Cinematic vitalism: film theory and the question of life
This book draws new connections between twentieth-century German and French film theory and practice and vitalist conceptions of life from biology and philosophy. Inga Pollmann shows how the links between the two created a modernist, experimental, and cinematic strand of vitalism in and around the m...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2018]
|
| Schriftenreihe: | Film theory in media history
|
| Schlagworte: | |
| Online-Zugang: | Volltext Inhaltsverzeichnis |
| Zusammenfassung: | This book draws new connections between twentieth-century German and French film theory and practice and vitalist conceptions of life from biology and philosophy. Inga Pollmann shows how the links between the two created a modernist, experimental, and cinematic strand of vitalism in and around the movie theatre. Articulated by film theorists, filmmakers, biologists and philosophers, this cinematic vitalism maps out connections among human beings, milieus, and technologies that continue to structure our understanding of film |
| Beschreibung: | Erscheint auch als Open Access bei De Gruyter |
| Beschreibung: | 295 Seiten Illustrationen 25 cm |
| ISBN: | 9789462983656 |
| DOI: | 10.1515/9789048534005 |
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Table of Contents
Acknowledgments 7
Introduction: The sanguine, pulsating, enterprising modern life’:
Cinema and Vitalism
Taking Life for a Spin 9
Turn-of-the-century Vitalism and Philosophy of Life 20
Early Film Theory 27
Cinematic Vitalism 34
1. Vitalism and Abstraction 47
Rhythm and Non-Organic Life from Hans Richter to Sergei
Eisenstein
The Reinvention of Cinema in Abstract Film 47
A Universal Language 50
Bergson, Intuition, and Art 59
Setting Form into Motion: Scroll Paintings and Empathy 65
The Transition to Film 78
Back into Matter: from Abstraction to Montage 86
2. New Worlds 97
Uexkiill’s Umwelt Theory at the Movies
Forays 97
A Meditation on Mediated Dogs 103
The Agony of the Starfish: Uexküll’s Chronophotography 114
Of Ticks and Humans 123
Against Anthropocentrism: Umwelt and Cinema 127
A Necessary Field of Action: Benjamin, Umwelt, and Play 136
Painlevé’s Cinema of Bewilderment 147
3. The Interweaving of World and Self 163
Transformations of Mood in Expressionist and Kcunmerspiel Film
The Mediation of a Dog’s World 163
A Brief Aesthetic History of Stimmung 168
Turn-of-the-Century Stimmung and Cinema: Georg Simmel and
Hugo von Hofmannsthal 174
Balazs, Kammerspielfitm, and Expressionism 182
The Kammersplel Film: Naturalist Plots and Progressive Aesthetics 195
4- Open Bodies, Open Stories 207
Evolution, Narration, and Spectatorship in Post-war Film Theory
The Axolotl and Cinema: Bazin, Bergson, and Evolution 209
Cinema’s Milieu 221
Life and the Temporalities of Film and Painting 229
Post-Apocalyptic Life: Kracauer’s Theory of Film 237
Conclusion 257
Vital Media
Bibliography 269
Index of Films 287
Index of Names 289
Index of Subjects 293 |
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| spellingShingle | Pollmann, Inga Cinematic vitalism film theory and the question of life Vitalismus (DE-588)4188439-5 gnd Filmtheorie (DE-588)4071216-3 gnd |
| subject_GND | (DE-588)4188439-5 (DE-588)4071216-3 (DE-588)4018145-5 (DE-588)4011882-4 |
| title | Cinematic vitalism film theory and the question of life |
| title_auth | Cinematic vitalism film theory and the question of life |
| title_exact_search | Cinematic vitalism film theory and the question of life |
| title_full | Cinematic vitalism film theory and the question of life Inga Pollmann |
| title_fullStr | Cinematic vitalism film theory and the question of life Inga Pollmann |
| title_full_unstemmed | Cinematic vitalism film theory and the question of life Inga Pollmann |
| title_short | Cinematic vitalism |
| title_sort | cinematic vitalism film theory and the question of life |
| title_sub | film theory and the question of life |
| topic | Vitalismus (DE-588)4188439-5 gnd Filmtheorie (DE-588)4071216-3 gnd |
| topic_facet | Vitalismus Filmtheorie Frankreich Deutschland |
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