The aesthetics and multimodality of style: experimental research on the edge of theory
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin
Peter Lang
[2018]
|
| Schriftenreihe: | Sprache - Medien - Innovationen
Band 11 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 259 pages Illustrationen |
| ISBN: | 9783631675625 |
Internformat
MARC
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| 245 | 1 | 0 | |a The aesthetics and multimodality of style |b experimental research on the edge of theory |c Martin Siefkes/Emanuele Arielli |
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| 300 | |a 259 pages |b Illustrationen | ||
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| 650 | 4 | |a Style (Philosophy) | |
| 650 | 4 | |a Aestethics | |
| 650 | 4 | |a Arts |x Philosophy | |
| 700 | 1 | |a Arielli, Emanuele |e Verfasser |4 aut | |
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Datensatz im Suchindex
| _version_ | 1804178796242272256 |
|---|---|
| adam_text | Martin Siefkes / Emanuele Arielli
The Aesthetics and
Multimodality of Style
Experimental Research on the Edge of Theory
PETER LANG
Contents
Introduction 11
Chapter I: Investigating ‘style’ as a general concept 17
1 1 Theory and empirical investigation in stylistics 17
1 2 What is style? 18
121 Definitions 18
122 Style in different areas 24
123 Style and function 25
124 Style and content 28
125 Style and information 31
Chapter II: How do we perceive style? 35
II 1 Style and pattern recognition 35
11 2 A separate level of processing? 40
11 3 Aspects of style perception 43
11 3 1 Perception of invariances 43
11 3 2 Top-down and bottom-up processing 44
11 3 3 Style and expectations 47
11 3 4 Perceptual relevance and salience 48
11 4 What does it mean to ‘recognize’ a style? 51
11 4 1 How do we perceive stylistic similarity? 51
11 4 2 Recognition on the basis of stylistic features 58
11 4 3 Perceptual qualities of style 68
11 4 4 Gestalt patterns in style recognition 71
11 5 Interpretation of style 73
11 6 Categorization of styles 75
11 6 1 Prototype theory and stylistic categorization 75
11 6 2 Measures for the distance of styles 78
11 6 3 Empirical findings 81
11 7 The role of expertise in style perception 84
11 8 Style learning 86
11 8 1 Style and knowledge 88
11 8 2 Conventionalization and formation of style categories 90
11 9 Computational models of style 91
11 9 1 Bilinear models 92
11 9 2 Principal component analysis 96
Chapter III: Creating and using styles 99
III 1 Where does an individual style come from? 99
III 1 1 Style and embodiment 102
111 1 2 Sketching 103
111 1 3 Neuroscientific research 105
111 2 Perceptual mechanisms and style 107
111 2 1 Pictorial styles and visual perception 107
111 2 2 Balance and tension 109
111 2 3 Style and the expression of emotional qualities 110
111 2 4 Musical styles and auditory perception 115
111 3 Personality and style 116
111 3 1 Cognitive theories of individual creativity 119
111 4 Generative models of style 122
111 4 1 Shape grammars 122
111 4 2 Styles as algorithms 126
Chapter IV: Does stylistic change follow laws? 131
IV 1 Early approaches to stylistic change 131
IV 2 Reasons for the diversification of style 134
IV 2 1 Effects of familiarity 135
IV 2 2 The ‘bored eye’ and neophilia 138
IV 2 3 The peak shift effect and stylistic change 139
IV 2 4 Experiments simulating stylistic change 145
Chapter V: Style and multimodality 151
V 1 Multimodality: a new approach to communication 151
V 2 Multimodal stylistics 154
V 3 Intermodality 159
V31 Style in different modes 159
V32 Stylistic relations between modes 161
V33 Experiments on intermodality 163
V34 Intermodality in film and video 165
V 4 From individual to social style 169
V 5 Style in the media 172
V 6 Multimodal style and genre 175
Chapter VI: Style and aesthetic preference 179
VI l The relationship between style and aesthetics 179
VI 1 1 Experimental aesthetics 180
VI 1 2 Fechner’s principles 183
VI 1 3 Aesthetic experience in relation to stimulus properties 186
VI 1 4 Meaning and preference 190
VI 1 5 Aesthetic judgment of style as a pre-conscious “automatic
process 192
VI 2 Style and our perceptual systems 193
VI 2 1 Perceptual schemata 194
VI 2 2 Aesthetic properties of visual perception 197
VI 2 3 Eye movements and aesthetic pleasure 200
VI 2 4 The peak shift effect in visual perception: from pin-ups to
Mannerism 201
VI 3 Style, aesthetics and cognitive processes 203
VI 3 1 Fluency 203
VI 3 2 Mere exposure effects in relation to style 204
VI 3 3 Contextual effects 207
VI 4 Style and neuroscience 210
VI 4 1 Neuroaesthetics • 210
VI 4 2 What do we see in brain scans? 212
VI 5 Aesthetic experiences, emotions, and style 213
Conclusion 217
List of figures 223
Bibliography 227
Index 255
|
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| isbn | 9783631675625 |
| language | English |
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| physical | 259 pages Illustrationen |
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| spelling | Siefkes, Martin 1977- (DE-588)1025494660 aut The aesthetics and multimodality of style experimental research on the edge of theory Martin Siefkes/Emanuele Arielli Berlin Peter Lang [2018] 259 pages Illustrationen txt rdacontent n rdamedia nc rdacarrier Sprache - Medien - Innovationen Band 11 Includes bibliographical references and index Style (Philosophy) Aestethics Arts Philosophy Arielli, Emanuele Verfasser aut Erscheint auch als Online-Ausgabe, PDF 978-3-653-07090-3 Erscheint auch als Online-Ausgabe, EPUB 978-3-631-71148-4 Erscheint auch als Online-Ausgabe, MOBI 978-3-631-71149-1 Sprache - Medien - Innovationen Band 11 (DE-604)BV039339578 11 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030524267&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Siefkes, Martin 1977- Arielli, Emanuele The aesthetics and multimodality of style experimental research on the edge of theory Sprache - Medien - Innovationen Style (Philosophy) Aestethics Arts Philosophy |
| title | The aesthetics and multimodality of style experimental research on the edge of theory |
| title_auth | The aesthetics and multimodality of style experimental research on the edge of theory |
| title_exact_search | The aesthetics and multimodality of style experimental research on the edge of theory |
| title_full | The aesthetics and multimodality of style experimental research on the edge of theory Martin Siefkes/Emanuele Arielli |
| title_fullStr | The aesthetics and multimodality of style experimental research on the edge of theory Martin Siefkes/Emanuele Arielli |
| title_full_unstemmed | The aesthetics and multimodality of style experimental research on the edge of theory Martin Siefkes/Emanuele Arielli |
| title_short | The aesthetics and multimodality of style |
| title_sort | the aesthetics and multimodality of style experimental research on the edge of theory |
| title_sub | experimental research on the edge of theory |
| topic | Style (Philosophy) Aestethics Arts Philosophy |
| topic_facet | Style (Philosophy) Aestethics Arts Philosophy |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030524267&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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