Rimsky-Korsakov and his world:
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| Sprache: | English |
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| Schriftenreihe: | The Bard Music Festival Princeton paperbacks
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| Beschreibung: | xiii, 367 Seiten Illustrationen, Notenbeispiele |
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Datensatz im Suchindex
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| adam_text | Contents
Preface and Acknowledgments vii
Permissions and Credits xiii
CORRESPONDENCE
The Professor and the Sea Princess: Letters of 3
Nikolai Rimsky-Korsakov and Nadezhda Zabela-Vrubel
EDITED BY MARINA FROLOVA-WALKER
TRANSLATED BY JONATHAN WALKER
OPERAS IN CONTEXT
Rimsky-Korsakov, Snegurochka, and Populism 63
EMILY FREY
“You, Mozart, Aren t Worthy of Yourself”: Aesthetic Discontents 97
of Rimsky-Korsakov’s Mozart and Salieri
ANNANISNEVICH
ORIENTALISM AND THE GOLDEN COCKEREL
Nikolai Rimsky-Korsakov and His Orient 145
ADALYAT ISS1YEVA
The Golden Cockerel, Censored and Uncensored 177
SIMON MORRISON
Staging Defeat: The Golden Cockerel and the Russo-Japanese War 197
MARINA FROLOVA-WALKER
• v •
COLLEAGUES AND DISCIPLES
St. Petersburg Conservatory and the Beginnings
of Russian Musicology
OLGA PANTELEEVA
How Stravinsky Stopped Being a Rimsky-Korsakov Pupil
YAROSLAV TIMOFEEV
TRANSLATED BY JONATHAN WALKER
Stylistic Turbulence: The Experience of the
Rimsky-Korsakov School
LIDIA ADER
TRANSLATED BY JONATHAN WALKER
In Search of Beauty: Autocracy, Music, and Painting in
Rimsky-Korsakov’s Russia
LEON BOTSTEIN
Index
Notes on the Contributors
AFTERWORD
• VI *
Bayerische
Staatsbibliothek
München
Index
Note: page numbers followed by “n” indicate chapter endnotes; those in italics refer to figures
and musical excerpts. Throughout the index, RK refers to Nikolai Rimsky-Korsakov.
Index of Rimsky-Korsakov s
Works of Music
Antar, 145, 149-52, 151, 168-69, 171n6
Boyarinya Vera Sheloga, The, 6, 7, 8, 15-17,
22, 23, 25, 27, 293
Capriccio espagnol, 283, 323, 340
Christmas Eve, The, 7, 12-15, 18-19, 56,
92n36, 103, 105, 345
“Eastern Melody,” 159-62, 162
From Homer, 47, 322
Golden Cockerel, The: augmented triad
in, 172n27; ballet versions of, 177,
188, 190-92, 191; Belsky libretto,
156-62, 168, 178, 180-85, 187, 192,
198, 204-8, 212; Bolshoi Theater
production of, 185, 187; censorship
of, 182-85, 197-98; Tsar character
and trivialist image of RK, 88; death
of RK and, 184; Diaghilev’s staging
of, 188, 190; ending, disagreement
between Belsky and RK on, 216—17;
Guidon, Alfron, and Polkan, 206-7;
Metropolitan Opera production of,
188; musical language of, 188-90;
political context and subtext of,
178-80; popular music and, 187-88;
Pushkin’s tale, 157, 177-78, 197-98,
204,210, 218n4; Soviet era and,
293; three spheres of, 187; Zimin
production of, 185-87
—oriental themes and, 145-69;
Astrologer characterization, 162-63;
Badmaev and, 163-68; Belsky
and RK’s contention over, 180;
Belsky’s Preface, interpretation of,
168; intention to offend, 155-56;
musical language of, 155; Queen of
Shemakha characterization, 152-53,
153, 158-62,160-61, 180-82, 207-8;
Russian attitudes toward the East
and, 146-47, 155-58; Russo-Japanese
War and, 155-56, 163; Tsar Dodon
characterization, 156
—Russo-Japanese War and, 197-217;
bitter note of the opera, 197; causes
and events of the war, 198-204;
Rubin s painting Das Grausen (The
Horror), 172n32, 203-4, 205; musical
implications, 211-17; references in
the opera, 204-11
“Hebrew Song,” 172n27
Kashchei the Immortal (An Autumn Fairy
Tale), 10, 50, 51-52, 87, 92n41, 179
Kitezh. See Legend of the Invisible City of
Kitezh and the Maiden Fevroniya
Legend of the Invisible City of Kitezh and the
Maiden Fevroniya, 197, 326; in letters,
54, 56, 58; oriental theme in, 216;
religious-philosophical aspects of,
109, 193nl 1; Soviet era and, 283,
290; Zabela in, 11
“Maiden and the Sun, The,” 12
Maid of Pskov, The (Pskovitanka): in
letters, 13, 15, 21, 23, 28-29, 40, 48;
Lunacharsky in, 139n86; at MPO,
5, 8; revision of, 110; RK’s aesthetic
shift and, 63-64; RK’s revision of, 72,
91n32; Snegurochka compared to, 83;
Solovyov’s theory of progress in, 66;
Soviet era and, 283, 293; terrible past
theme, 74; Vera Sheloga as preque!
to, 6
May Night, 6, 24, 28-29, 72, 92n33, 283,
296n39
“Midsummer Night’s Dream,” 11, 58
Mlada, !71n6
355 •
INDEX
Mozart and Salieri, 97-132; aesthetics of
responsiveness and, 105-21; “Aha!,”
101-2, 104, 106,107; background,
97-99; Dargomyzhskian/Musorgskian
recitative in, 215; Grave (Mozart
improvisation), 117—19, 775;
in letters, 13, 21, 23-24, 35; at
Mamontov’s home, 7; Moscow
Private Opera premiere, 122-24,
123; at MPO, 8; Pushkin’s Mozart and
Salieri, 97-102, 104-6, 117-18, 124,
131; reception and reviews, 121-32;
the “worth” of Mozart, 99-105
“Nightingale, Captivated by the Rose,”
28, 147, 152, 172n27
“Nymph, The,” 11,24, 28
Pan Voyevoda, 51nl01, 268, 290, 340
“Pine and the Palm, The,” 147
“Quiet Evening,” 28
Russian Easter Overture, 313, 323
Sadko, 116, 283, 333-34, 345; in letters,
13, 15, 22-23, 32-33, 35, 56; at
Mariinsky, 312; Mariinsky’s refusal
of, 4, 103, 128; at MPO, 4-5, 7, 8;
Nadezhda Nikolayevna Rimsky-
Korsakov on, 9n21; revision of, 110;
self-parody in, 208; “The Song of the
Hindu Trader,” 192; Tsar’s reversal
on, 9-10; Zabela in, 4, 11
Servilia, 340; in letters, 40, 43-45, 48,
50-51; plans for, 10; Russian style,
departure from, 212; Zabela in, 11
Sextet, 283
Sheherazade, 145, 323, 326; clarinet
solo, 153-55,154; Diaghilev’s
ballet version of, 168; oriental
themes in, 147-48,148, 149, 159,
168-69; pictorial approach and, 345;
premiere almost canceled, 155
Snow Maiden, The (,Snegurochka), 63-88;
Act 1 monologue and arietta, 77-79,
78, 79; Act 3 arioso, 79-80, 80; aria,
final, 83-85, 84; aria, “I’ve heard the
singing of the larks,” 81-82, 82; aria,
“To go out raspberry picking,” 81,
81; censorship and, 312; as “dead”
opera, 85, 94n56; decreased conflict
and increased emotion compared to
Ostrovsky’s Snegurochka, 75-86; fairy
tale, politics, and, 319-20; Glinka’s
influence on, 91n33; Kashchei
the Immortal and, 87; in letters,
13-14, 35; love duet, 82-83, 83;
Mikhailovsky, the populist ideal, and,
65-70; nostalgic utopia in Ostrovsky’s
Snegurochka, 70-75; reception of, 319;
RK’s aesthetic shift and, 64, 212; as
Russian project, 339; Soviet era and,
283, 290, 293, 296n39; Vasnetsov’s
art for, 339-42, 341; Zabela in, 6
Songs (Opus 50), 3, 12
Symphony No. 3, 283
Tale of Tsar Saltan, The, 8, 75, 342, 345;
Golden Cockerel and, 212-13; in
letters, 29-30, 32, 34-35, 39-43, 45,
52, 54, 56; march, 213; Musorgskian
recitative and, 215; Soviet era and,
283, 293; voice typing, 92n33
“Thy Glance Is Radiant as the Heavens,”
147
Tsar’s Bride, The, 312, 342; classicism and,
321; Kuchka taboos and, 215; in
letters, 15-17, 19-22, 27-29, 33-40,
50, 56; Marfa’s concluding scene,
93n52; performances, 8-10; RK’s
aesthetic shift and, 12; Russian style,
departure from, 212; Soviet era and,
283; Swan Princess, 36-38, 37; voice
typing, 92n33, 93n42; Zabela and,
7, 57
Index of Names and Subjects
Abbate, Carolyn, 189
Abraham, Gerald, 75, 156
absolutism, 313, 324-25
“academicism,” Soviet critiques of, 285-90
Adler, Guido, 108, 225
aesthetic utopianism, 108-9, 136n45
Afanasev, Alexander, 65
Aikhenvald, Yuli, 100
“Akh, Dilav!” (Georgian song), 147,148
Alexander II, 313, 317, 332, 337, 339
Alexander III, 317, 326, 339, 350n62;
Asia and, 163
Alix of Hesse (Alexandra Fyodorovna),
178-79
Allanbrook, Wye J., 117, 138n77
Ambros, August Wilhelm, 112-15,
136n59, 137n60, 229, 236
American Ballet Theater, 190-92,191
ancien regime, persistence of, 130-31
Andreyev, Vladimir, 280
♦ 356
Index
Arensky, Anton, 137n7l
art, 301-47; agrarian ideal and arts 8c
crafts movement, 337-38; autocratic
politics, nationalism, and, 306-17;
Briullov, 327-29, 328; Ge, 331-32,
333; ideology of beauty, 321-22,
323-26; the Itinerants, 330-35;
Ivanov, 329, 330; the pictorial in art
and music, 327, 345-47; politics and
the fairy tale, 317-23; Repin, 332-35,
334; Tolstoy’s What Is Art?, 301-6;
Vasnetsov, 339^2, 341; Vereschagin,
335-37, 337; Vrubel, 342-45, 344
Asafyev, Boris, 85, 162, 178, 242-43, 278,
289, 293
Association of Traveling Exhibitions, 331
augmented triads, 152, I72n27
autocratic politics, 301-26; art, reality,
and nationalism, 306—9; the fairy tale
and, 317-23; ideology of beauty and,
321-22, 323-26; tacit alliance between
state and artists, 309-17; Tolstoy’s
What Is Art? and, 301-5; Uvarov’s
three pillars, 314, 315-16, 332
Bach, Johann Christoph Friedrich, 110
Bach, Johann Sebastian, 72, 110, 119,
282, 284,318, 320, 338
Badmaev, Pyotr, 163-68, 164
Bakst, Léon, 132
Bakunin, Mikhail, 89nll
Balakirev, Mily, 151, I7lnl7, 180, 323,
332; Caucasian sketchbook, 146,
147-48; “Oriental Song,” 152; RK’s
relationship with, 149, 318; Rogdana,
152; Russia, 321; Tamara, 145, 148,
148, 313; as teacher, 279
Ballets russes, 188, 191
Baskin, Vladimir Sergeyevich, 52, 54
beauty, 303-5, 308, 311-12, 321-22,
323-26
Beethoven, Ludwig van, 112-13, 119,
130,290, 303, 308
Belgard, Alexei, 183-86
Belinsky, Vissarion, 100, 306-7, 315
Belsky, Vladimir, 116, 172n32, 215,
303; about, 193nl 1; Golden Cockerel
libretto, 156-62, 168, 178, 180-85,
187, 192, 198, 204-8, 212, 216-17;
Das Grausen proposal, 203; on RK’s
musical quotations, 180, 212
Bely, Andrei, 324
Belyayev, Mitrofan, 316k
Berlioz, Hector, 113, 318, 338
Bik, German, 280
Bikhter, Mikhail, 289
Bilibin, Ivan, 156, 162, 173n38, 179-80,
213; “Tsar Pea,” 165, 167, 179,181
Billington, James, 66, 70, 89n6
Bodenstedt, Friedrich, 317-18
Bogdanov-Berezovsky, Valerian, 280
Bolm, Adolph, 187, 188
Bolshoi Theater, Moscow, 4n5, 51;
Christmas Eve at, 7, 14, 19-20; Golden
Cockerel and, 185, 187; Khovanshchina
at, 252; Maid of Pskov at, 48;
performers at, 20nn42-45, 40n74,
41n79, 46n86; Saltan at, 10
Bolskaya, Adelaida Yulianovna, 46
Boris Godunov (Musorgsky), 8, 63, 102,
134n29, 135n39, 213, 214, 308, 313
Boris Godunov (Musorgsky/RK), 103,
214-15,251,253
Borisoglebsky, Sergei, 20
Bormann, Emil, 128-29
Borodin, Alexander, 180, 189, 319, 331,
332; Prince Igor, 75, 159, 216, 313
Botstein, Leon, 108
Bourgault-Ducoudray, Louis-Albert,
17lnl7
Brandt, Skylar, 190, 191
Briullov, Karl, 327-29, 339; The Siege of
Pskov, 327
Brusilovsky, Yevgeni, 291, 293
Bryusov, Valeriy, 193n8
Carmen (Bizet), 21
Cavalli, Francesco, Vermonda, 193n3
censorship, 182-85,312-13
ceremonial songs, 72-73
Cervantes, Miguel de, 178
Chaadaev, Peter, 310
Chaliapin, Fyodor, 46; in Khovanshchina,
252, 254, 262-63, 266-69; in Mozart
and Salieri, 13, 24, 122, 123, 139n85;
at MPO, 4n3
Chernov, Mikhail, 281
Chernyshevsky, Nikolai, 306-7, 314, 315,
329, 351n74
Chigaryova, Evgeniya, 135n39
Chopin, Fryderyk, 119, 127-28, 250,
303, 305
Christianowitsch, Alexander, 150, 17ln6,
I72n22
• 357
INDEX
Church of the Ascension, St. Petersburg,
339
Communist Party, 283
Cui, César, 39, 149, 152, 255, 272n24,
318,331,332
da Barberino, Andrea, 219n22
Daniel, Salvador, 171n6
Danilevsky, Nikolai, 311
Dargomyzhsky, Alexander, 104, 120,
172n22; Conservatory and, 290;
dedication to, 134n29; Finnish
Fantasy, 152; “Oh Rose-Maiden, I Am
in Shackles,” 152; oriental idioms
and Algerian tune, 149-53, 150;
recitatives of, 215; Rusalka, 25; The
Stone Guest, 102, 118, 134n29, 152,
215, 318
Darwin, Charles, 89n8
David, Félicien, 145
Davidov, Karl Yulievich, 2268
Debussy, Claude, 253, 286
Dehn, Siegfried, 111
Deisha-Sionitskaya, Maria, 20
Diaghilev, Sergei, 132, 324; ballet version
of Sheherazade, 168; Golden Cockerel
staging, 188, 190; Khovanshchina
version, 250-62, 268, 270; Stravinsky,
relationship with, 250; World of Art
circle, 322
d’Indy, Vincent, 304
Dobrolyubov, Nikolai, 91n29
Domling, Wolfgang, 274n44
Don Giovanni (Mozart), 103, 105, 116-18,
119, 126
Donskoy, Lavrenty, 20
Dorzhiev, Lama Agvan Lobsang, 163, 166
Dostoevsky, Fyodor, 101
Druskin, Mikhail, 293-94
Dubasov, Nikolai, 255
Dzerzhinsky, Ivan, 284, 287, 2937
Emerson, Caryl, 105, 135n39, 138n85
Engel, Yuli, 189, 230
Expressionism, 291, 342-43
Fardi, Georgy, 286-87
Fedorovsky, Fyodor, 252
Finagin, Alexei, 224
Findeisen, Nikolai, 139n94, 224, 226,
230-35, 231, 242-43
Firebird, The (Stravinsky), 208, 249-50,
257,293,313
Fleischer, Oskar, 232
Fokine, Michel, 177, 191, 192
folk traditions: Boris Godunov and, 214;
Golden Cockerel and, 188, 190-92;
nationalism and, 307; RK’s aesthetic
shift and, 63-64; in Russian art,
91n28; Snow Maiden and, 65, 70-74,
92n39, 290; as vulgar vs. noble,
194n29
formalism, Soviet critiques of, 284-90
Free Artist title, 238-39
Frolov, Vladimir, 226-29
Frolova-Walker, Marina, 98, 102, 133n9,
172n27, 179, 187-88, 194n29
Ge, Nikolai, Last Supper, 331-32;
Crucifixion, 332, 333
Germany, 320-21
Gershelman, Konstantin, 183-84
Gershelman, Sergei, 183, 184-85
Ginzburg, Semyon (ed,), N. A. Rimsky-
Korsakov and Musical Education, 294
Gladkaya, Sofya, 7,31
Glazunov, Alexander, 33, 43, 128, 156,
203-4, 286; “Arabskaya melodiya,”
152; Conservatory and, 278, 280,
287, 288-89, 293; “The Fire of
Desire Burns in My Blood,” 152; RK
reinstated at Conservatory by, 211;
Stenka Razin, 321
Glinka, Mikhail, 316, 317; beauty and,
305, 308; Briullov and, 328-29;
compared to Mozart, 111; Golden
Cockerel and, 180, 212; Kamarinskaya,
327; A Life for the Tsar, 72, 213, 327;
RK’s Snow Princess and, 91n33;
Ruslan and Lyudmila, 72, 92n33, 129,
180, 206, 213-16, 320, 327; Russian
approach and, 338; Soviet critics and,
289; Stasov on, 307
Gnesin, Mikhail, 157, 286, 288, 292, 310,
322, 345-46
Gogol, Nikolai, 72, 92n36, 303, 306, 312,
315, 329, 333
Golburt, Luba, 130
“Golden Cockerel” (Pushkin), 157,
177-78, 182, 204, 210, 218n4
Goncharov, Ivan, 158
Goncharova, Natalia, 190
Gozenpud, Abram, 85, 88, 91n28, 135n39
Grabar, Igor, 157
Gramenitsky, Galina, 280
• 358
Index
Gramenitsky, Marianna, 280
Greenleaf, Monika, 101
Grétry, André, 131
Guidi, Carlo, 53, 54
Guiraud, Ernest, 132
Gunke, Osip Karlovich, 235-36
Gusin, Israel, 291, 292
Gvozdetskaya, Alexandra, 254-55
Halbe, Gregory, 91n26
Haldey, Olga, 122
Handel, George Frideric, 110, 119
Hanslick, Eduard, 136n59, 225, 229
Harss, Marina, 190
Hausegger, Siegmund von, 321
Haydn, Joseph, 110, 121, 233-34, 316, 338
Hegel, Georg Wilhelm Friedrich, 64, 67,
90nl7, 113, 114
Hermitage Theater, 53, 132, 140nll5
Herzen, Alexander, 65, 310, 314, 322,
327,329
Hudson, Richard, 190-91
Humperdinck, Engelbert, 320
Imperial New Theater, 52-53
Imperial Theatres Directorate, 94n56,
103, 132, 183-84, 312
Impressionism, 286-87, 289, 291, 335
Insarova, Maria, 10
International Music Society (IMS), 232
Iogansen, Yuli, 226, 240
Ippolitov-Ivanov, Mikhail, 38, 40, 50;
Assy a, 38
Iretskaya, Natalia, 31
Irving, Washington, 177, 188, 193nn2-3,
218n4
Itinerants (peredvizhniki), 330-35
Ivanov, Alexander, 329, 339; The
Appearance of Christ Before the People,
329, 330
Ivanov, Mikhail, 41, 229
Ivanov-Razumnik, Razumnik, 87
jankélévitch, Vladimir, 189, 190
Japan and Japanese culture, 156-58,
210. See also Russo-Japanese War
japonisme, 157, 173n43
Johansen, July Ivanovich, 155
Jurgenson, R, 182, 184, 187
Kabalevsky, Dmitri, 293
Kal, Alexei, 234
Kalafati, Vasili, 281, 289
Kamensky, Alexander, 280
Kandinsky, Aleksei, 105
Karatygin, Vyacheslav, 322
Kashkin, Nikolai, 242
Kerzin, Arkadi, 29
Khovanshchina (Musorgsky), 86
Khovanshchina (Musorgsky/RK/Diaghilev/
Stravinsky), 249-70; aria “The
Streltsy’s nest is sleeping,” RK vs.
Stravinsky version, 259-69; debate
over Diaghliev/Stravinsky version,
254—59; early history of versions,
251-52; premiere of Diaghliev/
Stravinsky version, 251, 269-70;
Stravinsky’s changing aesthetics and
views, 252-54
Kiev Conservatory, 238
Kitaev, Sergei, 157
Klado, Nikolai, 203
Klimovitsky, Arkadi, 126-27, 140nl00
Klose, Friedrich, 321
Kobayashi Kiyochika, 209
Kompaneyskiy, Nikolai, I70n3
Koshelev, Vyacheslav AnatoFyevich,
91n31
Kruglikov, Semyon, 4-5, 6, 15-17, 27,
30, 32, 38, 39, 51, 92n39, 135n32
Krzesinska, Mathilde, 252, 271 nil
Kubin, Alfred, Das Grausen (The Horror),
172n32, 203, 205
Kuchka (the Mighty Handful): autocracy
and, 315—16; Dargomyzhsky’s
The Stone Guest and, 102; Golden
Cockerel and, 187-88; Kerzin and,
29n59; The Maid of Pskov and, 63,
72; Mozart and Salieri and, 98, 215;
oriental themes, 152-53; principles
of, 308; representational accuracy
and, I70n3; RK’s abandonment of,
63-64, 88; RK’s purism and, 102-3;
Rubinstein’s influence on, 153; state
patronage and, 313; Tale of Tsar
Saltan and, 215; The Tsar’s Bride and,
8-9, 215; Vasnetsov and, 340; Vrubel
and,344
Friedrich Kürnberger, 311
Kuropatkin, .Aleksei, 167
Labiche, Eugène, 132
Lady Macbeth of Mtsensk (Shostakovich),
91n29, 284, 286, 287
• 359
INDEX
Lamm, Pavel, 273n38
Langhans, Wilhelm, 229
Larosh, Gherman (Hermann Laroche),
125-27, 132, 140nl01, 226, 236
Lavrov, Pyotr, 66-67, 89nl 1, 90nl2
Lebedinsky, Lev, 290
Lenin, Vladimir, 70, 86-87, 288
Leningrad Conservatory, 285, 292, 294
Leningrad Philharmonia, 282-83
Leningrad Union of Composers, 285
Le nozze di Figaro (Mozart), 125-26
Leoncavallo, Ruggero, 305
Lermontov, Mikhail, 317-18, 319, 343
Leskov, Nikolai, 91n29
Levandovsky, Mikhail, 43
Levitan, Isaac, 331
Lewes, George Henry, 112, 114-15,
117, 136n59, 137n70, 137nn64-65,
138n77; Problems of Life and Mind
(Lewes), 114, 137n64
librettos, self-fashioned, 73, 92n37
Life for the Tsar, A (Glinka), 72, 213, 327
Linyova, Yevgeniya, 188, 214
Lipaev, Ivan, 41, 123-24, 139n91
Liszt, Franz, 119, 284, 318, 338, 347
Lunacharsky, Mikhail, 122, 139n86,
284-85
Lyadov, Anatoli, 128, 188, 240, 278, 286,
289, 293
Lyle, Duncan, 191
Lyubatovich, Tatyana, 13
Macaulay, Alastair, 190
Maes, Francis, 98
Malinin, Mikhail, 29-30
Malko, Nikolai, 280
Mamontov, Savva, 4, 13, 15-18, 22, 26,
122,312,316,331,338,342
Mariinsky Opera: about, 4n5; in letters,
32, 46, 48, 50, 55, 58; rehearsals
at, 287; Rubinstein’s The Merchant
Kalashnikov at, 33n66; Sadko turned
down by, 4-5, 9-10, 103; Senhlia at,
10, 50; Snow Maiden at, 75; Zabela
and, 8, 10-ll,27n55, 55
Marx, Adolf Bernhard, 231-32
Marx, Karl, 66, 89n6
Mascagni, Pietro, 305
Massenet, Jules, 308
Maude, Aylmer, 301, 307
Maykov, Apollon, 3
Meek, Nadezhda von, 92n37, 157, 319
melodiousness, RK on, 126-27
Mendeleyev, Dmitri, 225-26
Mendelssohn, Friedrich, 305
Metastasio, Pietro, 194n26
Metropolitan Opera, 187, 188
Mey, Lev, 40
Mikhailov, Mikhail, 280
Mikhailovsky, Nikolai, 67-70, 86-87,
89n8, 90nl3, 90nl7; “What Is
Progress?” 67-68
modernism, Soviet critique of, 284
Molas, Alexandra (née Purgold), 200,
218n10
Molas, Mikhail, 200
Molotov, Vyacheslav, 290
Monfred, Avenir, 280
Moscow Private Opera (MPO), 4-8, 17,
27, 29-34, 40-41, 43, 50, 53, 122-24,
123, 342
Mozart, Wolfgang Amadeus: beauty and,
305; Beethoven and, 112-13; Don
Giovanni, 103, 105, 116-18,119, 126;
free style of, 110, 136n54; Glinka
compared to, 111; nozze di Figaro,
125-26; as model for students, 115;
Pushkin’s Mozart and Salieri, 99-100,
104-6, 117-18, 124, 131; RK sMozart
and Salieri,, 97-132; struggle over soul
and meaning of, 108; Symphony No.
40, 126; Tchaikovsky and, 125-26, 128
Musikwissenschaftliches Institut, 225
Musorgsky, Modest, 149, 180, 189,
234, 319, 322, 331, 332; Alexandra
Molas’s pertormances of, 218nl0;
Boris Godunov, 8, 63, 102, 103,
134n29, 135n39, 213, 214-15,
251, 253, 308, 313; The Commander,
253; Conservatory and, 287, 290;
Khovanshchina, 86, 135n32, 249-70;
Nursery, 215; on opéra dialogué, 98;
populism and, 85-86; recitatives of,
215; RK compared to, 223; RK’s
Mozart and Salieri and, 134n29;
Salammbô, 152, I70n3
Mutin, Nikolai, 30
Myaskovsky, Nikolai, 273n29, 293
Nabokov, Vladimir, 312-15
Nâpravnik, Eduard, 40, 89nl, 94n56
nationalism, 307-9, 315-16, 318, 334
Naumann, Emil, 232, 236, 246n59
Nekrasov, Nikolai, 70-71
• 360
Index
New Russian School, 232
Nicholas I, 314
Nicholas II: autocracy, art, and, 326;
Badmaev and, 166-68; Golden
Cockerel and, 185, 208-10; in
Kobayashi woodblock print, 209;
Otsu Incident, 210; Rasputin and,
178-79; Repin portrait of, 334;
Russo-Japanese War and, 163,
198-99; on Sadko, 4, 9-10, 103, 312
Nikolaev, Leonid, 255, 280
nostalgia, 70-75
Nozhin, Nikolai, 89n8
octatonic scale, 212
October Manifesto, 179, 193n8
Olenin, Pyotr, 185
opéra dialogué, 98
oriental themes and the Orient, 145-69;
Antar, 145, 149-52,151, 168-69;
Badmaev and, 163-68; Borodin’s,
Prince Igor and, 216; early influences
on RK, 147-54; Glinka’s Ruslan and,
215-16; The Golden Cockerel, 146-47,
152-53,153, 155-63,160-61, 168,
216; Kitezh, 216; Orientalism, 146,
17lnl2; RK’s paraphrases and blatant
quotations, 180, 189, 212; RK’s self-
evaluation on, 145-46; RK’s world
travel and attitudes on, 146, 157-58;
Russian views of the East, 155-56, 201;
Russo-Japanese War and, 146-47,
155-58, 163; Sheherazade, 145, 147-48,
148,149, 153-55,154, 168-69
Orwell, George, 326
Ossovsky, Alexander, 230, 280
Ostrovsky, Alexander: The Pretender
Dmitry and Vasily Shuisky, 74; at
RK centenary, 293; samodur type
and, 91n29; The Snow Maiden
(Snegurochka), 64, 70-85, 91n31, 312,
317, 318-20, 351n74; Tushino, 74
Otechestvennye zapiski (Notes from the
Fatherland, journal), 70
Oulibisheff, Alexandre, 136n54
Overbeck, Friedrich, 329
Ovsianiko-Kulikovsky, Dmitri, 100-101
Paliashvili, Zacharia, 293
Paperno, Irina, 108
Paskhalova, Alevtina, 6, 23
Perov, Vasili, 351n74
Persian Songs (Rubinstein), 153-55,154, 159
Petipa, Marius, 132
Petropavlovsk, sinking of, 200-201, 336
Petrov, Aleksei, 280
Petrovsky, Evgeni, 124, 139n92, 139n94
Petrushka (Stravinsky), 192, 194n29, 250,
257-58, 293,313
Pfitzner, Hans, 321
Pisarev, Dmitri Ivanovich, 89n8, 90nl2
populism (narodnichestvo), 65-70, 85-86
Port Arthur, 199-201, 205
Prince Igor (Borodin), 75, 159, 216, 313
Prokofiev, Sergei, 188, 203, 271nl, 293
Proudhon, Pierre-Joseph, 66, 89n6, 89n8
Pushkin, Alexander, 319; art vs. life and,
317-18; autocracy and, 309-10;
“Golden Cockerel,” 157, 177-78,
182, 197-98, 210, 218n4; Mozart and
Salieri, 97-102, 104-6, 117-18, 124,
131; “Tale of Tsar Saltan,” 156
Pyman, Avril, 193n8
Queen of Spades, The (Tchaikovsky), 125,
126,129-32,308
Rachmaninoff, Sergei, 4n3, 13, 30, 122,
139n85, 293
Rakhmanova, Marina, 105, 189
Rasputin, Grigoriy, 178-79
Ratmansky, Alexei, 190-92
Ravel, Maurice, 258, 268, 273n40
realism, 306-7, 315-16, 329-39, 342,
344-45
recitatives, Dargomyzhskian/
Musorgskian, 215
Renzin Isay, 280
Repin, Ilya, 330, 332-35; Barge Haulers
on the Volga, 332-33, 334
Riemann, Hugo, 232-33
Rimskaya-Korsakova, Nadezhda
Nikolayevna (née Purgold), 9, 14, 19,
29, 31, 32, 34, 36, 55, 185, 258, 303
Rimsky-Korsakov, Andrei, 9, 87, 253,
256-58, 268
Rimsky-Korsakov, Fyodor, 200
Rimsky-Korsakov, Nikolai: aesthetic shift
of, 11-12, 63-64; birth centenary
celebration, 293-94; on composition,
place of, 242; death of, 184; diary
of, 121; “formalism” and, 289;
gatherings at home of, 303; as
“man of the sixties” or “man of the
• 361
INDEX
seventies,” 88; on melodiousness,
naturalness, and nobility, 126-27;
Mikhailovsky’s biography compared
to, 86; on musical creativity, 289;
naval trip around the world, 146;
pictorial approach of, 345-47;
political views of, 87; portraits of,
332, 335; as revolutionary, 87,
210-11; as trivialist, 87-88
—writings of: “Mozart and Glinka,” 110,
113; My Musical Life {Letopis moyei
muzikaVnoi zhizni; memoirs), 64, 87,
104, 128, 136n59; Practical Manual
of Harmony, 281, 290; Principles of
Orchestration, 223, 281-82, 290-91;
“Wagner and Dargomyzhsky,”
113-14,117
Rimsky-Korsakov, Voin, 158, 173n50
Rite of Spring, The (Stravinsky), 250-51,
258,269,313
Romanticism, 325-26
Rosenfeld, Paul, 88
Rossini, Gioacchino, 103
Rostovtseva, Alexandra, 28
Rozenov, Emily, 28
Rubinstein, Anton, 153, 239, 241, 313, 318,
319, 332; death of, 322; The Demon,
75, 343; The Merchant Kalashnikov, 33;
Persian Songs, 153-55,154, 159
Runge-Semyonova, Alexandra, 19
Rusanov, Nikolai, 90nl2
Ruslan and Lyudmila (Glinka), 72, 92n33,
129, 180, 206, 213-16, 320, 327
Russian Academy of Artistic Sciences, 223
Russian Association of Proletarian
Musicians (RAPM), 283-85
Russian Musical Society, 39, 155, 229-30,
235, 238
Russian style, dehumanization of, 212-13
Russian Symphony Concerts, 15, 17, 23,
26, 30, 27ln4
Russo-Japanese War, 197-217; about,
163; causes and main events of,
198-204; The Golden Cockerel and,
155-56, 197-98, 204-17; protests of
1905 and October Manifesto, 179,
193n8; sinking of the Petropavlovsk,
200-201,336
Ryazanov, Pyotr, 280, 285-89, 291-92, 294
Sacchetti, Antonio, 226
Sacchetti, Liveri Antonovich, 227, 255;
appointment of, 225, 236, 237; on
Artistic Council, theoretical branch,
240; background, 226; Findeisen’s
criticism of, 230-35; “Foundations of
Music Criticism,” 229; music history
and aesthetics courses, 225, 235-38,
240-41; public lectures and Frolov’s
critique, 226-29; From the Realm of
Aesthetics and Music, 229; RK’s disdain
for, 242; Short Historical Anthology
of Music from Ancient Times, 229;
Stasov as mentor to, 232-33; travels,
229-30.
Said, Edward, 17lnl2
Saint-Saëns, Camille, 145, 308
Sakharov, Ivan, 65
Salieri, Antonio, 98-101, 104-6, 120,
124-25, 133nl2,322
samodur character type, 72, 91n29
Samprovalakis, Yannis, 190
Sargeant, Lynn, 88, 238
Scherr, Apollinaire, 190
Schiller, Friedrich, 69
Schillings, Max von, 320-21, 350n51
Schubert, Franz, 279
Scriabin, Alexander, 189, 287, 293,
304-5, 321,324
Sekar-Rozhansky, Anton, 5, 9, 30, 42
Senkovsky, Osip, 149-50
Serebryakov, Pavel, 280
Serov, Alexander, 180, 323, 335
Shcherbachev, Vladimir, 278, 283-84,
289, 296n28
Shcherbatov, Sergei, 157
Shein, Pavel, 65
Shishkin, Ivan, 331
Shkafer, Vasili, 13, 21, 24, 30, 33, 43, 123
Shostakovich, Dmitri: Conservatory and,
279, 280, 282, 285, 286, 289, 293,
295n8; Gusin on, 291; Lady Macbeth
of Mtsensk, 91n29, 284, 286, 287;
linear style of, 286
Shvarts, Iosif, 280
Siloti, Alexander, 250
Skrinnikova, Olga, 178
Skryabina, Elena, 280
Slavophiles, 308-10
Snow Maiden, The (Snegurochka)
(Ostrovsky), 64, 70-85, 91n31, 312,
317,318-20, 351n74
Society for Private Opera, 4n3, 41n81
Sofronitsky, Vladimir, 280
• 362
Index
Sokolov, Nikolai, 232, 255, 280, 281, 286
Solodovnikov, Gavrila, 40, 52
Soloviev, Vladimir, 109, 312
Solovyov, Nikolai, 255
Solovyov, Sergei, 63, 66, 67, 240
Spencer, Herbert, 237
Spendiarov, Alexander, 145, 293
Stalin, Joseph, 287, 290, 326
Stasov, Vladimir, 303, 307, 322, 323,
325, 329, 330, 332; on Boris Godunov
revision j 103, 214-15; on Mozart and
Salieri, 121-23, 135n31; nationalism
and, 315-16, 338, 339; RK’s
relationship with, 318; Sacchetti and,
226, 232-33; on Vrubel, 343-44
Stavitskaya, Anna, 23
Steinberg, Maximilian, 258; Conservatory
and, 278, 279, 280, 287, 289, 291,
292; RK’s Principles of Orchestration
and, 281-82; Shostakovich and,
295n8; Symphony No. 4 (“Turksib”),
290
Stone Guest, The (Dargomyzhsky), 102,
118, 134n29, 152, 215, 318
St. Petersburg Academy of Sciences,
225-26
St. Petersburg Conservatory, 223—45;
arrival of RK, 277; curriculum,
1920s, 280-81; curriculum and
figures, 1930s, 279-83; curriculum,
1940s, 293; decline of in 1930s,
292-93; first music history and
aesthetics courses, 225, 235-38; Free
Artist title, 238-39; Gunke memo,
235-36; Kashkin memo on academic
research, 242; legitimization of music
as profession, 238-42; Mozart as
model composer for students, 115;
musicology department established
by, 242-43; practical focus of,
239-T1; Rimsky-Korsakov school,
legacy of, 277-94; RK birth centenary
(1944), 293-94; RK’s name on, 223;
Sacchetti appointment, 225; scientific
institutions compared to, 225-26;
Soviet reforms and critiques of
1930s, 283-92; temporary dismissal
of RK from, 179, 210-11; theory,
RK’s objections to, 111-12; see also
Leningrad Conservatory
St. Petersburg Institute of Art History,
223-24, 243
St. Petersburg Private Opera, 52, 53, 54
Strauss, Richard, 304, 320-21
Stravinsky, Fyodor, 75, 93n42
Stravinsky, Igor, 249-70; An
Autobiography, 325; Chronicle of My
Life, 27ln2; Conversations, 253; dance
and, 325; Diaghilev, relationship
with, 250; The Firebird, 208, 249-50,
257, 293, 313; Funeral Song,
249-50, 271n4; ill with typhoid, 269,
270; Khovanshchina orchestration,
252-53, 256-70; The Nightingale,
250; orchestration of Chopin’s Les
sylphides, 250; Petrushka, 192, 194n29,
250, 257-58, 293, 313; The Rite of
Spring, 250-51, 258, 269, 313; on
RK, 249, 347; Scherzo fantastique, 250;
as student of RK, 249; Symphony in
E-flat Major,
Suk, Vyacheslav, 41
Surikov, Vasili, 331
Symbolists, 182-83, 188, 189, 324, 340
Taine, Hippolyte, 237
Taneyev, Sergei, 283, 293, 322
Taruskin, Richard: on Golden Cockerel,
187-88; Khovanshchina and, 272n26,
273n38; on Legend of the Invisible City
of Kitezh, 109; on Mozart and Salieri,
98, 135n39; on Pskovityanka, 63; on
RK, 86; on Snegurochka, 64, 74, 83,
91n32; on Tchaikovsky, 125, 127,
140nl00, 140nl12, 350n62
Tchaikovsky, Pyotr Ilyich, 317, 319; death
of, 322; The Enchantress, 43; Eugene
Onegin, 126, 128, 129, 130; incidental
music for Ostrovsky’s Snegurochka,
92n36; Larosh and, 125; The Maid
of Orleans, 41, 92n37; Mazepa, 75;
Mozart and, 125-26, 128; Mozartiana,
126; Nutcracker, 324; Oprichnik, 103;
The Queen of Spades, 125, 126, 129-32,
308; RK on, 128; RK’s Mozart and
Salieri and, 127-32; RK’s relationship
with, 318; Serenade for Strings, 126;
on Snow Maiden, 319; state patronage
and, 313, 350n62; St. Petersburg
Conservatory and, 225; Taruskin on,
140nl00, 140nl 12; Vakula the Smith,
92n36
Tcherepnin, Alexander, 352n91.
Telyakovsky, Vladimir, 48, 183-84
363 •
INDEX
Tereshchenko, Alexander, 65
theory, RK’s objections to, 111-12
Threlfall, Robert, 256
Tibet, 165-66, 168
Tigranian, Armen, 293
Tolstoy, Alexei, 324
Tolstoy, Lev, 69, 203, 311, 315; on art
and beauty, 301-6, 310-11, 321; RK
and, 303-4; on Snow Maiden, 319;
War and Peace, 66; What Is Art?, 301-6
Trezvinsky, Stepan, 20
triads, augmented, 152, 172n27
“Tsar Pea” (Bilibin), 165, 167, 179,181
Tsvetkova, Elena Yakovlevna, 13, 30
Tyulin, Yuri, 281, 286
Ukhtomsky, Esper, 163
United States, 246n57, 310-11
Uspensky, Alexander, 20
Uspensky, Gleb, 65, 71
Uspensky, Victor, 293
utopianism, 70-75, 108-9, 136n45
Uvarov, Sergei, 314, 315-16, 327, 332
van Zandt, Marie, 22
Vasilenko, Sergei, 54
Vasilyev, Mikhail, 75
Vasnetsov, Viktor, 312, 330, 339-42; The
Snow Maiden, 341
Vechten, Carl van, 188
Veprik, Alexander, 280
Vereschagin, Vasili, 314, 330, 335-37;
Defeated, Requiem, 336,337
Vinter, Klavdiya Spiridonovna, 40
Vlasov, Stepan, 20
voice typing, 75, 91n33
Volkonsky, Sergei Mikhailovich, 311-12,
323,334
Vrubel, Mikhail, 4, 15, 25-26, 30, 46,
352n91; mental illness of, 10, 49,
53, 54, 55; Mozart and Salieri and,
139n87; MPO and, 4, 7-8; RK and,
5, 330, 339, 342-45; at RK home
gathering, 303; The Six-Winged Seraph,
343, 344
Vsevolozhsky, Ivan, 103
Wagner, Richard, 43, 108, 180, 233, 284,
290, 320, 338; Ring, 303, 304; RK on,
113-14, 116; RK’s Mozart and Salieri
and, 120-21; RK’s study of, 135n35,
317; Tolstoy on, 303, 305
Weber, Max, 314
Witol, Iosif, 255
Witte, Sergei, 163, 166
Wittfogel, Karl, 314
World of Art circle, 124, 132, 322, 324, 343
Wortman, Richard, 68
Yastrebtsev, Vasili, 34, 87, 103, 139n91,
I72n32, 303; on “coldness,” 135n37;
on Golden Cockerel censorship, 183;
on Mozart and Salieri, 121,139n94;
on RK and Tchaikovsky, 127-29; on
sinking of the Petropavlovsk, 200
Yudina, Maria, 280
Zabela-Vrubel, Nadezhda Ivanovna,
92n33, 122-23, 139n87; death of baby
son of, 10; letters (1898), 12-27; letters
(1899), 28-31; letters (1900), 31-44;
letters (1901-1902), 45-52; letters
(1903-1906), 52-58; portraits of, 37,
57, 343; relationship with RK, 4—12
Zamyatin, Yevgeny, 326
Zander, Yuri, 280
Zaremba, Nikolai, 278
Zbrueva, Yevgeniya, 254
Zhitomirsky, Alexander, 281
Zhupel (magazine), 179
Zimin, Sergei, 185-87
Zlatovratsky, Nikolai, 65, 71
Zubov, Valentin, 223
364 •
|
| any_adam_object | 1 |
| author2 | Frolova-Walker, Marina 1966- |
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| author_GND | (DE-588)1030358540 |
| author_facet | Frolova-Walker, Marina 1966- |
| building | Verbundindex |
| bvnumber | BV045207758 |
| classification_rvk | LP 65390 |
| ctrlnum | (OCoLC)1056971428 (DE-599)BVBBV045207758 |
| discipline | Musikwissenschaft |
| format | Book |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4146609-3 Briefsammlung 1898-1906 gnd-content |
| genre_facet | Aufsatzsammlung Briefsammlung 1898-1906 |
| id | DE-604.BV045207758 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:11:34Z |
| institution | BVB |
| isbn | 9780691182704 9780691182711 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030596617 |
| oclc_num | 1056971428 |
| open_access_boolean | |
| owner | DE-12 DE-11 DE-19 DE-BY-UBM DE-703 |
| owner_facet | DE-12 DE-11 DE-19 DE-BY-UBM DE-703 |
| physical | xiii, 367 Seiten Illustrationen, Notenbeispiele |
| psigel | BSB_NED_20190724 |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Princeton University Press |
| record_format | marc |
| series2 | The Bard Music Festival Princeton paperbacks |
| spelling | Rimsky-Korsakov and his world edited by Marina Frolova-Walker Princeton, New Jersey ; Oxford Princeton University Press [2018] © 2018 xiii, 367 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier The Bard Music Festival Princeton paperbacks 43 Zabela-Vrubelʹ, Nadežda I. 1868-1913 (DE-588)136927491 gnd rswk-swf Rimskij-Korsakov, Nikolaj 1844-1908 (DE-588)118601067 gnd rswk-swf Zeithintergrund (DE-588)4128644-3 gnd rswk-swf Rimsky-Korsakov, Nikolay / 1844-1908 Rimsky-Korsakov, Nikolay / 1844-1908 / Operas Rimsky-Korsakov, Nikolay / 1844-1908 / Criticism and interpretation Composers / Russia / Biography (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4146609-3 Briefsammlung 1898-1906 gnd-content Rimskij-Korsakov, Nikolaj 1844-1908 (DE-588)118601067 p Zeithintergrund (DE-588)4128644-3 s DE-604 Zabela-Vrubelʹ, Nadežda I. 1868-1913 (DE-588)136927491 p Frolova-Walker, Marina 1966- (DE-588)1030358540 edt Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030596617&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030596617&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Rimsky-Korsakov and his world Zabela-Vrubelʹ, Nadežda I. 1868-1913 (DE-588)136927491 gnd Rimskij-Korsakov, Nikolaj 1844-1908 (DE-588)118601067 gnd Zeithintergrund (DE-588)4128644-3 gnd |
| subject_GND | (DE-588)136927491 (DE-588)118601067 (DE-588)4128644-3 (DE-588)4143413-4 (DE-588)4146609-3 |
| title | Rimsky-Korsakov and his world |
| title_auth | Rimsky-Korsakov and his world |
| title_exact_search | Rimsky-Korsakov and his world |
| title_full | Rimsky-Korsakov and his world edited by Marina Frolova-Walker |
| title_fullStr | Rimsky-Korsakov and his world edited by Marina Frolova-Walker |
| title_full_unstemmed | Rimsky-Korsakov and his world edited by Marina Frolova-Walker |
| title_short | Rimsky-Korsakov and his world |
| title_sort | rimsky korsakov and his world |
| topic | Zabela-Vrubelʹ, Nadežda I. 1868-1913 (DE-588)136927491 gnd Rimskij-Korsakov, Nikolaj 1844-1908 (DE-588)118601067 gnd Zeithintergrund (DE-588)4128644-3 gnd |
| topic_facet | Zabela-Vrubelʹ, Nadežda I. 1868-1913 Rimskij-Korsakov, Nikolaj 1844-1908 Zeithintergrund Aufsatzsammlung Briefsammlung 1898-1906 |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030596617&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030596617&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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