Sensuous cinema: the body in contemporary Maghrebi film
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Bloomsbury Academic
2018
|
| Schriftenreihe: | Thinking cinema
Volume 7 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | vi, 181 Seiten Illustrationen |
| ISBN: | 9781501335983 |
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Datensatz im Suchindex
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CONTENTS
Acknowledgements vii
1 Introduction i
A note on terminology 2
The body in contemporary Maghrebi(-French) cinemas 3
From transnationalism to transvergence: Situating
Maghrebi(-French) cinemas 7
Understanding embodiment: Phenomenology, Islamic mysticism
and feminist (film) theory 11
A note on chapter structure and corpus selection 20
2 The Materiality of Exile 29
Introduction 29
‘Je suis une étrangère de partout5: The material realities of exile in
Tony Gatlif’s Exils 30
Physical displacement and corporeal alienation in Rabah
Ameur-Zaïmeche’s Bled Number One 38
Embodied encounters in Mehdi Charef’s La Fille de Keltoum 44
Conclusion 52
3 Dance, Performance and the Moving Body 59
Introduction 59
From exoticism to empowerment: Belly dance in Arab culture 59
From the cabaret to the silver screen: Images of belly dance in
cinema 63
Trance and the spiritual body 64
Representations of belly dance and trance in contemporary
Maghrebi and French cinemas 65
Resistance and reinvention in Raja Amari’s Satin rouge 66
Reclaiming the belly dancing body in Abdellatif Kechiche’s
La Graine et le mulet 74
CONTENTS
Embodying the intercultural encounter: The Sufi trance scene
in Tony Gatlif’s Exils 82
Conclusion 85
4 Embodying Islam 91
Introduction 91
Women, gender and the body in early Islamic discourse 91
Islamic family law in the countries of the Maghreb 93
The female body in Islamic culture and tradition 94
Islam and the veil: (Un)covering the female body 95
Embodying religious oppression: Women in contemporary
Maghrebi cinema 98
Subverting spiritualism in Yasmine Kassari’s UEnfant endormi 99
Veiled desires in Aziz Salmy’s Amours voilées 105
‘Tu es une femme, un tabou, un corps interdit": Uncovering
Tunisian women’s bodies in Nouri Bouzid’s Millefeuille 110
Veiling in Tunisia: A contested history 111
Gender, secularism and the body in Millefeuille 112
Conclusion 118
5 Queer Desires in the Maghreb and France 125
Introduction 125
Divergent sexual practices, the Qur’an and the Muslim
nation-state today 125
Queer Arab cinemas 130
Corporeal alienation and sexual exploitation in Abdellah Taïa’s
U Armée du salut 131
Sexual and spatial (re-)orientations in Rémi Lange’s Tarik el bob 138
Embodying queer sexual citizenship: Amal Bedjaoui’s Un fils 146
Sexual citizenship in France 147
Conclusion 152
6 Conclusion 159
Bibliography 167
Filmography 174
Index 176
'Kayo Davies Hayon oners a compelling end nuanced reading of contemporary MagnreDi kirns
focusing oil corporeal desire as they challenge the sociopolitical and cultural normative practices
of MagnreDi societies'.
Valérie K. Orlando, Professor, French and Francophone Literatures and Cultures, University of
Maryland, College Park, USA, and author of The Algerian New Novel: The Poetics of a Modern
Nation, 7950-7979(2017)and New African Cinemai 2017)
‘Sensuous Cinema is an originai, i'houghtfui account of the \ ole of the body and "e\nbodied
subjectivities" in contemporary Maghreoi and Maghrebi-Fiench filrnrnaking. Davies hayon
productively draws on a range of critical traditions, such as the Cinematic haptic, phenomenology,
queer theory, and Western and Muslim feminism to offer a careful and sensitive analysis of a number
of under-examined works. This book is a valuable contribution to the study of recent Nor in Afhcan
filmmakers and filmmaking practices, and wH be of interest to scholars and students of ism studies,
French and Francophone visual culture, postcolonlai studies, and gender and sexuality1.
Maria Flood, Lecturer in Film Studies, Keele University, UK
'Sensuous Cinema provides novel insight into corporeality as a defining concern of recent films
about characters of Maghrebi heritage, and unearths fascinating connections between conceptions
of embodied subjectivity from different regions of the world, in these ways, this carefully researched
and astutew argued book makes a distinctive and powerful contribution to the contemporary
debate over how Tims explore the significance of bodies',
Libby Saxton, Senior Lecturer in Film Studies, Queen Mary University of London, UK
Sensuous Cinema: The Body in Contemporary Maghrebi Film examines a cluster of recent
films that feature Maghrebi(-French) people and position corporeality as a site through which
subjectivity and self-other relations are constituted and experienced. These films are set in and
between the countries of the Maghreb, France and, to a lesser degree, Switzerland, and often
adopt a sensual aesthetic that prioritizes embodied knowledge, the interrelation of the senses
and the materia! realities of emotional experience. However, despite the importance of the
body in these films, no study to date has taken corporeality as its primary point of concern.
This new addition to the Thinking Cinema series interweaves corporeal phenomenology
with theological and feminist scholarship on the body from the Maghreb and the Middle East
to examine how Maghrebi(-French) people of different genders, ethnicities, sexualities, ages
and classes have been represented corporeally in contemporary Maghrebi and French cinemas.
Via detailed textual and phenomenological analyses of films such as Red Satin (Amari, 2002),
£x/7es(Gatlif# 2004), Couscous (Kechiche, 2007) and Salvation Army (TaVa, 2014), Kaya Davies
Hayon conveys the pivotal role that corporeality plays in articulating identity and the emotions
in these films.
KAYA DAVIES HAYON is Post-doctoral Researcher and Visiting Lecturer in the Modern
Languages department at the University of Chester, UK. |
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| spelling | Davies Hayon, Kaya Verfasser (DE-588)1168481279 aut Sensuous cinema the body in contemporary Maghrebi film Kaya Davies Hayon New York Bloomsbury Academic 2018 vi, 181 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Thinking cinema Volume 7 Sinne (DE-588)4055113-1 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Leiblichkeit (DE-588)4114388-7 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Maghreb (DE-588)4036963-8 gnd rswk-swf Maghreb (DE-588)4036963-8 g Frankreich (DE-588)4018145-5 g Film (DE-588)4017102-4 s Sinne (DE-588)4055113-1 s Leiblichkeit (DE-588)4114388-7 s DE-604 Erscheint auch als Online-Ausgabe, ePDF 978-1-5013-3600-3 Erscheint auch als Online-Ausgabe 978-1-5013-3599-0 Thinking cinema Volume 7 (DE-604)BV042061044 7 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030528892&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030528892&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Davies Hayon, Kaya Sensuous cinema the body in contemporary Maghrebi film Thinking cinema Sinne (DE-588)4055113-1 gnd Film (DE-588)4017102-4 gnd Leiblichkeit (DE-588)4114388-7 gnd |
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| title | Sensuous cinema the body in contemporary Maghrebi film |
| title_auth | Sensuous cinema the body in contemporary Maghrebi film |
| title_exact_search | Sensuous cinema the body in contemporary Maghrebi film |
| title_full | Sensuous cinema the body in contemporary Maghrebi film Kaya Davies Hayon |
| title_fullStr | Sensuous cinema the body in contemporary Maghrebi film Kaya Davies Hayon |
| title_full_unstemmed | Sensuous cinema the body in contemporary Maghrebi film Kaya Davies Hayon |
| title_short | Sensuous cinema |
| title_sort | sensuous cinema the body in contemporary maghrebi film |
| title_sub | the body in contemporary Maghrebi film |
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