Local and global myths in Shakespearean performance:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
Palgrave Macmillan
[2018]
|
| Schriftenreihe: | Reproducing Shakespeare
|
| Schlagworte: | |
| Online-Zugang: | UBG01 UBT01 UBW01 UPA01 Volltext |
| Beschreibung: | 1 Online-Ressource (XIX, 271 Seiten) Illustrationen |
| ISBN: | 9783319898513 |
| DOI: | 10.1007/978-3-319-89851-3 |
Internformat
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| 245 | 1 | 0 | |a Local and global myths in Shakespearean performance |c edited by Aneta Mancewicz, Alexa Alice Joubin |
| 264 | 1 | |a Cham, Switzerland |b Palgrave Macmillan |c [2018] | |
| 300 | |a 1 Online-Ressource (XIX, 271 Seiten) |b Illustrationen | ||
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| 490 | 0 | |a Reproducing Shakespeare | |
| 505 | 8 | |a Intro; Preface; Acknowledgments; Contents; Notes on Contributors; List of Figures; Chapter 1: Introduction; Global Shakespeare as Myth; Myth in Performance; Structure of the Book; References; Part I: Myths of Linguistic Transcendence, Authenticity, Universality; Chapter 2: "Europe Speaks Shakespeare": Karin Beier's 1996 A Midsummer Night's Dream, Multilingual Performance and the Myth of Shakespeare's Linguistic Transcendence; References; Chapter 3: The Myth of Shakespearean Authenticity: Neoliberalism and Humanistic Shakespeare; The Macbeth Myth: Eradicating World Evil | |
| 505 | 8 | |a The Romeo Cameo: Curing the Gays, Academics, and (Shakespeare) HereticsReinscribing (Authentic) Normative Templates; References; Chapter 4: Shamanistic Shakespeare: Korea's Colonization of Hamlet; Yohangza's Hamlet: A Mythic Case Study; Korean Shamanism as Theatrical Entertainment; Hamlet, Han, and Anti-Japanese Sentiment; Korean Nationalism and Shamanic Reanimation; References; Part II: Myths of Local Identities and Global Icons; Chapter 5: Ludwig Tieck and the Development of the Romantic Myth of a "German Shakespeare"; Tieck's Romanticism: Passion and Bardolatry | |
| 505 | 8 | |a Developing the Myth of Shakespeare as "Inventor of the Human": Tieck as Romantic Author, Translator, and CriticMythmaking on the German Stage: Tieck as Shakespearean Director and Dramaturg; Conclusion: Tieck's Shakespeare: Romanticism, Myth, and Nation; References; Chapter 6: Shakespeare Beyond the Trenches: The German Myth of unser Shakespeare in Transnational Perspective; "Take Up Our Quarrel with the Foe": Locating the German Shakespeare Myth; Transgressive Shakespeares: From Fidelity to Verfremdung; Germany Going Global: The Bremer Shakespeare Company | |
| 505 | 8 | |a Transgression Transnationalized: Thomas Ostermeier and the SchaubühneRe-assembling the Myth: Shakespeare and the German Tradition; References; Chapter 7: "Tupi or Not Tupi, That Is the Question": Brazilian Mythical Afterlives of Shakespeare's Hamlet; Creative Cannibalism, Hybridity, and the "Space In-Between"; Mythic Perspectives in Shakespeare's Hamlet; Ham-let (1993), Directed by Zé Celso; Caixa-Preta's Syncretic Hamlet (2005), Directed by Jessé de Oliveira; Conclusion; References; Part III: Myths of Political Shakespeare | |
| 505 | 8 | |a Chapter 8: Hamlet and the Fall of the Berlin Wall: The Myth of Interventionist Shakespeare PerformanceGlobal Myths: Theater as Subversive Medium; Local Applications: "Undercover Shakespeare" in East Germany; Hamlet/Maschine and the Revolution; References; Chapter 9: Denmark's a Prison: Appropriating Modern Myths of Hamlet After 1989 in Lin Zhaohua's Hamulaite and Jan Klata's H.; Lin Zhaohua's Hamulaite1 (Hamlet); Jan Klata's H.6; Conclusion; References; Chapter 10: Hamlet in Times of War: Two Appropriations of Shakespeare's Tragedy in Former Yugoslavia in the 1990s | |
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| 650 | 4 | |a Postcolonial/World Literature | |
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Datensatz im Suchindex
| _version_ | 1804178848495960064 |
|---|---|
| any_adam_object | |
| author2 | Mancewicz, Aneta Joubin, Alexa Alice 1973- |
| author2_role | edt edt |
| author2_variant | a m am a a j aa aaj |
| author_GND | (DE-588)1166689786 (DE-588)1062667018 |
| author_facet | Mancewicz, Aneta Joubin, Alexa Alice 1973- |
| building | Verbundindex |
| bvnumber | BV045165104 |
| classification_rvk | HI 3370 HI 3390 HI 3330 |
| collection | ZDB-30-PQE ZDB-2-LCM |
| contents | Intro; Preface; Acknowledgments; Contents; Notes on Contributors; List of Figures; Chapter 1: Introduction; Global Shakespeare as Myth; Myth in Performance; Structure of the Book; References; Part I: Myths of Linguistic Transcendence, Authenticity, Universality; Chapter 2: "Europe Speaks Shakespeare": Karin Beier's 1996 A Midsummer Night's Dream, Multilingual Performance and the Myth of Shakespeare's Linguistic Transcendence; References; Chapter 3: The Myth of Shakespearean Authenticity: Neoliberalism and Humanistic Shakespeare; The Macbeth Myth: Eradicating World Evil The Romeo Cameo: Curing the Gays, Academics, and (Shakespeare) HereticsReinscribing (Authentic) Normative Templates; References; Chapter 4: Shamanistic Shakespeare: Korea's Colonization of Hamlet; Yohangza's Hamlet: A Mythic Case Study; Korean Shamanism as Theatrical Entertainment; Hamlet, Han, and Anti-Japanese Sentiment; Korean Nationalism and Shamanic Reanimation; References; Part II: Myths of Local Identities and Global Icons; Chapter 5: Ludwig Tieck and the Development of the Romantic Myth of a "German Shakespeare"; Tieck's Romanticism: Passion and Bardolatry Developing the Myth of Shakespeare as "Inventor of the Human": Tieck as Romantic Author, Translator, and CriticMythmaking on the German Stage: Tieck as Shakespearean Director and Dramaturg; Conclusion: Tieck's Shakespeare: Romanticism, Myth, and Nation; References; Chapter 6: Shakespeare Beyond the Trenches: The German Myth of unser Shakespeare in Transnational Perspective; "Take Up Our Quarrel with the Foe": Locating the German Shakespeare Myth; Transgressive Shakespeares: From Fidelity to Verfremdung; Germany Going Global: The Bremer Shakespeare Company Transgression Transnationalized: Thomas Ostermeier and the SchaubühneRe-assembling the Myth: Shakespeare and the German Tradition; References; Chapter 7: "Tupi or Not Tupi, That Is the Question": Brazilian Mythical Afterlives of Shakespeare's Hamlet; Creative Cannibalism, Hybridity, and the "Space In-Between"; Mythic Perspectives in Shakespeare's Hamlet; Ham-let (1993), Directed by Zé Celso; Caixa-Preta's Syncretic Hamlet (2005), Directed by Jessé de Oliveira; Conclusion; References; Part III: Myths of Political Shakespeare Chapter 8: Hamlet and the Fall of the Berlin Wall: The Myth of Interventionist Shakespeare PerformanceGlobal Myths: Theater as Subversive Medium; Local Applications: "Undercover Shakespeare" in East Germany; Hamlet/Maschine and the Revolution; References; Chapter 9: Denmark's a Prison: Appropriating Modern Myths of Hamlet After 1989 in Lin Zhaohua's Hamulaite and Jan Klata's H.; Lin Zhaohua's Hamulaite1 (Hamlet); Jan Klata's H.6; Conclusion; References; Chapter 10: Hamlet in Times of War: Two Appropriations of Shakespeare's Tragedy in Former Yugoslavia in the 1990s |
| ctrlnum | (ZDB-2-LCM)9783319898513 (OCoLC)1050952688 (DE-599)BVBBV045165104 |
| dewey-full | 809 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809 |
| dewey-search | 809 |
| dewey-sort | 3809 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Anglistik / Amerikanistik Literaturwissenschaft |
| doi_str_mv | 10.1007/978-3-319-89851-3 |
| era | Geschichte 1800-2015 gnd |
| era_facet | Geschichte 1800-2015 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T08:10:29Z |
| institution | BVB |
| isbn | 9783319898513 |
| language | English |
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| record_format | marc |
| series2 | Reproducing Shakespeare |
| spelling | Local and global myths in Shakespearean performance edited by Aneta Mancewicz, Alexa Alice Joubin Cham, Switzerland Palgrave Macmillan [2018] 1 Online-Ressource (XIX, 271 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Reproducing Shakespeare Intro; Preface; Acknowledgments; Contents; Notes on Contributors; List of Figures; Chapter 1: Introduction; Global Shakespeare as Myth; Myth in Performance; Structure of the Book; References; Part I: Myths of Linguistic Transcendence, Authenticity, Universality; Chapter 2: "Europe Speaks Shakespeare": Karin Beier's 1996 A Midsummer Night's Dream, Multilingual Performance and the Myth of Shakespeare's Linguistic Transcendence; References; Chapter 3: The Myth of Shakespearean Authenticity: Neoliberalism and Humanistic Shakespeare; The Macbeth Myth: Eradicating World Evil The Romeo Cameo: Curing the Gays, Academics, and (Shakespeare) HereticsReinscribing (Authentic) Normative Templates; References; Chapter 4: Shamanistic Shakespeare: Korea's Colonization of Hamlet; Yohangza's Hamlet: A Mythic Case Study; Korean Shamanism as Theatrical Entertainment; Hamlet, Han, and Anti-Japanese Sentiment; Korean Nationalism and Shamanic Reanimation; References; Part II: Myths of Local Identities and Global Icons; Chapter 5: Ludwig Tieck and the Development of the Romantic Myth of a "German Shakespeare"; Tieck's Romanticism: Passion and Bardolatry Developing the Myth of Shakespeare as "Inventor of the Human": Tieck as Romantic Author, Translator, and CriticMythmaking on the German Stage: Tieck as Shakespearean Director and Dramaturg; Conclusion: Tieck's Shakespeare: Romanticism, Myth, and Nation; References; Chapter 6: Shakespeare Beyond the Trenches: The German Myth of unser Shakespeare in Transnational Perspective; "Take Up Our Quarrel with the Foe": Locating the German Shakespeare Myth; Transgressive Shakespeares: From Fidelity to Verfremdung; Germany Going Global: The Bremer Shakespeare Company Transgression Transnationalized: Thomas Ostermeier and the SchaubühneRe-assembling the Myth: Shakespeare and the German Tradition; References; Chapter 7: "Tupi or Not Tupi, That Is the Question": Brazilian Mythical Afterlives of Shakespeare's Hamlet; Creative Cannibalism, Hybridity, and the "Space In-Between"; Mythic Perspectives in Shakespeare's Hamlet; Ham-let (1993), Directed by Zé Celso; Caixa-Preta's Syncretic Hamlet (2005), Directed by Jessé de Oliveira; Conclusion; References; Part III: Myths of Political Shakespeare Chapter 8: Hamlet and the Fall of the Berlin Wall: The Myth of Interventionist Shakespeare PerformanceGlobal Myths: Theater as Subversive Medium; Local Applications: "Undercover Shakespeare" in East Germany; Hamlet/Maschine and the Revolution; References; Chapter 9: Denmark's a Prison: Appropriating Modern Myths of Hamlet After 1989 in Lin Zhaohua's Hamulaite and Jan Klata's H.; Lin Zhaohua's Hamulaite1 (Hamlet); Jan Klata's H.6; Conclusion; References; Chapter 10: Hamlet in Times of War: Two Appropriations of Shakespeare's Tragedy in Former Yugoslavia in the 1990s Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Geschichte 1800-2015 gnd rswk-swf Early Modern/Renaissance Literature Comparative Literature Postcolonial/World Literature Literature, Modern Comparative literature Literature Rezeption (DE-588)4049716-1 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Shakespeare, William 1564-1616 (DE-588)118613723 p Rezeption (DE-588)4049716-1 s Geschichte 1800-2015 z DE-604 Mancewicz, Aneta (DE-588)1166689786 edt Joubin, Alexa Alice 1973- (DE-588)1062667018 edt Erscheint auch als Druck-Ausgabe 978-3-319-89850-6 Erscheint auch als Druck-Ausgabe 978-3-319-89852-0 https://doi.org/10.1007/978-3-319-89851-3 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Local and global myths in Shakespearean performance Intro; Preface; Acknowledgments; Contents; Notes on Contributors; List of Figures; Chapter 1: Introduction; Global Shakespeare as Myth; Myth in Performance; Structure of the Book; References; Part I: Myths of Linguistic Transcendence, Authenticity, Universality; Chapter 2: "Europe Speaks Shakespeare": Karin Beier's 1996 A Midsummer Night's Dream, Multilingual Performance and the Myth of Shakespeare's Linguistic Transcendence; References; Chapter 3: The Myth of Shakespearean Authenticity: Neoliberalism and Humanistic Shakespeare; The Macbeth Myth: Eradicating World Evil The Romeo Cameo: Curing the Gays, Academics, and (Shakespeare) HereticsReinscribing (Authentic) Normative Templates; References; Chapter 4: Shamanistic Shakespeare: Korea's Colonization of Hamlet; Yohangza's Hamlet: A Mythic Case Study; Korean Shamanism as Theatrical Entertainment; Hamlet, Han, and Anti-Japanese Sentiment; Korean Nationalism and Shamanic Reanimation; References; Part II: Myths of Local Identities and Global Icons; Chapter 5: Ludwig Tieck and the Development of the Romantic Myth of a "German Shakespeare"; Tieck's Romanticism: Passion and Bardolatry Developing the Myth of Shakespeare as "Inventor of the Human": Tieck as Romantic Author, Translator, and CriticMythmaking on the German Stage: Tieck as Shakespearean Director and Dramaturg; Conclusion: Tieck's Shakespeare: Romanticism, Myth, and Nation; References; Chapter 6: Shakespeare Beyond the Trenches: The German Myth of unser Shakespeare in Transnational Perspective; "Take Up Our Quarrel with the Foe": Locating the German Shakespeare Myth; Transgressive Shakespeares: From Fidelity to Verfremdung; Germany Going Global: The Bremer Shakespeare Company Transgression Transnationalized: Thomas Ostermeier and the SchaubühneRe-assembling the Myth: Shakespeare and the German Tradition; References; Chapter 7: "Tupi or Not Tupi, That Is the Question": Brazilian Mythical Afterlives of Shakespeare's Hamlet; Creative Cannibalism, Hybridity, and the "Space In-Between"; Mythic Perspectives in Shakespeare's Hamlet; Ham-let (1993), Directed by Zé Celso; Caixa-Preta's Syncretic Hamlet (2005), Directed by Jessé de Oliveira; Conclusion; References; Part III: Myths of Political Shakespeare Chapter 8: Hamlet and the Fall of the Berlin Wall: The Myth of Interventionist Shakespeare PerformanceGlobal Myths: Theater as Subversive Medium; Local Applications: "Undercover Shakespeare" in East Germany; Hamlet/Maschine and the Revolution; References; Chapter 9: Denmark's a Prison: Appropriating Modern Myths of Hamlet After 1989 in Lin Zhaohua's Hamulaite and Jan Klata's H.; Lin Zhaohua's Hamulaite1 (Hamlet); Jan Klata's H.6; Conclusion; References; Chapter 10: Hamlet in Times of War: Two Appropriations of Shakespeare's Tragedy in Former Yugoslavia in the 1990s Shakespeare, William 1564-1616 (DE-588)118613723 gnd Early Modern/Renaissance Literature Comparative Literature Postcolonial/World Literature Literature, Modern Comparative literature Literature Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4049716-1 (DE-588)4143413-4 |
| title | Local and global myths in Shakespearean performance |
| title_auth | Local and global myths in Shakespearean performance |
| title_exact_search | Local and global myths in Shakespearean performance |
| title_full | Local and global myths in Shakespearean performance edited by Aneta Mancewicz, Alexa Alice Joubin |
| title_fullStr | Local and global myths in Shakespearean performance edited by Aneta Mancewicz, Alexa Alice Joubin |
| title_full_unstemmed | Local and global myths in Shakespearean performance edited by Aneta Mancewicz, Alexa Alice Joubin |
| title_short | Local and global myths in Shakespearean performance |
| title_sort | local and global myths in shakespearean performance |
| topic | Shakespeare, William 1564-1616 (DE-588)118613723 gnd Early Modern/Renaissance Literature Comparative Literature Postcolonial/World Literature Literature, Modern Comparative literature Literature Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Shakespeare, William 1564-1616 Early Modern/Renaissance Literature Comparative Literature Postcolonial/World Literature Literature, Modern Comparative literature Literature Rezeption Aufsatzsammlung |
| url | https://doi.org/10.1007/978-3-319-89851-3 |
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