Jazz in China: from dance hall music to individual freedom of expression
"Is there jazz in China? This is the question that sent author Eugene Marlow on his quest to uncover the history of jazz in China. Marlow traces China's introduction to jazz in the early 1920s, its interruption by Chinese leadership under Mao in 1949, and its rejuvenation in the early 1980...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jackson
University Press of Mississippi
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Is there jazz in China? This is the question that sent author Eugene Marlow on his quest to uncover the history of jazz in China. Marlow traces China's introduction to jazz in the early 1920s, its interruption by Chinese leadership under Mao in 1949, and its rejuvenation in the early 1980s with the start of China's opening to the world under Premier Deng Xiaoping. Covering a span of almost one hundred years, Marlow focuses on a variety of subjects...the musicians who initiated jazz performances in China, the means by which jazz was incorporated into Chinese culture, and the musicians and venues that now present jazz performances. Featuring unique, face-to-face interviews with leading indigenous jazz musicians in Beijing and Shanghai, plus interviews with club owners, promoters, expatriates, and even diplomats, Marlow marks the evolution of jazz in China as it parallels China's social, economic, and political evolution through the twentieth and into the twenty-first century. Also featured is an interview with one of the extant members of the Jimmy King Big Band of the 1940s, one of the first major all-Chinese jazz big bands in Shanghai. This book is a cultural history that reveals the inexorable evolution of a democratic form of music in a Communist state." ... Provided by publisher |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XXII, 286 Seiten 1 Portrait [des Verfassers auf der Rückseite des Covers] |
| ISBN: | 9781496818553 9781496817990 |
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Datensatz im Suchindex
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| adam_text |
JAZZ IN CHINA
/ MARLOW, EUGENEYYEAUTHOR
: 2018
TABLE OF CONTENTS / INHALTSVERZEICHNIS
CHINA: EAST IS EAST
THE OPIUM WARS
THE INFLUENCE OF EARLY TWENTIETH-CENTURY TECHNOLOGY
SHANGHAI IN THE 1920S-1930S: THE JOINT WAS JUMPIN
INTERNATIONAL JAZZ MUSICIANS FLOCK TO SHANGHAI: 1920S-1930S
THE FORMATION OF ALL-CHINESE JAZZ BANDS
THE JAPANESE INVASION
JAZZ AND INDIVIDUAL FREEDOM OF EXPRESSION
THE INFLUENCE OF MID-TWENTIETH-CENTURY TECHNOLOGIES ON THE EXPANSION OF
JAZZ IN CHINA
FIRST A TRICKLE, THEN A FLOOD: JAZZ MUSICIANS PERFORM IN CHINA FROM ALL
OVER
MARTIN FLEISCHER, GODFATHER OF JAZZ, AND LIU YUAN, SO-CALLED FATHER OF
JAZZ IN EARLY POST-MAO BEIJING
LIU SOLA: CHINA'S MUSICALLY ECLECTIC COMPOSER
THE BEIJING JAZZ SCENE
BEIJING'S LEADING INDIGENOUS AND EXPAT JAZZ MUSICIANS
SHANGHAI'S JAZZ VENUES
SHANGHAI'S LEADING INDIGENOUS & EXPAT JAZZ MUSICIANS
JAZZ EDUCATION IN CHINA
JAZZ IN CHINA IN THE TWENTY-FIRST CENTURY
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT. |
| any_adam_object | 1 |
| author | Marlow, Eugene 1943- |
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| callnumber-label | ML3509 |
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| callnumber-subject | ML - Literature on Music |
| ctrlnum | (OCoLC)1055838489 (DE-599)BVBBV045180398 |
| dewey-full | 781.650951 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
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| era | Geschichte gnd |
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| spelling | Marlow, Eugene 1943- Verfasser (DE-588)1011747766 aut Jazz in China from dance hall music to individual freedom of expression Eugene Marlow Jackson University Press of Mississippi [2018] © 2018 XXII, 286 Seiten 1 Portrait [des Verfassers auf der Rückseite des Covers] txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "Is there jazz in China? This is the question that sent author Eugene Marlow on his quest to uncover the history of jazz in China. Marlow traces China's introduction to jazz in the early 1920s, its interruption by Chinese leadership under Mao in 1949, and its rejuvenation in the early 1980s with the start of China's opening to the world under Premier Deng Xiaoping. Covering a span of almost one hundred years, Marlow focuses on a variety of subjects...the musicians who initiated jazz performances in China, the means by which jazz was incorporated into Chinese culture, and the musicians and venues that now present jazz performances. Featuring unique, face-to-face interviews with leading indigenous jazz musicians in Beijing and Shanghai, plus interviews with club owners, promoters, expatriates, and even diplomats, Marlow marks the evolution of jazz in China as it parallels China's social, economic, and political evolution through the twentieth and into the twenty-first century. Also featured is an interview with one of the extant members of the Jimmy King Big Band of the 1940s, one of the first major all-Chinese jazz big bands in Shanghai. This book is a cultural history that reveals the inexorable evolution of a democratic form of music in a Communist state." ... Provided by publisher Geschichte gnd rswk-swf Jazz China History and criticism Jazz musicians China Music China Western influences Jazz (DE-588)4028532-7 gnd rswk-swf Kulturaustausch (DE-588)4165964-8 gnd rswk-swf China Social life and customs China (DE-588)4009937-4 gnd rswk-swf Westliche Welt (DE-588)4079237-7 gnd rswk-swf China (DE-588)4009937-4 g Westliche Welt (DE-588)4079237-7 g Jazz (DE-588)4028532-7 s Kulturaustausch (DE-588)4165964-8 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe Marlow, Eugene, author Jazz in China Jackson : University Press of Mississippi, [2018] 9781496818003 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030569595&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Jazz in China from dance hall music to individual freedom of expression |
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| title_full | Jazz in China from dance hall music to individual freedom of expression Eugene Marlow |
| title_fullStr | Jazz in China from dance hall music to individual freedom of expression Eugene Marlow |
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