Polyphony in Medieval Paris: the art of composing with plainchant
Polyphony associated with the Parisian cathedral of Notre Dame marks a historical turning point in medieval music. Yet a lack of analytical or theoretical systems has discouraged close study of twelfth- and thirteenth-century musical objects, despite the fact that such creations represent the beginn...
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| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2018
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| Schriftenreihe: | Music in context
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Polyphony associated with the Parisian cathedral of Notre Dame marks a historical turning point in medieval music. Yet a lack of analytical or theoretical systems has discouraged close study of twelfth- and thirteenth-century musical objects, despite the fact that such creations represent the beginnings of musical composition as we know it. Is musical analysis possible for such medieval repertoires? Catherine A. Bradley demonstrates that it is, presenting new methodologies to illuminate processes of musical and poetic creation, from monophonic plainchant and vernacular French songs, to polyphonic organa, clausulae, and motets in both Latin and French. This book engages with questions of text-music relationships, liturgy, and the development of notational technologies, exploring concepts of authorship and originality as well as practices of quotation and musical reworking |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 01 Aug 2018) |
| Beschreibung: | 1 online resource (xvii, 281 pages) |
| ISBN: | 9781108290456 |
| DOI: | 10.1017/9781108290456 |
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Datensatz im Suchindex
| _version_ | 1804178863611183104 |
|---|---|
| any_adam_object | |
| author | Bradley, Catherine A. |
| author_facet | Bradley, Catherine A. |
| author_role | aut |
| author_sort | Bradley, Catherine A. |
| author_variant | c a b ca cab |
| building | Verbundindex |
| bvnumber | BV045173609 |
| classification_rvk | LR 55192 |
| collection | ZDB-20-CBO |
| ctrlnum | (ZDB-20-CBO)CR9781108290456 (OCoLC)1053843986 (DE-599)BVBBV045173609 |
| dewey-full | 782.2/2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.2/2 |
| dewey-search | 782.2/2 |
| dewey-sort | 3782.2 12 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/9781108290456 |
| era | Geschichte 1100-1300 gnd |
| era_facet | Geschichte 1100-1300 |
| format | Electronic eBook |
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| geographic | Paris (DE-588)4044660-8 gnd |
| geographic_facet | Paris |
| id | DE-604.BV045173609 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:10:44Z |
| institution | BVB |
| isbn | 9781108290456 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030562846 |
| oclc_num | 1053843986 |
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| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 online resource (xvii, 281 pages) |
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| publishDate | 2018 |
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| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Music in context |
| spelling | Bradley, Catherine A. Verfasser aut Polyphony in Medieval Paris the art of composing with plainchant Catherine A. Bradley Cambridge Cambridge University Press 2018 1 online resource (xvii, 281 pages) txt rdacontent c rdamedia cr rdacarrier Music in context Title from publisher's bibliographic system (viewed on 01 Aug 2018) Polyphony associated with the Parisian cathedral of Notre Dame marks a historical turning point in medieval music. Yet a lack of analytical or theoretical systems has discouraged close study of twelfth- and thirteenth-century musical objects, despite the fact that such creations represent the beginnings of musical composition as we know it. Is musical analysis possible for such medieval repertoires? Catherine A. Bradley demonstrates that it is, presenting new methodologies to illuminate processes of musical and poetic creation, from monophonic plainchant and vernacular French songs, to polyphonic organa, clausulae, and motets in both Latin and French. This book engages with questions of text-music relationships, liturgy, and the development of notational technologies, exploring concepts of authorship and originality as well as practices of quotation and musical reworking Geschichte 1100-1300 gnd rswk-swf Music / 500-1400 / History and criticism Motets / 500-1400 / History and criticism Clausulas (Part songs) / History and criticism Notre-Dame-Schule (DE-588)4172075-1 gnd rswk-swf Polyfonie (DE-588)4175288-0 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf Gregorianischer Gesang (DE-588)4021952-5 gnd rswk-swf Paris (DE-588)4044660-8 gnd rswk-swf Paris (DE-588)4044660-8 g Notre-Dame-Schule (DE-588)4172075-1 s Gregorianischer Gesang (DE-588)4021952-5 s Polyfonie (DE-588)4175288-0 s Musiktheorie (DE-588)4040876-0 s Geschichte 1100-1300 z 1\p DE-604 Erscheint auch als Druck-Ausgabe, hardback 9781108418584 Erscheint auch als Druck-Ausgabe, paperback 9781108407571 https://doi.org/10.1017/9781108290456 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Bradley, Catherine A. Polyphony in Medieval Paris the art of composing with plainchant Music / 500-1400 / History and criticism Motets / 500-1400 / History and criticism Clausulas (Part songs) / History and criticism Notre-Dame-Schule (DE-588)4172075-1 gnd Polyfonie (DE-588)4175288-0 gnd Musiktheorie (DE-588)4040876-0 gnd Gregorianischer Gesang (DE-588)4021952-5 gnd |
| subject_GND | (DE-588)4172075-1 (DE-588)4175288-0 (DE-588)4040876-0 (DE-588)4021952-5 (DE-588)4044660-8 |
| title | Polyphony in Medieval Paris the art of composing with plainchant |
| title_auth | Polyphony in Medieval Paris the art of composing with plainchant |
| title_exact_search | Polyphony in Medieval Paris the art of composing with plainchant |
| title_full | Polyphony in Medieval Paris the art of composing with plainchant Catherine A. Bradley |
| title_fullStr | Polyphony in Medieval Paris the art of composing with plainchant Catherine A. Bradley |
| title_full_unstemmed | Polyphony in Medieval Paris the art of composing with plainchant Catherine A. Bradley |
| title_short | Polyphony in Medieval Paris |
| title_sort | polyphony in medieval paris the art of composing with plainchant |
| title_sub | the art of composing with plainchant |
| topic | Music / 500-1400 / History and criticism Motets / 500-1400 / History and criticism Clausulas (Part songs) / History and criticism Notre-Dame-Schule (DE-588)4172075-1 gnd Polyfonie (DE-588)4175288-0 gnd Musiktheorie (DE-588)4040876-0 gnd Gregorianischer Gesang (DE-588)4021952-5 gnd |
| topic_facet | Music / 500-1400 / History and criticism Motets / 500-1400 / History and criticism Clausulas (Part songs) / History and criticism Notre-Dame-Schule Polyfonie Musiktheorie Gregorianischer Gesang Paris |
| url | https://doi.org/10.1017/9781108290456 |
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