| title_full_unstemmed | Benjamin Britten studies essays on an inexplicit art edited by Vicki P. Stroeher and Justin Vickers |
| title_short | Benjamin Britten studies |
| title_sort | benjamin britten studies essays on an inexplicit art |
| title_sub | essays on an inexplicit art |
| topic | Britten, Benjamin 1913-1976 Criticism and interpretation Britten, Benjamin 1913-1976 (DE-588)118515527 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Britten, Benjamin 1913-1976 Criticism and interpretation Britten, Benjamin 1913-1976 Musik Konferenzschrift 2013 |
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