Film and fashion amidst the ruins of Berlin: from Nazism to the Cold War
This book steers attention toward two key aspects of German culture - film and fashion - that shared similar trajectories and multiple connections, looking at them not only in the immediate postwar years but as far back as 1939. They formed spectacular sites of the postwar recovery processes in both...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Woodbridge
Boydell & Brewer
2018
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Schriftenreihe: | Screen cultures
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Schlagworte: | |
Online-Zugang: | BSB01 KUBA3 UBG01 URL des Erstveröffentlichers |
Zusammenfassung: | This book steers attention toward two key aspects of German culture - film and fashion - that shared similar trajectories and multiple connections, looking at them not only in the immediate postwar years but as far back as 1939. They formed spectacular sites of the postwar recovery processes in both East and West Germany. Viewed against the background of the abundant fashion discourses in the Berlin-based press, the films discussed include classics such as <i> The Murderers Are among Us, Street Acquaintances</i>, and <i> Destinies of Women</i> as well as neglected works such as <i> The Heaven Above Us, Martina, Modell Bianka </i>, and <i> Ingrid </i>. These films' treatments of fashion during times of crisis offer subtle reflections on the everyday lives, desires, careers, and self-perceptions of the women who made up a large majority of the postwar public. Costume-in films produced both by DEFA and by West German studios-is a productive site to explore the intersections between realism and escapism and between film and fashion. With its focus on costumes within the context of the films' production, distribution, and reception, this book opens up wider discussions about the role of the costume designer, the ways film costumes can be read as intertexts, and the impact on audiences' behaviors and looks. The book reveals multiple connections between film and fashion, both across the temporal dividing line of 1945 and the Cold War split between East and West. Mila Ganeva is Professor of German at Miami University, Oxford, Ohio |
Beschreibung: | Title from publisher's bibliographic system (viewed on 22 Aug 2018) |
Beschreibung: | 1 Online-Ressource (x, 256 Seiten) Illustrationen, Faksimiles |
ISBN: | 9781787442955 |
DOI: | 10.1017/9781787442955 |
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author | Ganeva, Mila ca. 20. Jh |
author_GND | (DE-588)136155774 |
author_facet | Ganeva, Mila ca. 20. Jh |
author_role | aut |
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discipline | Allgemeines |
doi_str_mv | 10.1017/9781787442955 |
era | Geschichte 1939-1955 gnd Geschichte 1949-1955 gnd |
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spelling | Ganeva, Mila ca. 20. Jh. Verfasser (DE-588)136155774 aut Film and fashion amidst the ruins of Berlin from Nazism to the Cold War Mila Ganeva Woodbridge Boydell & Brewer 2018 1 Online-Ressource (x, 256 Seiten) Illustrationen, Faksimiles txt rdacontent c rdamedia cr rdacarrier Screen cultures Title from publisher's bibliographic system (viewed on 22 Aug 2018) This book steers attention toward two key aspects of German culture - film and fashion - that shared similar trajectories and multiple connections, looking at them not only in the immediate postwar years but as far back as 1939. They formed spectacular sites of the postwar recovery processes in both East and West Germany. Viewed against the background of the abundant fashion discourses in the Berlin-based press, the films discussed include classics such as <i> The Murderers Are among Us, Street Acquaintances</i>, and <i> Destinies of Women</i> as well as neglected works such as <i> The Heaven Above Us, Martina, Modell Bianka </i>, and <i> Ingrid </i>. These films' treatments of fashion during times of crisis offer subtle reflections on the everyday lives, desires, careers, and self-perceptions of the women who made up a large majority of the postwar public. Costume-in films produced both by DEFA and by West German studios-is a productive site to explore the intersections between realism and escapism and between film and fashion. With its focus on costumes within the context of the films' production, distribution, and reception, this book opens up wider discussions about the role of the costume designer, the ways film costumes can be read as intertexts, and the impact on audiences' behaviors and looks. The book reveals multiple connections between film and fashion, both across the temporal dividing line of 1945 and the Cold War split between East and West. Mila Ganeva is Professor of German at Miami University, Oxford, Ohio Geschichte 1939-1955 gnd rswk-swf Geschichte 1949-1955 gnd rswk-swf Fashion in motion pictures Costume / Germany / History / 20th century Motion pictures / Germany / History / 20th century Motion picture actors and actresses / Clothing / Germany / History / 20th century Fashion / Germany / History / 20th century Mode (DE-588)4039792-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Deutschland DDR (DE-588)4011890-3 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Deutschland DDR (DE-588)4011890-3 g Film (DE-588)4017102-4 s Mode (DE-588)4039792-0 s Geschichte 1949-1955 z 1\p DE-604 Deutschland (DE-588)4011882-4 g Geschichte 1939-1955 z 2\p DE-604 Erscheint auch als Druck-Ausgabe 9781571135766 (DE-604)BV045160912 https://doi.org/10.1017/9781787442955 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Ganeva, Mila ca. 20. Jh Film and fashion amidst the ruins of Berlin from Nazism to the Cold War Fashion in motion pictures Costume / Germany / History / 20th century Motion pictures / Germany / History / 20th century Motion picture actors and actresses / Clothing / Germany / History / 20th century Fashion / Germany / History / 20th century Mode (DE-588)4039792-0 gnd Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)4039792-0 (DE-588)4017102-4 (DE-588)4011890-3 (DE-588)4011882-4 |
title | Film and fashion amidst the ruins of Berlin from Nazism to the Cold War |
title_auth | Film and fashion amidst the ruins of Berlin from Nazism to the Cold War |
title_exact_search | Film and fashion amidst the ruins of Berlin from Nazism to the Cold War |
title_full | Film and fashion amidst the ruins of Berlin from Nazism to the Cold War Mila Ganeva |
title_fullStr | Film and fashion amidst the ruins of Berlin from Nazism to the Cold War Mila Ganeva |
title_full_unstemmed | Film and fashion amidst the ruins of Berlin from Nazism to the Cold War Mila Ganeva |
title_short | Film and fashion amidst the ruins of Berlin |
title_sort | film and fashion amidst the ruins of berlin from nazism to the cold war |
title_sub | from Nazism to the Cold War |
topic | Fashion in motion pictures Costume / Germany / History / 20th century Motion pictures / Germany / History / 20th century Motion picture actors and actresses / Clothing / Germany / History / 20th century Fashion / Germany / History / 20th century Mode (DE-588)4039792-0 gnd Film (DE-588)4017102-4 gnd |
topic_facet | Fashion in motion pictures Costume / Germany / History / 20th century Motion pictures / Germany / History / 20th century Motion picture actors and actresses / Clothing / Germany / History / 20th century Fashion / Germany / History / 20th century Mode Film Deutschland DDR Deutschland |
url | https://doi.org/10.1017/9781787442955 |
work_keys_str_mv | AT ganevamila filmandfashionamidsttheruinsofberlinfromnazismtothecoldwar |