Marching to the canon: the life of Schubert's Marche militaire
Marching to the Canon examines the history of Schubert's Marche militaire no.1 from its beginnings as a modest piano duet published for domestic consumption in 1826 to its ubiquitous presence over a century later. Myriad performances by professionals and amateurs made it Schubert's most re...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Rochester, NY
University of Rochester Press
2014
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| Schriftenreihe: | Eastman studies in music
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | Marching to the Canon examines the history of Schubert's Marche militaire no.1 from its beginnings as a modest piano duet published for domestic consumption in 1826 to its ubiquitous presence over a century later. Myriad performances by professionals and amateurs made it Schubert's most recognizable and beloved instrumental work. Its success was due to its chameleon-like ability to cross the still porous borders between canonic and popular repertories. This study of both its reception and impact offers a unique narrative that illuminates the world that enshrined its otherwise humble dimensions. After detailing the composition, publication, and reception of the original march, the book examines the impact of transcriptions and arrangements for solo piano, orchestra, band, and other settings. Contemporary to these versions was its symbolic manipulation during three conflicts involving France and Germany: the Franco-Prussian War and the two world wars. Multiple iterations created a performance life that made deep inroads into dance, literature, and film, and inspired quotations or allusions in other music. The work's creative uses are remarkably diverse, ranging from now obscure individuals to significant figures as varied as Willa Cather, Isadora Duncan, Walt Disney, and Igor Stravinsky. Scott Messing is Charles A. Dana Professor of Music at Alma College, and the author of Neoclassicism in Music and the two volume Schubert in the European Imagination |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 12 Apr 2018) |
| Beschreibung: | 1 online resource (xviii, 319 pages) |
| ISBN: | 9781580468589 |
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| 520 | |a Marching to the Canon examines the history of Schubert's Marche militaire no.1 from its beginnings as a modest piano duet published for domestic consumption in 1826 to its ubiquitous presence over a century later. Myriad performances by professionals and amateurs made it Schubert's most recognizable and beloved instrumental work. Its success was due to its chameleon-like ability to cross the still porous borders between canonic and popular repertories. This study of both its reception and impact offers a unique narrative that illuminates the world that enshrined its otherwise humble dimensions. After detailing the composition, publication, and reception of the original march, the book examines the impact of transcriptions and arrangements for solo piano, orchestra, band, and other settings. Contemporary to these versions was its symbolic manipulation during three conflicts involving France and Germany: the Franco-Prussian War and the two world wars. Multiple iterations created a performance life that made deep inroads into dance, literature, and film, and inspired quotations or allusions in other music. The work's creative uses are remarkably diverse, ranging from now obscure individuals to significant figures as varied as Willa Cather, Isadora Duncan, Walt Disney, and Igor Stravinsky. Scott Messing is Charles A. Dana Professor of Music at Alma College, and the author of Neoclassicism in Music and the two volume Schubert in the European Imagination | ||
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Datensatz im Suchindex
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| author | Messing, Scott |
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| contents | The original duet : composition, publication, performance, and reception -- Arranged for solo piano : Carl Tausig and his progeny -- Transcriptions : edification and entertainment -- The Marche militaire at war and peace -- Dance : Isadora Duncan and Loie Fuller -- Literature : from novel to ephemera -- Film : animated scores and Biedermeier dreams -- Allusion and quotation : Poulenc and Stravinsky |
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| dewey-full | 786.2/1897 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.2/1897 |
| dewey-search | 786.2/1897 |
| dewey-sort | 3786.2 41897 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV045155470 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:10:13Z |
| institution | BVB |
| isbn | 9781580468589 |
| language | English |
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| publishDate | 2014 |
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| publisher | University of Rochester Press |
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| series2 | Eastman studies in music |
| spelling | Messing, Scott Verfasser aut Marching to the canon the life of Schubert's Marche militaire Scott Messing Rochester, NY University of Rochester Press 2014 1 online resource (xviii, 319 pages) txt rdacontent c rdamedia cr rdacarrier Eastman studies in music Title from publisher's bibliographic system (viewed on 12 Apr 2018) The original duet : composition, publication, performance, and reception -- Arranged for solo piano : Carl Tausig and his progeny -- Transcriptions : edification and entertainment -- The Marche militaire at war and peace -- Dance : Isadora Duncan and Loie Fuller -- Literature : from novel to ephemera -- Film : animated scores and Biedermeier dreams -- Allusion and quotation : Poulenc and Stravinsky Marching to the Canon examines the history of Schubert's Marche militaire no.1 from its beginnings as a modest piano duet published for domestic consumption in 1826 to its ubiquitous presence over a century later. Myriad performances by professionals and amateurs made it Schubert's most recognizable and beloved instrumental work. Its success was due to its chameleon-like ability to cross the still porous borders between canonic and popular repertories. This study of both its reception and impact offers a unique narrative that illuminates the world that enshrined its otherwise humble dimensions. After detailing the composition, publication, and reception of the original march, the book examines the impact of transcriptions and arrangements for solo piano, orchestra, band, and other settings. Contemporary to these versions was its symbolic manipulation during three conflicts involving France and Germany: the Franco-Prussian War and the two world wars. Multiple iterations created a performance life that made deep inroads into dance, literature, and film, and inspired quotations or allusions in other music. The work's creative uses are remarkably diverse, ranging from now obscure individuals to significant figures as varied as Willa Cather, Isadora Duncan, Walt Disney, and Igor Stravinsky. Scott Messing is Charles A. Dana Professor of Music at Alma College, and the author of Neoclassicism in Music and the two volume Schubert in the European Imagination Schubert, Franz / 1797-1828 / Marches militaires / No 1 Schubert, Franz 1797-1828 Marches militaires (DE-588)300141017 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Entstehung (DE-588)4156614-2 gnd rswk-swf Schubert, Franz 1797-1828 Marches militaires (DE-588)300141017 u Entstehung (DE-588)4156614-2 s Rezeption (DE-588)4049716-1 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, hardback 9781580464383 https://www.cambridge.org/core/product/identifier/9781580468589/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Messing, Scott Marching to the canon the life of Schubert's Marche militaire The original duet : composition, publication, performance, and reception -- Arranged for solo piano : Carl Tausig and his progeny -- Transcriptions : edification and entertainment -- The Marche militaire at war and peace -- Dance : Isadora Duncan and Loie Fuller -- Literature : from novel to ephemera -- Film : animated scores and Biedermeier dreams -- Allusion and quotation : Poulenc and Stravinsky Schubert, Franz / 1797-1828 / Marches militaires / No 1 Schubert, Franz 1797-1828 Marches militaires (DE-588)300141017 gnd Rezeption (DE-588)4049716-1 gnd Entstehung (DE-588)4156614-2 gnd |
| subject_GND | (DE-588)300141017 (DE-588)4049716-1 (DE-588)4156614-2 |
| title | Marching to the canon the life of Schubert's Marche militaire |
| title_auth | Marching to the canon the life of Schubert's Marche militaire |
| title_exact_search | Marching to the canon the life of Schubert's Marche militaire |
| title_full | Marching to the canon the life of Schubert's Marche militaire Scott Messing |
| title_fullStr | Marching to the canon the life of Schubert's Marche militaire Scott Messing |
| title_full_unstemmed | Marching to the canon the life of Schubert's Marche militaire Scott Messing |
| title_short | Marching to the canon |
| title_sort | marching to the canon the life of schubert s marche militaire |
| title_sub | the life of Schubert's Marche militaire |
| topic | Schubert, Franz / 1797-1828 / Marches militaires / No 1 Schubert, Franz 1797-1828 Marches militaires (DE-588)300141017 gnd Rezeption (DE-588)4049716-1 gnd Entstehung (DE-588)4156614-2 gnd |
| topic_facet | Schubert, Franz / 1797-1828 / Marches militaires / No 1 Schubert, Franz 1797-1828 Marches militaires Rezeption Entstehung |
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