The paradox of authenticity: folklore performance in post-communist Slovakia
During the Communist reign in Slovakia the state government staged a public performance of stage folklore that was both simplistic and artificial. Recently, as part of a larger movement to retrieve their culture, young Slovakian folklore enthusiasts have attempted to recover an authentic form of rur...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Madison, Wisconsin
The University of Wisconsin Press
[2018]
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| Schriftenreihe: | Folklore studies in a multicultural world
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Register // Gemischte Register |
| Zusammenfassung: | During the Communist reign in Slovakia the state government staged a public performance of stage folklore that was both simplistic and artificial. Recently, as part of a larger movement to retrieve their culture, young Slovakian folklore enthusiasts have attempted to recover an authentic form of rural dance and music, and return their folklore traditions to the Slovakian public by researching, learning, and presenting original, authentic folklore performances. Joseph Feinberg sets out to analyze this contemporary movement with a special focus on its ideology, practices, and performances. But he also tackles a much larger issue. Interpreting the Slovakian movement against a wider background of post-Communist contemporary Central and Eastern Europe, he investigates the issue of authenticity itself, and how a self-identified form of authentic folklore is reconstructed and reenacted |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xviii, 234 Seiten 23 Illustrationen, 1 Karte |
| ISBN: | 9780299316600 |
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| 650 | 4 | |a Folklore |z Slovakia | |
| 650 | 4 | |a Folklore |x Social aspects |z Slovakia | |
| 650 | 4 | |a Folklore and nationalism |z Slovakia | |
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| adam_text | Contents
List ofIllustrations ix
Preface xi
Acknowledgments xvii
Introduction: The Dialectics of Authenticity 3
1 The Paradox of Publicizing Folklore 65
2 Folklore as Performance and Organization 93
3 Folklore and Festivals between the Public and the People 117
4 The Poetics of Authenticity 145
Coda: The Poetics and Politics of Non-overcoming 176
Concluding Unscientific Postscript: Reflective Authenticity
and the Notion of Love 187
Notes 203
Bibliography 213
Index 229
vii
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Index
Page numbers in bold refer to illustrations.
Abovcanka, Women’s Singing Group, hi
Abrahams, Roger, 39
Adorno, Theodor W., 152, 205ni6, 205018,
205021
affect, 22, 35, it6, 123. See also enjoyment;
pleasure
Ambrôzovâ, Jana, 20304
Anderson, Benedict, 123,138, 2o6n24
antiperformance. See performance: contrasted
with participation or antiperformance
Archive of Folk Culture, 60,145-46, 181
art: aesthetic autonomy, 152-54; authenticity
in, 21, 23, 25, 149, 153, 194; distinguished
from folklore, 13, 152-54, 151, 168, 200-
201; merged with folklore, 46, 48 49, 50,
52, 56, 61, 133; as organization, 97, 99-
101,115-16,179-80
audience. See spectators
Austin, J. L., 206026
authenticity: ambiguities of, 149-52; authenti-
cation, 5, 15, 40, 58-59, 97, 146, 156-66;
as central problem of foiklorism, t6, 40;
competing conceptions of, 58, 70, 197,
2im2; criticized, 18-20, 26, 31; defined,
5-6, 21-22, 149; distinguished from sin-
cerity, 23,156, 166-67, 188; as a dialectical
problem, 26-30, 21 m3; experienced pro-
visionally, 30, 58, 59, 144, 147-48, 178;
folklore as source of, 6; history of, 22-24;
as part of modernity, 6, 24-26, 189 90,
i93 *95 b99; philosophy of, 20-22, 190-
99; reflective, 59, 189-91, 192, 193, 196-
98, 202; spatial dimension of, 37. See also
sincerity
A. V. Alexandrov Song and Dance Ensemble
(Red Army Choir), 46
avant-garde, 49. See also surrealism
Baca, Martin (Mato), xvii, 93, 109, 113, 21004
(chap. 2)
Bakhtin, Mikhail, 120
Bartók, Bela, 20305
Bataille, Georges, 209m
Bausinger, Hermann, 204ml
Ben-Amos, Daniel, 17
Bendix, Regina, 19, 24, 25
Benjamin, Walter, 120
Berlant, Lauren, 74
Birkova, Katarina, no
Bratislava, Slovakia, 1, 4, 68-69, io7 I35? I54?
208040, 20903, 209010
Boccaccio, Giovanni, 24
Bogdanov, Alexander, 97, 179
Bohlman, Philip, 28, 34
Butler, Judith, 205026
Cadca, Slovakia, 97
Caillois, Roger, 209m
229
230
Index
cardds: gender and, 209n8; history of, 12-13,
204008-9; Parchovany cardas, 85,155-56,
I57 i58~6i? *62, 163, 164, 165, 169, 170,
175, 2ion4 (chap. 4); Pozdisovce cardaS,
82
Case, Sue Ellen, 207029
Cash,Jennifer, 18, 141
Cervenak, Maros, 107 -8,129-30, 208040
Cheng, Vincent John, 32, 2o6n24
Chllbec, Jiri, 49
circle dances, 11, 51, 82, 86, 136, 170, 204ns.
See also karicka; koleso; kolo
civil society, 35, 37, 44, 74, 2o6n25
Clifford, James, 21 m3
Club of Authentic Folklore Lovers (KMAF),
65-68, 66, 67, 88-89, 145
collective effervescence, 30, 77, 124, 138,186
Communism (the communist movement and
Communist Party rule): anti-Communism,
xv, 68-70; defined, 47, 203m; fall of, xi,
xiii, 6, 35; Communist approaches to folk-
lore, 6, 14, 28, 41, 44 -56, 75-76, 90, 133,
137,141,142. See also post-Communism
community: “communitas,” 116; entry into, 63,
87, iii; imagined, 32,123, 127-28,136-37;
incomplete, 25; internally oriented, 36,
58? 95? 99? I02_3? “6; practice, 126;
related to publicity, 20, 36, 37, 42, 58, 74 -
75? 89, I21? 136-38; valorized, 22, 115. See
also folklore performance ensembles: as
“collectives”
Cooley, Timothy, 18,19
coolness, 77-81, 79
csardds. See cardds
Czechoslovakia, 4, 41,45, 55
Dacov Lom, Slovakia, 51
dance. See dance houses; folk dance
dance houses: at festivals, 118, 135-36; Hun-
garian, 7,9,43, 60, 203n4; National Dance
House (Hungary), 113, 2ogn8; Slovak,
3 5? 7 9? 65-71, 81-89, 83, 84, 112,
20304. See also Dancing on Broken Glass
(film), 174
Dean Jodi, 94
Debord, Guy, 171,178
democracy: competing conceptions of, 43-
44; democratization of aesthetics, 48-49,
liberal democratic hegemony, xii-xiii.
See also people, the: as conceptual basis of
democracy
dialectics, 26-30,176-77, 183,198-199, 205021,
2iin3
dissidents, 27
Dorson, Richard, 17
Draguni, 68-70, 81, 209010
drudgery. See folklore performance ensembles:
drudgery of training
Durkheim, Emile, 138
East-Central Europe, xiii, 27, 30-31, 33, 34, 44
Easter Monday, 113,114
Egginton, William, 37, 178
embodiment, xv, 42, 62, 77, 91, 97-98, 115? I23?
I3L 153? 179? 201—2
end of history, 27 -28
enjoyment, 102, 116, 167- 68, 174, 176, 186. See
also affect; play; pleasure
ensembles. See folklore performance ensembles
epic, 27-30, i73 “74? 199
Evreinoff, Nicolas, 211m
Falassi, Alessandro, 120, 138
Ferrara, Alessandro, 196-97, 205017
festivals: ambivalent value of, 81; between pub-
lic and private, 58, 118-2, 133-34? !43“
44; “bus phenomenon,” 129, 129-30; the
carnivalesque and bodily exuberance,
120- 21, 128, 130-33; folklore studies and,
121- 24; forging collectivity at, 116, 125-
29? 136-43; temporality of, 138. See also
Vychodna Folklore Festival
folk, the: as collective creator, 13, 74-75, 198-
99; constituting 32, 90, 97, 99, 144, 181;
criticized, 17, 31; as part of modernity,
48 49; removed from modern life, 29, 33,
127, 142-43; related to “the people,” 31;
related to “the public,” 76-77, 91, 206023;
shifting conceptions of, xvi, 32-35, 200-1.
See also people, the
folk dance: history of Slovak and Hungarian,
11 -13; as specific mode of performance, 50,
62-63, 208041. See also folklore perform-
ance ensembles; specific dance types (cardds;
koleso; kolo; karicka; mazurka; polka; waltz;
verbunk)
Index
231
folklore: accessible to masses, 49; modernity
and, 12-13, 24, 39, 46, 4^-49? 5*, 55, 73,
122, 150, 195; depoliticized, 33, 55-565 as
an end in itself, 10, 22, 36, 39, 72, 127,143,
I5°, *53, 166; as lifestyle, 108-11; New
Hungarian style, 11-13, 60, paradox of
publicizing, 36, 72-75, 89-91; repoliti-
cized, xv, 199-200; returned to the people,
56-57, 65 68,71, 75-77, 81, 88, 89, 90, 94,
133, *42; revival 5, 6,16-17, 21, 33, 735 Slo-
vak (traditional), 11,12, 53, 20305; village-
based, 53-54, 141-42. See also Commu-
nism: Communist approaches to folklore;
festivals; folklore performance ensembles;
public folklore
folklore performance ensembles (folklorne
subory): adjusting to the fall of Commu-
nism, 6, 108, 171; amateur vs. profes-
sional, 41-42, 50, 61-62, 20810138-40; as
“collectives,” 42, 62, 98-99, 102-3, 110,
m-14, 116, 126; contrasted with dance
houses, 70-71, 81, 84; drudgery of train-
ing, 93-94, 104-8, 114, 138; history of, 10,
45-46; as mediators between the public
and the people, 91; internal life of, 91-92,
95; as research site, 59-64; as vanguard,
50-52; village-based vs. city-based, 50,54,
111. See also Hornad, Folklore Ensemble
folklorism: contrasted with folklore, xvi, 9, 10,
14-15, 24, 29, 37,43, 68, 73,152-53; defin-
ing, 15-20, 36, 40, 74; depoliticizing, 75;
recent changes in, 28-29, 3b 33, 57, 7 ~
79, 84 85. See also Communism: Commu-
nist approaches to folklore; folklore per-
formance ensembles
folk music: art music and, 46, 49; compared
with folk dance, 50, 62; history of Slovak
and Hungarian, 11-13, 203115; made cool,
78- 79; North American-style, 55, 62-63.
See also folklore; folklorism
framing, 39,75, 123-25,137,141-43
Franzen, Jonathan, 187-88,192
Freedom (Franzen), 187-88, 192
Frolec, Vaclav, 48,133
fujara, n
Fukuyama, Francis, 28
Gellner, Ernest, 2o6n24
gender, 209n8
Gorale, 18-19
grand narratives, 27-29, 173, 183-84,199
Green, Jeffrey, 207029
Gusev, V. J., r6
Guss, David, 207029
Gypsies. See Roma
Habermas, Jurgen, 36, 207030
Habura, Slovakia, 139-41, 175
Heidegger, Martin, 196,197
Hegel, G. W. F., 27, 28 -29, *96,199
Herder, Johann Gottfried, 31
history (as narrative genre), 199
Hoerburger, Felix, 205012
Hornad, Folklore Ensemble: attaining success,
14, 117 -18; described, 59-61; at festivals,
58, 117-18, 124 25, 127, 130, 139-4°; re‘
hearsing, 58, 93 94? *04-14, 114, 163,
164-65; repertoire of, 169
Hudak, Marek, 115
Hudak L’ubomlr (I!ubo), 9,14
Humno Private Ethnographic Museum, 83
Hungary: folklore in history of, 11 12; Hungar-
ian identity, 141; Slovakia in Hungarian
Kingdom, 45, 55, 59 -60; Slovaks in, 124-
25, 127. See also dance houses: Hungary;
folklore: New Hungarian style
identity, 21, 22, 79, 124, 125
improvisation, 69, 84 -85, 87, 155, 163 -64
intimacy: bodily, 130- 31; cultural, 34; love and,
80-81; publicity and, 35, 36-37, 43, 52-
54? 565 58, 72-75, 99. 128. See also commu-
nity; love
intoxication: ethnographic method and, 63 -64;
provisional authenticity and, 77, 147-48,
186; sociality and, nr, ri2, 113 -14, 126,
135. See also festivals: the carnivalesque
and bodily exuberance
Ivy, Marilyn, 73
Jackson, John L., 25,155,167
Janosik, Juraj, 53
Japan, 73,112, 21005 (chap. 2), 2ion4 (chap. 4)
Jarabina, Slovakia, 127, 131
Jewish folklore in Slovakia, 60,141
Jirovy, Zdenek, 48
232
Index
John the Baptist, 186
Joke, The (Kundera), 207034
Kant, Immanuel, 36, 153,195-97
karicka (dance), 11, 51, 82, 85, 170
Kaushal, Molly, 74
Kealiinohomoku, Joann, 18
Keil, Charles, 169, 2iin9
Kierkegaard, Soren, 29-30, 176, 185, 198,
205n2i
kitsch, xv, 6, 9,78, 80, 188
Klüsen, Ernst, 17
KMAF (Klub milovnikov autentického folk-
lorn), 65-68, 66, 67, 88-89, *45
kolo (dance), 11
koUso (dance), 11, 51
körtanc (dance), 204n8
Kosice, Slovakia, 46, 59-60, 208039
Kundera, Milan, 188, 207034
Krausovâ, Agâta, 158, 2ion6
Kravcik, Lukas, 119
Kresanek,Jozef, ir, 49, 72, 20305
Kozlovskaja, Villora, 133,
Kundera, Milan, 173, 188, 207033
Laclau, Eroesto, 31
Lee, Beojamin, 31
Lemon, Alaina, 18
Lévi-Strauss, Claude, 63
liberalism, xi-xiii, 77
love, xv, 43, 80-81, 82, 92, 141,176, 184, 201-2
Lücnica (ensemble), 51, 65, 66, 78, 135-36, 173,
2ion2 (chap. 3)
Lukács, György, 29
Lyotard, Jean-François, 27
lyric, 29-30, 78,173-75» !98, 200
Macpherson, James, 24
Maners, Lynn D., 208038
Marcuse, Herbert, 36, 152
Martin, György, 20303, 2ïin8
Maslov, Boris, 2ion2 (chap. 4)
mass culture, 49, 52, 80. See also mass media;
participation: mass; publicity: mass
mass media, 37,72, 90,123. See also mass culture
mazurka, 12
Mazzarella, William, 40, 74,123, 138
McLuhan, Marshall, 77-78, 179
Meder, Theo, 19
Melek, Jan, 208039
Michalko, Vladimir (Vlado): as choreographer,
61, 154-56, 164; as dance house leader, 8,
65, 68, 88-89, j36; as dancer, 155; as
movement leader, 9,14-15
mimesis, 167, 182
Minac, Vladimir, 208036
Moiseyev, Igor, 46
Moldovan folklore, 18, 141
Morong, Frantisek (Fero), 4-5, 28, 69-70
Moser, Hans, 16
Muthukumarawamy, M. D., 74
Nahachewsky, Andriy, 207031
narrativity, 183. See also epic; grand narratives;
history; lyric; tragic, the
National Dance House (Hungary). See under
dance houses
nationalism: building national consciousness,
12-13, 28, 45, 54; delegitimation of, xi,
33-34; folklore scholarship and, xiii-xv,
33; as historical movement, 14, 27, 44,
46» 55» 69; internationalism, 28, 34, 54;
invoking the nation, xii, 18, 41-42, 49,
108, 123; return of, xii, xv-xvi, 34-35,
199-200
Nausea (Sartre), 21
Nejedly, Zdenek, 48-49
neofascism, xii, 200
Newman, Jay, 22
Noga, Michai (Miso), 9, 14
Nosaf, Stefan, 2o8n39
Ocenasova, Zuzana, 68-70
Ondejka, Slavomir (Slavo), 7, 61, 112, 113,140,
145-48,147,158,164,166,169
oral tradition, 17,153
Olbrys Gencarella, Stephen, 31
organization, 97-103, 114-16, 179-80
Orjabyna, Slovakia, 127,131
Ossian, 24
overcoming contradiction, 27-30, 120-21, 173,
175,183-86, 198-200, 205021
Pal Istvan, 124-25
Parchovany, 82, 85, 155, 170. See also cardds:
Parchovany cardas
Index
233
participant observation. See under participation
participation: barriers to, 13, 62, 85- 89, 91,
106-7, *69, 209nio; forms of, 50 -52;
mass, 45, 50, 52, 56, 61, 62; overcoming
separation between performers and spec-
tators, 3, 10, 2i, 24, 37, 56, 57 -58, 71, 77-
78; participant observation, 62-64, 91-
92; participatory meaning (in contrast to
representation), xv, 41-42, 144, 179; as
political ideal, 43-44. See also embodi-
ment; performance: contrasted with par-
ticipation or antiperformance; publicity:
participatory
Peircean semiotics, 172-73, 183
people, the: competing conceptions of, 75-76,
99; as conceptual basis of democracy, 30,
32; defined, 2o6n22, 2o6n23; fragmented,
33-34, 124, 141, 171, 184; relationship to
the folk, 90; the postpolitical and, 30-34,
44, 98-99, 184-186; taking shape in the
practice of folklore, 43, 56, 79, 97, 98, 99,
123- 24, 136 -38,143, 181,182. See also folk,
the; folklore: returned to the people
People’s Party Our Slovakia, xii
performance: beyond moments of, 115-16,
180 - 8i; contrasted with participation or
antiperformance, xvi, 38-40, 42, 50,
56, 61-62, 65, 68, 71, 75, 95, 109-11,
132, 178, 2o6n26; the performance ap-
proach to folklore studies, 17, 39 -40, 99-
100; “performing the . . . ,” 40-41, 137,
207n28; public sphere and, 37-38; the
world as a stage, 101-2, Ï78. See also
folklore performance ensembles; publicity:
perf b rm ative- representati ve
Pesovâr, Ernô, 2im8
Petrzalka (district of Bratislava), 3, 4
Phelan, Peggy, 115
Plato, 22
play, 193- 95, 200, 211m. See also enjoyment;
pleasure
pleasure, xv, 3, ro, 49, 72, 98, 132, 201. See also
affect; enjoyment; play
poetics, 43, 78, 152-54, 162, 178-83
polka, 12
post-Communism, xi, xvi, 30-31, 43 -44, 47, 73;
108, 173, 174, 183, 199- 200. See also folk-
lorism: post-Commun ism and
postpolitics. See people, the: the postpolitical and
postsocialism. See post-Commun ism
Pozdisovce, Slovakia, 82, 85,170
Proletkult, 97
public, the. See publicity
PubLic against Violence (Verejnosf proti nasiliu),
35
public folklore, 73, 122
publicity: the broad public, 37, 57, 68, 70, 72,
88 89, 91, 94, 100-103, **6, ^33-34,
204010; mass, 10, 26, 37, 74, 90, 123;
nested levels of, 101; participatory, 77,
90 -91; performative-representative, xiv,
41, 52, 56, 77, 90-91, 126, 178-79; the
public sphere and inauthenticity, 35- 37;
relation to nonpublicity, 94 95, 97, 118,
209m. See also folklore: paradox of publi-
cizing; intimacy: publicity and; people,
the: distinguished from the public; public
folklore; spectators
public sphere, publicity
PUL’S (folklore ensemble), 140
Pyatnitsky Russian Folk Choir, 46
Ranciere, Jacques, 74
Red Army Choir, 46
reflection. See reflexivity
reflex!vity, 5-6, 16, 52, 59, 80, 90, 143-44; 189-
98, 202
Reinelt, Janelle, 207029
representation: collective, 42, 77, £25, 137; dis-
tinguished from nonrepresentation, 40-
43,148; related to will and organization,
96-98; unstable, 125. See also publicity:
performative-representative
revival. See under folklore
Roma, 11-12, 18, 34, 141, 204117
Rozsavolgyi, Mark, 20408
Rusyn folklore, 59, 137,139 -4b £7° *75
Sartre, Jean-Paul, 21, 29, 190-91, 193-94,
195-97
Sarvas, Hungary, 124
Schneider, Rebecca, 115, 181
Schopenhauer, Arthur, 96, 97
self-refiexivity. See reflexivity
Senancour, Etienne Pivert de, 176 -77
Simmel, Georg, 95
234
Index
sincerity: contrasted with authenticity, 23, 156,
166-67; difficulty of, 187-88; history of,
23; kitsch and, 80,188
Sirovátka, Oldrich, 48, 152, 172
Slovakia: current political situation, xi-xv;
Eastern, 59, 127, 169; ethnicity in, 34, 59 -
60, 141-42; as folkloric nation, 203n4,
2o8n36; history of, 10-13, 44“46 53 56
20406, 207032; map of, 2; represented in
folklore, 124, 127, 140. See also dance
houses: Slovak; folk dance: history of Slo-
vak and Hungarian; folklore: Slovak (tra-
ditional); folk music: history of Slovak and
Hungarian
SL’UK (Slovensky Pudovy umelecky kolektiv),
14, 45, 78-79, 207033
Smidchens, Guntis, 16
Solidamosc, 27, 29
Soviet foiklorism, 46, 61, 133
spectacles, as grandiose performances, xv, 10,
42, 62, 78, 170-71; as hierarchically orga-
nized, 75-76; as images separated from
audience, 90, 171,178. See also spectators
spectators, separated from performance, 57,
75-76, 118, 207029; sociality among, 127,
j35; “where there are no,” 3, 57-58, 70-
71, 71, 118, 127,135,181. See also spectacles
State Academic Folk Dance Ensemble (led by
Igor Moiseyev), 46
Stec, Stefan (Stevo), 93, 108,119,125, 139,140
Stoeltje, Beverly, 118-19
Stráznice International Folklore Festival, 133
Sumiac, Slovakia, 86
surrealism, 194
Svehlák, Svetozár, 48, 208040
Svinica, Slovakia, 111
Svoreñová, Marianna (Maña), 60-61, 78, 8t,
#4 92. *39 174
Szarvas, Hungary, 124
Szóllósy Szabó, Lajos, 20408
táncház. See dance houses: Hungarian; dance
houses: National Dance House (Hungary)
Tatralandia, 79
T ay lor, Charles, 25
Taylor, Yuval, 19
tragic, the, 29-30, 96, 174-75, 199-200
things-in-themselves, 29, 96-97, 154, 192, 195-
98, 202, 205016
Thoms, William, 31
Tomorrow We’ll Be Dancing Eveiywhere (film), 174
Topofovska, Ivana, 165
Topofovski, Maria, 157
TopoFovsky,Jan, 157-62
Topofovsky, Martin, 16
Trilling, Lionel, 22-23, 166, 173
Turino, Thomas, 87, 88,169, 207031
Turner, Victor, 39, 116,144
Ukrainian culture, 59,124,125, 137, 139-41
Unamuno, Miguel de, 29-30, 96,176-77
Upper Torysa (region), 127
Vaclavek, Bedfich, 47-48, 207032
Varga, Ervin, 9
Venbrux, Eric, 19
verbunk, 12, 85,170, 20408, 20908
Vietnamese community in Slovakia, 141
Viragova, Martina (Tina), 112,128
Visnovska, Hana, 82
Vychodna Folklore Festival, 14, 80-81, 117-18,
121,133, 135-36,141
waltz, 12
Warner, Michael, 42,115,138
Wiora, Walter, 16
Young, Edward, 166
Zalesak, Cyril, 48, 61
Zamutov, Slovakia, 170
Zeleziar, Folklore Ensemble, 14
Zelinka, Michal (Majkl), no, 155
Zemplin (region of Slovakia), 170
Zem spieva (television show), 204010
Zhdanov, Andrei, 46
Zvolen, Slovakia (site of Academic Zvolen festi-
val), 14, 94, 100,131 -33
|
| any_adam_object | 1 |
| author | Feinberg, Joseph Grim 1979- |
| author_GND | (DE-588)1169071538 |
| author_facet | Feinberg, Joseph Grim 1979- |
| author_role | aut |
| author_sort | Feinberg, Joseph Grim 1979- |
| author_variant | j g f jg jgf |
| building | Verbundindex |
| bvnumber | BV045190367 |
| callnumber-first | G - Geography, Anthropology, Recreation |
| callnumber-label | GR154 |
| callnumber-raw | GR154.4 |
| callnumber-search | GR154.4 |
| callnumber-sort | GR 3154.4 |
| callnumber-subject | GR - Folklore |
| ctrlnum | (OCoLC)1057672005 (DE-599)BVBBV045190367 |
| dewey-full | 398.2094373 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 398 - Folklore |
| dewey-raw | 398.2094373 |
| dewey-search | 398.2094373 |
| dewey-sort | 3398.2094373 |
| dewey-tens | 390 - Customs, etiquette, folklore |
| discipline | Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| format | Book |
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| geographic | Slowakei (DE-588)4055297-4 gnd |
| geographic_facet | Slowakei |
| id | DE-604.BV045190367 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:11:04Z |
| institution | BVB |
| isbn | 9780299316600 |
| language | English |
| lccn | 017046331 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030579514 |
| oclc_num | 1057672005 |
| open_access_boolean | |
| owner | DE-12 DE-M457 DE-Re13 DE-BY-UBR |
| owner_facet | DE-12 DE-M457 DE-Re13 DE-BY-UBR |
| physical | xviii, 234 Seiten 23 Illustrationen, 1 Karte |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | The University of Wisconsin Press |
| record_format | marc |
| series2 | Folklore studies in a multicultural world |
| spelling | Feinberg, Joseph Grim 1979- Verfasser (DE-588)1169071538 aut The paradox of authenticity folklore performance in post-communist Slovakia Joseph Grim Feinberg Madison, Wisconsin The University of Wisconsin Press [2018] © 2018 xviii, 234 Seiten 23 Illustrationen, 1 Karte txt rdacontent n rdamedia nc rdacarrier Folklore studies in a multicultural world Includes bibliographical references and index During the Communist reign in Slovakia the state government staged a public performance of stage folklore that was both simplistic and artificial. Recently, as part of a larger movement to retrieve their culture, young Slovakian folklore enthusiasts have attempted to recover an authentic form of rural dance and music, and return their folklore traditions to the Slovakian public by researching, learning, and presenting original, authentic folklore performances. Joseph Feinberg sets out to analyze this contemporary movement with a special focus on its ideology, practices, and performances. But he also tackles a much larger issue. Interpreting the Slovakian movement against a wider background of post-Communist contemporary Central and Eastern Europe, he investigates the issue of authenticity itself, and how a self-identified form of authentic folklore is reconstructed and reenacted Folklore Slovakia Folklore Social aspects Slovakia Folklore and nationalism Slovakia Stadt (DE-588)4056723-0 gnd rswk-swf Volkstanz (DE-588)4063869-8 gnd rswk-swf Tradition (DE-588)4060560-7 gnd rswk-swf Authentizität (DE-588)4193985-2 gnd rswk-swf Slowakei (DE-588)4055297-4 gnd rswk-swf Slowakei (DE-588)4055297-4 g Stadt (DE-588)4056723-0 s Tradition (DE-588)4060560-7 s Volkstanz (DE-588)4063869-8 s Authentizität (DE-588)4193985-2 s DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030579514&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030579514&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030579514&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Feinberg, Joseph Grim 1979- The paradox of authenticity folklore performance in post-communist Slovakia Folklore Slovakia Folklore Social aspects Slovakia Folklore and nationalism Slovakia Stadt (DE-588)4056723-0 gnd Volkstanz (DE-588)4063869-8 gnd Tradition (DE-588)4060560-7 gnd Authentizität (DE-588)4193985-2 gnd |
| subject_GND | (DE-588)4056723-0 (DE-588)4063869-8 (DE-588)4060560-7 (DE-588)4193985-2 (DE-588)4055297-4 |
| title | The paradox of authenticity folklore performance in post-communist Slovakia |
| title_auth | The paradox of authenticity folklore performance in post-communist Slovakia |
| title_exact_search | The paradox of authenticity folklore performance in post-communist Slovakia |
| title_full | The paradox of authenticity folklore performance in post-communist Slovakia Joseph Grim Feinberg |
| title_fullStr | The paradox of authenticity folklore performance in post-communist Slovakia Joseph Grim Feinberg |
| title_full_unstemmed | The paradox of authenticity folklore performance in post-communist Slovakia Joseph Grim Feinberg |
| title_short | The paradox of authenticity |
| title_sort | the paradox of authenticity folklore performance in post communist slovakia |
| title_sub | folklore performance in post-communist Slovakia |
| topic | Folklore Slovakia Folklore Social aspects Slovakia Folklore and nationalism Slovakia Stadt (DE-588)4056723-0 gnd Volkstanz (DE-588)4063869-8 gnd Tradition (DE-588)4060560-7 gnd Authentizität (DE-588)4193985-2 gnd |
| topic_facet | Folklore Slovakia Folklore Social aspects Slovakia Folklore and nationalism Slovakia Stadt Volkstanz Tradition Authentizität Slowakei |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030579514&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030579514&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030579514&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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