Polyphony in medieval Paris: the art of composing with plainchant
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom
Cambridge University Press
2018
|
| Schriftenreihe: | Music in context
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xvii, 281 Seiten Notenbeispiele |
| ISBN: | 9781108418584 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV045166858 | ||
| 003 | DE-604 | ||
| 005 | 20190503 | ||
| 007 | t | ||
| 008 | 180905s2018 xxkgl|| |||| 00||| eng d | ||
| 010 | |a 018013738 | ||
| 020 | |a 9781108418584 |c hardback |9 978-1-108-41858-4 | ||
| 035 | |a (OCoLC)1055867436 | ||
| 035 | |a (DE-599)BVBBV045166858 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a xxk |c GB | ||
| 049 | |a DE-824 |a DE-355 |a DE-12 | ||
| 050 | 0 | |a ML172 | |
| 082 | 0 | |a 782.2/2 |2 23 | |
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LR 55192 |0 (DE-625)109736:13530 |2 rvk | ||
| 100 | 1 | |a Bradley, Catherine A. |d ca. 20./21. Jh. |e Verfasser |0 (DE-588)1025686195 |4 aut | |
| 245 | 1 | 0 | |a Polyphony in medieval Paris |b the art of composing with plainchant |c Catherine A. Bradley (University of Oslo) |
| 264 | 1 | |a Cambridge, United Kingdom |b Cambridge University Press |c 2018 | |
| 300 | |a xvii, 281 Seiten |b Notenbeispiele | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Music in context | |
| 500 | |a Includes bibliographical references and index | ||
| 648 | 7 | |a Geschichte 1100-1300 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Music |y 500-1400 |x History and criticism | |
| 650 | 4 | |a Motets |y 500-1400 |x History and criticism | |
| 650 | 4 | |a Clausulas (Part songs) |x History and criticism | |
| 650 | 0 | 7 | |a Gregorianischer Gesang |0 (DE-588)4021952-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Notre-Dame-Schule |0 (DE-588)4172075-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Polyfonie |0 (DE-588)4175288-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musiktheorie |0 (DE-588)4040876-0 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Paris |0 (DE-588)4044660-8 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Paris |0 (DE-588)4044660-8 |D g |
| 689 | 0 | 1 | |a Notre-Dame-Schule |0 (DE-588)4172075-1 |D s |
| 689 | 0 | 2 | |a Gregorianischer Gesang |0 (DE-588)4021952-5 |D s |
| 689 | 0 | 3 | |a Polyfonie |0 (DE-588)4175288-0 |D s |
| 689 | 0 | 4 | |a Musiktheorie |0 (DE-588)4040876-0 |D s |
| 689 | 0 | 5 | |a Geschichte 1100-1300 |A z |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | 2 | |m Digitalisierung UB Regensburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030556235&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung UB Regensburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030556235&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Klappentext |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-030556235 | ||
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09022 |g 44 |
| 942 | 1 | 1 | |c 781 |e 22/bsb |f 09021 |g 44 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09021 |g 44 |
| 942 | 1 | 1 | |c 781 |e 22/bsb |f 09022 |g 44 |
Datensatz im Suchindex
| _version_ | 1804178851833577472 |
|---|---|
| adam_text | Contents
List of Figures [page vi]
List of Musical Examples [vii]
List of Tables [x]
Acknowledgements [xi]
Note on the Text [xiii]
List of Manuscript Sigla [xv]
List of Abbreviations [xvii]
Introduction [1]
1 Plainchant in Polyphony: The Gradual Propter veritatem
in Organa, Clausulae, and Motets [10]
Appendix 1.1 VERITATEM Motets: Sources and Tenor Designations [47]
Appendix 1.2 Motets on FI LIA Tenors [48]
2 Mini Clausulae and the Magnus liber organi [49]
3 Texting Clausulae: Repetition and Regularity on the
REGNAT Tenor [81]
4 Transcribing Motets: Vernacular Refrain Melodies in
Magnus liber Clausulae [111]
5 Framing Motets: Quoting and Crafting Refrains against
Plainchant Tenors [146]
6 Intertextuality, Song, and Female Voices in Motets on a
St Elizabeth of Hungary Tenor [179]
7 From Florence to Fauvel: Rereading Musical Paradigms
through a Long-Lived IOHANNE Motet [212]
8 Conclusions [247]
Bibliography [258]
Index of Compositions [270]
General Index [273]
Polyphony
in Medieval Paris
Polyphony associated with the Parisian Cathedral of Notre Dame marks
a historical turning point in medieval music. Yet a lack of analytical or
theoretical systems has discouraged close study of twelfth-and thirteenth-
century musical objects, despite the fact that such creations represent the
beginnings of musical composition as we know it. musical analysis possible
for such medieval repertoires? Catherine A. Bradley demonstrates that it is,
presenting new methodologies to illuminate processes of musical and poetic
creation, from monophonic plainchant and vernacular French songs, to
polyphonic organa, clausulae, and motets in both Latin and French. This
book engages with questions of text-music relationships, liturgy, and the
development of notational technologies, exploring concepts of authorship
and originality as well as practices of quotation and musical reworking.
Catherine A, Bradley’s superb new book takes us back to the world of
medieval Paris where musicians and poets were experimenting with the ways
in which plainsong, polyphony, rithmusand the conventions of liturgical and
paraliturgical celebration could be combined, differentiated and subverted.
She does this by returning to the venerable question of the birth of the motet,
and cognate genres. On the way, she brilliantly reminds us of the importance
of the female voice in some unlikely places and, in a virtuosic side glance at
the relationship between organum and clausula, comes close to uncovering
an entirely new subgenre. Magisterial in every regard.
Mark Everist, Professor of Music, University of Southampton
CATHERINE A. BRADLEY isAssociate
Professor at the University of Oslo. She has
published widely on the earliest motets, in journals
including Speculum, Journal of Musicology, Music
Analysis, and Early Music History.
|
| any_adam_object | 1 |
| author | Bradley, Catherine A. ca. 20./21. Jh |
| author_GND | (DE-588)1025686195 |
| author_facet | Bradley, Catherine A. ca. 20./21. Jh |
| author_role | aut |
| author_sort | Bradley, Catherine A. ca. 20./21. Jh |
| author_variant | c a b ca cab |
| building | Verbundindex |
| bvnumber | BV045166858 |
| callnumber-first | M - Music |
| callnumber-label | ML172 |
| callnumber-raw | ML172 |
| callnumber-search | ML172 |
| callnumber-sort | ML 3172 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 55192 |
| ctrlnum | (OCoLC)1055867436 (DE-599)BVBBV045166858 |
| dewey-full | 782.2/2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.2/2 |
| dewey-search | 782.2/2 |
| dewey-sort | 3782.2 12 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1100-1300 gnd |
| era_facet | Geschichte 1100-1300 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02741nam a2200613 c 4500</leader><controlfield tag="001">BV045166858</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190503 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">180905s2018 xxkgl|| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">018013738</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781108418584</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-108-41858-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1055867436</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045166858</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-824</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML172</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">782.2/2</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 55192</subfield><subfield code="0">(DE-625)109736:13530</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bradley, Catherine A.</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1025686195</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Polyphony in medieval Paris</subfield><subfield code="b">the art of composing with plainchant</subfield><subfield code="c">Catherine A. Bradley (University of Oslo)</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, United Kingdom</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xvii, 281 Seiten</subfield><subfield code="b">Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Music in context</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1100-1300</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="y">500-1400</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motets</subfield><subfield code="y">500-1400</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Clausulas (Part songs)</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Gregorianischer Gesang</subfield><subfield code="0">(DE-588)4021952-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Notre-Dame-Schule</subfield><subfield code="0">(DE-588)4172075-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Polyfonie</subfield><subfield code="0">(DE-588)4175288-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musiktheorie</subfield><subfield code="0">(DE-588)4040876-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Paris</subfield><subfield code="0">(DE-588)4044660-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Paris</subfield><subfield code="0">(DE-588)4044660-8</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Notre-Dame-Schule</subfield><subfield code="0">(DE-588)4172075-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Gregorianischer Gesang</subfield><subfield code="0">(DE-588)4021952-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Polyfonie</subfield><subfield code="0">(DE-588)4175288-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Musiktheorie</subfield><subfield code="0">(DE-588)4040876-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1100-1300</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030556235&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030556235&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Klappentext</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030556235</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09022</subfield><subfield code="g">44</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09021</subfield><subfield code="g">44</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09021</subfield><subfield code="g">44</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09022</subfield><subfield code="g">44</subfield></datafield></record></collection> |
| geographic | Paris (DE-588)4044660-8 gnd |
| geographic_facet | Paris |
| id | DE-604.BV045166858 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:10:33Z |
| institution | BVB |
| isbn | 9781108418584 |
| language | English |
| lccn | 018013738 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030556235 |
| oclc_num | 1055867436 |
| open_access_boolean | |
| owner | DE-824 DE-355 DE-BY-UBR DE-12 |
| owner_facet | DE-824 DE-355 DE-BY-UBR DE-12 |
| physical | xvii, 281 Seiten Notenbeispiele |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Music in context |
| spelling | Bradley, Catherine A. ca. 20./21. Jh. Verfasser (DE-588)1025686195 aut Polyphony in medieval Paris the art of composing with plainchant Catherine A. Bradley (University of Oslo) Cambridge, United Kingdom Cambridge University Press 2018 xvii, 281 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Music in context Includes bibliographical references and index Geschichte 1100-1300 gnd rswk-swf Music 500-1400 History and criticism Motets 500-1400 History and criticism Clausulas (Part songs) History and criticism Gregorianischer Gesang (DE-588)4021952-5 gnd rswk-swf Notre-Dame-Schule (DE-588)4172075-1 gnd rswk-swf Polyfonie (DE-588)4175288-0 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf Paris (DE-588)4044660-8 gnd rswk-swf Paris (DE-588)4044660-8 g Notre-Dame-Schule (DE-588)4172075-1 s Gregorianischer Gesang (DE-588)4021952-5 s Polyfonie (DE-588)4175288-0 s Musiktheorie (DE-588)4040876-0 s Geschichte 1100-1300 z DE-604 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030556235&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030556235&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Bradley, Catherine A. ca. 20./21. Jh Polyphony in medieval Paris the art of composing with plainchant Music 500-1400 History and criticism Motets 500-1400 History and criticism Clausulas (Part songs) History and criticism Gregorianischer Gesang (DE-588)4021952-5 gnd Notre-Dame-Schule (DE-588)4172075-1 gnd Polyfonie (DE-588)4175288-0 gnd Musiktheorie (DE-588)4040876-0 gnd |
| subject_GND | (DE-588)4021952-5 (DE-588)4172075-1 (DE-588)4175288-0 (DE-588)4040876-0 (DE-588)4044660-8 |
| title | Polyphony in medieval Paris the art of composing with plainchant |
| title_auth | Polyphony in medieval Paris the art of composing with plainchant |
| title_exact_search | Polyphony in medieval Paris the art of composing with plainchant |
| title_full | Polyphony in medieval Paris the art of composing with plainchant Catherine A. Bradley (University of Oslo) |
| title_fullStr | Polyphony in medieval Paris the art of composing with plainchant Catherine A. Bradley (University of Oslo) |
| title_full_unstemmed | Polyphony in medieval Paris the art of composing with plainchant Catherine A. Bradley (University of Oslo) |
| title_short | Polyphony in medieval Paris |
| title_sort | polyphony in medieval paris the art of composing with plainchant |
| title_sub | the art of composing with plainchant |
| topic | Music 500-1400 History and criticism Motets 500-1400 History and criticism Clausulas (Part songs) History and criticism Gregorianischer Gesang (DE-588)4021952-5 gnd Notre-Dame-Schule (DE-588)4172075-1 gnd Polyfonie (DE-588)4175288-0 gnd Musiktheorie (DE-588)4040876-0 gnd |
| topic_facet | Music 500-1400 History and criticism Motets 500-1400 History and criticism Clausulas (Part songs) History and criticism Gregorianischer Gesang Notre-Dame-Schule Polyfonie Musiktheorie Paris |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030556235&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030556235&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT bradleycatherinea polyphonyinmedievalparistheartofcomposingwithplainchant |